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** Creator/BenBova, who was brought in as a science advisor (only to have his input routinely ignored), spoke none too kindly of the show in an ''Magazine/{{Analog}}'' editorial and various interviews. A few years afterwards, he turned his frustrating experience into a novel, ''The Starcrossed'', about a scientist taken on as a science adviser for a terrible science fiction series!
to:
** Creator/BenBova, who was brought in as a science advisor (only to have his input routinely ignored), spoke none too kindly of the show in an ''Magazine/{{Analog}}'' editorial and various interviews. A few years afterwards, he turned his frustrating experience into a novel, ''The Starcrossed'', about a scientist taken on as a science adviser advisor for a terrible science fiction series!
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Changed line(s) 2 (click to see context) from:
* CreatorBacklash: Creator/HarlanEllison publicly denounced the series for years. He started out on as the writer/creator, but later removed this name from the production (using a pseudonym, instead) thanks to ExecutiveMeddling.
to:
* CreatorBacklash: CreatorBacklash:
** Creator/HarlanEllison publicly denounced the series for years. He started out on as the writer/creator, but later removed this name from the production (using a pseudonym, instead) thanks to ExecutiveMeddling.
** Creator/BenBova, who was brought in as a science advisor (only to have his input routinely ignored), spoke none too kindly of the show in an ''Magazine/{{Analog}}'' editorial and various interviews. A few years afterwards, he turned his frustrating experience into a novel, ''The Starcrossed'', about a scientist taken on as a science adviser for a terrible science fiction series!
** Creator/HarlanEllison publicly denounced the series for years. He started out on as the writer/creator, but later removed this name from the production (using a pseudonym, instead) thanks to ExecutiveMeddling.
** Creator/BenBova, who was brought in as a science advisor (only to have his input routinely ignored), spoke none too kindly of the show in an ''Magazine/{{Analog}}'' editorial and various interviews. A few years afterwards, he turned his frustrating experience into a novel, ''The Starcrossed'', about a scientist taken on as a science adviser for a terrible science fiction series!
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Changed line(s) 8 (click to see context) from:
** The first serious problem was a SpecialEffectsFailure. A camera system Douglas Trumbull was developing called Magicam that would have allowed moving shots of actors against a blue screen to be combined with models of the set simply did not work well enough to use. As a result the show had to rely on standard (for the time) stationary camera shots of the actors against the blue screen, which were less exciting.
to:
** The first serious problem was a SpecialEffectsFailure. A camera system Douglas Trumbull Creator/DouglasTrumbull was developing called Magicam that would have allowed moving shots of actors against a blue screen to be combined with models of the set simply did not work well enough to use. As a result the show had to rely on standard (for the time) stationary camera shots of the actors against the blue screen, which were less exciting.
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Changed line(s) 10 (click to see context) from:
** To fully avail themselves of the Canadian subsidies and credits, Canadian writers had to be involved. Ellison, back in LA, wrote outlines which the Canadian writers then fleshed out into scripts. With this distance from the process, and the low budget, it was inevitable that there would be changes at the production level—and that they would not be to Ellison's liking. Once he saw what was happening to the pilot episode (which, to give you an idea of how much it had been dumbed down, was retitled "Voyage of Discovery" from Ellison's original "Phoenix Without Ashes"), he quit and invoked the clause in his contract which allowed to slap his "[[AlanSmithee Cordwainer Bird]]" pseudonym (meaning to all in the know that he disowned the product completely) on the script and bible. Supposedly this was his worst experience ever in TV and film, even more so than "The City on the Edge of Forever."
to:
** To fully avail themselves of the Canadian subsidies and credits, Canadian writers had to be involved. Ellison, back in LA, wrote outlines which the Canadian writers then fleshed out into scripts. With this distance from the process, and the low budget, it was inevitable that there would be changes at the production level—and that they would not be to Ellison's liking. Once he saw what was happening to the pilot episode (which, to give you an idea of how much it had been dumbed down, was retitled "Voyage of Discovery" from Ellison's original "Phoenix Without Ashes"), he quit and invoked the clause in his contract which allowed to slap his "[[AlanSmithee Cordwainer Bird]]" pseudonym (meaning to all in the know that he disowned the product completely) on the script and bible. Supposedly this was his worst experience ever in TV and film, even more so than "The "[[Recap/StarTrekS1E28TheCityOnTheEdgeOfForever The City on the Edge of Forever.Forever]]."
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Added DiffLines:
* FollowTheLeader: The layout of the ship is familiar from many media presenting generational ships.
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Added DiffLines:
* AlanSmithee: Series co-creator Creator/HarlanEllison took his name off the project and used instead "Cordwainer Bird", which was his version of the pseudonymous "Alan Smithee" credit used by film directors. The only aspect of the series that Ellison kept his name on was ''Phoenix Without Ashes'', the {{novelization}} of the show's pilot episode.
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Changed line(s) 5 (click to see context) from:
** Originally pitched as a Fox-BBC coproduction but rejected by the BBC. The producers were able to salvage it by selling NBC and the Canadian CTV network on it (albeit at a lower budget than originally hoped for). An early potential problem—a writers' strike that was set to begin before Ellison could finished the show's bible—was averted when producer Robert Kline negotiated an exception with the Writers' Guild since the show was being produced in Canada to take advantage of tax credits available there.
to:
** Originally pitched as a Fox-BBC coproduction but was rejected by the BBC. The producers were able to salvage it by selling NBC and the Canadian CTV network on it (albeit at a lower budget than originally hoped for). An early potential problem—a writers' strike that was set to begin before Ellison could finished the show's bible—was averted when producer Robert Kline negotiated an exception with the Writers' Guild since the show was being produced in Canada to take advantage of tax credits available there.
Changed line(s) 8 (click to see context) from:
** To fully avail themselves of the Canadian subsidies and credits, Canadian writers had to be involved. Ellison, back in LA, wrote outlines which the Canadian writers then fleshed out into scripts. With this distance from the process, and the low budget, it was inevitable that there would be changes at the production level—and that they would not be to Ellison's liking. Once he saw what was happening to the pilot episode (which, to give you an idea of how much it had been dumbed down, was retitled "Voyage of Discovery" from Ellison's original "Phoenix Without Ashes"), he quit and invoked the clause in his contract which allowed to slap his "[[AlanSmithee Cordwainer Bird]]" pseudonym (meaning to all in the know that he disowned the product completely) on the script and bible. Supposedly this is his worst experience ever in TV and film, even more so than "The City on the Edge of Forever," and he is ''still'' angry at the producers even after almost 40 years.
to:
** To fully avail themselves of the Canadian subsidies and credits, Canadian writers had to be involved. Ellison, back in LA, wrote outlines which the Canadian writers then fleshed out into scripts. With this distance from the process, and the low budget, it was inevitable that there would be changes at the production level—and that they would not be to Ellison's liking. Once he saw what was happening to the pilot episode (which, to give you an idea of how much it had been dumbed down, was retitled "Voyage of Discovery" from Ellison's original "Phoenix Without Ashes"), he quit and invoked the clause in his contract which allowed to slap his "[[AlanSmithee Cordwainer Bird]]" pseudonym (meaning to all in the know that he disowned the product completely) on the script and bible. Supposedly this is was his worst experience ever in TV and film, even more so than "The City on the Edge of Forever," and he is ''still'' angry at the producers even after almost 40 years.Forever."
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Changed line(s) 2 (click to see context) from:
* KeepCirculatingTheTapes: Itfi nally got a full-series Region 1 DVD release in 2008.
to:
* KeepCirculatingTheTapes: Itfi nally It finally got a full-series Region 1 DVD release in 2008.
Changed line(s) 8 (click to see context) from:
** To fully avail themselves of the Canadian subsidies and credits, Canadian writers had to be involved. Ellison, back in LA, wrote outlines which the Canadian writers then fleshed out into scripts. With this distance from the process, and the low budget, it was inevitable that there would be changes at the production level—and that they would not be to Ellison's liking. Once he saw what was happening to the pilot episode (which, to give you an idea of how much it had been dumbed down, was retitled "Voyage of Discovery" from Ellison's original "Phoenix Without Ashes"), he quit and invoked the clause in his contract which allowed to slap his "[[Alan Smithee Cordwainer Bird]]" pseudonym (meaning to all in the know that he disowned the product completely) on the script and bible. Supposedly this is his worst experience ever in TV and film, even more so than "The City on the Edge of Forever," and he is ''still'' angry at the producers even after almost 40 years.
to:
** To fully avail themselves of the Canadian subsidies and credits, Canadian writers had to be involved. Ellison, back in LA, wrote outlines which the Canadian writers then fleshed out into scripts. With this distance from the process, and the low budget, it was inevitable that there would be changes at the production level—and that they would not be to Ellison's liking. Once he saw what was happening to the pilot episode (which, to give you an idea of how much it had been dumbed down, was retitled "Voyage of Discovery" from Ellison's original "Phoenix Without Ashes"), he quit and invoked the clause in his contract which allowed to slap his "[[Alan Smithee "[[AlanSmithee Cordwainer Bird]]" pseudonym (meaning to all in the know that he disowned the product completely) on the script and bible. Supposedly this is his worst experience ever in TV and film, even more so than "The City on the Edge of Forever," and he is ''still'' angry at the producers even after almost 40 years.
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* CreatorBacklash: Forty years later, Creator/HarlanEllison ''still'' castigates everyone who ruined the show.
%%* ExecutiveMeddling
%%* ExecutiveMeddling
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* CreatorBacklash: Forty years later, Creator/HarlanEllison ''still'' castigates everyone who ruined publicly denounced the show.
%%* ExecutiveMeddlingseries for years. He started out on as the writer/creator, but later removed this name from the production (using a pseudonym, instead) thanks to ExecutiveMeddling.
* KeepCirculatingTheTapes: Itfi nally got a full-series Region 1 DVD release in 2008.
%%* ExecutiveMeddling
* KeepCirculatingTheTapes: Itfi nally got a full-series Region 1 DVD release in 2008.
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Changed line(s) 8 (click to see context) from:
** To fully avail themselves of the Canadian subsidies and credits, Canadian writers had to be involved. Ellison, back in LA, wrote outlines which the Canadian writers then fleshed out into scripts. With this distance from the process, and the low budget, it was inevitable that there would be changes at the production level—and that they would not be to Ellison's liking. Once he saw what was happening to the pilot episode (which, to give you an idea of how much it had been dumbed down, was retitled "Voyage of Discovery" from Ellison's original "Phoenix Without Ashes"), he quit and invoked the clause in his contract which allowed to slap his "Cordwainer Bird" pseudonym (meaning to all in the know that he disowned the product completely) on the script and bible. Supposedly this is his worst experience ever in TV and film, even more so than "The City on the Edge of Forever," and he is ''still'' angry at the producers even after almost 40 years.
to:
** To fully avail themselves of the Canadian subsidies and credits, Canadian writers had to be involved. Ellison, back in LA, wrote outlines which the Canadian writers then fleshed out into scripts. With this distance from the process, and the low budget, it was inevitable that there would be changes at the production level—and that they would not be to Ellison's liking. Once he saw what was happening to the pilot episode (which, to give you an idea of how much it had been dumbed down, was retitled "Voyage of Discovery" from Ellison's original "Phoenix Without Ashes"), he quit and invoked the clause in his contract which allowed to slap his "Cordwainer Bird" "[[Alan Smithee Cordwainer Bird]]" pseudonym (meaning to all in the know that he disowned the product completely) on the script and bible. Supposedly this is his worst experience ever in TV and film, even more so than "The City on the Edge of Forever," and he is ''still'' angry at the producers even after almost 40 years.
Changed line(s) 10 (click to see context) from:
** While the show was canceled after 16 episodes, Ellison and Bova salvaged something out of it. In the former's case, it was a Writer's Guild award for his original script for the pilot (novelized with a foreword by Ellison explaining just how badly the show was screwed up). Bova, after publishing a similarly-themed editorial in ''Analog'', got the last laugh when he wrote a novel, ''The Starcrossed'', that was a lightly-fictionalized version of the whole experience.
to:
** While the show was canceled after 16 episodes, Ellison and Bova salvaged something out of it. In the former's case, it was a Writer's Guild award for his original script for the pilot (novelized (later [[{{Novelization}} novelized]] as ''Phoenix Without Ashes'' with a foreword by Ellison explaining just how badly the show was screwed up). Bova, after publishing a similarly-themed editorial in ''Analog'', got the last laugh when he wrote a novel, ''The Starcrossed'', that was a lightly-fictionalized version of the whole experience.
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Deleted line(s) 3 (click to see context) :
* HeyItsThatGuy: Appearances by Walter Koenig and John Colicos, not to mention Keir Dullea of course.
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** While the show was mercifully canceled after 16 episodes, Ellison and Bova salvaged something out of it. In the former's case, it was a Writer's Guild award for his original script for the pilot (novelized with a foreword by Ellison explaining just how badly the show was screwed up). Bova, after publishing a similarly-themed editorial in ''Analog'', got the last laugh when he wrote a novel, ''The Starcrossed'', that was a lightly-fictionalized version of the whole experience.
to:
** While the show was mercifully canceled after 16 episodes, Ellison and Bova salvaged something out of it. In the former's case, it was a Writer's Guild award for his original script for the pilot (novelized with a foreword by Ellison explaining just how badly the show was screwed up). Bova, after publishing a similarly-themed editorial in ''Analog'', got the last laugh when he wrote a novel, ''The Starcrossed'', that was a lightly-fictionalized version of the whole experience.
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Moved from the main page.
Added line(s) 8 (click to see context) :
* CreatorBacklash: Forty years later, Creator/HarlanEllison ''still'' castigates everyone who ruined the show.
%%* ExecutiveMeddling
%%* ExecutiveMeddling
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* NoBudget: Most of the budget was blown trying to get a special-effects camera system to work, which ended up not being used very often.
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** While the show was mercifully canceled after 16 episodes, Ellison and Bova salvaged something out of it. In the former's case, it was a Writer's Guild award for his original script for the pilot (novelized with a foreword by Ellison explaining just how badly the show was screwed up). Bova, after publishing a similarly-themed editorial in ''Analog'', got the last laugh when he wrote a novel, ''The Starcrossed'', that was a lightly-fictionalized version of the whole experience.
to:
** While the show was mercifully canceled after 16 episodes, Ellison and Bova salvaged something out of it. In the former's case, it was a Writer's Guild award for his original script for the pilot (novelized with a foreword by Ellison explaining just how badly the show was screwed up). Bova, after publishing a similarly-themed editorial in ''Analog'', got the last laugh when he wrote a novel, ''The Starcrossed'', that was a lightly-fictionalized version of the whole experience.experience.
* WriterRevolt: After watching the ExecutiveMeddling get started, Ellison bailed on the project and forced the producers to use his "red flag" pseudonym "Cordwainer Bird" for all his credits.
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* WriterRevolt: After watching the ExecutiveMeddling get started, Ellison bailed on the project and forced the producers to use his "red flag" pseudonym "Cordwainer Bird" for all his credits.
----
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Changed line(s) 1 (click to see context) from:
* HeyItsThatGuy (Appearances by Walter Koenig and John Colicos, not to mention Keir Dullea of course.)
to:
* HeyItsThatGuy (Appearances HeyItsThatGuy: Appearances by Walter Koenig and John Colicos, not to mention Keir Dullea of course.)
Changed line(s) 6 (click to see context) from:
** To fully avail themselves of the Canadian subsidies and credits, Canadian writers had to be involved. Ellison, back in LA, wrote outlines which the Canadian writers then fleshed out into scripts. With this distance from the process, and the low budget, it was inevitable that there would be changes at the production level—and that they would not be to Ellison's liking. Once he saw what was happening to the pilot episode (which, to give you an idea of how much it had been dumbed down, was retitled "Voyage of Discovery" from Ellison's original "Phoenix Without Ashes"), he quit and invoked the clause in his contract which allowed to slap his "Cordwainer Bird" pseudonym (meaning to all in the know that he disowned the product completely) on the script and bible (Supposedly this is his worst experience ever in TV and film, even more so than "The City on the Edge of Forever," and he is ''still'' angry at the producers even after almost 40 years.
to:
** To fully avail themselves of the Canadian subsidies and credits, Canadian writers had to be involved. Ellison, back in LA, wrote outlines which the Canadian writers then fleshed out into scripts. With this distance from the process, and the low budget, it was inevitable that there would be changes at the production level—and that they would not be to Ellison's liking. Once he saw what was happening to the pilot episode (which, to give you an idea of how much it had been dumbed down, was retitled "Voyage of Discovery" from Ellison's original "Phoenix Without Ashes"), he quit and invoked the clause in his contract which allowed to slap his "Cordwainer Bird" pseudonym (meaning to all in the know that he disowned the product completely) on the script and bible (Supposedly bible. Supposedly this is his worst experience ever in TV and film, even more so than "The City on the Edge of Forever," and he is ''still'' angry at the producers even after almost 40 years.
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finish this
Changed line(s) 6 (click to see context) from:
** To fully avail themselves of the Canadian subsidies and credits, Canadian writers had to be involved. Ellison, back in LA, wrote outlines which the Canadian writers then fleshed out into scripts. With this distance from the process, and the low budget, it was inevitable that there would be changes at the production level—and that they would not be to Ellison's liking. Once he saw what was happening to the pilot episode (which, to give you an idea of how much it had been dumbed down, was retitled "Voyage of Discovery" from Ellison's original "Phoenix Without Ashes"), he quit and invoked the clause in his contract which allowed to slap his "Cordwainer Bird" pseudonym (meaning to all in the know that he disowned the product completely) on the script and bible.
to:
** To fully avail themselves of the Canadian subsidies and credits, Canadian writers had to be involved. Ellison, back in LA, wrote outlines which the Canadian writers then fleshed out into scripts. With this distance from the process, and the low budget, it was inevitable that there would be changes at the production level—and that they would not be to Ellison's liking. Once he saw what was happening to the pilot episode (which, to give you an idea of how much it had been dumbed down, was retitled "Voyage of Discovery" from Ellison's original "Phoenix Without Ashes"), he quit and invoked the clause in his contract which allowed to slap his "Cordwainer Bird" pseudonym (meaning to all in the know that he disowned the product completely) on the script and bible.bible (Supposedly this is his worst experience ever in TV and film, even more so than "The City on the Edge of Forever," and he is ''still'' angry at the producers even after almost 40 years.
Changed line(s) 8 (click to see context) from:
** While the show was mercifully canceled after 16 episodes, Ellison and Bova salvaged something out of it. In the former's case, it was a Writer's Guild award for his original script for the pilot (novelized with a foreword by Ellison explaining just how badly the show was screwed up).
to:
** While the show was mercifully canceled after 16 episodes, Ellison and Bova salvaged something out of it. In the former's case, it was a Writer's Guild award for his original script for the pilot (novelized with a foreword by Ellison explaining just how badly the show was screwed up). Bova, after publishing a similarly-themed editorial in ''Analog'', got the last laugh when he wrote a novel, ''The Starcrossed'', that was a lightly-fictionalized version of the whole experience.
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troubled Production
Changed line(s) 1 (click to see context) from:
* HeyItsThatGuy (Appearances by Walter Koenig and John Colicos, not to mention Keir Dullea of course.)
to:
* HeyItsThatGuy (Appearances by Walter Koenig and John Colicos, not to mention Keir Dullea of course.))
* TroubledProduction: Unsurprising given how this turned out.
** Originally pitched as a Fox-BBC coproduction but rejected by the BBC. The producers were able to salvage it by selling NBC and the Canadian CTV network on it (albeit at a lower budget than originally hoped for). An early potential problem—a writers' strike that was set to begin before Ellison could finished the show's bible—was averted when producer Robert Kline negotiated an exception with the Writers' Guild since the show was being produced in Canada to take advantage of tax credits available there.
** The first serious problem was a SpecialEffectsFailure. A camera system Douglas Trumbull was developing called Magicam that would have allowed moving shots of actors against a blue screen to be combined with models of the set simply did not work well enough to use. As a result the show had to rely on standard (for the time) stationary camera shots of the actors against the blue screen, which were less exciting.
** They couldn't use full-size sets either, as the Canadian studio space was too small, so they had to rely on partial versions of the sets.
** To fully avail themselves of the Canadian subsidies and credits, Canadian writers had to be involved. Ellison, back in LA, wrote outlines which the Canadian writers then fleshed out into scripts. With this distance from the process, and the low budget, it was inevitable that there would be changes at the production level—and that they would not be to Ellison's liking. Once he saw what was happening to the pilot episode (which, to give you an idea of how much it had been dumbed down, was retitled "Voyage of Discovery" from Ellison's original "Phoenix Without Ashes"), he quit and invoked the clause in his contract which allowed to slap his "Cordwainer Bird" pseudonym (meaning to all in the know that he disowned the product completely) on the script and bible.
** Ben Bova, also hired as science advisor, was similarly peeved at being ignored, so he quit not long thereafter, but couldn't take his name off the credits.
** While the show was mercifully canceled after 16 episodes, Ellison and Bova salvaged something out of it. In the former's case, it was a Writer's Guild award for his original script for the pilot (novelized with a foreword by Ellison explaining just how badly the show was screwed up).
* TroubledProduction: Unsurprising given how this turned out.
** Originally pitched as a Fox-BBC coproduction but rejected by the BBC. The producers were able to salvage it by selling NBC and the Canadian CTV network on it (albeit at a lower budget than originally hoped for). An early potential problem—a writers' strike that was set to begin before Ellison could finished the show's bible—was averted when producer Robert Kline negotiated an exception with the Writers' Guild since the show was being produced in Canada to take advantage of tax credits available there.
** The first serious problem was a SpecialEffectsFailure. A camera system Douglas Trumbull was developing called Magicam that would have allowed moving shots of actors against a blue screen to be combined with models of the set simply did not work well enough to use. As a result the show had to rely on standard (for the time) stationary camera shots of the actors against the blue screen, which were less exciting.
** They couldn't use full-size sets either, as the Canadian studio space was too small, so they had to rely on partial versions of the sets.
** To fully avail themselves of the Canadian subsidies and credits, Canadian writers had to be involved. Ellison, back in LA, wrote outlines which the Canadian writers then fleshed out into scripts. With this distance from the process, and the low budget, it was inevitable that there would be changes at the production level—and that they would not be to Ellison's liking. Once he saw what was happening to the pilot episode (which, to give you an idea of how much it had been dumbed down, was retitled "Voyage of Discovery" from Ellison's original "Phoenix Without Ashes"), he quit and invoked the clause in his contract which allowed to slap his "Cordwainer Bird" pseudonym (meaning to all in the know that he disowned the product completely) on the script and bible.
** Ben Bova, also hired as science advisor, was similarly peeved at being ignored, so he quit not long thereafter, but couldn't take his name off the credits.
** While the show was mercifully canceled after 16 episodes, Ellison and Bova salvaged something out of it. In the former's case, it was a Writer's Guild award for his original script for the pilot (novelized with a foreword by Ellison explaining just how badly the show was screwed up).