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* CreatorsOddball: The title track of "Blood On the Dance Floor" was derided by many critics due to it's New Jack Swing sound and was seen as a big mistake on Jackson's part (the song, for what it's worth, was originally an outtake from the ''Music/{{Dangerous}}'' sessions). Despite this, it would be Michael Jackson's final international number one hit during his lifetime.
to:
* CreatorsOddball: The title track of "Blood On the Dance Floor" was derided by many critics due to it's New Jack Swing sound and was seen as a big mistake on Jackson's part (the song, for what it's worth, was originally an outtake from the ''Music/{{Dangerous}}'' ''Music/{{Dangerous|Album}}'' sessions). Despite this, it would be Michael Jackson's final international number one hit during his lifetime.
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** "Earth Song": Originally titled "What About Us", was cut from ''Dangerous''
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** "Earth Song": Originally titled "What About Us", was cut from ''Dangerous''''Dangerous.''
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** Jackson produced a song called "Faces", and wanted Nelson Mandela to record an intro for the track. Mandela was receptive to the idea and Jackson recorded a reference for him, but Mandela's handlers advised him not to associate with Jackson due to his then-recent child abuse accusations. As a result, Jackson scrapped the song before recording any singing for the track.
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* GenreAdultery: The title track of "Blood On the Dance Floor" was derided by many critics due to it's New Jack Swing sound and was seen as a big mistake on Jackson's part (the song, for what it's worth, was originally an outtake from the ''Music/{{Dangerous}}'' sessions). Despite this, it would be Michael Jackson's final international number one hit during his lifetime.
to:
* GenreAdultery: CreatorsOddball: The title track of "Blood On the Dance Floor" was derided by many critics due to it's New Jack Swing sound and was seen as a big mistake on Jackson's part (the song, for what it's worth, was originally an outtake from the ''Music/{{Dangerous}}'' sessions). Despite this, it would be Michael Jackson's final international number one hit during his lifetime.
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Minor grammar correction.
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* ContentLeak: Two weeks before "Scream" was officially released as a single, three radio stations in Los Angles and Philadelphia leaked the song early; and Michael himself happened to be listening to the Los Angles station when he heard the song played. Epic Records immediately sent out cease and desists, since the song was supposed to be a tightly-kept secret among Jackson's inner circle and the label's upper management.
to:
* ContentLeak: Two weeks before "Scream" was officially released as a single, three radio stations in Los Angles Angeles and Philadelphia leaked the song early; and Michael himself happened to be listening to the Los Angles Angeles station when he heard the song played. Epic Records immediately sent out cease and desists, since the song was supposed to be a tightly-kept secret among Jackson's inner circle and the label's upper management.
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No longer Trivia.
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* "Blood on the Dance Floor" was the former TropeNamer for VampireDance.
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* CutSong: There's at least seven songs between [=''HIStory''=] and ''Blood on the Dance Floor'' that were holdovers from prior albums:
to:
* CutSong: GenreAdultery: The title track of "Blood On the Dance Floor" was derided by many critics due to it's New Jack Swing sound and was seen as a big mistake on Jackson's part (the song, for what it's worth, was originally an outtake from the ''Music/{{Dangerous}}'' sessions). Despite this, it would be Michael Jackson's final international number one hit during his lifetime.
* HeAlsoDid: Certain tracks from VideoGame/Sonic3AndKnuckles that were composed by Jackson were reused for [=''HIStory''=]:
** The original credits theme was remixed for "Stranger In Moscow", right down to the beatboxing.
** The original version of Knuckles' theme (and by extension, the mini-boss theme from Sonic 3) was reused for "Blood on the Dance Floor", which was written around the same time.
* RefittedForSequel: There's at least seven songs between [=''HIStory''=] and ''Blood on the Dance Floor'' that were [[CutSong holdovers from prioralbums:albums]]:
* HeAlsoDid: Certain tracks from VideoGame/Sonic3AndKnuckles that were composed by Jackson were reused for [=''HIStory''=]:
** The original credits theme was remixed for "Stranger In Moscow", right down to the beatboxing.
** The original version of Knuckles' theme (and by extension, the mini-boss theme from Sonic 3) was reused for "Blood on the Dance Floor", which was written around the same time.
* RefittedForSequel: There's at least seven songs between [=''HIStory''=] and ''Blood on the Dance Floor'' that were [[CutSong holdovers from prior
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* GenreAdultery: The title track of "Blood On the Dance Floor" was derided by many critics due to it's New Jack Swing sound and was seen as a big mistake on Jackson's part (the song, for what it's worth, was originally an outtake from the ''Music/{{Dangerous}}'' sessions). Despite this, it would be Michael Jackson's final international number one hit during his lifetime.
* HeAlsoDid: Certain tracks from VideoGame/Sonic3AndKnuckles that were composed by Jackson were reused for [=''HIStory''=]:
** The original credits theme was remixed for "Stranger In Moscow", right down to the beatboxing.
** The original version of Knuckles' theme (and by extension, the mini-boss theme from Sonic 3) was reused for "Blood on the Dance Floor", which was written around the same time.
* HeAlsoDid: Certain tracks from VideoGame/Sonic3AndKnuckles that were composed by Jackson were reused for [=''HIStory''=]:
** The original credits theme was remixed for "Stranger In Moscow", right down to the beatboxing.
** The original version of Knuckles' theme (and by extension, the mini-boss theme from Sonic 3) was reused for "Blood on the Dance Floor", which was written around the same time.
to:
* HeAlsoDid: Certain tracks from VideoGame/Sonic3AndKnuckles that were composed by Jackson were reused for [=''HIStory''=]:
** The original credits theme was remixed for "Stranger In Moscow", right down to the beatboxing.
** The original version of Knuckles' theme (and by extension, the mini-boss theme from Sonic 3) was reused for "Blood on the Dance Floor", which was written around the same time.
Is there an issue? Send a MessageReason:
Names The Same is no longer a trope
Deleted line(s) 15,18 (click to see context) :
* NamesTheSame: There's at least ''three'' different "Susie"'s throughout the [=HIStory=] series:
** The titular "Little Susie" from the original album, who was a little girl who was left by herself in an apartment.
** The FemmeFatale from "Blood on the Dance Floor", who seduced Jackson as part of a plot to stab him.
** And finally, the Susie from "Superfly Sister", who was notorious for making guys wait before letting them have sex with her.
** The titular "Little Susie" from the original album, who was a little girl who was left by herself in an apartment.
** The FemmeFatale from "Blood on the Dance Floor", who seduced Jackson as part of a plot to stab him.
** And finally, the Susie from "Superfly Sister", who was notorious for making guys wait before letting them have sex with her.
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None
* CreatorDrivenSuccessor: "2 Bad" is one to Jackson's 1987 hit "Music/{{Bad}}," even going as far as to reuse certain lyrics in the beginning of the song.
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* "Blood on the Dance Floor" was the former TropeNamer for VampireDance.
to:
* "Blood on the Dance Floor" was the former TropeNamer for VampireDance.VampireDance.
----
----
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Added DiffLines:
* ContentLeak: Two weeks before "Scream" was officially released as a single, three radio stations in Los Angles and Philadelphia leaked the song early; and Michael himself happened to be listening to the Los Angles station when he heard the song played. Epic Records immediately sent out cease and desists, since the song was supposed to be a tightly-kept secret among Jackson's inner circle and the label's upper management.
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None
Changed line(s) 9 (click to see context) from:
* GenreAdultery: The title track of "Blood On the Dance Floor" was derided by many critics due to it's New Jack Swing sound, which, by 1997 was considered outdated, and was seen as a big mistake on Jackson's part (the song, for what it's worth, was originally an outtake from the ''Music/{{Dangerous}}'' sessions). Despite this, it would be Michael Jackson's final international number one hit during his lifetime.
to:
* GenreAdultery: The title track of "Blood On the Dance Floor" was derided by many critics due to it's New Jack Swing sound, which, by 1997 was considered outdated, sound and was seen as a big mistake on Jackson's part (the song, for what it's worth, was originally an outtake from the ''Music/{{Dangerous}}'' sessions). Despite this, it would be Michael Jackson's final international number one hit during his lifetime.
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None
Changed line(s) 18 (click to see context) from:
* WhatCouldHaveBeen: [[https://www.youtube.com/watch?v=B8KH1UsIUYw Teddy Riley wanted to remix "Blood on the Dancefloor"]] and bring its sound closer to the pop/R&B trends of the time, but MJ refused.
to:
* WhatCouldHaveBeen: WhatCouldHaveBeen:
** [[https://www.youtube.com/watch?v=B8KH1UsIUYw Teddy Riley wanted to remix "Blood on the Dancefloor"]] and bring its sound closer to the pop/R&B trends of the time, but MJrefused.refused.
** Like ''Dangerous'', ''[=HIStory=]'' was originally going to be a standard GreatestHitsAlbum, until Jackson had ended up recording enough new songs to fill out a new album. The first disc is [[TheArtifact a remnant]] of the original idea.
** [[https://www.youtube.com/watch?v=B8KH1UsIUYw Teddy Riley wanted to remix "Blood on the Dancefloor"]] and bring its sound closer to the pop/R&B trends of the time, but MJ
** Like ''Dangerous'', ''[=HIStory=]'' was originally going to be a standard GreatestHitsAlbum, until Jackson had ended up recording enough new songs to fill out a new album. The first disc is [[TheArtifact a remnant]] of the original idea.
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Added DiffLines:
* CreatorBreakdown: The new material on the album came in the wake of the 1993 child molestation allegations, and much of it is ''very'' bitter and/or depressing as a result. "D.S.", a bludgeoning attack against the investigating District Attorney Tom Sneddon, is probably the most extreme example.
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* HeAlsoDid: Certain tracks from VideoGame/Sonic3AndKnuckles that were composed by Jackson were reused for [=''HIStory''=]:
** The original credits theme was remixed for "Stranger In Moscow", right down to the beatboxing.
** The original version of Knuckles' theme (and by extension, the mini-boss theme from Sonic 3) was reused for "Blood on the Dance Floor", which was written around the same time.
** The original credits theme was remixed for "Stranger In Moscow", right down to the beatboxing.
** The original version of Knuckles' theme (and by extension, the mini-boss theme from Sonic 3) was reused for "Blood on the Dance Floor", which was written around the same time.
Added DiffLines:
* HeAlsoDid: Certain tracks from VideoGame/Sonic3AndKnuckles that were composed by Jackson were reused for [=''HIStory''=]:
** The original credits theme was remixed for "Stranger In Moscow", right down to the beatboxing.
** The original version of Knuckles' theme (and by extension, the mini-boss theme from Sonic 3) was reused for "Blood on the Dance Floor", which was written around the same time.
** The original credits theme was remixed for "Stranger In Moscow", right down to the beatboxing.
** The original version of Knuckles' theme (and by extension, the mini-boss theme from Sonic 3) was reused for "Blood on the Dance Floor", which was written around the same time.
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that's ymmv
Deleted line(s) 1 (click to see context) :
* AuthorsSavingThrow: The main reason why ''Blood on the Dance Floor'' even exists. Long-time fans weren't happy about the first disc being greatest hits material, as they already owned the albums, and the double-LP package in general raised the price of the album, which hurt its sales. By releasing the remix album, they were able to provide new songs for fans, along with new spins on songs from the second disc.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* GenreAdultery: The title track of "Blood On the Dance Floor" was derided by many critics due to it's New Jack Swing sound, which, by 1997 was considered outdated, and was seen as a big mistake on Jackson's part (the song, for what it's worth, was originally an outtake from the ''Music/{{Dangerous}}'' sessions). Despite this, it would be Michael Jackson's final international number one hit during his lifetime.
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We don't list aversions, except notable ones.
Deleted line(s) 17 (click to see context) :
** Averted for the album in general. Evan Chandler, who claimed Jackson molested his son in the mid 90s, filed a lawsuit against him over the album, claiming that it breached their confidentiality agreement, but the case was ultimately thrown out.
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Link removed due to ROCEJ, and otherwise irrelevant to the entry.
Changed line(s) 17 (click to see context) from:
** Averted for the album in general. [[https://youtu.be/SgMPe2-HBDQ Evan Chandler]], who claimed Jackson molested his son in the mid 90s, filed a lawsuit against him over the album, claiming that it breached their confidentiality agreement, but the case was ultimately thrown out.
to:
** Averted for the album in general. [[https://youtu.be/SgMPe2-HBDQ Evan Chandler]], Chandler, who claimed Jackson molested his son in the mid 90s, filed a lawsuit against him over the album, claiming that it breached their confidentiality agreement, but the case was ultimately thrown out.
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None
Changed line(s) 17 (click to see context) from:
** Averted for the album in general. Evan Chandler, who claimed Jackson molested his son in the mid 90s, filed a lawsuit against him over the album, claiming that it breached their confidentiality agreement, but the case was ultimately thrown out.
to:
** Averted for the album in general. [[https://youtu.be/SgMPe2-HBDQ Evan Chandler, Chandler]], who claimed Jackson molested his son in the mid 90s, filed a lawsuit against him over the album, claiming that it breached their confidentiality agreement, but the case was ultimately thrown out.
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None
Added DiffLines:
* WhatCouldHaveBeen: [[https://www.youtube.com/watch?v=B8KH1UsIUYw Teddy Riley wanted to remix "Blood on the Dancefloor"]] and bring its sound closer to the pop/R&B trends of the time, but MJ refused.
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None
Changed line(s) 2 (click to see context) from:
* HeAlsoDid: Certain tracks from Sonic3AndKnuckles that were composed by Jackson were reused for [=''HIStory''=]:
to:
* HeAlsoDid: Certain tracks from Sonic3AndKnuckles VideoGame/Sonic3AndKnuckles that were composed by Jackson were reused for [=''HIStory''=]:
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** "Stranger In Moscow": Was written as a poem in 1993, and its eventual backing track was composed for ''Sonic3AndKnuckles''. Was fleshed out and recorded in 1994.
to:
** "Stranger In Moscow": Was written as a poem in 1993, and its eventual backing track was composed for ''Sonic3AndKnuckles''.''VideoGame/Sonic3AndKnuckles''. Was fleshed out and recorded in 1994.
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Changed line(s) 4 (click to see context) from:
** The original version of Knuckles' theme (and by extension, the mini-boss theme from Sonic 3) was reused for "Ghosts", which was written around the same time.
to:
** The original version of Knuckles' theme (and by extension, the mini-boss theme from Sonic 3) was reused for "Ghosts", "Blood on the Dance Floor", which was written around the same time.
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None
Changed line(s) 11 (click to see context) from:
** "Ghosts" and "Is It Scary": Both were written in 1993 as a tie-in for ''Film/AddamsFamilyValues'', but were dropped due to the child molestation accusations breaking out. Jackson would eventually use the songs for [[Film/MichaelJacksonsGhosts a short film.]]
to:
** "Ghosts" and "Is It Scary": Both were written in 1993 as a tie-in for ''Film/AddamsFamilyValues'', but were dropped due to contractual disputes between Paramount and Epic Records (many believe that the 1993 child molestation accusations breaking out.got Jackson booted, but there's no evidence to support this). Jackson would eventually use the songs for [[Film/MichaelJacksonsGhosts a short film.]]
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None
Changed line(s) 16 (click to see context) from:
* ScrewedByTheLawyers: Music/RKelly, the writer of "You Are Not Alone", got into hot water in 2007 when a judge ruled he had plagiarised a Belgian song when making the track. Jackson was cleared of guilt as he did not write or compose the song, but "You Are Not Alone" was consequently banned from airplay in Belgium, and R. Kelly lost all rights to royalties from the song, which went to the original composers, Danny and Eddy Van Passel.
to:
* ScrewedByTheLawyers: Music/RKelly, the writer of "You Are Not Alone", got into hot water in 2007 when a judge ruled he had plagiarised plagiarized a Belgian song when making the track. Jackson was cleared of guilt as he did not write or compose the song, but "You Are Not Alone" was consequently banned from airplay in Belgium, and R. Kelly lost all rights to royalties from the song, which went to the original composers, Danny and Eddy Van Passel.Passel.
** Averted for the album in general. Evan Chandler, who claimed Jackson molested his son in the mid 90s, filed a lawsuit against him over the album, claiming that it breached their confidentiality agreement, but the case was ultimately thrown out.
** Averted for the album in general. Evan Chandler, who claimed Jackson molested his son in the mid 90s, filed a lawsuit against him over the album, claiming that it breached their confidentiality agreement, but the case was ultimately thrown out.
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None
Changed line(s) 16,17 (click to see context) from:
* ScrewedByTheLawyers: RKelly, the writer of "You Are Not Alone", got into hot water in 2007 when a judge ruled he had plagiarised a Belgian song when making the track. Jackson was cleared of guilt as he did not write or compose the song, but "You Are Not Alone" was consequently banned from airplay in Belgium, and R. Kelly lost all rights to royalties from the song, which went to the original composers, Danny and Eddy Van Passel.
* "Blood on the Dance Floor" was the former TropeNamer for VampireDance.
* "Blood on the Dance Floor" was the former TropeNamer for VampireDance.
to:
* ScrewedByTheLawyers: RKelly, Music/RKelly, the writer of "You Are Not Alone", got into hot water in 2007 when a judge ruled he had plagiarised a Belgian song when making the track. Jackson was cleared of guilt as he did not write or compose the song, but "You Are Not Alone" was consequently banned from airplay in Belgium, and R. Kelly lost all rights to royalties from the song, which went to the original composers, Danny and Eddy Van Passel.
* "Blood on the Dance Floor" was the former TropeNamer for VampireDance.
* "Blood on the Dance Floor" was the former TropeNamer for VampireDance.
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None
Added DiffLines:
* CutSong: There's at least seven songs between [=''HIStory''=] and ''Blood on the Dance Floor'' that were holdovers from prior albums:
** [[Music/TheBeatles "Come Together"]]: Was a B-side for the "Remember the Time" single, but didn't make either ''Bad'' or ''Dangerous''.
** "Earth Song": Originally titled "What About Us", was cut from ''Dangerous''
** "Stranger In Moscow": Was written as a poem in 1993, and its eventual backing track was composed for ''Sonic3AndKnuckles''. Was fleshed out and recorded in 1994.
** "Blood on the Dance Floor": Nearly made the cut for ''Dangerous'', but was dropped due to the album already being too long.
** "Superfly Sister": Recorded and completed for ''Dangerous'', But was shelved when Jackson dropped the song's producer, Bryan Loren (Who also co-wrote and produced [[WesternAnimation/TheSimpsons "Do The Bartman"]] with Jackson), in favor of Teddy Riley being the main producer for ''Dangerous''.
** "Ghosts" and "Is It Scary": Both were written in 1993 as a tie-in for ''Film/AddamsFamilyValues'', but were dropped due to the child molestation accusations breaking out. Jackson would eventually use the songs for [[Film/MichaelJacksonsGhosts a short film.]]
** [[Music/TheBeatles "Come Together"]]: Was a B-side for the "Remember the Time" single, but didn't make either ''Bad'' or ''Dangerous''.
** "Earth Song": Originally titled "What About Us", was cut from ''Dangerous''
** "Stranger In Moscow": Was written as a poem in 1993, and its eventual backing track was composed for ''Sonic3AndKnuckles''. Was fleshed out and recorded in 1994.
** "Blood on the Dance Floor": Nearly made the cut for ''Dangerous'', but was dropped due to the album already being too long.
** "Superfly Sister": Recorded and completed for ''Dangerous'', But was shelved when Jackson dropped the song's producer, Bryan Loren (Who also co-wrote and produced [[WesternAnimation/TheSimpsons "Do The Bartman"]] with Jackson), in favor of Teddy Riley being the main producer for ''Dangerous''.
** "Ghosts" and "Is It Scary": Both were written in 1993 as a tie-in for ''Film/AddamsFamilyValues'', but were dropped due to the child molestation accusations breaking out. Jackson would eventually use the songs for [[Film/MichaelJacksonsGhosts a short film.]]
Is there an issue? Send a MessageReason:
None
* HeAlsoDid: Certain tracks from Sonic3AndKnuckles that were composed by Jackson were reused for [=''HIStory''=]:
** The original credits theme was remixed for "Stranger In Moscow", right down to the beatboxing.
** The original version of Knuckles' theme (and by extension, the mini-boss theme from Sonic 3) was reused for "Ghosts", which was written around the same time.
** The original credits theme was remixed for "Stranger In Moscow", right down to the beatboxing.
** The original version of Knuckles' theme (and by extension, the mini-boss theme from Sonic 3) was reused for "Ghosts", which was written around the same time.
Deleted line(s) 8,10 (click to see context) :
* Certain tracks from Sonic3AndKnuckles that were composed by Jackson were reused for [=''HIStory''=]:
** The original credits theme was remixed for "Stranger In Moscow", right down to the beatboxing.
** The original version of Knuckles' theme (and by extension, the mini-boss theme from Sonic 3) was reused for "Ghosts", which was written around the same time.
** The original credits theme was remixed for "Stranger In Moscow", right down to the beatboxing.
** The original version of Knuckles' theme (and by extension, the mini-boss theme from Sonic 3) was reused for "Ghosts", which was written around the same time.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* NamesTheSame: There's at least ''three'' different "Susie"'s throughout the [=HIStory=] series:
** The titular "Little Susie" from the original album, who was a little girl who was left by herself in an apartment.
** The FemmeFatale from "Blood on the Dance Floor", who seduced Jackson as part of a plot to stab him.
** And finally, the Susie from "Superfly Sister", who was notorious for making guys wait before letting them have sex with her.
** The titular "Little Susie" from the original album, who was a little girl who was left by herself in an apartment.
** The FemmeFatale from "Blood on the Dance Floor", who seduced Jackson as part of a plot to stab him.
** And finally, the Susie from "Superfly Sister", who was notorious for making guys wait before letting them have sex with her.
Is there an issue? Send a MessageReason:
None
Changed line(s) 1 (click to see context) from:
* ScrewedByTheLawyers: RKelly, the writer of "You Are Not Alone", got into hot water in 2007 when a judge ruled he had plagiarised a Belgian song when making the track. Jackson was cleared of guilt as he did not write or compose the song, but "You Are Not Alone" was consequently banned from airplay in Belgium, and R. Kelly lost all rights to royalties from the song, which went to the original composers, Danny and Eddy Van Passel.
to:
* AuthorsSavingThrow: The main reason why ''Blood on the Dance Floor'' even exists. Long-time fans weren't happy about the first disc being greatest hits material, as they already owned the albums, and the double-LP package in general raised the price of the album, which hurt its sales. By releasing the remix album, they were able to provide new songs for fans, along with new spins on songs from the second disc.
* ScrewedByTheLawyers: RKelly, the writer of "You Are Not Alone", got into hot water in 2007 when a judge ruled he had plagiarised a Belgian song when making the track. Jackson was cleared of guilt as he did not write or compose the song, but "You Are Not Alone" was consequently banned from airplay in Belgium, and R. Kelly lost all rights to royalties from the song, which went to the original composers, Danny and Eddy VanPassel.Passel.
* "Blood on the Dance Floor" was the former TropeNamer for VampireDance.
* Certain tracks from Sonic3AndKnuckles that were composed by Jackson were reused for [=''HIStory''=]:
** The original credits theme was remixed for "Stranger In Moscow", right down to the beatboxing.
** The original version of Knuckles' theme (and by extension, the mini-boss theme from Sonic 3) was reused for "Ghosts", which was written around the same time.
* ScrewedByTheLawyers: RKelly, the writer of "You Are Not Alone", got into hot water in 2007 when a judge ruled he had plagiarised a Belgian song when making the track. Jackson was cleared of guilt as he did not write or compose the song, but "You Are Not Alone" was consequently banned from airplay in Belgium, and R. Kelly lost all rights to royalties from the song, which went to the original composers, Danny and Eddy Van
* "Blood on the Dance Floor" was the former TropeNamer for VampireDance.
* Certain tracks from Sonic3AndKnuckles that were composed by Jackson were reused for [=''HIStory''=]:
** The original credits theme was remixed for "Stranger In Moscow", right down to the beatboxing.
** The original version of Knuckles' theme (and by extension, the mini-boss theme from Sonic 3) was reused for "Ghosts", which was written around the same time.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* ScrewedByTheLawyers: RKelly, the writer of "You Are Not Alone", got into hot water in 2007 when a judge ruled he had plagiarised a Belgian song when making the track. Jackson was cleared of guilt as he did not write or compose the song, but "You Are Not Alone" was consequently banned from airplay in Belgium, and R. Kelly lost all rights to royalties from the song, which went to the original composers, Danny and Eddy Van Passel.