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no longer trivia, now main/ indexed on administrivia
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* ReferencedBy: A diegetic cover of “I Wanna Be Your Dog” is performed by Artie (John Mccrea) in Disney’s Film/{{Cruella}}.
* TropeNamers: Partly for PunkRock; One of the first recorded uses of the term came in [[Music/PattiSmith Lenny Kaye]]'s review of their 1969 debut, ''[[Music/TheStoogesAlbum The Stooges]]'', calling the Stooges "music for punks cruising for burgers."
* TropeNamers: Partly for PunkRock; One of the first recorded uses of the term came in [[Music/PattiSmith Lenny Kaye]]'s review of their 1969 debut, ''[[Music/TheStoogesAlbum The Stooges]]'', calling the Stooges "music for punks cruising for burgers."
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* ReferencedBy: A diegetic cover of “I "I Wanna Be Your Dog” Dog" is performed by Artie (John Mccrea) in Disney’s Film/{{Cruella}}.
* TropeNamers: Partly for PunkRock; One of the first recorded uses of the term came in [[Music/PattiSmith Lenny Kaye]]'s review of their 1969 debut, ''[[Music/TheStoogesAlbum The Stooges]]'', calling the Stooges "music for punks cruising for burgers."Disney's ''Film/{{Cruella}}''.
* TropeNamers: Partly for PunkRock; One of the first recorded uses of the term came in [[Music/PattiSmith Lenny Kaye]]'s review of their 1969 debut, ''[[Music/TheStoogesAlbum The Stooges]]'', calling the Stooges "music for punks cruising for burgers."
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* BreakupBreakout: Iggy Pop went on to a successful solo career.
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* BreakupBreakout: Iggy Pop Music/IggyPop went on to a successful solo career.
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** Averted on ''Music/FunHouse'', producer Don Gallucci even tried to capture the band at their most anarchic, an approach that predated and profoundly influenced the recording style of none other than Music/SteveAlbini. (Interestingly, despite the band sounding like it was about to fall apart at any moment, a listen to the rehearsals for the album will reveal that their performances were remarkably consistent between takes, and [[StylisticSuck were deliberately trying to sound as chaotic as possible]]).
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** Averted on ''Music/FunHouse'', ''Music/FunHouseAlbum'', producer Don Gallucci even tried to capture the band at their most anarchic, an approach that predated and profoundly influenced the recording style of none other than Music/SteveAlbini. (Interestingly, despite the band sounding like it was about to fall apart at any moment, a listen to the rehearsals for the album will reveal that their performances were remarkably consistent between takes, and [[StylisticSuck were deliberately trying to sound as chaotic as possible]]).
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* ReferencedBy: A diegetic cover of “I Wanna Be Your Dog” is performed by Artie (John Mccrea) in Disney’s Film/{{Cruella}}.
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None
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** Averted on ''Music/FunHouse'', producer Don Gallucci even tried to capture the band at their most anarchic, an approach that predated and profoundly influenced the recording style of [[BigNameFan none other]] than Music/SteveAlbini. (Interestingly, despite the band sounding like it was about to fall apart at any moment, a listen to the rehearsals for the album will reveal that their performances were remarkably consistent between takes, and [[StylisticSuck were deliberately trying to sound as chaotic as possible]]).
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** Averted on ''Music/FunHouse'', producer Don Gallucci even tried to capture the band at their most anarchic, an approach that predated and profoundly influenced the recording style of [[BigNameFan none other]] other than Music/SteveAlbini. (Interestingly, despite the band sounding like it was about to fall apart at any moment, a listen to the rehearsals for the album will reveal that their performances were remarkably consistent between takes, and [[StylisticSuck were deliberately trying to sound as chaotic as possible]]).
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* BreakupBreakout: Iggy Pop went on to a successful solo career.
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* LimitedSpecialCollectorsUltimateEdition: ''1970: The Complete Fun House Sessions''. A box set of ''seven [=CDs=]'' containing every single note and StudioChatter from the ''Fun House'' recording.
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YMMV
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* RetroactiveRecognition: Keyboardist [[EleventhHourRanger Scott Thurston]], who joined the band after the recording of ''Raw Power'', would much later pop up as steady member of Music/TomPetty And The Heartbreakers.
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Changed line(s) 11 (click to see context) from:
* TropeNamers: Partly for PunkRock; One of the first recorded uses of the term came in [[Music/PattiSmith Lenny Kaye]]'s review of their 1969 debut, ''[[Music/TheStoogesAlbum The Stooges]]'' calling the Stooges "music for punks cruising for burgers."
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* TropeNamers: Partly for PunkRock; One of the first recorded uses of the term came in [[Music/PattiSmith Lenny Kaye]]'s review of their 1969 debut, ''[[Music/TheStoogesAlbum The Stooges]]'' Stooges]]'', calling the Stooges "music for punks cruising for burgers."
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** They also had another: Ron insisted that [[Music/TheMinutemen Mike Watt]] play bass for them during their second reunion.
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** They also had another: Ron insisted that [[Music/TheMinutemen [[Music/{{Minutemen}} Mike Watt]] play bass for them during their second reunion.
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** They also had another: Ron insisted that [[Music/{{Minutemen}} Mike Watt]] play bass for them during their second reunion.
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** They also had another: Ron insisted that [[Music/{{Minutemen}} [[Music/TheMinutemen Mike Watt]] play bass for them during their second reunion.
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** They also had another: Ron insisted that [[Music/{{Minutemen}} Mike Watt]] play bass for them during their second reunion.
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** Averted on ''Music/FunHouse'', producer Don Gallucci even tried to capture the band at their most anarchic, an approach that predated and profoundly influenced the recording style of [[BigNameFan none other]] than Creator/SteveAlbini. (Interestingly, despite the band sounding like it was about to fall apart at any moment, a listen to the rehearsals for the album will reveal that their performances were remarkably consistent between takes, and [[StylisticSuck were deliberately trying to sound as chaotic as possible]]).
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** Averted on ''Music/FunHouse'', producer Don Gallucci even tried to capture the band at their most anarchic, an approach that predated and profoundly influenced the recording style of [[BigNameFan none other]] than Creator/SteveAlbini.Music/SteveAlbini. (Interestingly, despite the band sounding like it was about to fall apart at any moment, a listen to the rehearsals for the album will reveal that their performances were remarkably consistent between takes, and [[StylisticSuck were deliberately trying to sound as chaotic as possible]]).
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* PromotedFanboy: The Stooges had one: Creator/SteveAlbini recorded their reunion album.
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* PromotedFanboy: The Stooges had one: Creator/SteveAlbini Music/SteveAlbini recorded their reunion album.
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* TropeNamer: Partly for PunkRock; One of the first recorded uses of the term came in [[Music/PattiSmith Lenny Kaye]]'s review of their 1969 debut, ''[[Music/TheStoogesAlbum The Stooges]]'' calling the Stooges "music for punks cruising for burgers."
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* TropeNamer: TropeNamers: Partly for PunkRock; One of the first recorded uses of the term came in [[Music/PattiSmith Lenny Kaye]]'s review of their 1969 debut, ''[[Music/TheStoogesAlbum The Stooges]]'' calling the Stooges "music for punks cruising for burgers."
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** The record company demanded at least two LighterAndSofter ballads on ''Music/RawPower''. Deconstructed by the band, because what the hell do you expect from a Stooges ballad? The "ballads" are ''Gimme Danger'' and ''I Need Somebody''.
** Averted on ''Music/FunHouse'', producer Don Gallucci even tried to capture the band at their most anarchic, an approach that predated and profoundly influenced the recording style of [[BigNameFan none other]] than Creator/SteveAlbini.
** Averted on ''Music/FunHouse'', producer Don Gallucci even tried to capture the band at their most anarchic, an approach that predated and profoundly influenced the recording style of [[BigNameFan none other]] than Creator/SteveAlbini.
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** The record company demanded at least two LighterAndSofter ballads on ''Music/RawPower''. Deconstructed by the band, because what the hell do you expect from a Stooges ballad? The "ballads" are ''Gimme Danger'' "Gimme Danger" and ''I "I Need Somebody''.
Somebody".
** Averted on ''Music/FunHouse'', producer Don Gallucci even tried to capture the band at their most anarchic, an approach that predated and profoundly influenced the recording style of [[BigNameFan none other]] than Creator/SteveAlbini. (Interestingly, despite the band sounding like it was about to fall apart at any moment, a listen to the rehearsals for the album will reveal that their performances were remarkably consistent between takes, and [[StylisticSuck were deliberately trying to sound as chaotic as possible]]).
** Averted on ''Music/FunHouse'', producer Don Gallucci even tried to capture the band at their most anarchic, an approach that predated and profoundly influenced the recording style of [[BigNameFan none other]] than Creator/SteveAlbini. (Interestingly, despite the band sounding like it was about to fall apart at any moment, a listen to the rehearsals for the album will reveal that their performances were remarkably consistent between takes, and [[StylisticSuck were deliberately trying to sound as chaotic as possible]]).
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* KeepCirculatingTheTapes: The version of ''Raw Power'' that is generally considered to sound the best, a 2012 remaster of Iggy's 1997 remix that does not have the LoudnessWar tendencies of the 1997 version, is only available on a vinyl edition. This trope will apply for many people.
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Changed line(s) 9 (click to see context) from:
* TropeNamer: Partly for PunkRock; One of the first recorded uses of the term came in [[Music/PattiSmith Lenny Kaye]]'s review of their 1969 debut, ''Music/TheStoogesAlbum'' calling the Stooges "music for punks cruising for burgers."
to:
* TropeNamer: Partly for PunkRock; One of the first recorded uses of the term came in [[Music/PattiSmith Lenny Kaye]]'s review of their 1969 debut, ''Music/TheStoogesAlbum'' ''[[Music/TheStoogesAlbum The Stooges]]'' calling the Stooges "music for punks cruising for burgers."
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None
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** The record company demanded at least two LighterAndSofter ballads on ''Raw Power''. Deconstructed by the band, because what the hell do you expect from a Stooges ballad? The "ballads" are ''Gimme Danger'' and ''I Need Somebody''.
** Averted on ''Fun House'', producer Don Gallucci even tried to capture the band at their most anarchic, an approach that predated and profoundly influenced the recording style of [[BigNameFan none other]] than Creator/SteveAlbini.
** Averted on ''Fun House'', producer Don Gallucci even tried to capture the band at their most anarchic, an approach that predated and profoundly influenced the recording style of [[BigNameFan none other]] than Creator/SteveAlbini.
to:
** The record company demanded at least two LighterAndSofter ballads on ''Raw Power''.''Music/RawPower''. Deconstructed by the band, because what the hell do you expect from a Stooges ballad? The "ballads" are ''Gimme Danger'' and ''I Need Somebody''.
** Averted on''Fun House'', ''Music/FunHouse'', producer Don Gallucci even tried to capture the band at their most anarchic, an approach that predated and profoundly influenced the recording style of [[BigNameFan none other]] than Creator/SteveAlbini.
** Averted on
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* TropeNamer: Partly for PunkRock; One of the first recorded uses of the term came in [[Music/PattiSmith Lenny Kaye]]'s review of their 1969 debut, calling the Stooges "music for punks cruising for burgers."
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* TropeNamer: Partly for PunkRock; One of the first recorded uses of the term came in [[Music/PattiSmith Lenny Kaye]]'s review of their 1969 debut, ''Music/TheStoogesAlbum'' calling the Stooges "music for punks cruising for burgers.""
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Changed line(s) 9 (click to see context) from:
* TropeNamer: Partly for Music/PunkRock; One of the first recorded uses of the term came in [[Music/PattiSmith Lenny Kaye]]'s review of their 1969 debut, calling the Stooges "music for punks cruising for burgers."
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* TropeNamer: Partly for Music/PunkRock; PunkRock; One of the first recorded uses of the term came in [[Music/PattiSmith Lenny Kaye]]'s review of their 1969 debut, calling the Stooges "music for punks cruising for burgers."
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moving from main page
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* CreatorBacklash: Both [[http://www.i94bar.com/ints/james1.html James Williamson]] and [[http://www.i94bar.com/ints/asheton2.html Ron Asheton]] hate Iggy's butchering of ''Raw Power''.
* ExecutiveMeddling: At least two times.
** The filler tracks on the debut, after a request for a full album.
** The record company demanded at least two LighterAndSofter ballads on ''Raw Power''. Deconstructed by the band, because what the hell do you expect from a Stooges ballad? The "ballads" are ''Gimme Danger'' and ''I Need Somebody''.
** Averted on ''Fun House'', producer Don Gallucci even tried to capture the band at their most anarchic, an approach that predated and profoundly influenced the recording style of [[BigNameFan none other]] than Creator/SteveAlbini.
* ExecutiveMeddling: At least two times.
** The filler tracks on the debut, after a request for a full album.
** The record company demanded at least two LighterAndSofter ballads on ''Raw Power''. Deconstructed by the band, because what the hell do you expect from a Stooges ballad? The "ballads" are ''Gimme Danger'' and ''I Need Somebody''.
** Averted on ''Fun House'', producer Don Gallucci even tried to capture the band at their most anarchic, an approach that predated and profoundly influenced the recording style of [[BigNameFan none other]] than Creator/SteveAlbini.
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* PromotedFanboy: The Stooges had one: Creator/SteveAlbini recorded their reunion album.
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* HeAlsoDid: After retiring from music in the 70s, James Williamson went on to study electrical engineering and ended up working in Silicon Valley, advancing to Vice President of Technical Standards at Sony and playing a part in the development of Bluetooth. Apparently, the fact that he'd been a member of one of the most infamously debauched rock bands just "never came up."
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* RetroactiveRecognition: Keyboardist [[EleventhHourRanger Scott Thurston]], who joined the band after the recording of ''Raw Power'', would much later pop up as steady member of Music/TomPetty And The Heartbreakers.
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None
Added DiffLines:
* TropeNamer: Partly for Music/PunkRock; One of the first recorded uses of the term came in [[Music/PattiSmith Lenny Kaye]]'s review of their 1969 debut, calling the Stooges "music for punks cruising for burgers."