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Dewicked trope
Deleted line(s) 17 (click to see context) :
* KnifeNut: Salieri during "L'Assassymphonie".
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Changed line(s) 18,19 (click to see context) from:
* MyGodWhatHaveIDone: "Victime de ma victoire" (Victim of my victory), in which Salieri laments his actions and realizes that "Winning without virtue is triumphing without glory".
* NamedAfterSomebodyFamous: Music/WolfgangAmadeusMozart
* NamedAfterSomebodyFamous: Music/WolfgangAmadeusMozart
to:
* MyGodWhatHaveIDone: "Victime de ma victoire" (Victim of my victory), Victory), in which Salieri laments his actions and realizes that "Winning without virtue is triumphing without glory".
*NamedAfterSomebodyFamous: Music/WolfgangAmadeusMozartObligatoryBondageSong: "Le bien qui fait mal". The entire song is so loaded with BDSM subtext, it's been referred to as "the kink song". Just the chorus alone:
-->''It's the good that causes pain''
-->''When you love''
-->''Completely normal''
-->''Your hate''
-->''Enjoy''
-->''It's so good to suffer''
-->''Surrender to the spell''
-->''Let tears flow.''
*
-->''It's the good that causes pain''
-->''When you love''
-->''Completely normal''
-->''Your hate''
-->''Enjoy''
-->''It's so good to suffer''
-->''Surrender to the spell''
-->''Let tears flow.''
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Deleted line(s) 13 (click to see context) :
* FakeNationality: Aside from most of the cast being French playing Austrians, Frenchman Florent Mothe plays Italian Antonio Salieri, while the only genuine Italian in the cast (Mikelangelo Loconte) plays... Mozart!
Deleted line(s) 16 (click to see context) :
* HoYay : As mentioned in the FinalLoveDuet entry, there is some of it between Mozart and Salieri
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* LesYay : During "Les solos sous les draps" (solos under the sheets)
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* VillainSong: "L'Assassymphonie"
to:
* VillainSong: "L'Assassymphonie""L'Assassymphonie".
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Changed line(s) 4,5 (click to see context) from:
''Mozart L'Opera Rock'' is a French RockOpera about Mozart, with lavish production values that combine the ornate world of the late 18th century with the rock music and curiously emo hairstyles of the modern era.
to:
''Mozart L'Opera Rock'' is a French 2009 RockOpera about Mozart, Music/WolfgangAmadeusMozart, with lavish production values that combine the ornate world of the late 18th century with the rock music and curiously emo hairstyles of the modern era.
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* DrivenByEnvy: Salieri, albeit more ''{{Amadeus}}'' than historical.
to:
* DrivenByEnvy: Salieri, albeit more ''{{Amadeus}}'' ''Theatre/{{Amadeus}}'' than historical.
* NamedAfterSomebodyFamous: Music/WolfgangAmadeusMozart
Deleted line(s) 26 (click to see context) :
* WolfgangAmadeusMozart: The main character
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don\'t refer to yourself when adding examples
Changed line(s) 2,3 (click to see context) from:
[[caption-width-right:350:I'm not sure the real Mozart and Salieri looked like this, but let's pretend, shall we?]]
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* LesYay : Is this troper the only one to see some of this during "Les solos sous les draps" (solos under the sheets) ?
to:
* LesYay : Is this troper the only one to see some of this during During "Les solos sous les draps" (solos under the sheets) ? sheets)
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Added DiffLines:
* DisneyAcidSequence: The stage suddenly exploding into some kind of weird Egyptian S&M party during "Le bien qui fait mal".
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Changed line(s) 17 (click to see context) from:
* IntercourseWithYou: "Les solos sous les draps", with such lyrics as "You want him to improvise rhythmic fantasies that your bodies harmonize" and "I want major harmony, his hand to lead me to experience his ardor in a symphony of sighs". It's almost an experiment in how many naughty things you can say using music-theory.
to:
* IntercourseWithYou: "Les solos sous les draps", with such lyrics as "You want him to improvise rhythmic fantasies that your bodies harmonize" and "I want major harmony, his hand to lead me to experience his ardor in a symphony of sighs". It's almost an experiment in how many naughty things innuendos you can say make using music-theory.music theory.
