Is there an issue? Send a MessageReason:
None
Changed line(s) 20 (click to see context) from:
** On the line "sky of blue and sea of green in our yellow submarine" in the song's last verse, it sounds like Ringo is singing "'''slub'''marine" (or "clubmarine"), possibly his voice breaking or a bad audio edit.
to:
** On the line "sky of blue and sea of green in our yellow submarine" in the song's last verse, it sounds like Ringo is singing "'''slub'''marine" (or "clubmarine"), possibly his voice breaking cracking or a bad audio edit.
Is there an issue? Send a MessageReason:
None
Changed line(s) 18 (click to see context) from:
* ThrowItIn: The backwards guitar part on "I'm Only Sleeping" came about after an Creator/{{EMI}} engineer accidentally put a tape on backwards in the studio. The band liked how it sounded, with Music/JohnLennon comparing the sound to Indian music. Averted in that, having decided that the song needed a backwards guitar solo, Harrison then had to decide how he wanted it to go, and then learn to play it backwards, so that, when it was reversed, it would come out sounding right.
to:
* ThrowItIn: ThrowItIn:
** The backwards guitar part on "I'm Only Sleeping" came about after an Creator/{{EMI}} engineer accidentally put a tape on backwards in the studio. The band liked how it sounded, with Music/JohnLennon comparing the sound to Indian music. Averted in that, having decided that the song needed a backwards guitar solo, Harrison then had to decide how he wanted it to go, and then learn to play it backwards, so that, when it was reversed, it would come out sounding right.
** On the line "sky of blue and sea of green in our yellow submarine" in the song's last verse, it sounds like Ringo is singing "'''slub'''marine" (or "clubmarine"), possibly his voice breaking or a bad audio edit.
** The backwards guitar part on "I'm Only Sleeping" came about after an Creator/{{EMI}} engineer accidentally put a tape on backwards in the studio. The band liked how it sounded, with Music/JohnLennon comparing the sound to Indian music. Averted in that, having decided that the song needed a backwards guitar solo, Harrison then had to decide how he wanted it to go, and then learn to play it backwards, so that, when it was reversed, it would come out sounding right.
** On the line "sky of blue and sea of green in our yellow submarine" in the song's last verse, it sounds like Ringo is singing "'''slub'''marine" (or "clubmarine"), possibly his voice breaking or a bad audio edit.
Is there an issue? Send a MessageReason:
None
Changed line(s) 7 (click to see context) from:
* BlackSheepHit: "Eleanor Rigby" was one of the double-A side singles off the album (the other being "Yellow Submarine"), but was assured to be felt quite different from the rest of the band's rock/pop oeuvre by virtue of being performed by a double string quartet.
to:
* BlackSheepHit: Both sides of the double A-side single taken from the album are among the most beloved of all Beatles songs but sound basically like nothing else in their catalog. "Yellow Submarine" is pitched somewhere between a folk song for children, a {{Vaudeville}} tune, a pub singalong number, and a Music/SpikeJones-like bit of musical slapstick, while "Eleanor Rigby" was one is heavily inspired by ClassicalMusic, with all of the double-A side singles off the album (the other being "Yellow Submarine"), but was assured to be felt quite different from the rest of the band's rock/pop oeuvre by virtue of being music performed by a double string quartet.
Changed line(s) 9 (click to see context) from:
* HostilityOnTheSet: Paul possibly doesn't play on "She Said She Said", reportedly having stormed out of the studio after an argument with the others during the session (George allegedly played the song's bass part, but it's also been claimed that Paul had already finished his bass track before the argument).
to:
* HostilityOnTheSet: There was a notable altercation between Paul possibly doesn't play on and the rest of the band during the recording of "She Said She Said", Said" that reportedly having stormed ended up with him storming out of the studio after an argument with the others studio. It was memorable enough that it even got brought up during the session (George allegedly played [[Series/TheBeatlesGetBack "Get Back"]] sessions three years later when the song's topic of disputes during studio work came up, and based on that conversation it sounds like it boiled down to Paul deviating too much from John's preferred arrangement on the song, and George and Ringo siding with John. For a while it was thought that George ended up playing the bass part, part on the album take (Paul even said so in his authorized biography ''Many Years From Now''), but it's also been claimed the liner notes of the 2022 box set say that Paul had already finished his Paul's bass track before was used (but also that some bass notes played on an organ appear toward the argument).end of the song, which might be George's bass contribution).
** Music/TheMonkees parodied the count-ins (George's slow one followed by Paul's fast one) at the start of "Taxman" by opening up their album ''Headquarters'' with all four of them doing repeated, frantic, out of sync "1-2-3-4" counts as a lead-in to "You Told Me".
** The "Pipesucker Report" sketch on ''Series/NotOnlyButAlso'' from 1966 (which included a cameo by John in a different segment) features a bit on a PsychedelicRock band called The Mothers, who perform a song called "The L.S. Bumble Bee", which takes a swipe at the "seagull" tape loop on "Tomorrow Never Knows" by having an actual seagull onstage with the band doing bird calls.
** The "Pipesucker Report" sketch on ''Series/NotOnlyButAlso'' from 1966 (which included a cameo by John in a different segment) features a bit on a PsychedelicRock band called The Mothers, who perform a song called "The L.S. Bumble Bee", which takes a swipe at the "seagull" tape loop on "Tomorrow Never Knows" by having an actual seagull onstage with the band doing bird calls.
Changed line(s) 23 (click to see context) from:
** George's habit of not titling songs before recording them led "Love You To" to begin life as "Granny Smith" (after the apple variety later used on the Apple Records label), and "I Want To Tell You" as "I Don't Know" and "Laxton's Superb" (another apple variety), though in the StudioChatter related to this on an alternate take from the 2022 box set, Ringo suggests "Tell You".
to:
** George's habit of not titling songs before recording them led "Love You To" to begin life as "Granny Smith" (after the apple variety later used on the Apple Records label), and "I Want To Tell You" as "I Don't Know" and "Laxton's Superb" (another apple variety), though in the StudioChatter related to this on an alternate take from the 2022 box set, Ringo suggests "Tell You".
Is there an issue? Send a MessageReason:
None
Changed line(s) 21 (click to see context) from:
* WorkingTitle: ''Abracadabra'', ''Pendulum'', ''Fat Man And Bobby'', ''After Geography'' (Music/RingoStarr's {{pun}} on Music/{{The Rolling Stones|Band}}' ''[[Music/AftermathAlbum Aftermath]]''), ''Beatles on Safari'', ''Magic Circle'' and ''Four Sides of the Circle''.
to:
* WorkingTitle: WorkingTitle:
** ''Abracadabra'', ''Pendulum'', ''Fat Man And Bobby'', ''After Geography'' (Music/RingoStarr's {{pun}} on Music/{{The Rolling Stones|Band}}' ''[[Music/AftermathAlbum Aftermath]]''), ''Beatles on Safari'', ''Magic Circle'' and ''Four Sides of theCircle''.Circle''.
** George's habit of not titling songs before recording them led "Love You To" to begin life as "Granny Smith" (after the apple variety later used on the Apple Records label), and "I Want To Tell You" as "I Don't Know" and "Laxton's Superb" (another apple variety), though in the StudioChatter related to this on an alternate take from the 2022 box set, Ringo suggests "Tell You".
** "Tomorrow Never Knows" was recorded with the placeholder title "Mark I" (since it was the first song recorded for the album). "The Void" (which would've given the the song's lyrics a TitleDrop) was also under consideration, before John borrowed a Ringo malapropism "to sort of take the edge off the heavy philosophical lyrics."
** ''Abracadabra'', ''Pendulum'', ''Fat Man And Bobby'', ''After Geography'' (Music/RingoStarr's {{pun}} on Music/{{The Rolling Stones|Band}}' ''[[Music/AftermathAlbum Aftermath]]''), ''Beatles on Safari'', ''Magic Circle'' and ''Four Sides of the
** George's habit of not titling songs before recording them led "Love You To" to begin life as "Granny Smith" (after the apple variety later used on the Apple Records label), and "I Want To Tell You" as "I Don't Know" and "Laxton's Superb" (another apple variety), though in the StudioChatter related to this on an alternate take from the 2022 box set, Ringo suggests "Tell You".
** "Tomorrow Never Knows" was recorded with the placeholder title "Mark I" (since it was the first song recorded for the album). "The Void" (which would've given the the song's lyrics a TitleDrop) was also under consideration, before John borrowed a Ringo malapropism "to sort of take the edge off the heavy philosophical lyrics."
Is there an issue? Send a MessageReason:
None
Changed line(s) 3 (click to see context) from:
''Music/SgtPeppersLonelyHeartsClubBand'' | ''Trivia/MagicalMysteryTour'' | ''Trivia/TheWhiteAlbum'' | ''Trivia/YellowSubmarine'' | ''Trivia/AbbeyRoad'' | ''Trivia/LetItBe''\\
to:
Is there an issue? Send a MessageReason:
None
Added DiffLines:
[[WMG:[[center:[-Music/TheBeatles '''[[Trivia/TheBeatles Main Trivia Page]]'''\\
''Trivia/PleasePleaseMe'' | ''Trivia/WithTheBeatles'' | ''Trivia/AHardDaysNight'' | ''Trivia/BeatlesForSale'' | ''Trivia/{{Help}}'' | ''Trivia/RubberSoul'' | '''''Revolver'''''\\
''Music/SgtPeppersLonelyHeartsClubBand'' | ''Trivia/MagicalMysteryTour'' | ''Trivia/TheWhiteAlbum'' | ''Trivia/YellowSubmarine'' | ''Trivia/AbbeyRoad'' | ''Trivia/LetItBe''\\
''Trivia/PastMasters'' | ''Trivia/TheBeatlesAnthology'' | ''Trivia/TheBeatlesGetBack''-]]]]]
''Trivia/PleasePleaseMe'' | ''Trivia/WithTheBeatles'' | ''Trivia/AHardDaysNight'' | ''Trivia/BeatlesForSale'' | ''Trivia/{{Help}}'' | ''Trivia/RubberSoul'' | '''''Revolver'''''\\
''Music/SgtPeppersLonelyHeartsClubBand'' | ''Trivia/MagicalMysteryTour'' | ''Trivia/TheWhiteAlbum'' | ''Trivia/YellowSubmarine'' | ''Trivia/AbbeyRoad'' | ''Trivia/LetItBe''\\
''Trivia/PastMasters'' | ''Trivia/TheBeatlesAnthology'' | ''Trivia/TheBeatlesGetBack''-]]]]]
Is there an issue? Send a MessageReason:
None
Changed line(s) 14 (click to see context) from:
** According to a [[http://recordmecca.com/products-page/museum-quality-collectibles/the-beatles-george-harrison-extraordinary-1966-letter-with-historical-relevation/ 1966 letter from George Harrison to an Atlanta DJ]], the Beatles nearly recorded the album at Creator/StaxRecords in Memphis (home of Music/OtisRedding, Music/IsaacHayes, Sam & Dave, Booker T. & the M.G.'s, etc.), but the deal fell through over money issues.
to:
** According to a [[http://recordmecca.com/products-page/museum-quality-collectibles/the-beatles-george-harrison-extraordinary-1966-letter-with-historical-relevation/ 1966 letter from George Harrison to an Atlanta DJ]], the Beatles nearly recorded the album at Creator/StaxRecords in Memphis (home of Music/OtisRedding, Music/IsaacHayes, Sam & Dave, Booker T. & the M.G.'s, etc.), but the deal fell through over money issues.issues (Stax also had ambitions of becoming a Southern version of Creator/{{Motown}} around that time, and were in the process of phasing out non-Stax artists using the studio).
Is there an issue? Send a MessageReason:
None
Changed line(s) 5 (click to see context) from:
* HostilityOnTheSet: Paul doesn't play on "She Said She Said", reportedly having stormed out of the studio after an argument with the others during the session (general consensus is that George played the song's bass part).
to:
* HostilityOnTheSet: Paul possibly doesn't play on "She Said She Said", reportedly having stormed out of the studio after an argument with the others during the session (general consensus is that George (George allegedly played the song's bass part).part, but it's also been claimed that Paul had already finished his bass track before the argument).
Is there an issue? Send a MessageReason:
None
Added DiffLines:
** [[https://youtu.be/jVyRGThtTzA?si=ZMQIHykJpu3tCiTY The early]] [[https://youtu.be/hvtVZ9wiTDo?si=Isy62j75BjGIy55R work tapes]] of "Yellow Submarine" sung by John Lennon featured on the Super Deluxe rerelease of "Revolver" reveal the song was originally ''starkly'' different early on, with the song originally being a dark and melancholic ballad evocative of Lennon's later solo work, a far cry from the cheerful and upbeat children's song it eventually became.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
** Music/WeirdAlYankovic's "Pac-Man" is a parody of "Taxman".
Is there an issue? Send a MessageReason:
None
Changed line(s) 5 (click to see context) from:
* HostilityOnTheSet: Paul doesn't play on "She Said She Said", reportedly having stormed out of the studio after an argument with the others during the session.
to:
* HostilityOnTheSet: Paul doesn't play on "She Said She Said", reportedly having stormed out of the studio after an argument with the others during the session.session (general consensus is that George played the song's bass part).
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* HostilityOnTheSet: Paul doesn't play on "She Said She Said", reportedly having stormed out of the studio after an argument with the others during the session.
Is there an issue? Send a MessageReason:
None
Changed line(s) 14 (click to see context) from:
* WorkingTitle: ''Abracadabra'', ''Pendulums'', ''Fat Man And Bobby'', ''After Geography'' (Music/RingoStarr's {{pun}} on Music/{{The Rolling Stones|Band}}' ''[[Music/AftermathAlbum Aftermath]]''), ''Beatles on Safari'', ''Magic Circle'' and ''Four Sides of the Circle''.
to:
* WorkingTitle: ''Abracadabra'', ''Pendulums'', ''Pendulum'', ''Fat Man And Bobby'', ''After Geography'' (Music/RingoStarr's {{pun}} on Music/{{The Rolling Stones|Band}}' ''[[Music/AftermathAlbum Aftermath]]''), ''Beatles on Safari'', ''Magic Circle'' and ''Four Sides of the Circle''.
Is there an issue? Send a MessageReason:
None
Changed line(s) 14 (click to see context) from:
* WorkingTitle: ''Abracadabra'', ''Pendulums'', ''Fat Man And Bobby'', ''After Geography'' (Music/RingoStarr's {{pun}} on Music/{{The Rolling Stones|Band}}' ''Music/AftermathAlbum''), ''Beatles on Safari'', ''Magic Circle'' and ''Four Sides of the Circle''.
to:
* WorkingTitle: ''Abracadabra'', ''Pendulums'', ''Fat Man And Bobby'', ''After Geography'' (Music/RingoStarr's {{pun}} on Music/{{The Rolling Stones|Band}}' ''Music/AftermathAlbum''), ''[[Music/AftermathAlbum Aftermath]]''), ''Beatles on Safari'', ''Magic Circle'' and ''Four Sides of the Circle''.
Is there an issue? Send a MessageReason:
None
Changed line(s) 9 (click to see context) from:
** ''Revolver'' becomes a plot point in the ''Series/MadMen'' episode "[[Recap/MadMenS5E7LadyLazarus Lady Lazarus]]" when Megan buys Don the LP after he complains about not knowing what is going on in youth and popular culture. She tells him to start with the last track, "Tomorrow Never Knows".
to:
** ''Revolver'' becomes a plot point in the ''Series/MadMen'' episode "[[Recap/MadMenS5E7LadyLazarus Lady Lazarus]]" when Megan buys Don the LP after he complains about not knowing what is going on in youth and popular culture. She tells him to start with the last track, "Tomorrow Never Knows". After he turns it off, this [[DiegeticSwitch becomes the closing credits music]]. The rights to use the song cost the show's producers $250,000, around five times as much as the typical cost of licensing a song for TV -- and contrasts with the closing credits music for an earlier episode in which an ''instrumental'' version of "Do You Want to Know a Secret" was used.
Is there an issue? Send a MessageReason:
None
Changed line(s) 9 (click to see context) from:
** ''Revolver'' becomes a plot point in the ''Series/MadMen'' episode "[[Recap/MadMenS5E7LadyLazarus Lady Lazarus]]" when Megan buys Don the LP
to:
** ''Revolver'' becomes a plot point in the ''Series/MadMen'' episode "[[Recap/MadMenS5E7LadyLazarus Lady Lazarus]]" when Megan buys Don the LP after he complains about not knowing what is going on in youth and popular culture. She tells him to start with the last track, "Tomorrow Never Knows".
Is there an issue? Send a MessageReason:
None
Added DiffLines:
** ''Revolver'' becomes a plot point in the ''Series/MadMen'' episode "[[Recap/MadMenS5E7LadyLazarus Lady Lazarus]]" when Megan buys Don the LP
Is there an issue? Send a MessageReason:
None
Changed line(s) 6 (click to see context) from:
* ReferencedBy: "Got to Get You Into My Life" is notable for having a CoverVersion become a Top 10 hit in both the UK and the US. Cliff Bennett & The Rebel Rousers released their version, produced by [=McCartney=], later in 1966 and it reached #6 in the UK. Music/EarthWindAndFire's version, from the ''Film/SgtPeppersLonelyHeartsClubBand'' film, got to #9 in the US in 1978. The original was also released as a single in 1976, as a promotion for the Creator/CapitolRecords ''Rock 'n' Roll Music'' album, and hit the US Top 10 as well.
to:
* ReferencedBy: ReferencedBy:
** "Got to Get You Into My Life" is notable for having a CoverVersion become a Top 10 hit in both the UK and the US. Cliff Bennett & The Rebel Rousers released their version, produced by [=McCartney=], later in 1966 and it reached #6 in the UK. Music/EarthWindAndFire's version, from the ''Film/SgtPeppersLonelyHeartsClubBand'' film, got to #9 in the US in 1978. The original was also released as a single in 1976, as a promotion for the Creator/CapitolRecords ''Rock 'n' Roll Music'' album, and hit the US Top 10 aswell.well.
** A CoverVersion of "Tomorrow Never Knows" closes out Music/PhilCollins' ''Music/FaceValue'', segueing into another cover of "Somewhere Over the Rainbow" from ''Film/TheWizardOfOz'' as an impromptu tribute to Music/JohnLennon (as Collins heard about his murder while recording the song).
** "Got to Get You Into My Life" is notable for having a CoverVersion become a Top 10 hit in both the UK and the US. Cliff Bennett & The Rebel Rousers released their version, produced by [=McCartney=], later in 1966 and it reached #6 in the UK. Music/EarthWindAndFire's version, from the ''Film/SgtPeppersLonelyHeartsClubBand'' film, got to #9 in the US in 1978. The original was also released as a single in 1976, as a promotion for the Creator/CapitolRecords ''Rock 'n' Roll Music'' album, and hit the US Top 10 as
** A CoverVersion of "Tomorrow Never Knows" closes out Music/PhilCollins' ''Music/FaceValue'', segueing into another cover of "Somewhere Over the Rainbow" from ''Film/TheWizardOfOz'' as an impromptu tribute to Music/JohnLennon (as Collins heard about his murder while recording the song).
Is there an issue? Send a MessageReason:
None
Changed line(s) 11 (click to see context) from:
* WorkingTitle: ''Abracadabra'', ''Pendulums'', ''Fat Man And Bobby'', ''After Geography'' (Music/RingoStarr's {{pun}} on Music/TheRollingStones' ''Music/AftermathAlbum''), ''Beatles on Safari'', ''Magic Circle'' and ''Four Sides of the Circle''.
to:
* WorkingTitle: ''Abracadabra'', ''Pendulums'', ''Fat Man And Bobby'', ''After Geography'' (Music/RingoStarr's {{pun}} on Music/TheRollingStones' Music/{{The Rolling Stones|Band}}' ''Music/AftermathAlbum''), ''Beatles on Safari'', ''Magic Circle'' and ''Four Sides of the Circle''.
Is there an issue? Send a MessageReason:
None
Changed line(s) 11 (click to see context) from:
* WorkingTitle: ''Abracadabra'', ''Pendulums'', ''Fat Man And Bobby'', ''After Geography'' (Music/RingoStarr's {{pun}} on Music/TheRollingStones' ''Music/{{Aftermath}}''), ''Beatles on Safari'', ''Magic Circle'' and ''Four Sides of the Circle''.
to:
* WorkingTitle: ''Abracadabra'', ''Pendulums'', ''Fat Man And Bobby'', ''After Geography'' (Music/RingoStarr's {{pun}} on Music/TheRollingStones' ''Music/{{Aftermath}}''), ''Music/AftermathAlbum''), ''Beatles on Safari'', ''Magic Circle'' and ''Four Sides of the Circle''.
Is there an issue? Send a MessageReason:
None
Changed line(s) 7 (click to see context) from:
* ThrowItIn: The backwards guitar part on "I'm Only Sleeping" was the result of an Creator/{{EMI}} engineer accidentally putting a tape on backwards in the studio. The band liked how it sounded, with Music/JohnLennon comparing the sound to Indian music.
to:
* ThrowItIn: The backwards guitar part on "I'm Only Sleeping" was the result of came about after an Creator/{{EMI}} engineer accidentally putting put a tape on backwards in the studio. The band liked how it sounded, with Music/JohnLennon comparing the sound to Indian music. Averted in that, having decided that the song needed a backwards guitar solo, Harrison then had to decide how he wanted it to go, and then learn to play it backwards, so that, when it was reversed, it would come out sounding right.
Is there an issue? Send a MessageReason:
None
Changed line(s) 3 (click to see context) from:
* BlackSheepHit: "Eleanor Rigby".
to:
* BlackSheepHit: "Eleanor Rigby".Rigby" was one of the double-A side singles off the album (the other being "Yellow Submarine"), but was assured to be felt quite different from the rest of the band's rock/pop oeuvre by virtue of being performed by a double string quartet.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* ReferencedBy: "Got to Get You Into My Life" is notable for having a CoverVersion become a Top 10 hit in both the UK and the US. Cliff Bennett & The Rebel Rousers released their version, produced by [=McCartney=], later in 1966 and it reached #6 in the UK. Music/EarthWindAndFire's version, from the ''Film/SgtPeppersLonelyHeartsClubBand'' film, got to #9 in the US in 1978. The original was also released as a single in 1976, as a promotion for the Creator/CapitolRecords ''Rock 'n' Roll Music'' album, and hit the US Top 10 as well.
Is there an issue? Send a MessageReason:
None
Changed line(s) 8 (click to see context) from:
** According to a [[http://recordmecca.com/products-page/museum-quality-collectibles/the-beatles-george-harrison-extraordinary-1966-letter-with-historical-relevation/ 1966 letter from George Harrison to an Atlanta DJ]], the Beatles nearly recorded the album at Creator/StaxRecords in Memphis (home of Music/OtisRedding, Music/IsaacHayes, Sam & Dave, Booker T. & the MG's, etc.), but the deal fell through over money issues.
to:
** According to a [[http://recordmecca.com/products-page/museum-quality-collectibles/the-beatles-george-harrison-extraordinary-1966-letter-with-historical-relevation/ 1966 letter from George Harrison to an Atlanta DJ]], the Beatles nearly recorded the album at Creator/StaxRecords in Memphis (home of Music/OtisRedding, Music/IsaacHayes, Sam & Dave, Booker T. & the MG's, M.G.'s, etc.), but the deal fell through over money issues.
Changed line(s) 10 (click to see context) from:
* WorkingTitle: ''Abracadabra'', ''Pendulums'', ''Fat Man And Bobby'', ''After Geography'' (Music/RingoStarr's {{pun}} on Music/TheRollingStones' ''Music/{{Aftermath}}''), ''Beatles On Safari'', ''Magic Circle'' and ''Four Sides Of The Circle''.
to:
* WorkingTitle: ''Abracadabra'', ''Pendulums'', ''Fat Man And Bobby'', ''After Geography'' (Music/RingoStarr's {{pun}} on Music/TheRollingStones' ''Music/{{Aftermath}}''), ''Beatles On on Safari'', ''Magic Circle'' and ''Four Sides Of The of the Circle''.
Is there an issue? Send a MessageReason:
None
Changed line(s) 9 (click to see context) from:
* WorkingTitle: ''Abracadabra'', ''Pendulums'', ''Fat Man And Bobby'', ''After Geography'' (Music/RingoStarr's pun on Music/TheRollingStones' ''Music/{{Aftermath}}''), ''Beatles On Safari'', ''Magic Circle'' and ''Four Sides Of The Circle''.
to:
* WorkingTitle: ''Abracadabra'', ''Pendulums'', ''Fat Man And Bobby'', ''After Geography'' (Music/RingoStarr's pun {{pun}} on Music/TheRollingStones' ''Music/{{Aftermath}}''), ''Beatles On Safari'', ''Magic Circle'' and ''Four Sides Of The Circle''.
Is there an issue? Send a MessageReason:
Some edits.
Changed line(s) 1 (click to see context) from:
* BadExportForYou: As usual with American versions of the Fab Four's albums before ''Music/SgtPeppersLonelyHeartsClubBand''. The US release deleted three songs ("I'm Only Sleeping", "And Your Bird Can Sing" and "Dr. Robert") which Creator/CapitolRecords had already released on their ''Yesterday and Today'' album. Since all three were Music/JohnLennon songs, this made the American album lopsided in favor of Music/PaulMcCartney's contributions. America didn't get a complete version of ''Revolver'' until 1987, when all the US-only Beatles albums were replaced by their British equivalents.
to:
* BadExportForYou: As usual with American versions of the Fab Four's albums before ''Music/SgtPeppersLonelyHeartsClubBand''. The US release deleted three songs ("I'm Only Sleeping", "And Your Bird Can Sing" and "Dr. Robert") which Creator/CapitolRecords had already released on their ''Yesterday and Today'' album. Since all three were Music/JohnLennon songs, this made the American album lopsided in favor of Music/PaulMcCartney's contributions. America didn't get a complete version of ''Revolver'' until 1987, when all the US-only Beatles albums (save for the LP version of ''Music/MagicalMysteryTour'') were replaced by their British equivalents.
Is there an issue? Send a MessageReason:
None
Deleted line(s) 6 (click to see context) :
* UnintentionalPeriodPiece: In the song "Taxman" British politicians UsefulNotes/HaroldWilson and UsefulNotes/EdwardHeath are referenced, making it one of the few Beatles songs that directly reference 1960s society. When George later performed the song in concert in 1991 (in what would be released on his ''Live in Japan'' album), he updated the lyrics slightly, adding another verse changing the political references to ones more relevant of the era (UsefulNotes/JohnMajor, UsefulNotes/BorisYeltsin, UsefulNotes/GeorgeHWBush).
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* BadExportForYou: As usual with American versions of the Fab Four's albums before ''Music/SgtPeppersLonelyHeartsClubBand''. The US release deleted three songs ("I'm Only Sleeping", "And Your Bird Can Sing" and "Dr. Robert") which Creator/CapitolRecords had already released on their ''Yesterday and Today'' album. Since all three were Music/JohnLennon songs, this made the American album lopsided in favor of Music/PaulMcCartney's contributions. America didn't get a complete version of ''Revolver'' until 1987, when all the US-only Beatles albums were replaced by their British equivalents.
* BlackSheepHit: "Eleanor Rigby".
* CreatorsFavoriteEpisode: John's favourite track on the album was "Here, There and Everywhere".
* InspirationForTheWork: While his bandmates were experimenting with LSD, Paul drew his inspiration from the intellectual stimulation he experienced among UsefulNotes/{{London}}'s arts scene, particularly its thriving avant-garde community. This is reflected in the more conventional subject matter of his lyrics.
* ThrowItIn: The backwards guitar part on "I'm Only Sleeping" was the result of an Creator/{{EMI}} engineer accidentally putting a tape on backwards in the studio. The band liked how it sounded, with Music/JohnLennon comparing the sound to Indian music.
* UnintentionalPeriodPiece: In the song "Taxman" British politicians UsefulNotes/HaroldWilson and UsefulNotes/EdwardHeath are referenced, making it one of the few Beatles songs that directly reference 1960s society. When George later performed the song in concert in 1991 (in what would be released on his ''Live in Japan'' album), he updated the lyrics slightly, adding another verse changing the political references to ones more relevant of the era (UsefulNotes/JohnMajor, UsefulNotes/BorisYeltsin, UsefulNotes/GeorgeHWBush).
* WhatCouldHaveBeen:
** According to a [[http://recordmecca.com/products-page/museum-quality-collectibles/the-beatles-george-harrison-extraordinary-1966-letter-with-historical-relevation/ 1966 letter from George Harrison to an Atlanta DJ]], the Beatles nearly recorded the album at Creator/StaxRecords in Memphis (home of Music/OtisRedding, Music/IsaacHayes, Sam & Dave, Booker T. & the MG's, etc.), but the deal fell through over money issues.
** "Father [=MacKenzie=]" in "Eleanor Rigby" almost was written as "Father [=McCartney=]" as John and Paul liked the sound of the name, before Paul decided he didn't want to offend his father.
* WorkingTitle: ''Abracadabra'', ''Pendulums'', ''Fat Man And Bobby'', ''After Geography'' (Music/RingoStarr's pun on Music/TheRollingStones' ''Music/{{Aftermath}}''), ''Beatles On Safari'', ''Magic Circle'' and ''Four Sides Of The Circle''.
----
* BlackSheepHit: "Eleanor Rigby".
* CreatorsFavoriteEpisode: John's favourite track on the album was "Here, There and Everywhere".
* InspirationForTheWork: While his bandmates were experimenting with LSD, Paul drew his inspiration from the intellectual stimulation he experienced among UsefulNotes/{{London}}'s arts scene, particularly its thriving avant-garde community. This is reflected in the more conventional subject matter of his lyrics.
* ThrowItIn: The backwards guitar part on "I'm Only Sleeping" was the result of an Creator/{{EMI}} engineer accidentally putting a tape on backwards in the studio. The band liked how it sounded, with Music/JohnLennon comparing the sound to Indian music.
* UnintentionalPeriodPiece: In the song "Taxman" British politicians UsefulNotes/HaroldWilson and UsefulNotes/EdwardHeath are referenced, making it one of the few Beatles songs that directly reference 1960s society. When George later performed the song in concert in 1991 (in what would be released on his ''Live in Japan'' album), he updated the lyrics slightly, adding another verse changing the political references to ones more relevant of the era (UsefulNotes/JohnMajor, UsefulNotes/BorisYeltsin, UsefulNotes/GeorgeHWBush).
* WhatCouldHaveBeen:
** According to a [[http://recordmecca.com/products-page/museum-quality-collectibles/the-beatles-george-harrison-extraordinary-1966-letter-with-historical-relevation/ 1966 letter from George Harrison to an Atlanta DJ]], the Beatles nearly recorded the album at Creator/StaxRecords in Memphis (home of Music/OtisRedding, Music/IsaacHayes, Sam & Dave, Booker T. & the MG's, etc.), but the deal fell through over money issues.
** "Father [=MacKenzie=]" in "Eleanor Rigby" almost was written as "Father [=McCartney=]" as John and Paul liked the sound of the name, before Paul decided he didn't want to offend his father.
* WorkingTitle: ''Abracadabra'', ''Pendulums'', ''Fat Man And Bobby'', ''After Geography'' (Music/RingoStarr's pun on Music/TheRollingStones' ''Music/{{Aftermath}}''), ''Beatles On Safari'', ''Magic Circle'' and ''Four Sides Of The Circle''.
----
