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Names The Same disambig
Deleted line(s) 2,4 (click to see context) :
* NamesTheSame:
** "We're an American Band" on "I Can Hear the Heart Beating as One" isn't a Music/GrandFunkRailroad cover.
** ''There's a Riot Going On'' is an intentional ShoutOut to Music/SlyAndTheFamilyStone's 1971 classic ''Music/TheresARiotGoinOn''.
** "We're an American Band" on "I Can Hear the Heart Beating as One" isn't a Music/GrandFunkRailroad cover.
** ''There's a Riot Going On'' is an intentional ShoutOut to Music/SlyAndTheFamilyStone's 1971 classic ''Music/TheresARiotGoinOn''.
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Changed line(s) 4 (click to see context) from:
** ''There's a Riot Going On'' is an intentional ShoutOut to Music/SlyAndTheFamilyStone's 1971 classic ''There's a Riot Goin' On''.
to:
** ''There's a Riot Going On'' is an intentional ShoutOut to Music/SlyAndTheFamilyStone's 1971 classic ''There's a Riot Goin' On''.''Music/TheresARiotGoinOn''.
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Changed line(s) 2 (click to see context) from:
* NamesTheSame: "We're an American Band" on "I Can Hear the Heart Beating as One" isn't a Music/GrandFunkRailroad cover.
to:
* NamesTheSame: NamesTheSame:
** "We're an American Band" on "I Can Hear the Heart Beating as One" isn't a Music/GrandFunkRailroadcover.cover.
** ''There's a Riot Going On'' is an intentional ShoutOut to Music/SlyAndTheFamilyStone's 1971 classic ''There's a Riot Goin' On''.
** "We're an American Band" on "I Can Hear the Heart Beating as One" isn't a Music/GrandFunkRailroad
** ''There's a Riot Going On'' is an intentional ShoutOut to Music/SlyAndTheFamilyStone's 1971 classic ''There's a Riot Goin' On''.
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None
Changed line(s) 1 (click to see context) from:
* CreatorCouple: Kaplan and Hubley
to:
* CreatorCouple: Kaplan and HubleyHubley.
* NamesTheSame: "We're an American Band" on "I Can Hear the Heart Beating as One" isn't a Music/GrandFunkRailroad cover.
* NamesTheSame: "We're an American Band" on "I Can Hear the Heart Beating as One" isn't a Music/GrandFunkRailroad cover.
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Changed line(s) 5 (click to see context) from:
* WorkingTitle: [[http://www.avclub.com/article/yo-la-tengo-13648 An Ira Kaplan interview]] revealed that their songs frequently start out as instrumentals, which James [=McNew=] then gives silly titles to for the sake of keeping track. [=McNew=] started naming instrumental demos recorded for ''And Then Nothing Turned Itself Inside-Out'' after [[WesternAnimation/TheSimpsons Troy McLure films]], and Kaplan unexpectedly decided to make "Let's Save Tony Orlando's House" a PermanentPlaceholder, writing lyrics to fit the title.
to:
* WorkingTitle: [[http://www.avclub.com/article/yo-la-tengo-13648 An Ira Kaplan interview]] revealed that their songs frequently start out as instrumentals, which James [=McNew=] then gives silly titles to for the sake of keeping track. When [=McNew=] started naming instrumental demos recorded for ''And Then Nothing Turned Itself Inside-Out'' after [[WesternAnimation/TheSimpsons Troy McLure films]], and Kaplan unexpectedly decided to make one such title, "Let's Save Tony Orlando's House" House", a PermanentPlaceholder, writing PermanentPlaceholder and write lyrics to fit the title.revolving around that concept.
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Changed line(s) 5 (click to see context) from:
* WorkingTitle: [[http://www.avclub.com/article/yo-la-tengo-13648 An Ira Kaplan interview]] revealed that their songs frequently start out as instrumentals, which James [=McNew=] then gives silly titles to for the sake of keeping track. [=McNew=] started naming instrumental demos recorded for ''And Then Nothing Turned Itself Inside-Out'' after [[WesternAnimation/TheSimpsons Troy McLure films]], and Kaplan actually decided to keep the title of "Let's Save Tony Orlando's House", writing lyrics to fit the title.
to:
* WorkingTitle: [[http://www.avclub.com/article/yo-la-tengo-13648 An Ira Kaplan interview]] revealed that their songs frequently start out as instrumentals, which James [=McNew=] then gives silly titles to for the sake of keeping track. [=McNew=] started naming instrumental demos recorded for ''And Then Nothing Turned Itself Inside-Out'' after [[WesternAnimation/TheSimpsons Troy McLure films]], and Kaplan actually unexpectedly decided to keep the title of make "Let's Save Tony Orlando's House", House" a PermanentPlaceholder, writing lyrics to fit the title.
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Changed line(s) 4 (click to see context) from:
* ThePeteBest: Dave Schramm, the second guitarist who left after their first album (though he's occasionally appeared as a SpecialGuest since then), as well as pretty much any of the different bassists they worked with before James [=McNew=].
to:
* ThePeteBest: Dave Schramm, the second guitarist who left after their first album (though he's occasionally appeared as a SpecialGuest since then), then, and even rejoined the band in 2015), as well as pretty much any of the different bassists they worked with before James [=McNew=].
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Changed line(s) 4 (click to see context) from:
* ThePeteBest: Dave Schramm, the second guitarist who left after their first album, as well as pretty much any of the different bassists they worked with before James [=McNew=].
to:
* ThePeteBest: Dave Schramm, the second guitarist who left after their first album, album (though he's occasionally appeared as a SpecialGuest since then), as well as pretty much any of the different bassists they worked with before James [=McNew=].
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Added DiffLines:
** Exemplified by this article from Website/TheOnion: [[http://www.theonion.com/article/three-world-shaping-visionaries-hail-cottonelle-fl-116 37 Record-Store Clerks Feared Dead In Yo La Tengo Concert Disaster]]
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Added DiffLines:
* CreatorCouple: Kaplan and Hubley
* NoHitWonder: they've never achieved any sort of commercial success, but to indie kids and the Pitchfork Media crowd, they're gods.
* ThePeteBest: Dave Schramm, the second guitarist who left after their first album, as well as pretty much any of the different bassists they worked with before James [=McNew=].
* NoHitWonder: they've never achieved any sort of commercial success, but to indie kids and the Pitchfork Media crowd, they're gods.
* ThePeteBest: Dave Schramm, the second guitarist who left after their first album, as well as pretty much any of the different bassists they worked with before James [=McNew=].
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Added DiffLines:
* WorkingTitle: [[http://www.avclub.com/article/yo-la-tengo-13648 An Ira Kaplan interview]] revealed that their songs frequently start out as instrumentals, which James [=McNew=] then gives silly titles to for the sake of keeping track. [=McNew=] started naming instrumental demos recorded for ''And Then Nothing Turned Itself Inside-Out'' after [[WesternAnimation/TheSimpsons Troy McLure films]], and Kaplan actually decided to keep the title of "Let's Save Tony Orlando's House", writing lyrics to fit the title.
