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Trope was cut/disambiguated due to cleanup
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* SequelGap: Released a whole decade after ''Music/{{Us}}'', with the follow-up ''i/o'' finally releasing 21 years later.
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* SequelGap: Released a whole decade after ''Music/{{Us}}'', ''Music/{{Us|1992}}'', with the follow-up ''i/o'' finally releasing 21 years later.
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* SequelGap: Released a whole decade after ''Music/{{Us}}'', with the follow-up still in production nearly two decades later.
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* SequelGap: Released a whole decade after ''Music/{{Us}}'', with the follow-up still in production nearly two decades ''i/o'' finally releasing 21 years later.
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** "More Than This" is unrelated to the opening track of Music/RoxyMusic's ''Music/{{Avalon}}''.
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** "More Than This" is unrelated to the opening track of Music/RoxyMusic's ''Music/{{Avalon}}''.''Music/{{Avalon|RoxyMusic}}''.
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Moved from YMMV.
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* CreatorDrivenSuccessor: To ''Music/{{Melt}}'' and ''Music/{{Security}}'' at the same time, combining both albums' styles and trading out the heavy Fairlight CMI usage for even more versatile digital audio workstations.
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* BetterExportForYou: The initial Japanese release came with a bonus CD containing the Unadulterated Radio Edit of "The Barry Williams Show", the Royksopp Remix of "My Head Sounds Like That", and the radio edit of "Cloudless" from Gabriel's soundtrack to ''Film/RabbitProofFence''.
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* CutSong: A version of the song "Burn You Up, Burn You Down", featuring Music/TheBlindBoysOfAlabama, appeared in the initial pressings of ''Up'' given out to the press for review, but was then ultimately deleted from the album prior to release, likely because it didn't quite match the more aggressive tone of the rest of the album. The song would eventually appear on the GreatestHitsAlbum ''Hit'', in a very different mix, with a sound that more resembled the song's later appearance on ''Big Blue Ball''.
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* CutSong: A version of the song "Burn You Up, Burn You Down", featuring Music/TheBlindBoysOfAlabama, the Blind Boys of Alabama, appeared in the initial pressings of ''Up'' given out to the press for review, but was then ultimately deleted from the album prior to release, likely because it didn't quite match the more aggressive tone of the rest of the album. The song would eventually appear on the GreatestHitsAlbum ''Hit'', in a very different mix, with a sound that more resembled the song's later appearance on ''Big Blue Ball''.
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* PosthumousCredit: Nustret Fateh Ali Khan, who died during the album's production, is credited with "Additional Vocals" on "Signal to Noise".
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Realized that that's not actually what Society Marches On is for.
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* SocietyMarchesOn: In 2002, S&M lovers and transgender people really were considered taboo enough to be regularly exploited by tabloid talk show entertainers like the ones "The Barry Williams Show" criticizes. Since TheNewTens, however, both have made considerable headway in mainstream acceptance (with ''Literature/FiftyShadesOfGray'' in 2011 destigmatizing S&M and Caitlyn Jenner's coming out in 2015 energizing the trans rights movement), and while trans people are still heavy victims of prejudice and oppression, they're no longer seen as just fodder for trash TV by a large portion of western society.
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* AuthorExistenceFailure: Gabriel ended up taking so long to finish the album that one of his guest vocalists, Pakistani Qawwali singer Nusrat Fateh Ali Khan, ''died'' before he had the chance to record his vocals for "Signal to Noise"; Gabriel ultimately was forced to isolate archival audio from [[https://www.youtube.com/watch?v=B5KcEy3y23w an early live performance of the song]] with Khan, thus turning the studio version into a PosthumousCollaboration.
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* DiedDuringProduction: Gabriel ended up taking so long to finish the album that one of his guest vocalists, Pakistani Qawwali singer Nusrat Fateh Ali Khan, ''died'' before he had the chance to record his vocals for "Signal to Noise"; Gabriel ultimately was forced to isolate archival audio from [[https://www.youtube.com/watch?v=B5KcEy3y23w an early live performance of the song]] with Khan, thus turning the studio version into a PosthumousCollaboration.
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** The album shares a title with albums by Music/{{REM}} and Music/RightSaidFred, as well as [[WesternAnimation/{{Up}} a film]] by Creator/{{Pixar}}.
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** The album shares a title with albums by Music/{{REM}} and Music/RightSaidFred, as well as [[WesternAnimation/{{Up}} a film]] by Creator/{{Pixar}}. Gabriel even mentions on his official site how R.E.M. had beaten him to the punch with [[Music/UpREMAlbum their album title]].
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* SavedFromDevelopmentHell: Gabriel was working on the album for about 7 years-- he started working on it in 1995, it was supposed to be "near completion" in 1998, and yet it took four more years to finally see release.
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** According to Gabriel's website, "Darkness" was originally called "House in the Woods".
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** [[https://petergabriel.com/release/up/ According to Gabriel's website, website]], "Darkness" was originally called "House in the Woods".
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* CutSong: A version of the song "Burn You Up, Burn You Down", featuring Music/TheBlindBoysOfAlabama, appeared in the initial pressings of ''Up'' given out to the press for review, but was then ultimately deleted from the CD prior to release, likely because it didn't quite match the more aggressive tone of the rest of the album. The song would eventually appear on the GreatestHitsAlbum ''Hit'', in a very different mix, with a sound that more resembled the song's later appearance on ''Big Blue Ball''.
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* CutSong: A version of the song "Burn You Up, Burn You Down", featuring Music/TheBlindBoysOfAlabama, appeared in the initial pressings of ''Up'' given out to the press for review, but was then ultimately deleted from the CD album prior to release, likely because it didn't quite match the more aggressive tone of the rest of the album. The song would eventually appear on the GreatestHitsAlbum ''Hit'', in a very different mix, with a sound that more resembled the song's later appearance on ''Big Blue Ball''.
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* WhatCouldHaveBeen: Early promotional copies of the album on both CD and vinyl include the CutSong "Burn You Up, Burn You Down" and sequence it and "The Drop" between "I Grieve" and "The Barry Williams Show". Come the final release, "Burn You Up, Burn You Down" would be removed from the album and "The Drop" would be moved to the last spot.
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** "Darkness" was originally called "House in the Woods".
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** According to Gabriel's website, "Darkness" was originally called "House in the Woods".Woods".
** "No Way Out" was originally listed on promo copies as "Don't Leave".
** "No Way Out" was originally listed on promo copies as "Don't Leave".
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* CutSong: A version of the song "Burn You Up, Burn You Down", featuring Music/TheBlindBoysOfAlabama, appeared in the initial pressings of ''Up'' given out to the press for review, but was then ultimately deleted from the CD prior to release. The song would eventually appear on the GreatestHitsAlbum ''Hit'', in a very different mix, with a sound that more resembled the song's later appearance on ''Big Blue Ball''.
to:
* CutSong: A version of the song "Burn You Up, Burn You Down", featuring Music/TheBlindBoysOfAlabama, appeared in the initial pressings of ''Up'' given out to the press for review, but was then ultimately deleted from the CD prior to release.release, likely because it didn't quite match the more aggressive tone of the rest of the album. The song would eventually appear on the GreatestHitsAlbum ''Hit'', in a very different mix, with a sound that more resembled the song's later appearance on ''Big Blue Ball''.
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* WorkingTitle:
** "Darkness" was originally called "House in the Woods".
** ''I/O'' was tossed around as a potential name for the album, only for Gabriel to pick ''Up'' instead; ''I/O'' would later become the official title for the still-in-progress follow-up.
** "Darkness" was originally called "House in the Woods".
** ''I/O'' was tossed around as a potential name for the album, only for Gabriel to pick ''Up'' instead; ''I/O'' would later become the official title for the still-in-progress follow-up.
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* SimilarlyNamedWorks: "More Than This" is unrelated to the opening track of Music/RoxyMusic's ''Music/{{Avalon}}''.
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* SimilarlyNamedWorks: SimilarlyNamedWorks:
** The album shares a title with albums by Music/{{REM}} and Music/RightSaidFred, as well as [[WesternAnimation/{{Up}} a film]] by Creator/{{Pixar}}.
** "More Than This" is unrelated to the opening track of Music/RoxyMusic's ''Music/{{Avalon}}''.
** The album shares a title with albums by Music/{{REM}} and Music/RightSaidFred, as well as [[WesternAnimation/{{Up}} a film]] by Creator/{{Pixar}}.
** "More Than This" is unrelated to the opening track of Music/RoxyMusic's ''Music/{{Avalon}}''.
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* AuthorExistenceFailure: Gabriel ended up taking so long to finish the album that one of his guest vocalists, Pakistani Qawwali singer Nusrat Fateh Ali Khan, ''died'' before he had the chance to record his vocals for "Signal to Noise"; Gabriel ultimately was forced to isolate archival audio from an early live performance of the song with Khan, thus turning the studio version into a PosthumousCollaboration.
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* AuthorExistenceFailure: Gabriel ended up taking so long to finish the album that one of his guest vocalists, Pakistani Qawwali singer Nusrat Fateh Ali Khan, ''died'' before he had the chance to record his vocals for "Signal to Noise"; Gabriel ultimately was forced to isolate archival audio from [[https://www.youtube.com/watch?v=B5KcEy3y23w an early live performance of the song song]] with Khan, thus turning the studio version into a PosthumousCollaboration.
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None
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* SocietyMarchesOn: In 2002, S&M lovers and transgender people really were considered taboo enough to be regularly exploited by tabloid talk show entertainers like the ones "The Barry Williams Show" criticizes. Since TheNewTens, however, both have made considerable headway in mainstream acceptance (with ''Literature/FiftyShadesOfGray'' in 2011 destigmatizing S&M and Caitlyn Jenner's coming out in 2015 energizing the trans rights movement), and while trans people are still heavy victims of prejudice and oppression, they're no longer seen as just fodder for trash TV by a large portion of western society.
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None
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* CutSong: A version of the song "Burn You Up, Burn You Down", featuring Music/TheBlindBoysOfAlabama, appeared in the initial pressings of ''Up'' given out to the press for review, but was then ultimately deleted from the CD prior to release. The song would eventually appear on the GreatestHitsAlbum ''Hit'', in a very different mix, with a sound that more resembled the song's first appearance on ''Big Blue Ball''.
to:
* CutSong: A version of the song "Burn You Up, Burn You Down", featuring Music/TheBlindBoysOfAlabama, appeared in the initial pressings of ''Up'' given out to the press for review, but was then ultimately deleted from the CD prior to release. The song would eventually appear on the GreatestHitsAlbum ''Hit'', in a very different mix, with a sound that more resembled the song's first later appearance on ''Big Blue Ball''.
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None
Added DiffLines:
* AuthorExistenceFailure: Gabriel ended up taking so long to finish the album that one of his guest vocalists, Pakistani Qawwali singer Nusrat Fateh Ali Khan, ''died'' before he had the chance to record his vocals for "Signal to Noise"; Gabriel ultimately was forced to isolate archival audio from an early live performance of the song with Khan, thus turning the studio version into a PosthumousCollaboration.
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None
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* SimilarlyTitledWorks: "More Than This" is unrelated to the opening track of Music/RoxyMusic's ''Music/{{Avalon}}''.
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* SimilarlyTitledWorks: SimilarlyNamedWorks: "More Than This" is unrelated to the opening track of Music/RoxyMusic's ''Music/{{Avalon}}''.
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* SimilarlyTitledWorks: "More Than This" is unrelated to the opening track of Music/RoxyMusic's ''Music/{{Avalon}}''.
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None
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* CutSong: A version of the song "Burn You Up, Burn You Down", featuring Music/TheBlindBoysOfAlabama, appeared in the initial pressings of ''Up'' given out to the press for review, but was then ultimately deleted from the CD prior to release. The song would eventually appear on the GreatestHitsAlbum ''Hit'', in a very different mix, with a sound that more resembled the song's first appearance on ''Big Blue Ball''.
* SequelGap: Released a whole decade after ''Music/{{Us}}'', with the follow-up still in production nearly two decades later.
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* SequelGap: Released a whole decade after ''Music/{{Us}}'', with the follow-up still in production nearly two decades later.
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