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* DuelingMovies: From then til now, if ''Citizen Kane'' isn't #1 on a film list, it's Creator/JeanRenoir's ''Film/TheRulesOfTheGame''.

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* DuelingMovies: From then til now, if For a long time, ''Citizen Kane'' isn't competed for #1 on a film list, it's list with Creator/JeanRenoir's ''Film/TheRulesOfTheGame''.''Film/TheRulesOfTheGame''. The 2012 list saw it finally replaced from Sight and Sound's Best Film List. The critics list placed Film/{{Vertigo}} ahead of it, while the directors list placed Film/TokyoStory ahead of it.

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* ActorAllusion: Kane knows plenty of magic tricks that amuse Susan. Welles himself was an amateur magician.
* AFIS100Years100Movies: #1
* AFIS100Years100MovieQuotes: #17
* AFIS100Years100Movies10THAnniversaryEdition: #1
* CommonKnowledge: People assume Marion Davies had a bad career, as her expy in the film shows. In fact, Marion Davies was widely considered [[Film/ShowPeople a talented actress and comedienne]], independent of all the publicity Hearst arranged for her. Hearst did push Davies towards melodramatic leading-lady roles, despite performing better in light comedy. Ironically, Welles and Mankiewicz claimed that they made Susan so talentless to ensure she ''wasn't'' confused with Marion Davies. Instead, the opposite happened.

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* ActorAllusion: Kane knows plenty of magic tricks that amuse Susan. Welles Creator/OrsonWelles himself was an amateur magician.
* AFIS100YearsSeries:
**
AFIS100Years100Movies: #1
* ** AFIS100Years100MovieQuotes: #17
* ** AFIS100Years100Movies10THAnniversaryEdition: #1
* CommonKnowledge: BreakthroughHit: For Creator/OrsonWelles. Also for Music/BernardHerrmann, who had been a music composer for the Mercury Theater, went to Hollywood along with Welles and the actors, composed the music to ''Citizen Kane'' as his very first film score, and went on to become one of [[PsychoStrings the most successful]] [[Film/{{Vertigo}} film composers]] [[TaxiDriver in movie history]].
* CommonKnowledge:
**
People assume Marion Davies had a bad career, as her expy in the film shows. In fact, Marion Davies was widely considered [[Film/ShowPeople a talented actress and comedienne]], independent of all the publicity Hearst arranged for her. Hearst did push Davies towards melodramatic leading-lady roles, despite performing better in light comedy. Ironically, Welles and Mankiewicz claimed that they made Susan so talentless to ensure she ''wasn't'' confused with Marion Davies. Instead, the opposite happened.



** Welles himself let himself go during the famous room trashing sequence, even hurting himself badly bloodying his hands while doing it. After filming the scene, Welles breathed, "I felt it. I ''felt'' it."

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** Welles Creator/OrsonWelles himself let himself go during the famous room trashing sequence, even hurting himself badly bloodying his hands while doing it. After filming the scene, Welles breathed, "I felt it. I ''felt'' it."



* StarMakingRole: ''Kane'' was a Star Making Role to some extent for most of the cast, since the bulk of them were members of Welles' Mercury Theater troupe and they were all making their film debuts together.

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* StarMakingRole: ''Kane'' was a Star Making Role to some extent for most of the cast, since the bulk of them were members of Welles' Creator/OrsonWelles' Mercury Theater troupe and they were all making their film debuts together.



** BernardHerrmann, who had been a music composer for the Mercury Theater, went to Hollywood along with Welles and the actors, composed the music to ''Citizen Kane'' as his very first film score, and went on to become one of [[PsychoStrings the most successful]] [[Film/{{Vertigo}} film composers]] [[TaxiDriver in movie history]].
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* RetroactiveRecognition: Jerry, TheFaceless reporter who investigates the "Rosebud" angel of Kane's life, is William Alland, who became a prolific producer of TheFifties science fiction films like ''Film/ThisIslandEarth'', ''Film/TheDeadlyMantis'', ''Film/TheSpaceChildren'', ''Film/ItCameFromOuterSpace'', ''Film/TheMolePeople'', ''Film/CreatureFromTheBlackLagoon'' and [[Film/RevengeOfTheCreature and its sequel]]. ''Series/MysteryScienceTheater3000'' fans are very familiar with his work.

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* AFIS100Years100Movies: #1
* AFIS100Years100MovieQuotes: #17
* AFIS100Years100Movies10THAnniversaryEdition: #1



!!Other trivia
* The American Film Institute voted this to be the greatest movie of the century for its [[AFIS100YearsSeries 100 Years series]]. "Rosebud" came in at [[AFIS100Years100MovieQuotes #17 for greatest quotes]]

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!!Other trivia
* The American Film Institute voted this to be the greatest movie of the century for its [[AFIS100YearsSeries 100 Years series]]. "Rosebud" came in at [[AFIS100Years100MovieQuotes #17 for greatest quotes]]
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* FromEntertainmentToEducation: ''Citizen Kane'' is often used to teach cinematography, and as a master work in storytelling and narrative form
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** Welles was originally going to make an adaptation of Joseph Conrad's ''Literature/HeartOfDarkness'' but the executives didn't believe they could possibly stretch a budget far enough to cover it, so he made [[TropesAreNotBad ''Kane'']] instead.

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** Welles was originally going to make an adaptation of Joseph Conrad's ''Literature/HeartOfDarkness'' but the executives didn't believe they could possibly stretch a budget far enough to cover it, so he made [[TropesAreNotBad ''Kane'']] ''[[TropesAreNotBad Kane]]'' instead.

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!! Trivia tropes



* AFIS100YearsSeries
** AFIS100Years100Movies: #1
** AFIS100Years100MovieQuotes: #17, "Rosebud"
** AFIS100Years100Movies10THAnniversaryEdition: #1


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!!Other trivia
* The American Film Institute voted this to be the greatest movie of the century for its [[AFIS100YearsSeries 100 Years series]]. "Rosebud" came in at [[AFIS100Years100MovieQuotes #17 for greatest quotes]]
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Being cut per TRS


* DangerouslyGenreSavvy: William Randolph Hearst, on whom the title character is based, was not happy when he heard about the film. Instead of railing against it and ordering his newspapers to trash it, he instead ordered them to make no mention of it whatsoever. This is credited for helping it to perform far below expectations in theaters.
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The Magnificent Ambersons was a more definitive Creator Killer than Kane.


* CreatorKiller: Had it not been for the controversy with William Randolph Hearst, Welles might have had a smoother Hollywood career. However, Welles himself stated that it was the disaster of ''Film/TheMagnificentAmbersons'' that really ruined his Hollywood career.

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Firstly, that is more Harsher In Hindsight, Actor Allusion has to be true to Welles at the time of the film's production...and Welles, a Child Prodigy wunderkind bohemian artist has nothing in common with Kane...and the ide aof Welles' later life mirroring Kane is not true either.


* ActorAllusion:
** Kane knows plenty of magic tricks that amuse Susan. Welles himself was an amateur magician.
** Most people note that Kane's life mirrored ''Welles'', not Hearst. In reality, Welles ended up like Kane after the film, too.

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* ActorAllusion:
**
ActorAllusion: Kane knows plenty of magic tricks that amuse Susan. Welles himself was an amateur magician. \n** Most people note that Kane's life mirrored ''Welles'', not Hearst. In reality, Welles ended up like Kane after the film, too.
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* Hearst's decedents officially forgave Wells and allow the film to be screened in the visitor's center to Hearst Castle (the real world analogue of Xanadu).
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* Hearst's decedents officially forgave Wells and allow the film to be screened in the visitor's center to Hearst Castle (the real world analogue of Xanadu).
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* DuelingMovies: From then til now, if ''Citizen Kane'' isn't #1 on a film list, it's Creator/JeanRenoit's ''Film/TheRulesOfTheGame''.

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* DuelingMovies: From then til now, if ''Citizen Kane'' isn't #1 on a film list, it's Creator/JeanRenoit's Creator/JeanRenoir's ''Film/TheRulesOfTheGame''.
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* DuelingMovies: From then til now, if ''Citizen Kane'' isn't #1 on a film list, it's Creator/JeanRenoit's ''Film/TheRulesOfTheGame''.

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* ActorAllusion: Kane knows plenty of magic tricks that amuse Susan. Welles himself was an amateur magician.

to:

* ActorAllusion: ActorAllusion:
**
Kane knows plenty of magic tricks that amuse Susan. Welles himself was an amateur magician.
** Most people note that Kane's life mirrored ''Welles'', not Hearst. In reality, Welles ended up like Kane after the film, too.
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--> '''Orson Welles''': ''I've regretted early successes in many fields, but I don't regret that in Kane because it was the only chance of that kind I ever had. I'm glad I had it at any time in my life. I wish I had it more often. I wish I had a chance like that every year, there'd be eighteen pictures.''
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Hey Its That Guy and Hey Its That Voice examples are being cut per TRS.


* HeyItsThatGuy
** Agnes Moorehead, who appears as Kane's mother, became a longtime character actress who later starred as Endora on ''Series/{{Bewitched}}''.
** Ruth Warrick, Kane's first wife, later became famous to soap opera audiences as Phoebe Tyler on ''AllMyChildren'', a role she played for thirty-five years.
** The great leading man Alan Ladd appears briefly as an extra near the beginning of the film in the projection room and again smoking a pipe near the end.
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** Ray Collins (Jim Gettys) enjoyed a prolific career as a Hollywood character actor.
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* AcclaimedFlop: Yes, the "Greatest Film of All Time" was a spectacular box office bomb for its time, though eventually it made a profit in repertory screenings and Welles lived off its royalties even when he was down and out in Europe. See CreatorKiller below for more.

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* AcclaimedFlop: Yes, Hard to believe, but the "Greatest Film of All Time" was '''''was''''' a spectacular box office bomb for its time, though eventually it made a profit in repertory screenings and Welles lived off its royalties even when he was down and out in Europe. See CreatorKiller below for more.



* CommonKnowledge: People assume Marion Davies had a bad career, as her expy in the film shows. In fact, Marion Davies was widely considered [[Film/ShowPeople a talented actress and comedienne]], independent of all the publicity Hearst arranged for her. Hearst did push Davies towards melodramatic leading-lady roles. Davies - along with many others - recognized that her real gift was for light comedy. Ironically, Welles and Mankiewicz claimed that they made Susan so talentless to ensure she ''wasn't'' confused with Marion Davies. Instead, the opposite happened.

to:

* CommonKnowledge: People assume Marion Davies had a bad career, as her expy in the film shows. In fact, Marion Davies was widely considered [[Film/ShowPeople a talented actress and comedienne]], independent of all the publicity Hearst arranged for her. Hearst did push Davies towards melodramatic leading-lady roles. Davies - along with many others - recognized that her real gift was for roles, despite performing better in light comedy. Ironically, Welles and Mankiewicz claimed that they made Susan so talentless to ensure she ''wasn't'' confused with Marion Davies. Instead, the opposite happened.
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** Likewise, everyone feel that this film was a satire on Hearst and Hearst alone. In truth, the film was intended to be a general satire and tragedy of the AmericanDream and the resemblances to Hearst came about largely because screenwriter Herman J. Mankiewicz was a regular at Hearst's parties and knew him well. Both he and Welles included details from several American tycoons like Samuel Insull and Howard Hughes in addition to Hearst. Likewise, Welles himself never intended the film to be a TakeThat on Hearst, indeed the drafts of the screenplay credited to him show that it was Welles who made Kane more sympathetic and that the original screenplay was a good deal more anti-Hearst.

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** Likewise, everyone feel that this film was a satire on Hearst and Hearst alone. In truth, the film was intended to be a general satire and tragedy of the AmericanDream UsefulNotes/TheAmericanDream and the resemblances to Hearst came about largely because screenwriter Herman J. Mankiewicz was a regular at Hearst's parties and knew him well. Both he and Welles included details from several American tycoons like Samuel Insull and Howard Hughes in addition to Hearst. Likewise, Welles himself never intended the film to be a TakeThat on Hearst, indeed the drafts of the screenplay credited to him show that it was Welles who made Kane more sympathetic and that the original screenplay was a good deal more anti-Hearst.
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* CopiouslyCreditedCreator: Co-written, directed, and starring Welles.

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* CopiouslyCreditedCreator: Co-written, directed, produced and starring Welles.
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** There's also Kael's claim that Herman Mankiewicz wrote the entire script himself, and that Welles unfairly took credit. Despite [[http://www.popoptiq.com/kael-vs-kane-pauline-kael-orson-welles-authorship-citizen-kane/ being thoroughly debunked]] by Robert Carrington, Peter Bogdanovich and others, this argument's still repeated by credulous film buffs.

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** There's also Kael's claim that Herman Mankiewicz wrote the entire script himself, and that Welles unfairly took credit. Despite [[http://www.popoptiq.com/kael-vs-kane-pauline-kael-orson-welles-authorship-citizen-kane/ being thoroughly debunked]] by Robert Carrington, L. Carringer, Peter Bogdanovich and others, this argument's still repeated by credulous film buffs.
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** There's also Kael's claim that Herman Mankiewicz wrote the entire script himself, and that Welles unfairly took sole credit. Despite [[http://www.popoptiq.com/kael-vs-kane-pauline-kael-orson-welles-authorship-citizen-kane/ being thoroughly debunked]], this argument's still repeated by credulous film buffs.

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** There's also Kael's claim that Herman Mankiewicz wrote the entire script himself, and that Welles unfairly took sole credit. Despite [[http://www.popoptiq.com/kael-vs-kane-pauline-kael-orson-welles-authorship-citizen-kane/ being thoroughly debunked]], debunked]] by Robert Carrington, Peter Bogdanovich and others, this argument's still repeated by credulous film buffs.

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** Likewise, everyone feel that this film was a satire on Hearst and Hearst alone. In truth, the film was intended to be a general satire and tragedy of the AmericanDream and the resemblances to Hearst came about largely because screenwriter Herman J. Mankiewicz was a regular at Hearst's parties and knew him well. Both he and Welles included details from several American tycoons like Samuel Insull and Howard Hughes in addition to Hearst. Likewise, Welles himself never intended the film to be a TakeThat on Hearst, indeed the drafts of the screenplay credited to him show that it was Welles who made Kane more sympathetic and that the original screenplay was a good deal more anti-Hearst.



** Likewise, everyone feel that this film was a satire on Hearst and Hearst alone. In truth, the film was intended to be a general satire and tragedy of the AmericanDream and the resemblances to Hearst came about largely because screenwriter Herman J. Mankiewicz was a regular at Hearst's parties and knew him well. Both he and Welles included details from several American tycoons like Samuel Insull and Howard Hughes in addition to Hearst. Likewise, Welles himself never intended the film to be a TakeThat on Hearst, indeed the drafts of the screenplay credited to him show that it was Welles who made Kane more sympathetic and that the original screenplay was a good deal more anti-Hearst.

to:

** Likewise, everyone feel There's also Kael's claim that this film was a satire on Hearst and Hearst alone. In truth, the film was intended to be a general satire and tragedy of the AmericanDream and the resemblances to Hearst came about largely because screenwriter Herman J. Mankiewicz was a regular at Hearst's parties and knew him well. Both he and Welles included details from several American tycoons like Samuel Insull and Howard Hughes in addition to Hearst. Likewise, Welles himself never intended wrote the film to be a TakeThat on Hearst, indeed the drafts of the screenplay credited to him show that it was Welles who made Kane more sympathetic entire script himself, and that the original screenplay was a good deal more anti-Hearst. Welles unfairly took sole credit. Despite [[http://www.popoptiq.com/kael-vs-kane-pauline-kael-orson-welles-authorship-citizen-kane/ being thoroughly debunked]], this argument's still repeated by credulous film buffs.

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* AcclaimedFlop: Yes, the "Greatest Film of All Time" was a spectacular box office bomb. See CreatorKiller below for more.

to:

* AcclaimedFlop: Yes, the "Greatest Film of All Time" was a spectacular box office bomb.bomb for its time, though eventually it made a profit in repertory screenings and Welles lived off its royalties even when he was down and out in Europe. See CreatorKiller below for more.


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** Likewise, everyone feel that this film was a satire on Hearst and Hearst alone. In truth, the film was intended to be a general satire and tragedy of the AmericanDream and the resemblances to Hearst came about largely because screenwriter Herman J. Mankiewicz was a regular at Hearst's parties and knew him well. Both he and Welles included details from several American tycoons like Samuel Insull and Howard Hughes in addition to Hearst. Likewise, Welles himself never intended the film to be a TakeThat on Hearst, indeed the drafts of the screenplay credited to him show that it was Welles who made Kane more sympathetic and that the original screenplay was a good deal more anti-Hearst.
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* MagnumOpusDissonance: Orson Welles saw ''Film/ChimesAtMidnight'' as his masterpiece.

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* MagnumOpusDissonance: Orson Welles saw ''Film/ChimesAtMidnight'' as his masterpiece.masterpiece, but that was also driven by people using ''Citizen Kane'' to write him off as a OneBookAuthor, he was generally proud of ''Kane'' and stated that it was his only movie that he's totally satisfied with, having no budget or executive compromises as he did on his other films.
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** Everyone from [[http://www.paulrossen.com/paulinekael/raisingkane.html Pauline Kael]] to [[http://www.paulrossen.com/paulinekael/raisingkane.html Cracked]] claims that no one actually heard Kane's last words, therefore the whole "Rosebud" mystery is a plot hole. In reality, Raymond the Butler tells the journalist that he was present during Kane's death, so presumably he heard "Rosebud" himself.

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** Everyone from [[http://www.paulrossen.com/paulinekael/raisingkane.html Pauline Kael]] to [[http://www.paulrossen.com/paulinekael/raisingkane.cracked.com/article_16625_8-classic-movies-that-got-away-with-gaping-plot-holes_p2.html Cracked]] claims that no one actually heard Kane's last words, therefore the whole "Rosebud" mystery is a plot hole. In reality, Raymond the Butler tells the journalist that he was present during Kane's death, so presumably he heard "Rosebud" himself.
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** Everyone from [[http://www.paulrossen.com/paulinekael/raisingkane.html Pauline Kael]] to [[http://www.paulrossen.com/paulinekael/raisingkane.html Cracked]] claim that no one actually heard Kane's last words, therefore the whole "Rosebud" mystery is a plot hole. In reality, Raymond the Butler tells the journalist that he was present during Kane's death, so presumably he heard "Rosebud" himself.

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** Everyone from [[http://www.paulrossen.com/paulinekael/raisingkane.html Pauline Kael]] to [[http://www.paulrossen.com/paulinekael/raisingkane.html Cracked]] claim claims that no one actually heard Kane's last words, therefore the whole "Rosebud" mystery is a plot hole. In reality, Raymond the Butler tells the journalist that he was present during Kane's death, so presumably he heard "Rosebud" himself.
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** Everyone from [[http://www.paulrossen.com/paulinekael/raisingkane.html Pauline Kael]] to [[http://www.paulrossen.com/paulinekael/raisingkane.html Cracked]] claim that no one actually heard Kane's last words, therefore the whole "Rosebud" mystery is a plot hole. In reality, Raymond the Butler tells the journalist that he was present during Kane's death, so presumably he heard "Rosebud" himself.

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