History Theatre / LendMeATenor

2nd Jan '16 2:57:19 AM DragonQuestZ
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* HighClassGloves: Expect someone to be wearing these.



* OperaGloves: Expect someone to be wearing these.
29th Sep '15 10:38:36 AM Willbyr
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In 1934, the renowned tenor Tito "Il Stupendo" Merelli is scheduled to sing the lead in ''Otello'' at a gala fundraiser for the Cleveland Opera Company. Unfortunately, even before the star leaves his hotel room, everything begins to unravel. Chaos ensues when Maria, Merelli's wife, who has mistaken Maggie Saunders, an autograph-seeker hidden in his closet, for a secret lover, leaves him a "Dear John" letter. The distraught Merelli accidentally is given a double dose of tranquilizers to calm him and passes out. Henry Saunders, the company's General Manager, is determined that the show will go on (for his own financial sake), so he asks his assistant Max to impersonate the opera star. Max puts on the blackface makeup required for the role of {{Othello}}, and his disguise succeeds admirably – until Merelli, also in blackface, wakes up and heads for the stage. Rounding out the cast is Julia Leverett the Chairwoman of the Opera guild, Diana (a soprano willing to do anything to make it big) and an Opera singing bellhop. What follows is a chain-reaction of mistaken identity, farcical plot twists, double entendres, innuendoes, and constant entrances and exits through many doors.

to:

In 1934, the renowned tenor Tito "Il Stupendo" Merelli is scheduled to sing the lead in ''Otello'' at a gala fundraiser for the Cleveland Opera Company. Unfortunately, even before the star leaves his hotel room, everything begins to unravel. Chaos ensues when Maria, Merelli's wife, who has mistaken Maggie Saunders, an autograph-seeker hidden in his closet, for a secret lover, leaves him a "Dear John" letter. The distraught Merelli accidentally is given a double dose of tranquilizers to calm him and passes out. Henry Saunders, the company's General Manager, is determined that the show will go on (for his own financial sake), so he asks his assistant Max to impersonate the opera star. Max puts on the blackface makeup required for the role of {{Othello}}, Theatre/{{Othello}}, and his disguise succeeds admirably – until Merelli, also in blackface, wakes up and heads for the stage. Rounding out the cast is Julia Leverett the Chairwoman of the Opera guild, Diana (a soprano willing to do anything to make it big) and an Opera singing bellhop. What follows is a chain-reaction of mistaken identity, farcical plot twists, double entendres, innuendoes, and constant entrances and exits through many doors.
24th Jan '15 9:39:05 AM POB
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In 1934, the renowned tenor Tito Merelli, known to his fans as "Il Stupendo," is scheduled to sing the lead in Otello. The opera is being produced as a gala fundraiser for the Cleveland Opera Company. Unfortunately, even before the star leaves his hotel room, everything begins to unravel. Chaos ensues when Maria, Merelli's wife, who has mistaken Maggie Saunders, an autograph-seeker hidden in his closet, for a secret lover, leaves him a "Dear John" letter. The distraught Merelli accidentally is given a double dose of tranquilizers to calm him and passes out. Henry Saunders, the company's General Manager, is determined that the show will go on (for his own financial sake), so he asks his assistant Max to impersonate the opera star. Max puts on the blackface makeup required for the role of {{Othello}}, and his disguise succeeds admirably – until Merelli, also in blackface, wakes up and heads for the stage. Rounding out the cast is Julia Leverett the Chairwoman of the Opera guild, Diana (a soprano willing to do anything to make it big) and an Opera singing bellhop. What follows is a chain-reaction of mistaken identity, farcical plot twists, double entendres, innuendoes, and constant entrances and exits through many doors.

to:

In 1934, the renowned tenor Tito Merelli, known to his fans as "Il Stupendo," Stupendo" Merelli is scheduled to sing the lead in Otello. The opera is being produced as ''Otello'' at a gala fundraiser for the Cleveland Opera Company. Unfortunately, even before the star leaves his hotel room, everything begins to unravel. Chaos ensues when Maria, Merelli's wife, who has mistaken Maggie Saunders, an autograph-seeker hidden in his closet, for a secret lover, leaves him a "Dear John" letter. The distraught Merelli accidentally is given a double dose of tranquilizers to calm him and passes out. Henry Saunders, the company's General Manager, is determined that the show will go on (for his own financial sake), so he asks his assistant Max to impersonate the opera star. Max puts on the blackface makeup required for the role of {{Othello}}, and his disguise succeeds admirably – until Merelli, also in blackface, wakes up and heads for the stage. Rounding out the cast is Julia Leverett the Chairwoman of the Opera guild, Diana (a soprano willing to do anything to make it big) and an Opera singing bellhop. What follows is a chain-reaction of mistaken identity, farcical plot twists, double entendres, innuendoes, and constant entrances and exits through many doors.
5th Sep '14 7:26:20 AM AdelePotter
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* HotBlooded: Absolutely ''everyone''.



* OperaGloves: Expect someone to be wearing these.


Added DiffLines:

* MrViceGuy: Tito is a cheater and rather stubborn, but he's ultimately a very nice guy.


Added DiffLines:

* OperaGloves: Expect someone to be wearing these.
20th Nov '13 4:15:22 PM soothsayer
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Added DiffLines:

* GrewASpine: Max.
20th Nov '13 12:33:57 PM soothsayer
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--> '''Max''': Liquor and women[[hottip:* : Tito’s glass of wine contains the unknown (second) dose of tranquilizers and much of the chaos during the second act is from him being seduced by both Maggie and Diana]].

to:

--> '''Max''': Liquor and women[[hottip:* : women[[hottip:*: Tito’s glass of wine contains the unknown (second) dose of tranquilizers and much of the chaos during the second act is from him being seduced by both Maggie and Diana]].



--> '''Max''': Standing ovation[[hottip:* : Somehow, the performance goes well]]-
--> '''Saunders''': Then return him to the reception[[hottip:* : the rest of the chaos during the second act is “Tito’s” appearance at the reception]], keeping him-

to:

--> '''Max''': Standing ovation[[hottip:* : ovation[[hottip:*: Somehow, the performance goes well]]-
--> '''Saunders''': Then return him to the reception[[hottip:* : reception[[hottip:*: the rest of the chaos during the second act is “Tito’s” appearance at the reception]], keeping him-
20th Nov '13 12:32:30 PM soothsayer
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In 1934, the renowned tenor Tito Merelli, known to his fans as "Il Stupendo," is scheduled to sing the lead in Otello. The opera is being produced as a gala fundraiser for the Cleveland Opera Company. Unfortunately, even before the star leaves his hotel room, everything begins to unravel. Chaos ensues when Merelli's wife, who has mistaken an autograph-seeker hidden in his closet for a secret lover, leaves him a "Dear John" letter. The distraught Merelli accidentally is given a double dose of tranquilizers to calm him and passes out. Saunders, the company's General Manager, is determined that the show will go on (for his own financial sake), so he asks his assistant Max to impersonate the opera star. Max puts on the blackface makeup required for the role of {{Othello}}, and his disguise succeeds admirably – until Merelli, also in blackface, wakes up and heads for the stage. What follows is a chain-reaction of mistaken identity, farcical plot twists, double entendres, innuendoes, and constant entrances and exits through many doors.

to:

In 1934, the renowned tenor Tito Merelli, known to his fans as "Il Stupendo," is scheduled to sing the lead in Otello. The opera is being produced as a gala fundraiser for the Cleveland Opera Company. Unfortunately, even before the star leaves his hotel room, everything begins to unravel. Chaos ensues when Maria, Merelli's wife, who has mistaken Maggie Saunders, an autograph-seeker hidden in his closet closet, for a secret lover, leaves him a "Dear John" letter. The distraught Merelli accidentally is given a double dose of tranquilizers to calm him and passes out. Henry Saunders, the company's General Manager, is determined that the show will go on (for his own financial sake), so he asks his assistant Max to impersonate the opera star. Max puts on the blackface makeup required for the role of {{Othello}}, and his disguise succeeds admirably – until Merelli, also in blackface, wakes up and heads for the stage. Rounding out the cast is Julia Leverett the Chairwoman of the Opera guild, Diana (a soprano willing to do anything to make it big) and an Opera singing bellhop. What follows is a chain-reaction of mistaken identity, farcical plot twists, double entendres, innuendoes, and constant entrances and exits through many doors.



* AtTheOperaTonight - we never actually see the opera, but we see people dressed up for the opera before and after
* {{Blackface}} - played for comedy, as part of the MistakenIdentity
* DirtyOldWoman -
* DoggedNiceGuy - Max

to:


* AtTheOperaTonight - we AllWomenAreLustful: In this play, yes. All four female characters in fact:
** Maggie Saunders wants to have a fling before settling down.
** Maria Merelli is quite annoyed that she hasn’t gotten any from her husband.
--> '''Maria''': Three weeks--nothing! Not once, eh?!”
** Diana ReallyGetsAround.
** Julia Leverett offers herself, twice, to Tito in order to thank him.
* AtTheOperaTonight: We
never actually see the opera, but we see people dressed up for the opera before and after
after.
* {{Blackface}} - played {{Blackface}}: Played for comedy, as part of the MistakenIdentity
MistakenIdentity.
* DirtyOldWoman -
CastingCouch: Diana will do anything to be famous.
* DoggedNiceGuy - MaxDearJohnLetter: Maria leaves one for Tito. Afterwards, it is found by Max and Saunders and thought to be a suicide note.
* DeathGlare: Maria Merelli must have a spectacular one.
* DirtyOldWoman: Julia has shades of this.
* TheDitz: Maggie has her moments.
* DoggedNiceGuy: Max to Maggie Saunders.
* [[EveryoneCallsHimBarkeep Everyone Calls Him Bellhop]]: Even in the stage direction, the Bellhop is referred to as such but, if you listen carefully, you can hear him introduce himself as Frank to Max dressed as Tito.



* GenteelInterbellumSetting - takes place in the 30's in Cleveland, but everyone's well off, there's no allusion to the Great Depression, and sets often incorporate a lot of Art Deco
* GratuitousItalian
* DirtyOldWoman - Julia has shades of this
* LatinLover - the Italian Tito Merreli
* OperaGloves - expect someone to be wearing these

to:

* GenteelInterbellumSetting - takes ForeShadowing: A ton. From act one:
** While waiting for the incredibly late Tito, Max suggests to Saunders that he could take Tito’s place if he doesn’t show up. Guess who steps in when Il Stupendo cannot perform?
** There is also this conversation between Max and Saunders:
--> '''Saunders''': You will drive [Tito] to the rehearsal and then drive him back. You will give him whatever he wants except-
--> '''Max''': Liquor and women[[hottip:* : Tito’s glass of wine contains the unknown (second) dose of tranquilizers and much of the chaos during the second act is from him being seduced by both Maggie and Diana]].
--> '''Saunders''': At the performance, you will lead a spontaneous-
--> '''Max''': Standing ovation[[hottip:* : Somehow, the performance goes well]]-
--> '''Saunders''': Then return him to the reception[[hottip:* : the rest of the chaos during the second act is “Tito’s” appearance at the reception]], keeping him-
--> '''Max''': Sober-
--> '''Saunders''': With his hands-
--> '''Max''': To himself-
--> '''Saunders''': At which point he can-
--> '''Max''': [[NotQuiteDead Drop dead]]-
--> '''Saunders''': For all we care. Good.
** Tito makes a comment to his wife that “his girl in the closet” isn’t going to care if he’s ill. Maria finds Maggie in the closet a little later (Tito had no idea she was in there).
** Tito makes a sarcastic comment to his wife about having two naked women waiting for in the bedroom of the suite. In act two, there are two lingerie-clad women in the suite (separate rooms) trying to seduce him.
* GenteelInterbellumSetting: Takes
place in the 30's in Cleveland, but everyone's well off, there's no allusion to the Great Depression, and sets often incorporate a lot of Art Deco
Deco.
* GratuitousItalian
GratuitousItalian: Tito and Maria Merelli.
* DirtyOldWoman - [[HonoraryUncle Honorary Aunt]]: Julia has shades of this
to Maggie.
* LatinLover - the IronyAsSheIsCast: In-universe; [[ReallyGetsAround Diana]] plays [[TheIngenue Desdemona]].
* LatinLover: The
Italian Tito Merreli
Merelli.
* OperaGloves - expect OperaGloves: Expect someone to be wearing thesethese.
* MeanBoss: Henry Saunders to Max, more as an insecure bully than anything. [[spoiler: Max turns it around on him at the end when Saunders owes him]].
* MistakenForCheating: Tito gets this a lot. She was already planning on leaving him, but when Maria finds Maggie (hoping to get an autograph) in the hotel closet she assumes Maggie is Tito’s lover. Though, seeing the YourCheatingHeart entry below, this seems it wouldn’t be a stretch. Later, [[spoiler: Diana has just hooked up with Tito, and Maggie has done the same with Max dressed as Tito. Afterward, while the women are out of the rooms, Tito finds Max dressed as him and [[ScrewThisImOutOfHere leaves]], leaving disguised Max to be found by both Maggie and Diana, who both think that “Tito” is two-timing them. Then, [[FromBadToWorse Maria returns]].]]
* MistakenForProstitute: Poor Diana; but in this case it’s not because of what she’s wearing but because of [[PoorCommunicationKills her asking Tito if she “was good” (on stage) and saying she “is a professional” (singer)]]. It’s reasonably justified because, she thought she had already met him and he has no idea who this woman is.



* ReallyGetsAround - Diana
* SlapSlapKiss - the Merelli's relationship is like this

to:

* ReallyGetsAround - Diana
* SlapSlapKiss -
{{Malaproper}}: Julia.
--> '''Julia''': “There are times, I’m afraid, when one simply has to apply
the iron glove to the velvet hand. Especially if one hopes to get the bird.”
* NotQuiteDead: Tito. The double dose of phenobarbital mixed with the alcohol made his heartbeat drop so much that Max and Saunders thought he was dead.
* ReallyGetsAround: Diana.
* SlapSlapKiss: The
Merelli's relationship is like thisthis.
* SpurnedIntoSuicide: Max and Saunders think this happened to Tito after his wife walked out on him. It doesn’t help that they thought the Dear John she left him was a suicide note.
* {{Tsundere}}: Maria Merelli.
* YourCheatingHeart: Oh, where do we begin? For starters, the Italian Tito’s love for women is infamous enough to be known about by the Opera Company in Cleveland (and this is the 30’s). Much later in the play, [[spoiler: a still technically married Tito sleeps with Diana]].
** We also have [[spoiler: Maggie, who’s in sort of a relationship with Max, trying to seduce Tito, who thinks she wants an autograph, because she hadn’t “had any flings”, though she is hesitant at first since he does have a wife. She is interrupted but resumes her seduction but this time it’s not Tito, it’s Max dressed as Tito who tells her that [[MetaphoricallyTrue Maria’s not really ''his'' wife]].]]
20th Nov '13 12:22:58 PM soothsayer
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to:

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20th Nov '13 10:51:40 AM soothsayer
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20th Nov '13 7:59:55 AM soothsayer
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In 1934, the renowned tenor Tito Merelli, known to his fans as "Il Stupendo," is scheduled to sing the lead in Otello. The opera is being produced as a gala fundraiser for the Cleveland Opera Company. Unfortunately, even before the star leaves his hotel room, everything begins to unravel. Chaos ensues when Merelli's wife, who has mistaken an autograph-seeker hidden in his closet for a secret lover, leaves him a "Dear John" letter. The distraught Merelli accidentally is given a double dose of tranquilizers to calm him and passes out. Saunders, the company's General Manager, is determined that the show will go on (for his own financial sake), so he asks his assistant Max to impersonate the opera star. Max puts on the blackface makeup required for the role of Othello, and his disguise succeeds admirably – until Merelli, also in blackface, wakes up and heads for the stage. What follows is a chain-reaction of mistaken identity, farcical plot twists, double entendres, innuendoes, and constant entrances and exits through many doors.

to:

In 1934, the renowned tenor Tito Merelli, known to his fans as "Il Stupendo," is scheduled to sing the lead in Otello. The opera is being produced as a gala fundraiser for the Cleveland Opera Company. Unfortunately, even before the star leaves his hotel room, everything begins to unravel. Chaos ensues when Merelli's wife, who has mistaken an autograph-seeker hidden in his closet for a secret lover, leaves him a "Dear John" letter. The distraught Merelli accidentally is given a double dose of tranquilizers to calm him and passes out. Saunders, the company's General Manager, is determined that the show will go on (for his own financial sake), so he asks his assistant Max to impersonate the opera star. Max puts on the blackface makeup required for the role of Othello, {{Othello}}, and his disguise succeeds admirably – until Merelli, also in blackface, wakes up and heads for the stage. What follows is a chain-reaction of mistaken identity, farcical plot twists, double entendres, innuendoes, and constant entrances and exits through many doors.
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http://tvtropes.org/pmwiki/article_history.php?article=Theatre.LendMeATenor