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Changed line(s) 7 (click to see context) from:
* FakeBrit: Clytie Jessop was Australian, playing the English governess Miss Jessell. Of course the fact that Miss Jessell is a ghost who never speaks makes this a mild example.
to:
* FakeBrit: Clytie Jessop was Australian, playing the English governess Miss Jessell. Jessel. Of course course, the fact that Miss Jessell Jessel is a ghost who never speaks makes this a mild example.
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Changed line(s) 12,13 (click to see context) from:
* RoleReprise: Megs Jenkins played Mrs Grose again in another adaptation ''The Turn of the Screw'' (1974) - where Lynn Redgrave played the governess.
* ShrugOfGod: Jack Clayton has said that it was intentional to make the film as ambiguous as possible. Creator/DeborahKerr was told to play Miss Giddens as however she saw fit - as long as she didn't forget to keep people guessing. The child actors likewise weren't told whether they were seeing ghosts, in order to keep their performances uninhibited.
* ShrugOfGod: Jack Clayton has said that it was intentional to make the film as ambiguous as possible. Creator/DeborahKerr was told to play Miss Giddens as however she saw fit - as long as she didn't forget to keep people guessing. The child actors likewise weren't told whether they were seeing ghosts, in order to keep their performances uninhibited.
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* ReferencedBy: Music/KateBush's song [[Music/NeverForEver "The Infant Kiss"]] is based on the film.
* RoleReprise: Megs Jenkins played Mrs Grose again in another adaptation ''The Turn of the Screw'' (1974)- -- where Lynn Redgrave played the governess.
* ShrugOfGod: Jack Clayton has said that it was intentional to make the film as ambiguous as possible. Creator/DeborahKerr was told to play Miss Giddens as however she saw fit- -- as long as she didn't forget to keep people guessing. The child actors likewise weren't told whether they were seeing ghosts, in order to keep their performances uninhibited.
* RoleReprise: Megs Jenkins played Mrs Grose again in another adaptation ''The Turn of the Screw'' (1974)
* ShrugOfGod: Jack Clayton has said that it was intentional to make the film as ambiguous as possible. Creator/DeborahKerr was told to play Miss Giddens as however she saw fit
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Changed line(s) 3 (click to see context) from:
* BillingDisplacement: Peter Wyngarde is billed second because of "contractual requirements" even though he doesn't speak any lines and only appears in short shots (which add up to barely a minute of screen time). The unknown child actress Pamela Franklin has far more prominence and is billed fifth! Flora appears first and has many scenes to herself before Miles arrives, and Martin Stephens is billed before her (though Flora is absent for the last few scenes, balancing out their screentime somewhat) - as he was known for ''Film/VillageOfTheDamned1960'' and ''The Hellfire Club''.
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* BillingDisplacement: Peter Wyngarde Creator/PeterWyngarde is billed second because of "contractual requirements" even though he doesn't speak any lines and only appears in short shots (which add up to barely a minute of screen time). The unknown child actress Pamela Franklin has far more prominence and is billed fifth! Flora appears first and has many scenes to herself before Miles arrives, and Martin Stephens is billed before her (though Flora is absent for the last few scenes, balancing out their screentime somewhat) - as he was known for ''Film/VillageOfTheDamned1960'' and ''The Hellfire Club''.
Changed line(s) 13 (click to see context) from:
* ShrugOfGod: Jack Clayton has said that it was intentional to make the film as ambiguous as possible. Deborah Kerr was told to play Miss Giddens as however she saw fit - as long as she didn't forget to keep people guessing. The child actors likewise weren't told whether they were seeing ghosts, in order to keep their performances uninhibited.
to:
* ShrugOfGod: Jack Clayton has said that it was intentional to make the film as ambiguous as possible. Deborah Kerr Creator/DeborahKerr was told to play Miss Giddens as however she saw fit - as long as she didn't forget to keep people guessing. The child actors likewise weren't told whether they were seeing ghosts, in order to keep their performances uninhibited.
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** Cary Grant offered to play the uncle, but was turned down. It would have reunited him with Deborah Kerr after ''Film/AnAffairToRemember''.
** Jack Clayton initially considered using flashbacks to show the story of Miss Jessel and Peter Quint. He was advised not to by Harold Pinter.
** Jack Clayton initially considered using flashbacks to show the story of Miss Jessel and Peter Quint. He was advised not to by Harold Pinter.
to:
** Cary Grant Creator/CaryGrant offered to play the uncle, but was turned down. It would have reunited him with Deborah Kerr Creator/DeborahKerr after ''Film/AnAffairToRemember''.
** Jack Clayton initially considered using flashbacks to show the story of Miss Jessel and Peter Quint. He was advised not to byHarold Pinter.Creator/HaroldPinter.
** Jack Clayton initially considered using flashbacks to show the story of Miss Jessel and Peter Quint. He was advised not to by
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Deleted line(s) 3,7 (click to see context) :
* ActorAllusion:
** Deborah Kerr had been a governess to misbehaved children [[Film/TheKingAndI before]].
** She had also shared a kiss with a younger boy in her care in ''Film/TeaAndSympathy''.
** And she had experienced SanitySlippage due to repressed sexuality in ''Film/BlackNarcissus''.
* BigNameFan: Creator/MartinScorsese, Creator/GuillermoDelToro and singer Music/KateBush (her song "The Infant Kiss" is inspired by this film).
** Deborah Kerr had been a governess to misbehaved children [[Film/TheKingAndI before]].
** She had also shared a kiss with a younger boy in her care in ''Film/TeaAndSympathy''.
** And she had experienced SanitySlippage due to repressed sexuality in ''Film/BlackNarcissus''.
* BigNameFan: Creator/MartinScorsese, Creator/GuillermoDelToro and singer Music/KateBush (her song "The Infant Kiss" is inspired by this film).
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* CultClassic: It made its money back but didn't find much of an audience at the time. These days it's a very well respected film and it's highly praised in circles.
* TheDanza: Peter Wyngarde as Peter Quint.
* TheDanza: Peter Wyngarde as Peter Quint.
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* FollowTheLeader: 20th Century Fox was persuaded to put up $1 million after Roger Corman's ''Film/HouseOfUsher'' proved to be a SleeperHit. The film's poster also has an image of Deborah Kerr that evokes that of Janet Leigh on the ''{{Film/Psycho}}'' poster. They were also inspired by ''Film/HorrorOfDracula'', which led to Hammer buffs complaining that ''The Innocents'' wasn't gory enough.
* MagnumOpusDissonance: Deborah Kerr regarded this as her finest performance. It's not one of the films she was nominated for, nor is it as famous as ''Film/FromHereToEternity'', ''Film/AnAffairToRemember'' or ''Film/TheKingAndI''.
* MagnumOpusDissonance: Deborah Kerr regarded this as her finest performance. It's not one of the films she was nominated for, nor is it as famous as ''Film/FromHereToEternity'', ''Film/AnAffairToRemember'' or ''Film/TheKingAndI''.
to:
* FollowTheLeader: 20th Century Fox was persuaded to put up $1 million after Roger Corman's ''Film/HouseOfUsher'' proved to be a SleeperHit. The film's poster also has an image of Deborah Kerr Creator/DeborahKerr that evokes that of Janet Leigh Creator/JanetLeigh on the ''{{Film/Psycho}}'' poster. They were also inspired by ''Film/HorrorOfDracula'', which led to Hammer buffs complaining that ''The Innocents'' wasn't gory enough.
* MagnumOpusDissonance:Deborah Kerr Creator/DeborahKerr regarded this as her finest performance. It's not one of the films she was nominated for, nor is it as famous as ''Film/FromHereToEternity'', ''Film/AnAffairToRemember'' or ''Film/TheKingAndI''.
* MagnumOpusDissonance:
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* PlayingWithCharacterType: Deborah Kerr plays a ProperLady governess...who's possibly going mad and having questionable thoughts towards a young boy.
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* PlayingWithCharacterType: Deborah Kerr Creator/DeborahKerr plays a ProperLady governess...who's possibly going mad and having questionable thoughts towards a young boy.
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Changed line(s) 7 (click to see context) from:
* BigNameFan: Creator/MartinScorsese, Creator/GuillermoDelToro and singer Kate Bush (her song "The Infant Kiss" is inspired by this film).
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* BigNameFan: Creator/MartinScorsese, Creator/GuillermoDelToro and singer Kate Bush Music/KateBush (her song "The Infant Kiss" is inspired by this film).
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Changed line(s) 18 (click to see context) from:
* RoleReprisal: Megs Jenkins played Mrs Grose again in another adaptation ''The Turn of the Screw'' (1974) - where Lynn Redgrave played the governess.
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* RoleReprisal: RoleReprise: Megs Jenkins played Mrs Grose again in another adaptation ''The Turn of the Screw'' (1974) - where Lynn Redgrave played the governess.
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Added DiffLines:
* TheDanza: Peter Wyngarde as Peter Quint.
Added DiffLines:
* FakeBrit: Clytie Jessop was Australian, playing the English governess Miss Jessell. Of course the fact that Miss Jessell is a ghost who never speaks makes this a mild example.
Added DiffLines:
* PlayingAgainstType: Director example. Jack Clayton made this film to avoid being seen as a British New Wave director.
Added DiffLines:
* ShrugOfGod: Jack Clayton has said that it was intentional to make the film as ambiguous as possible. Deborah Kerr was told to play Miss Giddens as however she saw fit - as long as she didn't forget to keep people guessing. The child actors likewise weren't told whether they were seeing ghosts, in order to keep their performances uninhibited.
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Changed line(s) 2 (click to see context) from:
* ActingInTheDark: WordOfGod is that director Jack Clayton didn't want the child actors to know about the darker themes of the story, so they were never shown the screenplay. They were only given their lines the day before they were to be filmed.
to:
* ActingInTheDark: WordOfGod is that director Jack Clayton didn't want the child actors to know about the darker themes of the story, so they were never shown the screenplay. They were only given their lines the day before they were to be filmed. Pamela Franklin said she never saw the film as a whole until she was sixteen.
* BillingDisplacement: Peter Wyngarde is billed second because of "contractual requirements" even though he doesn't speak any lines and only appears in short shots (which add up to barely a minute of screen time). The unknown child actress Pamela Franklin has far more prominence and is billed fifth! Flora appears first and has many scenes to herself before Miles arrives, and Martin Stephens is billed before her (though Flora is absent for the last few scenes, balancing out their screentime somewhat) - as he was known for ''Film/VillageOfTheDamned1960'' and ''The Hellfire Club''.
* {{Blooper}}: Inverted. Many projectionists in the original run thought the opening with Flora singing "Willow Waly" on a black screen was a mistake - and had the film open with the 20th Century Fox logo.
* {{Blooper}}: Inverted. Many projectionists in the original run thought the opening with Flora singing "Willow Waly" on a black screen was a mistake - and had the film open with the 20th Century Fox logo.
* FollowTheLeader: 20th Century Fox was persuaded to put up $1 million after Roger Corman's ''Film/HouseOfUsher'' proved to be a SleeperHit. The film's poster also has an image of Deborah Kerr that evokes that of Janet Leigh on the ''{{Film/Psycho}}'' poster. They were also inspired by ''Film/HorrorOfDracula'', which led to Hammer buffs complaining that ''The Innocents'' wasn't gory enough.
Changed line(s) 12 (click to see context) from:
* ThrowItIn: When Miss Giddens is wandering around the house with a candelabra, a clapperboard is briefly visible in the corner of the frame. Jack Clayton chose to leave it in -- feeling it added to the unease in the scene.
to:
* ThrowItIn: RoleReprisal: Megs Jenkins played Mrs Grose again in another adaptation ''The Turn of the Screw'' (1974) - where Lynn Redgrave played the governess.
* ThrowItIn:
** For the scene where Miss Giddens first thinks she sees Quint on the tower, the filmmakers lucked out when shooting the shot of the pigeons flying past. They were up to the last bit of film in the camera, and the last few frames sped up as they went through the magazine. The result is that the pigeons fly across the tower in slow-motion.
** When Miss Giddens is wandering around the house with a candelabra, a clapperboard is briefly visible in the corner of the frame. Jack Clayton chose to leave it in -- feeling it added to the unease in the scene.
* ThrowItIn:
** For the scene where Miss Giddens first thinks she sees Quint on the tower, the filmmakers lucked out when shooting the shot of the pigeons flying past. They were up to the last bit of film in the camera, and the last few frames sped up as they went through the magazine. The result is that the pigeons fly across the tower in slow-motion.
** When Miss Giddens is wandering around the house with a candelabra, a clapperboard is briefly visible in the corner of the frame. Jack Clayton chose to leave it in -- feeling it added to the unease in the scene.
Changed line(s) 16 (click to see context) from:
** In the original draft of the script, which is adapted from a play, Miss Giddens's repressed sexuality was much more obvious. The final film relegates it to subtext, leaving it open whether Miss Giddens is repressed or actually seeing ghosts.
to:
** In the original draft of the script, which is adapted from a play, Miss Giddens's repressed sexuality was much more obvious. The final film relegates it to subtext, leaving it open whether Miss Giddens is repressed or actually seeing ghosts.ghosts.
** A scene was scripted where the Uncle would visit the nearby area to watch a cricket match, and Miss Giddens would try in vain to convince him that something was wrong with the children. It was never filmed - WordOfGod saying that having a scene outside Bly would break the isolation of the story.
** The film had an opening scripted that actually began [[spoiler: at Miles's burial, with everyone shunning Miss Giddens]], who then goes to write a letter to the Uncle explaining what happened. This would make the story one extended flashback. Jack Clayton chose to replace this with the more ambiguous opening sequence of Miss Giddens praying.
** A scene was scripted where the Uncle would visit the nearby area to watch a cricket match, and Miss Giddens would try in vain to convince him that something was wrong with the children. It was never filmed - WordOfGod saying that having a scene outside Bly would break the isolation of the story.
** The film had an opening scripted that actually began [[spoiler: at Miles's burial, with everyone shunning Miss Giddens]], who then goes to write a letter to the Uncle explaining what happened. This would make the story one extended flashback. Jack Clayton chose to replace this with the more ambiguous opening sequence of Miss Giddens praying.
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Changed line(s) 3 (click to see context) from:
* ActorAllusion: Deborah Kerr had been a governess to misbehaved children [[Film/TheKingAndI before]].
to:
* ActorAllusion: ActorAllusion:
** Deborah Kerr had been a governess to misbehaved children [[Film/TheKingAndIbefore]].before]].
** She had also shared a kiss with a younger boy in her care in ''Film/TeaAndSympathy''.
** And she had experienced SanitySlippage due to repressed sexuality in ''Film/BlackNarcissus''.
** Deborah Kerr had been a governess to misbehaved children [[Film/TheKingAndI
** She had also shared a kiss with a younger boy in her care in ''Film/TeaAndSympathy''.
** And she had experienced SanitySlippage due to repressed sexuality in ''Film/BlackNarcissus''.
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None
Changed line(s) 2 (click to see context) from:
* ActingInTheDark: WordOfGod is that he didn't want the child actors to know about the darker themes of the story, so they were never shown the screenplay. They were only given their lines the day before they were to be filmed.
to:
* ActingInTheDark: WordOfGod is that he director Jack Clayton didn't want the child actors to know about the darker themes of the story, so they were never shown the screenplay. They were only given their lines the day before they were to be filmed.
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* BigNameFan: Martin Scorcese, Guillermo del Toro and singer Kate Bush (her song "The Infant Kiss" is inspired by this film).
to:
* BigNameFan: Martin Scorcese, Guillermo del Toro Creator/MartinScorsese, Creator/GuillermoDelToro and singer Kate Bush (her song "The Infant Kiss" is inspired by this film).
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* DawsonCasting: Miss Giddens in the book is only nineteen or twenty. Her age in the film is not stated but she's said to be a governess on her first job, still placing her in early twenties - with a line from Mrs Grose calling her "young and pretty". Deborah Kerr was forty. The two child actors however matched the ages of their characters.
to:
* DawsonCasting: Miss Giddens in the book is only nineteen or twenty. Her age in the film is not stated but she's said to be a governess on her first job, still placing her in early twenties - -- with a line from Mrs Grose calling her "young and pretty". Deborah Kerr was forty. The two child actors however actors, however, matched the ages of their characters.
Changed line(s) 9 (click to see context) from:
* ThrowItIn: When Miss Giddens is wandering around the house with a candelabra, a clapperboard is briefly visible in the corner of the frame. Jack Clayton chose to leave it in - feeling it added to the unease in the scene.
to:
* ThrowItIn: When Miss Giddens is wandering around the house with a candelabra, a clapperboard is briefly visible in the corner of the frame. Jack Clayton chose to leave it in - -- feeling it added to the unease in the scene.
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Deleted line(s) 7,10 (click to see context) :
* HeyItsThatGuy:
** [[Film/TheKingAndI Mrs Anna]] prefers Bly to Siam.
** Miles spent some time in the ''Film/VillageOfTheDamned1960''.
** Flora would later become a student of [[Film/ThePrimeOfMissJeanBrodie Jean Brodie]].
** [[Film/TheKingAndI Mrs Anna]] prefers Bly to Siam.
** Miles spent some time in the ''Film/VillageOfTheDamned1960''.
** Flora would later become a student of [[Film/ThePrimeOfMissJeanBrodie Jean Brodie]].
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Changed line(s) 9 (click to see context) from:
** Miles spent some time in the ''Film/VillageOfTheDamned''.
to:
** Miles spent some time in the ''Film/VillageOfTheDamned''.''Film/VillageOfTheDamned1960''.
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Added line(s) 5 (click to see context) :
* AbilityOverAppearance: As noted below, Miss Giddens is TheIngenue in the book, being a young governess on her first job. While Deborah Kerr was significantly older than her literary counterpart, you'd be hard-pressed to find someone who protests against how well she portrays the governess.
Changed line(s) 5 (click to see context) from:
* DawsonCasting: Miss Giddens in the book is only nineteen or twenty. Her age in the film is not stated but she's said to be a governess on her first job, still placing her in early twenties. Deborah Kerr was in her late thirties. The two child actors however matched the ages of their characters.
to:
* DawsonCasting: Miss Giddens in the book is only nineteen or twenty. Her age in the film is not stated but she's said to be a governess on her first job, still placing her in early twenties. twenties - with a line from Mrs Grose calling her "young and pretty". Deborah Kerr was in her late thirties.forty. The two child actors however matched the ages of their characters.
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None
Added DiffLines:
* ActingInTheDark: WordOfGod is that he didn't want the child actors to know about the darker themes of the story, so they were never shown the screenplay. They were only given their lines the day before they were to be filmed.
* ActorAllusion: Deborah Kerr had been a governess to misbehaved children [[Film/TheKingAndI before]].
* BigNameFan: Martin Scorcese, Guillermo del Toro and singer Kate Bush (her song "The Infant Kiss" is inspired by this film).
* CultClassic: It made its money back but didn't find much of an audience at the time. These days it's a very well respected film and it's highly praised in circles.
* DawsonCasting: Miss Giddens in the book is only nineteen or twenty. Her age in the film is not stated but she's said to be a governess on her first job, still placing her in early twenties. Deborah Kerr was in her late thirties. The two child actors however matched the ages of their characters.
* HeyItsThatGuy:
** [[Film/TheKingAndI Mrs Anna]] prefers Bly to Siam.
** Miles spent some time in the ''Film/VillageOfTheDamned''.
** Flora would later become a student of [[Film/ThePrimeOfMissJeanBrodie Jean Brodie]].
* MagnumOpusDissonance: Deborah Kerr regarded this as her finest performance. It's not one of the films she was nominated for, nor is it as famous as ''Film/FromHereToEternity'', ''Film/AnAffairToRemember'' or ''Film/TheKingAndI''.
* PlayingWithCharacterType: Deborah Kerr plays a ProperLady governess...who's possibly going mad and having questionable thoughts towards a young boy.
* ThrowItIn: When Miss Giddens is wandering around the house with a candelabra, a clapperboard is briefly visible in the corner of the frame. Jack Clayton chose to leave it in - feeling it added to the unease in the scene.
* WhatCouldHaveBeen:
** Cary Grant offered to play the uncle, but was turned down. It would have reunited him with Deborah Kerr after ''Film/AnAffairToRemember''.
** Jack Clayton initially considered using flashbacks to show the story of Miss Jessel and Peter Quint. He was advised not to by Harold Pinter.
** In the original draft of the script, which is adapted from a play, Miss Giddens's repressed sexuality was much more obvious. The final film relegates it to subtext, leaving it open whether Miss Giddens is repressed or actually seeing ghosts.
* ActorAllusion: Deborah Kerr had been a governess to misbehaved children [[Film/TheKingAndI before]].
* BigNameFan: Martin Scorcese, Guillermo del Toro and singer Kate Bush (her song "The Infant Kiss" is inspired by this film).
* CultClassic: It made its money back but didn't find much of an audience at the time. These days it's a very well respected film and it's highly praised in circles.
* DawsonCasting: Miss Giddens in the book is only nineteen or twenty. Her age in the film is not stated but she's said to be a governess on her first job, still placing her in early twenties. Deborah Kerr was in her late thirties. The two child actors however matched the ages of their characters.
* HeyItsThatGuy:
** [[Film/TheKingAndI Mrs Anna]] prefers Bly to Siam.
** Miles spent some time in the ''Film/VillageOfTheDamned''.
** Flora would later become a student of [[Film/ThePrimeOfMissJeanBrodie Jean Brodie]].
* MagnumOpusDissonance: Deborah Kerr regarded this as her finest performance. It's not one of the films she was nominated for, nor is it as famous as ''Film/FromHereToEternity'', ''Film/AnAffairToRemember'' or ''Film/TheKingAndI''.
* PlayingWithCharacterType: Deborah Kerr plays a ProperLady governess...who's possibly going mad and having questionable thoughts towards a young boy.
* ThrowItIn: When Miss Giddens is wandering around the house with a candelabra, a clapperboard is briefly visible in the corner of the frame. Jack Clayton chose to leave it in - feeling it added to the unease in the scene.
* WhatCouldHaveBeen:
** Cary Grant offered to play the uncle, but was turned down. It would have reunited him with Deborah Kerr after ''Film/AnAffairToRemember''.
** Jack Clayton initially considered using flashbacks to show the story of Miss Jessel and Peter Quint. He was advised not to by Harold Pinter.
** In the original draft of the script, which is adapted from a play, Miss Giddens's repressed sexuality was much more obvious. The final film relegates it to subtext, leaving it open whether Miss Giddens is repressed or actually seeing ghosts.