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** ''Return of the King'' has the Rohirrim do this to announce their arrival to the defense of a besieged Minas Tirith. Not only is the sound heard miles away across the Pelennor Fields, Théoden blows it so strongly that ot breaks and is compared to one of the Valar.
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** One of the most powerful anvils dropped, yet oddly one of the most often missed, was how truly evil despair and defeatism are. All of the heroes keep pushing on despite apparent hopelessness, and eventually win through and defeat the BigBad. By contrast, the secondary villains -- Saruman and Denethor -- are both corrupted by their own despair into joining the wrong side, or giving up and committing suicide while leaving family and friends to die; and are both eventually destroyed.

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** One of the most powerful anvils dropped, yet oddly one of the most often missed, was how truly evil despair and defeatism are. All of the heroes keep pushing on despite apparent hopelessness, and eventually win through and defeat the BigBad. By contrast, the secondary villains -- Saruman and Denethor -- are both corrupted by their own despair into joining the wrong side, or giving up and [[DrivenToSuicide committing suicide suicide]] while leaving family and friends to die; and are both eventually destroyed.
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* AchievementsInIgnorance: Pippin unwittingly buys the remaining Fellowship a little more time by accidentally touching the palantír because he's compelled to. How? [[spoiler: Seeing him in the palantír makes Sauron think he's captured by Saruman. And he had just enough resistance and fear to tell Sauron nothing and maintain this illusion. Thus Sauron ends up spending extra time sending messengers to Saruman rather than going for Gandalf and the Hunters instead of Gondor or Rohan.]]

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* AchievementsInIgnorance: Pippin unwittingly buys the remaining Fellowship a little more time by accidentally touching the palantír because he's compelled to. How? [[spoiler: Seeing him in the palantír makes Sauron think he's captured by Saruman. And he had just enough resistance and fear to tell Sauron nothing and maintain this illusion. Thus Sauron ends up spending extra time sending messengers to Saruman rather than going for Gandalf and Gandalf, the Hunters instead of Gondor Hunters, Gondor, or Rohan.]]
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* AchievementsInIgnorance: Pippin unwittingly buys the remaining Fellowship a little more time by accidentally touching the palantír because he's compelled to. How? [[spoiler: Seeing him in the palantír makes Sauron think he's captured by Saruman. And he had just enough resistance and fear to tell Sauron nothing and maintain this illusion. Thus Sauron ends up spending extra time sending messengers to Saruman rather than going for Gandalf and the Hunters instead of Gondor or Rohan.]]

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* CallBack: The Battle of the Black Gates has one to ''The Hobbit'', with Pippin hearing the shout of "The Eagles! The Eagles are coming!" In a parallel with the Battle of the Five Armies as well, [[spoiler:Pippin is knocked unconscious immediately after hearing it, as Bilbo was just after saying it. He doesn't even believe that he actually heard the cry, since he thinks 'That came in his [Bilbo's] tale, long long ago.']]

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* CallBack: CallBack:
** One of the Ithilien Rangers remarks on an unknown creature to Faramir after Frodo and Sam are brought to their secret base, which both Frodo and the reader immediately know is Gollum, who became separated from the hobbits earlier. Not knowing what Gollum is and not getting a good look at him besides, the ranger's best guess is that it was some kind of huge black squirrel and mentions hearing that such squirrels live in Mirkwood. This refers back to the Mirkwood chapters in ''The Hobbit'' where the desperately-starved dwarves try to hunt such squirrels to little success.
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The Battle of the Black Gates has one to ''The Hobbit'', with Pippin hearing the shout of "The Eagles! The Eagles are coming!" In a parallel with the Battle of the Five Armies as well, [[spoiler:Pippin is knocked unconscious immediately after hearing it, as Bilbo was just after saying it. He doesn't even believe that he actually heard the cry, since he thinks 'That came in his [Bilbo's] tale, long long ago.']]
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* ApeShallNeverKillApe: Hobbits. Used in a heroic example during the [[spoiler:Scouring of the Shire]].

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* ApeShallNeverKillApe: Hobbits. Used in a heroic example during the [[spoiler:Scouring of the Shire]].Shire. Frodo forbids killing hobbits, even if they turned evil, saying: "No hobbit has ever killed another on purpose in the Shire, and it is not to begin now."]]
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** Interestingly, the prologue itself notes that it's ''because'' hobbits are fond of their hedonism that they have gained the resiliences they have. Essentially the hobbit mindset is that the good life is too good to give up so easily, thus a surprising amount of tricks up their sleeves to keep it going as much as they can into old age.
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* BottleEpisode: The arc with Tom Bombadil and the Barrow-Downs. It comes out of nowhere, then almost never gets referenced again. Basically the only purpose it serves is to arm the minor hobbits.

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* BottleEpisode: The arc with Tom Bombadil and the Barrow-Downs. It comes out of nowhere, then almost never gets referenced again. Basically the only purpose it serves is to arm the minor hobbits. [[ChekhovsGun And then one of them goes on to have a major role in a major battle in the third book.]]
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Relaunched

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* BilingualRhyme: The Song of Durin sung by Gimli in ''[[Literature/TheLordOfTheRings The Fellowship of the Ring]]'' rhymes English with Khuzdul, the native Dwarven language:
--> The shadow lies upon his tomb
--> In Moria, in Khazad-dûm.
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* ClueOfFewWords: ''Literature/TheFellowshipOfTheRing'' has the questing party come to the huge gates of Moria, the ancient home base of dwarves. Inscribed on the lintel are the words "Speak friend and enter." Gandalf tries spell after spell to get the gate to open, but nothing works. Then, Gandalf rebukes himself for a fool, and utters "Mellon!" which is the elvish word for "friend." The gates open up grandly at this word.
-->'''Legolas''': So, one has only to speak "friend" to enter.
-->'''Gimli''': [wistfully] Those were happier times.
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Gimli and Legolas removed from “Ass in Ambassador because, unlike the movie, Gimli never spoke at the Council and Legolas only spoke to tell everyone of Gollum’s escape from Mirkwood.


* AssInAmbassador: Between Gimli, Legolas, and Boromir, the Council is sufficiently full of this trope. And then there's the MouthOfSauron, who spends the entire time of the "negotiations" gloating and taunting everyone, even accusing them of striking him when the King of Gondor gives him a DeathGlare that has him recoiling.

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* AssInAmbassador: Between Gimli, Legolas, and Boromir, Boromir not only represents Gondor at the Council is sufficiently full of Council, but this trope.trope as well, interrupting Elrond’s explanation in order to talk about Gondor’s battles and his own prophetic dream, as well as eagerly proposing the use of an ArtifactOfDoom to defeat Sauron. And then there's the MouthOfSauron, who spends the entire time of the "negotiations" gloating and taunting everyone, even accusing them of striking him when the King of Gondor gives him a DeathGlare that has him recoiling.
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* AncestralWeapon: Narsil; notable in that it wasn't a whole weapon, but rather the broken pieces. King Elendil's sword during the War of the Last Alliance, it was broken by Sauron but Elendil's son Isildur took up one of the pieces and cut the ring from Sauron's hand, winning the war. The shards were then passed down to Isildur's heirs through the generations until Aragorn; they were then reforged into a new sword, Anduril.

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* AncestralWeapon: Narsil; notable in that it wasn't a whole weapon, but rather the broken pieces. King Elendil's sword had been broken in combat with Sauron during the War of the Last Alliance, it was broken by Sauron but Elendil's son Isildur took up one of the pieces and cut the ring from Sauron's hand, winning the war. The shards were then passed down to Isildur's heirs through the generations until Aragorn; they were then reforged into a new sword, Anduril.
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** And, of course, the obvious messages of the One Ring: "Power Corrupts", and "The End Does Not Justify The Means". If you start using your enemy's methods against them you'll become a villain yourself. See Saruman, who at the mere prospect of being able to use the Ring, becomes a prospect attacking the lands of Men, torturing hobbits, and imprisoning his fellow wizard, Gandalf.

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** And, of course, the obvious messages of the One Ring: "Power Corrupts", and "The End Does Not Justify The Means". If you start using your enemy's methods against them you'll become a villain yourself. See Saruman, who at the mere prospect of being able to use the Ring, becomes a prospect would-be tyrant attacking the lands of Men, torturing hobbits, and imprisoning his fellow wizard, Gandalf.
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* AbandonedMine: The mines of Moria were once overflowing with dwarves, but their mining awakened an ancient demonic like being that slaughtered them all. Now, the mines are empty except for unmanned equipment and decaying skeletons, with only said being and the Goblins living in the mountains remaining.

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* AbandonedMine: The mines of Moria were once overflowing with dwarves, but their mining awakened an ancient demonic like being that slaughtered them all. Now, the mines are empty except for unmanned equipment and decaying skeletons, with only said being and the Goblins living in the mountains remaining.

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* CallAndResponseSong: "The Ent and the Entwife" is written as a back-and-forth duet between a male and a female Ent. In the first four verses, the two alternate between the Ent pleading for the Entwife to join him in his forests and the Entwife rebuffing him and instead praising her farmlands. The last two verses instead discuss the world's eventual death, with the Ent mourning the death of forests and the Entwife the death of fields, before singing the last lines -- a promise to find each other and seek a better land -- in harmony.

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* CallAndResponseSong: CallAndResponseSong:
**
"The Ent and the Entwife" is written as a back-and-forth duet between a male and a female Ent. In the first four verses, the two alternate between the Ent pleading for the Entwife to join him in his forests and the Entwife rebuffing him and instead praising her farmlands. The last two verses instead discuss the world's eventual death, with the Ent mourning the death of forests and the Entwife the death of fields, before singing the last lines -- a promise to find each other and seek a better land -- in harmony.harmony.
** The Lament for Boromir is formatted as a version of this where the singers ask the West, South and North Winds for news of Boromir, with the main speaker singing a question, the wind singing a reply, and the main speaker singing a response. The first two winds deny any knowledge of Boromir's fate and tell the singer to ask the North Wind, who in turn reports Boromir's death.
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Per TRS.


* ContraltoOfDanger: Galadriel speaks in a deep contralto, and she's often described by lesser mortals as incomprehensible and dangerous (which isn't surprising considering she hails from an age when her kin were the main source of trouble in the Middle Earth).

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Authority Equals Asskicking has been renamed. I'm taking this example to the R subpage.


::'''Tropes from ''Literature/TheLordOfTheRings'' (the book)'''

::TheLordOfTheRings/TropesDToF -- TheLordOfTheRings/TropesGToI -- TheLordOfTheRings/TropesJToL -- TheLordOfTheRings/TropesMToO -- TheLordOfTheRings/TropesPToR -- TheLordOfTheRings/TropesSToU -- TheLordOfTheRings/TropesVToZ

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::'''Tropes [[center:'''Tropes from ''Literature/TheLordOfTheRings'' (the book)'''

::TheLordOfTheRings/TropesDToF
book)''']]

[[center:TheLordOfTheRings/TropesDToF
-- TheLordOfTheRings/TropesGToI -- TheLordOfTheRings/TropesJToL -- TheLordOfTheRings/TropesMToO -- TheLordOfTheRings/TropesPToR -- TheLordOfTheRings/TropesSToU -- TheLordOfTheRings/TropesVToZ
TheLordOfTheRings/TropesVToZ]]



* AuthorityEqualsAsskicking:
** Théoden is King of Rohan and pretty handy with a sword as well, Aragorn is Chieftain of the Dúnedain and [[spoiler:King of Gondor]] and hacks his way through a whole mess of orcs and Uruk-hai.
** Gil-Galad. Last High King of the Elves, was described as an unmatched fighter/leader and [[TakingYouWithMe died taking Sauron with him]] (who may have been barely weaker than Morgoth at the time).
** In Gondor, being king denotes military leadership as well as political; [[LikeFatherLikeSon Elendil and Isildur]] are both on the battlefield in the Battle of the Last Alliance, with the former dying in combat and the latter defeating Sauron.
** Tolkien's works are generally rife with this trope - as is most High Fantasy. The Silmarillion provides further examples from Tolkien's world.
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* CallAndResponseSong: "The Ent and the Entwife" is written as a back-and-forth duet between a male and a female Ent. In the first four verses, the two alternate between the Ent pleading for the Entwife to join him in his forests and the Entwife rebuffing him and instead praising her farmlands. The last two verses instead discuss the world's eventual death, with the Ent mourning the death of forests and the Entwife the death of fields, before singing the last lines -- a promise to find each other and seek a better land -- in harmony.
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* AnswerToPrayers: Varda, one of the Valar (archangels), seems to respond quite directly to her name being invoked. When Samwise Gamgee holds up the Phial of Galadriel and calls on the power of Elbereth (another name for Varda), the Phial glows so brightly that it blinds and terrifies the many-eyed [[EldritchAbomination spider-monster Shelob the Great]].
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* AfterActionPatchup: After the mines of Moria, the Fellowship spends some time resting and healing amongst themself. This also gives them time to mourn Gandalf.

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* AfterActionPatchup: After the mines of Moria, the Fellowship spends some time resting and healing amongst themself.themselves. This also gives them time to mourn Gandalf.

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