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Even if he did win, the King when he returns, will find out about all his countless crimes, including genocide, mass murder, and burning ''his own capital'' to the ground. In absolute fury he will have him executed, and Frollo, as the Minister of Justice knows full well the consequences of his crimes (the Hellfire sequence shows he's completely self-aware of this). This is why he's so desperate to have Esmeralda; it is his only chance of experiencing pleasure in his life before his inevitable demise. Trying to kill Esmeralda can even be a case of SeeYouInHell; [[IfICantHaveYou if he can't have her in this world, he will have her in the next]].

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Even if he did win, the King when he returns, will find out about all his countless crimes, including genocide, mass murder, murder of countless Paraisian citizens, and even burning ''his own capital'' to the ground. In absolute fury he will have him executed, and Frollo, as the Minister of Justice knows full well the consequences of his crimes (the Hellfire sequence shows he's completely self-aware of this). This is why he's so desperate to have Esmeralda; it is his only chance of experiencing pleasure in his life before his inevitable demise. Trying to kill Esmeralda can even be a case of SeeYouInHell; [[IfICantHaveYou if he can't have her in this world, he will have her in the next]].
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[[WMG: Frollo already knew he's going to die and go to Hell.]]
Even if he did win, the King when he returns, will find out about all his countless crimes, including genocide, mass murder, and burning ''his own capital'' to the ground. In absolute fury he will have him executed, and Frollo, as the Minister of Justice knows full well the consequences of his crimes (the Hellfire sequence shows he's completely self-aware of this). This is why he's so desperate to have Esmeralda; it is his only chance of experiencing pleasure in his life before his inevitable demise. Trying to kill Esmeralda can even be a case of SeeYouInHell; [[IfICantHaveYou if he can't have her in this world, he will have her in the next]].
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* As mentioned above, the father could have been ''Frollo'' himself.
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[[WMG: Quasimodo is Frollo's son.]]

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[[WMG: Quasimodo is IS Frollo's son.]]



This explains why Frollo has an obsession with Esmeralda, as she looks so similar to the other gypsy woman he loved. Along with that, it explains why Quasi doesn't have the distinctive gypsy look, and instead is more fair skinned with red hair.

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This explains why Frollo is so ashamed of Quasi, and has an obsession with Esmeralda, as she looks so similar to the other gypsy woman he loved. Along with that, it explains why Quasi doesn't have the distinctive gypsy look, and instead is more fair skinned with red hair.
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[[WMG: Frollo likes a forceful woman.]]

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[[WMG: Frollo likes a forceful forceful, strong, independent woman.]]
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[[WMG: The little girl who approaches Quasi at the end is the Virgin Mary herself.]]
* According to legend, when Mary was a small child her parents took her to the Temple in Jerusalem to be dedicated to God. Artistic depictions of this event show her climbing the Temple's steps in a way that [[https://www.tektonministries.org/wp-content/uploads/2016/11/Presentation-of-the-Blessed-Virgin-Mary.jpg closely resembles]] the [[https://static.cinemagia.ro/img/db/movie/00/01/64/the-hunchback-of-notre-dame-605350l.jpg scene in the movie]]. Throughout the film, Mary -- as embodied by the cathedral named for her -- has functioned as a strong defender, a MamaBear figure. But after Frollo's evil is defeated, perhaps she chooses to bless the good characters with a quieter, more vulnerable aspect of herself.
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[[WMG: Esmerelda was kidnapped by her father]]
Since even in the novel she's AmbigouslyBrown she probably has a Gypsy father; she was taken not by an evil Gypsy who liked to steal babies but rather her father, explaining why she was treated so well.
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[[WMG: Frollo when to [[Literature/TheDivineComedy Cocytus]] when he died]]

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[[WMG: Frollo when went to [[Literature/TheDivineComedy Cocytus]] when he died]]
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* It's the [[CirclesOfHell Circle Of Hell]] for treason, which is considered the [[TreacheryIsASpecialKindOfEvil worst kind of sin,]] and Frollo commits several acts that would count as treasonous (burning down half of Paris, mistreating Quasimodo despite swearing an oath to protect and raise him, flagrantly violating the SeekingSancutuary rule in the Cathedral). Although he at least [[EvilIsDeathlyCold won't have to worry about HellFIRE there.]]

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* It's the [[CirclesOfHell Circle Of Hell]] for treason, which is considered the [[TreacheryIsASpecialKindOfEvil worst kind of sin,]] and Frollo commits several acts that would count as treasonous (burning down half of Paris, mistreating Quasimodo despite swearing an oath to protect and raise him, flagrantly violating the SeekingSancutuary SeekingSanctuary rule in the Cathedral). Although he at least [[EvilIsDeathlyCold won't have to worry about HellFIRE there.]]
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[[WMG: Frollo when to [[Literature/TheDivineComedy Cocytus]] when he died]]
* It's the [[CirclesOfHell Circle Of Hell]] for treason, which is considered the [[TreacheryIsASpecialKindOfEvil worst kind of sin,]] and Frollo commits several acts that would count as treasonous (burning down half of Paris, mistreating Quasimodo despite swearing an oath to protect and raise him, flagrantly violating the SeekingSancutuary rule in the Cathedral). Although he at least [[EvilIsDeathlyCold won't have to worry about HellFIRE there.]]
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Unless otherwise noted, these Wild Mass Guesses refer to [[WesternAnimation/TheHunchbackOfNotreDame the Disney film]].

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Unless otherwise noted, these Wild Mass Guesses refer to [[WesternAnimation/TheHunchbackOfNotreDame [[WesternAnimation/TheHunchbackOfNotreDameDisney the Disney film]].
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**though Disney has never allowed itself to be constrained by historical accuracy, Hunchback is clearly meant to be roughly situated in the medieval or very early modern period, while BatB should be a couple centuries later--Gaston's

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* Frollo is animated as an old man. He appears to be in his 60s, maybe even 70s. But in reality, he's quite a bit younger, probably only in his thirties or forties, ''maybe'' fifties. He is quite active in the movie for an older man. He does a lot of hard horseback riding, is evidently a powerful and capable swordsman, and in the climax does quite a bit of running about without seeming to get winded at all. Also, it seems quite unbelievable that a man in his sixth or so decade of life would have never experienced intense lust before--and would be so disturbed and discomfited by the emotion that it drives him to do everything Frollo does in the movie. It would be a bit more believable, though still a bit of a stretch, if he was, say thirty-five. Finally, in the final battle at the end, when he tosses the archdeacon aside he refers to him as an 'old fool.' It's hardly impossible for one old man to call another an 'old fool,' but it would make even more sense if he said that because the archdeacon ''was'' old, and he was not. He appears old to us because he is Quasimodo's master, in a clear position of authority over him, so Quasi (who is of course, even younger, twenty or so) perceives him as a stern old man, even though really, he isn't.

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* Frollo is animated as an old man. He appears to be in his 60s, maybe even 70s. But in reality, he's quite a bit younger, probably only in his thirties or forties, ''maybe'' fifties. He is quite active in the movie for an older man. He does a lot of hard horseback riding, is evidently a powerful and capable swordsman, and in the climax does quite a bit of running about without seeming to get winded at all. Also, it seems quite unbelievable that a man in his sixth or so decade of life would have never experienced intense lust before--and would be so disturbed and discomfited by the emotion that it drives him to do everything Frollo does in the movie. It would be a bit more believable, though still a bit of a stretch, if he was, say thirty-five. Finally, in the final battle at the end, when he tosses the archdeacon aside he refers to him as an 'old fool.' It's hardly impossible for one old man to call another an 'old fool,' but it would make even more sense if he said that because the archdeacon ''was'' old, and he was not.
He appears old to us because he is Quasimodo's master, in a clear position of authority over him, so Quasi (who is of course, even younger, twenty or so) perceives him as a stern old man, even though really, he isn't.

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* Frollo is animated as an old man. He appears to be in his 60s, maybe even 70s. But in reality, he's quite a bit younger, probably only in his thirties or forties, ''maybe'' fifties. He is quite active in the movie for an older man. He does a lot of hard horseback riding, is evidently a powerful and capable swordsman, and in the climax does quite a bit of running about without seeming to get winded at all. Also, it seems quite unbelievable that a man in his sixth or so decade of life would have never experienced intense lust before--and would be so disturbed and discomfited by the emotion that it drives him to do everything Frollo does in the movie. It would be a bit more believable, though still a bit of a stretch, if he was, say thirty-five.
He is Quasimodo's master, in a clear position of authority over him, so Quasi (who is of course, even younger, twenty or so) perceives him as a stern old man, even though really, he isn't.

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* Frollo is animated as an old man. He appears to be in his 60s, maybe even 70s. But in reality, he's quite a bit younger, probably only in his thirties or forties, ''maybe'' fifties. He is quite active in the movie for an older man. He does a lot of hard horseback riding, is evidently a powerful and capable swordsman, and in the climax does quite a bit of running about without seeming to get winded at all. Also, it seems quite unbelievable that a man in his sixth or so decade of life would have never experienced intense lust before--and would be so disturbed and discomfited by the emotion that it drives him to do everything Frollo does in the movie. It would be a bit more believable, though still a bit of a stretch, if he was, say thirty-five. \n Finally, in the final battle at the end, when he tosses the archdeacon aside he refers to him as an 'old fool.' It's hardly impossible for one old man to call another an 'old fool,' but it would make even more sense if he said that because the archdeacon ''was'' old, and he was not. He appears old to us because he is Quasimodo's master, in a clear position of authority over him, so Quasi (who is of course, even younger, twenty or so) perceives him as a stern old man, even though really, he isn't.

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He is Quasimodo's master, in a clear position of authority over him, so Quasi views him as a stern old man, even though really, he isn't.

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\nHe is Quasimodo's master, in a clear position of authority over him, so Quasi views (who is of course, even younger, twenty or so) perceives him as a stern old man, even though really, he isn't.
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[[WMG: Frollo isn't actually that old--Quasimodo just sees him that way, and the movie is from Quasi's perspective]]
* Frollo is animated as an old man. He appears to be in his 60s, maybe even 70s. But in reality, he's quite a bit younger, probably only in his thirties or forties, ''maybe'' fifties. He is quite active in the movie for an older man. He does a lot of hard horseback riding, is evidently a powerful and capable swordsman, and in the climax does quite a bit of running about without seeming to get winded at all. Also, it seems quite unbelievable that a man in his sixth or so decade of life would have never experienced intense lust before--and would be so disturbed and discomfited by the emotion that it drives him to do everything Frollo does in the movie. It would be a bit more believable, though still a bit of a stretch, if he was, say thirty-five.

He is Quasimodo's master, in a clear position of authority over him, so Quasi views him as a stern old man, even though really, he isn't.
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# The Archdeacon moves to intervene when Frollo has Esmeralda on the stake, but is blocked from leaving the church by the guards. In other words, he is actively suppressing his own morals.
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* Note how she calls him "little one" , rather than any particular ''name''.
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** ''Especially'' when her flirting's likely something she does for ''many'' of her performances.
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* Then the younger man ''with'' her may not have been his ''dad'' , but rather his ''uncle''.
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[[WMG: The Notre Dame fire damage of April 15 2019 never happened in this universe.]]

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[[WMG: The Notre Dame fire damage of April 15 15, 2019 never happened in this universe.]]

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assuming the gargoyles are figments of his imagination, then Hugo being interested in a male goat may give insight into Quasi's view on guys being into guys, e.g., he considers it normal, considering the time period, and who he was raised by, this is kinda odd, but seeing as Frollo seems to be heterosexual, he may not have touched on same sex relationships, leaving Quasimodo to come to his own conclusion based on his own (albeit limited) experiences

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assuming the gargoyles are figments of his imagination, then Hugo being interested in a male goat may give insight into Quasi's view on guys being into guys, e.g., he considers it normal, considering the time period, and who he was raised by, this is kinda odd, but seeing as Frollo seems to be heterosexual, he may not have touched on same sex relationships, leaving Quasimodo to come to his own conclusion based on his own (albeit limited) experiencesexperiences.

[[WMG: Claude Frollo is [[Literature/{{Carrie}} Margaret White's]] ancestor.]]
* They are both [[KnightTemplar evil]] [[TheFundamentalist religious fanatics]] who treat their children horribly (even if Quasimodo is "adopted") and think everyone but them is going to Hell.

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[[WMG: The Notre Dame fire damage of April 15 2019 never happened in this universe.]]



[[WMG: Quasi's Gargoyle friends are still alive in the present day and caused the Notre Dame fire ]]
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[[WMG: Quasi's Gargoyle friends are still alive in the present day and caused the Notre Dame fire ]]
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[[WMG: The guard who interrupts Hellfire is actually an angel sent by God.]]
Frollo's prayer during his song was indeed answered and the guard who interrupted was an angel sent to help him. The light behind the guard is the light of Heaven and the fire behind Frollo is Hell. The guard's tone sounds calm and pleading in comparison to the usual boorish and rude tone the Brutish and Oafish guards have. The guard sounds as though he's pleading for Frollo to let go of his self-destructive obsession. Despite Frollo having previously prayed to be free of his lust for Esmeralda, instead of listening to the angel, Frollo gives into his obsession and starts to hunt down Esmeralda. The door being shut behind the guard after Frollo tells him to get out symbolizes Frollo denying himself entrance into Heaven.
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** It might also be that the creators of the game have taken inspiration from Quasi to create Ralph instead. There are other videogames inspired by literature, anyway...
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[[WMG: Clopin made up the entire story.]]
Clopin recounts events in Quasimodo’s life that only Frollo and the Archdeacon would have known, people he (to our knowledge) had no contact with.

Secondly, Quasimodo was born to a Gypsy mother, yet he’s white with red hair? A lapse in Clopin’s memory whilst recounting the story?

Furthermore, he might be going out of his way to demonize Frollo, someone who hated his kind, and glorifying Esmeralda, Quasimodo, and Phoebus.

Also, talking gargoyles? Even if that were real, would Quasi REALLY be telling people about them?

Not to mention the shameless self-inserts.
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Dewicking per TRS decision.


[[WMG: Quasimodo is [[BiTheWay bisexual]]]]

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[[WMG: Quasimodo is [[BiTheWay bisexual]]]]bisexual]]
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Unless otherwise noted, these Wild Mass Guesses refer to [[Disney/TheHunchbackOfNotreDame the Disney film]].

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Unless otherwise noted, these Wild Mass Guesses refer to [[Disney/TheHunchbackOfNotreDame [[WesternAnimation/TheHunchbackOfNotreDame the Disney film]].



[[WMG: Frollo suspects and fears magic because of ''Disney/BeautyAndTheBeast''.]]

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[[WMG: Frollo suspects and fears magic because of ''Disney/BeautyAndTheBeast''.''WesternAnimation/BeautyAndTheBeast''.]]



* For bonus points, if this goes on long enough, France would probably end up split apart into several mini-countries ruled by noblemen-turned-Kings. This could be where the early-19th-century ''Disney/{{Cinderella}}'', with its apparently-French small kingdom, comes in.

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* For bonus points, if this goes on long enough, France would probably end up split apart into several mini-countries ruled by noblemen-turned-Kings. This could be where the early-19th-century ''Disney/{{Cinderella}}'', ''WesternAnimation/{{Cinderella}}'', with its apparently-French small kingdom, comes in.
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Also, remember the scene where he burns down that one house? Notice that the moment he puts his torch the house it instantly burns up. Is this really a result of extreme flammability, or his he actually using flames from hell to burn it.

However, the biggest moment to support this is during the climax, which appears to take place in hell itself. As Frollo attempts to lay the final blow against Esmeralda, his eyes appear to turn yellow and says “he shall plunge the wicked into the fiery pit” a line that could either referrer to god, or the devil itself. However, as the cathedral breaks, he grabs on to a gargoyle. At that moment, the gargoyle springs to life, taking on a demon like face, and breaking to drop him into the pit of fire. It seems like that gargoyle could have actually been the face of the devil, which personally killed Frollo, perhaps as punishment for failing to kill Esmeralda and the rest.

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Also, remember the scene where he burns down that one house? Notice that the moment he puts his torch to it the house it instantly burns up. Is this really a result of extreme flammability, or his is he actually using flames from hell to burn it.

it?

However, the biggest moment to support this is during the climax, which appears to take place in hell itself. As Frollo attempts to lay the final blow against Esmeralda, his eyes appear to turn yellow and says “he “He shall plunge the wicked into the fiery pit” a line that could either referrer refer to god, or the devil itself. However, as the cathedral breaks, he grabs on to a gargoyle. At that moment, the gargoyle springs to life, taking on a demon like face, and breaking to drop him into the pit of fire. It seems like that gargoyle could have actually been the face of the devil, which personally killed Frollo, perhaps as punishment for failing to kill Esmeralda and the rest.

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