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* For ''WesternAnimation/TurningRed'', they researched everything in the film to be as accurate and authentic as possible while fitting the intended stylized aesthetic. This ranges from the food, to all the many, many [[CanadaEh Canadian]] and Toronto specific details. They adeptly blended multiple styles not just in the visuals, combining 3D animation with anime, but also in the score which cohesively integrates period appropriate western and Chinese music styles. Nowhere is this more apparent than in the climax where according to the director's commentary "It has to be every single department is having to function at the very top of their game".
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* For ''WesternAnimation/TurningRed'', they researched everything in the film to be as accurate and authentic as possible while fitting the intended stylized aesthetic. This ranges from the food, to all the many, many [[CanadaEh Canadian]] Canadian and Toronto specific details. They adeptly blended multiple styles not just in the visuals, combining 3D animation with anime, but also in the score which cohesively integrates period appropriate western and Chinese music styles. Nowhere is this more apparent than in the climax where according to the director's commentary "It has to be every single department is having to function at the very top of their game".
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* In ''WesternAnimation/KungFuPanda'', the directors proposed the famous rope bridge fight and were delighted at seeing the animators blanch at the idea. That wasn't because of how hard they knew the sequence's production would be; rather, it was because they knew such a scene had ''never been done before.'' It's ''that'' kind of attitude that helped create the film and made Creator/DreamworksAnimation [[GrowingTheBeard grow its beard]].
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* In ''WesternAnimation/KungFuPanda'', ''WesternAnimation/KungFuPanda1'', the directors proposed the famous rope bridge fight and were delighted at seeing the animators blanch at the idea. That wasn't because of how hard they knew the sequence's production would be; rather, it was because they knew such a scene had ''never been done before.'' It's ''that'' kind of attitude that helped create the film and made Creator/DreamworksAnimation [[GrowingTheBeard grow its beard]].
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* Music/DepecheMode and Dave Gahan's solo album, ''Music/{{Hourglass}}''. In contrast to the likes of ''Music/SongsOfFaithAndDevotion'' and ''Music/{{Ultra}}'' a decade prior to ''Hourglass'' itself, anyway, Dave Gahan, Andrew Phillpott, and Christian Eigner all happened to produce the album with little issue or conflict, especially with there being none regarding Dave Gahan himself; and the outcome of said development that is the fully-refined product definitely shows the dynamic that was present worked out in the end.
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* That [[https://www.youtube.com/watch?v=YbYWhdLO43Q Squatty Potty]] commercial with the baby unicorn pooping ice cream could have very easily gotten by with CGI, but the creators decided to go all-out with a [[https://www.youtube.com/watch?v=7l7MXfYWahU full puppet]] instead.
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* For [[https://musebycl.io/super-bowl/perfect-storm-led-anheuser-buschs-super-bowl-ad Anheuser-Busch's 2021 Super Bowl ad]], a different cinematographer was hired to shoot each scene in order to make every segment feel unique and like its own separate story.
* [[https://www.adforum.com/creative-work/ad/player/34655017/flip/bq This ad for British home improvement chain B&Q]] features an entire house quite literally being flipped. While it's easy to assume that it must've been done with CGI, the production desginers actually built a 24-ton, six-story fully rotating set[[note]]to put that into perspective, that's about twice the size as the rotating spaceship in ''Film/TwoThousandOneASpaceOdyssey''[[/note]], complete with a house and garden on each side, to use, which had to be filmed in a football stadium because no studio had space that large. Not only that, but ''everything''—from the heroine climbing up and down the rotating house to the objects in the house feeling the effect of gravity and falling down as the house turns—was done practically, with CGI only being used for the ending shot of the neighborhood.
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* ''WesternAnimation/ToyStory2'' was originally intended to be direct-to-video. But Pixar actually set out to make a movie that was just as good as the first, and Creator/{{Disney}} milked it with a theater release as a result. Pixar is very well-known for this.
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* ''WesternAnimation/ToyStory2'' was originally intended to be direct-to-video. But Pixar actually set out to make a movie that was just as good as the first, and Creator/{{Disney}} milked it with a theater release as a result.result, even though they nearly accidentally deleted the whole movie. Pixar is very well-known for this.
