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* As detailed throughout most of Part 11, the [[AwfulWeddedLife situation]] of [[AntiVillain Princess Iron Fan]] is decidedly unpleasant. She’s been a devoted wife to The Bull Demon King and cares dearly for their son Red Boy, but she knows [[TheMistress he’s been having an affair]] with a younger, prettier woman [[GoldDigger with a boatload of money from her father’s inheritance]]. She attacks Sun because she’s pissed that he’s fought her son and insulted her husband, even while knowing he doesn’t care nearly as much about her, if at all. Sun himself is actually [[PetTheDog fairly empathetic to her troubles…]]
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* Red concluding her Trope Talk about "Death Personified" with how the entire subject is simply sad. ...before she soberly remarks that in a way, [[TheAntinihilist it's okay that it's sad]].
** Red mentions how Terry Pratcher used to receive letters from terminally ill readers saying [[SugarWiki/HeartwarmingMoments they hoped Discworld's Death would greet them]]. She describes that Pratcher would have [[HeroicBSOD a thousand yard stare]] from reading those letters.
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* It's no surprise that a legend as poignant as "The Epic of Gilgamesh" would have some sobering moments. When Enkidu is steadily dying of illness, Gilgamesh can do little more except helplessly cradle his dear friend, mourning how he's [[HowTheMightyHaveFallen obscurely going out with a whimper]]. The next shot is a quiet scene with Gilgamesh holding Enkidu's body. No jokes, none of the usual jabs. Just an honest commentary on the events, and the heart-breaking image of a king grieving for his friend. After building the statue honoring Enkidu, the trauma has shaken Gilgamesh ''[[MortalityPhobia so badly]]'', he decides he'd rather live forever without Enkidu than [[TogetherInDeath rejoin him in the after life]].

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* It's no surprise that a legend as poignant as "The Epic of Gilgamesh" would have some sobering moments. When Enkidu is steadily dying of illness, Gilgamesh can do little more except helplessly cradle his dear friend, mourning how he's [[HowTheMightyHaveFallen obscurely going out with a whimper]]. The next shot is a quiet scene with Gilgamesh holding Enkidu's body. No jokes, none of the usual jabs. Just an honest commentary on the events, and the heart-breaking image of a king grieving for his friend. After building the statue honoring Enkidu, the trauma has shaken Gilgamesh ''[[MortalityPhobia so badly]]'', he decides he'd rather live forever without Enkidu his dearest friend than [[TogetherInDeath rejoin him in the after life]].
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* It's no surprise that a legend as poignant as "The Epic of Gilgamesh" would have some sobering moments. When Enkidu is steadily dying of illness, Gilgamesh can do little more except helplessly cradle his dear friend, mourning how he's [[HowTheMightyHaveFallen obscurely going out with a whimper]]. The next shot is a quiet scene with Gilgamesh holding Enkidu's body. No jokes, none of the usual jabs. Just an honest commentary on the events, and the heart-breaking image of a king grieving for his friend. After building the statue honoring Enkidu, the trauma has shaken Gilgamesh ''[[MortalityPhobia so badly]]'', he decides he'd rather live forever without Enkidu than [[TogetherInDeath rejoin him in the after life]].
-->'''Gilgamesh:''' (Solemnly) Sorry, Enkidu. Wherever you've gone, I'm never gonna follow.
** And then, there's the video's cover of "Hurt". In a video covering the oldest, most poignant story of [[MortalityPhobia mortality]], there's something to be said for how Red chose well to couple it with such a somber song.
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** Achilles' reaction to the death of Patroclus is given a much more heartbreaking edge here. In "The Illiad", while his reaction was played tragically it was also primarily PlayedForLaughs. Here, the second Patroclus is slain, Achilles ''immediately'' comes careening across the battlefield, [[BerserkerTears tears of rage and sorrow streaming down his face]] as he drives his sword through Hector. For all the humor that [[HoYay their relationship]] has been played for over the years, it's unavoidably clear that the death of his beloved companion was a breaking point for Achilles.
** Then there's Achilles' death, via the fateful arrow through his iconic weak heel. As opposed to "The Illiad" where it was unceremonious and PlayedForLaughs with a tiny "ouch", it's a dramatic moment. What makes it a little more heart-breaking is the devastated look in Achilles' eyes, as though driving home that he knew this war would kill him, he thought he had just a little more time to fight.

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** Achilles' reaction to the death of Patroclus is given a much more heartbreaking edge here. In "The Illiad", Iliad", while his reaction was played tragically it was also primarily PlayedForLaughs. Here, the second Patroclus is slain, Achilles ''immediately'' comes careening across the battlefield, [[BerserkerTears tears of rage and sorrow streaming down his face]] as he drives his sword through Hector. For all the humor that [[HoYay their relationship]] has been played for over the years, it's unavoidably clear that the death of his beloved companion was a breaking point for Achilles.
** Then there's Achilles' death, via the fateful arrow through his iconic weak heel. As opposed to "The Illiad" Iliad" where it was unceremonious and PlayedForLaughs with a tiny "ouch", it's a dramatic moment. What makes it a little more heart-breaking is the devastated look in Achilles' eyes, as though driving home that he knew this war would kill him, he thought he had just a little more time to fight.



** The illustration of Victor (self-absorbed and jerkish though he may be at times) steadily gaining stark white hair instead of pitch-black, starting with a whisp of white locks due to the strain of all-nighters during the Creature's creation and each tragedy adding more and more white to his hair.

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** The illustration of Victor (self-absorbed and jerkish though he may be at times) steadily gaining stark white hair instead of pitch-black, starting with a whisp wisp of white locks due to the strain of all-nighters during the Creature's creation and each tragedy adding more and more white to his hair.
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* Tripitaka and Sun's fight in Part 10 is ''icy''. Tripitaka once again takes Sun to task for killing two of the group of bandits, as it and his subsequent actions do a disservice to the dead as well as goes against the ideals he's trying to uphold, praying to their corpses to only blame Sun instead of the rest of the group. Wukong spits back that he fought to ''protect'' Tripitaka, and that he wouldn't have to resort to such measures if Tripitaka wasn't a constant DistressedDude. Their friction is so bad that Tripitaka even refuses water from (what he thinks is) a reconciling Wukong and the crew honestly believes that he's to arrogant to finish the journey on his own--only to find that he's [[CharacterDevelopment actively trying to work on himself]].

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* Tripitaka and Sun's fight in Part 10 is ''icy''. Tripitaka once again takes Sun to task for killing two of the group of bandits, as it and his subsequent actions do a disservice to the dead as well as goes against the ideals he's trying to uphold, praying to their corpses to only blame Sun instead of the rest of the group. Wukong spits back that he fought to ''protect'' Tripitaka, and that he wouldn't have to resort to such measures if Tripitaka wasn't a constant DistressedDude. Their friction is so bad that Tripitaka even refuses water from (what he thinks is) a reconciling Wukong and the crew honestly believes that he's to arrogant enough to finish the journey on his own--only to find that he's [[CharacterDevelopment actively trying to work on himself]].
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* Tripitaka and Sun's fight in Part 10 is ''icy''. Tripitaka once again takes Sun to task for killing two of the group of bandits, as it and his subsequent actions do a disservice to the dead as well as goes against the ideals he's trying to uphold, praying to their corpses to only blame Sun instead of the rest of the group. Wukong spits back that he fought to ''protect'' Tripitaka, and that he wouldn't have to resort to such measures if Tripitaka wasn't a constant DistressedDude. Their friction is so bad that Tripitaka even refuses water from (what he thinks is) a reconciling Wukong and the crew honestly believes that he's to arrogant to finish the journey on his own--only to find that he's [[CharacterDevelopment actively trying to work on himself]].
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* The video on [[ForegoneConclusion doomed heroes]] mentions how these stories often have a RayOfHopeEnding; yes, TheHeroDies, but maybe they died ultimately saving the world or someone they loved, or did something that will give future heroes a better shot at a happy ending. To accompany this, Red shows a very poignant illustration of a hero being consumed by tendrils of darkness with no hope of escape, but successfully hurling a single, shining star out into the black.

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--->'''Red:''' ''Last night, I had the strangest dream, I ever dreamed before. I dreamed that all the world had all agreed to put an end to war. I dreamed I saw a mighty room, the room was filled with men. And the paper they were signing said, they'd never fight again. And when the papers all were signed and million copies made, they all joined hands and bowed their heads, and grateful prayers were said. And the people in the street below were dancing round and round, and guns and swords and uniforms were scattered on the ground. Last night I had the strangest dream I ever dreamed before, I dreamed the world had all agreed to put an end to war.''

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--->'''Red:''' ''Last night, I had the strangest dream, dream I ever dreamed before. I before,''
--->''I
dreamed that all the world had all agreed to put an end to war. I war.''
--->''I
dreamed I saw a mighty room, the room was filled with men. And men.''
--->''And
the paper they were signing said, said they'd never fight again. And again.''
--->''And
when the papers all were signed and a million copies made, they made,''
--->''they
all joined hands and bowed their heads, and grateful prayers were said. And prayed.''
--->''And
the people in the street below were dancing round and round, and round,''
--->''and
guns and swords and uniforms were scattered on the ground. Last ground.''
--->''Last
night I had the strangest dream I ever dreamed before, I before,''
--->''I
dreamed the world had all agreed to put an end to war.''
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When you're learning about history and major figures from mythology, bad times, real-life parallels, and constant struggles with hierarchical fictional foes are always inevitable to be had in every story. At this point, every listed example from any of OSP's videos speak for themselves-- after all, [[WesternAnimation/WhatsOperaDoc what'd you expect from]] [[StepfordSnarker "sarcasm"?]] [[SadClown Constant levity?]]

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When you're learning about history and major figures from mythology, bad times, real-life parallels, and constant struggles with hierarchical fictional foes every known foe possible are always inevitable to be had in every story. At this point, every listed example from any of OSP's videos speak for themselves-- after all, [[WesternAnimation/WhatsOperaDoc what'd you expect from]] [[StepfordSnarker "sarcasm"?]] [[SadClown Constant levity?]]
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to:

When you're learning about history and major figures from mythology, bad times, real-life parallels, and constant struggles with hierarchical fictional foes are always inevitable to be had in every story. At this point, every listed example from any of OSP's videos speak for themselves-- after all, [[WesternAnimation/WhatsOperaDoc what'd you expect from]] [[StepfordSnarker "sarcasm"?]] [[SadClown Constant levity?]]
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** Hel being cast into [[NamesTheSame Hel]] for the crime of having a prophecy about her. While the dialogue is [[PlayedForLaughs comedic]], seeing an infant alone in such a gloomy place with only ghosts for company would make any parent upset.

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** Hel being cast into [[NamesTheSame Hel]] Hel for the crime of having a prophecy about her. While the dialogue is [[PlayedForLaughs comedic]], seeing an infant alone in such a gloomy place with only ghosts for company would make any parent upset.

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