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*** Also from Gokaiger, the CGI model of [[HumongousMecha Gokai-Oh]] used during the transformation sequence. It looks ''hideous''.[[note]]Seriously, ''[[Series/NinpuuSentaiHurricaneger Hurricaneger]]'' had a better CGI HumongousMecha, and that installment came out nearly a decade before ''Gokaiger''[[/note]]

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*** Also from Gokaiger, ''Gokaiger'', the CGI model of [[HumongousMecha Gokai-Oh]] used during the transformation sequence. It looks ''hideous''.[[note]]Seriously, ''[[Series/NinpuuSentaiHurricaneger Hurricaneger]]'' had a better CGI HumongousMecha, and that installment came out nearly a decade before ''Gokaiger''[[/note]]''Gokaiger''![[/note]]
** Until the 2000s, chroma-keying, compositing and (in ''Sentai'' only) rear-projection backgrounds would inevitably look not so good. The Rangers falling into a collapsing sinkhole during the premiere of ''Series/PowerRangersZeo'' is a good example.



** In "The Dognapping", the skugs carrying Jeb's cage in Grimlord's palace are clearly in front of a green screen. Their lighting is completely different from the rest of the footage.

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** In "The Dognapping", the skugs Skugs carrying Jeb's cage in Grimlord's palace are clearly in front of a green screen. Their lighting is completely different from the rest of the footage.
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* ''Series/{{Mash}}'' had a couple during its run. The most egregious one (mixed with EarlyInstallmentWeirdness) comes in the episode "[[Recap/MashS2E8TheTrialOfHenryBlake The Trial of Henry Blake]]". In this one, Klinger tries one of his most ambitious and whacky schemes to leave the Army -- [[CrazyAwesome if he can't get out on a Section 8, he'll fly out with a home-made hang-glider!]] The problem comes after takeoff: the only optical-composition shot of the show's run is a fairly obvious shot of Creator/JamieFarr walking slowly across a floor hanging onto the prop glider superimposed over a long-shot of the camp. It's about as unconvincing as it sounds.

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* ''Series/{{Mash}}'' had a couple during its run. The most egregious one (mixed with EarlyInstallmentWeirdness) comes in the episode "[[Recap/MashS2E8TheTrialOfHenryBlake The Trial of Henry Blake]]". In this one, Klinger tries one of his most ambitious and whacky schemes to leave the Army -- [[CrazyAwesome [[CrazyEnoughToWork if he can't get out on a Section 8, he'll fly out with a home-made hang-glider!]] The problem comes after takeoff: the only optical-composition shot of the show's run is a fairly obvious shot of Creator/JamieFarr walking slowly across a floor hanging onto the prop glider superimposed over a long-shot of the camp. It's about as unconvincing as it sounds.
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* ''Series/ShaunMicallefsMadAsHell'' plays this for laughs in a few sketches, with Shaun pointing out how unconvincing the effects are.
** In the Literature/PeterPan and Tinkerbell [[https://www.youtube.com/watch?v=-m4l27YcWRI sketch]] in series 10, he points out that she's obviously just Christie being filmed in front of a blue screen and badly superimposed, at which point [[ClapYourHandsIfYouBelieve Tink collapses in pain]], Peter runs down on to the set and reveals that she and the blue screen had been in plain view of the studio audience the whole time.
** In Series 11, [[https://www.youtube.com/watch?v=8wacKXzGfvw Loki appears in the studio]] to take credit for a couple of "mysteries" in Federal politics in recent weeks, and shows off his magic powers, first by making a banana appear on the desk and a cowboy hat appear on Shaun's head, to which Shaun points out that it's just a camera trick. He then makes the banana disappear, and Shaun points out that he didn't properly edit out the stagehand taking it away. And then he makes the hat disappear.
-->'''Shaun''': You didn't even stop the camera that time! What you're doing is just transparently obvious, poorly executed bullshit!\\
'''Loki''': Is it?\\
'''Shaun''': No one is buying it for a moment!\\
'''Loki''': And yet no one knows [[https://en.wikipedia.org/wiki/Sports_rorts_affair_(2020) how the nine additional projects got funded]]. Or [[https://en.wikipedia.org/wiki/Angus_Taylor_(politician)#Parliamentary_controversy_and_media_coverage how the allegedly forged document used to smear the Lord Mayor Clover Moore came into the hands of Angus Taylor]], or how the police investigations just... disappeared.\\
'''Shaun''': (''apparently not noticing that Loki is suddenly on the other side of the desk'') Well, didn't Morrison just speak to the New South Wales Police Commissioner?\\
'''Loki''': Did he? (''EvilLaugh, before gesturing as if to set up a disappearing trick, only to just get up and walk off-camera'')
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* ''Series/{{Frasier}}'': "Guilt Trippers" features an extended scene of the characters being dropped off at an airport that was very obviously shot on bluescreen as the background plates used were extremely poor quality.


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* In "The One With Phoebe's Cookies", Rachel tries to teach Joey how to sail on a boat that's obviously in front of a greenscreen in the studio.

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Audience reactions can't be played with, and I know a lot of people who prefer the PR Doggie suit.


* ''Franchise/PowerRangers'' and ''Franchise/SuperSentai''
** ''Series/PowerRangersSPD'' inverts this. The costume version of Doggie Cruger, as well as Fowler Birdie and Sergeant Silverback, are much more elaborate and high-tech, using similar animatronics to bring them to life as the title characters in the live-action ''Film/TeenageMutantNinjaTurtles'' movies. However, this is part of a series made infamous for its use of StockFootage, OffTheShelfFX and PeopleInRubberSuits, so they stuck out like a sore thumb to fans, being decried as too "{{muppet}}[[UncannyValley -like]]" for the series. The [[UsefulNotes/FurryFandom fursuit-esque costumes]] of its ''Franchise/SuperSentai'' counterpart, ''Series/TokusouSentaiDekaranger'', are ironically considered better-constructed and more appropriate, even though they ''literally'' look like something from Creator/JimHensonsCreatureShop (again, YMMV on whether that's good or bad.) However, the TheyChangedItNowItSucks factor must always be considered, as it ''is'' [[ForeignRemake an American version]] of [[SeriousBusiness something Japanese]].
** Speaking of ''Deka'', it took several episodes for them to get the original Doggie's mask to work right. Instead of moving with his speech, it just hangs open in many a scene, giving him a ''permanent'' staring-in-shock look.

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* ''Franchise/PowerRangers'' and ''Franchise/SuperSentai''
''Franchise/SuperSentai'':
** ''Series/PowerRangersSPD'' inverts this. The costume version of Doggie Cruger, as well as Fowler Birdie and Sergeant Silverback, are much more elaborate and high-tech, using similar animatronics to bring them to life as the title characters in the live-action ''Film/TeenageMutantNinjaTurtles'' movies. However, this is part of a series made infamous for its use of StockFootage, OffTheShelfFX and PeopleInRubberSuits, so they stuck out like a sore thumb to fans, being decried as too "{{muppet}}[[UncannyValley -like]]" for the series. The [[UsefulNotes/FurryFandom fursuit-esque costumes]] of its ''Franchise/SuperSentai'' counterpart, In ''Series/TokusouSentaiDekaranger'', are ironically considered better-constructed and more appropriate, even though they ''literally'' look like something from Creator/JimHensonsCreatureShop (again, YMMV on whether that's good or bad.) However, the TheyChangedItNowItSucks factor must always be considered, as it ''is'' [[ForeignRemake an American version]] of [[SeriousBusiness something Japanese]].
** Speaking of ''Deka'',
it took several episodes for them to get the original Doggie's mask to work right. Instead of moving with his speech, it just hangs open in many a scene, giving him a ''permanent'' permanent staring-in-shock look.
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** The werepanthers' cat forms are clearly CGI, whereas other shapeshifting characters are usually played by real animals. To be fair, most of the animals used are relatively easy to work with, such as canines, pigs, and horses, while panthers probably ''had'' to be CGI for the actors' safety.
*** It should be noted (as explained in the Season 4 DVD commentary) that real panthers were brought in for the chase scene when Jason escapes Hotshot. Those were not CGI.
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* The Fuuka-chan version of the ''Series/InaiInaiBaa'' song "Omochi Mochimochi" used the same exact backgrounds and animation as the Rina-chan version of the song. As a result of the difference in height between the two actresses, the final product winds up having part of Fuuka's body being visibly cut off. It's especially noticeable every time the characters ask "Dotchi nano?".

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* ''Series/{{Supernatural}}'' had an infodump on the BigBad in a season 7 episode, which showed several pictures of him horribly photoshopped alongside real-life notable figures.

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* ''Series/{{Supernatural}}'' had an did remarkably well in the special effects department, given its low budget and ambition. Yet, there were some low points.
** The first season episode "Bugs" featured a mix of obviously plastic bugs and terrible CGI. The creators often cite this as the worst episode of the series.
** An
infodump on the BigBad in a season 7 episode, which episode showed several pictures of him horribly photoshopped alongside real-life notable figures.figures.
** The SeriesFinale has a flash forward to Sam's old age in a ''terrible'' grey wig. As in became a meme bad.

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* ''The Lawrence Welk Show'': The cast's performance of "Cruising Down the River (on a Sunday Afternoon)" in a 1972 episode centering on transportation suffers from this. Not only do chromakey artifacts make the bluescreening against film footage of a river painfully obvious, later rebroadcasts since HD became the norm reveal cutoff on the left side of the screen.



* In the sixth episode of ''Series/MuppetsNow'', a watermark for FX Factory Pro appears several times during the segment "Lifesty(le) with Miss Piggy".



* ''The Lawrence Welk Show'': The cast's performance of "Cruising Down the River (on a Sunday Afternoon)" in a 1972 episode centering on transportation suffers from this. Not only do chromakey artifacts make the bluescreening against film footage of a river painfully obvious, later rebroadcasts since HD became the norm reveal cutoff on the left side of the screen.
* In the sixth episode of ''Series/MuppetsNow'', a watermark for FX Factory Pro appears several times during the segment "Lifesty(le) with Miss Piggy".

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* ''The Lawrence Welk Show'': The cast's performance of "Cruising Down the River (on a Sunday Afternoon)" in a 1972 episode centering on transportation suffers from this. Not only do chromakey artifacts make the bluescreening against film footage of a river painfully obvious, later rebroadcasts since HD became the norm reveal cutoff on the left side of the screen.
* In the sixth episode of ''Series/MuppetsNow'', a watermark for FX Factory Pro appears several times during the segment "Lifesty(le) with Miss Piggy".


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* In the sixth episode of ''Series/MuppetsNow'', a watermark for FX Factory Pro appears several times during the segment "Lifesty(le) with Miss Piggy".
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*** In the script for "[[Recap/AngelS05E22NotFadeAway Not Fade Away]]", the last scene was similar to the end of the ''Film/MortalKombat'' movie, where the sky cracks open and legions of warriors and demons appear; this demonstrates, as we find out in the comic book, that LA has been pulled into Hell. As shot it's an alley set, with rain, a bunch of stuntmen in rubber suits lurching around in the shadows, and a CGI baby dragon.

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*** In the script for "[[Recap/AngelS05E22NotFadeAway Not Fade Away]]", the last scene was similar to the end of the ''Film/MortalKombat'' movie, ''Film/MortalKombatTheMovie'', where the sky cracks open and legions of warriors and demons appear; this demonstrates, as we find out in the comic book, that LA has been pulled into Hell. As shot it's an alley set, with rain, a bunch of stuntmen in rubber suits lurching around in the shadows, and a CGI baby dragon.

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*** It should be noted (as explained in the Season 4 DVD commentary) that real panthers were brought in for the chase scene when Jason escapes Hotshot. Those were NOT CGI.

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*** It should be noted (as explained in the Season 4 DVD commentary) that real panthers were brought in for the chase scene when Jason escapes Hotshot. Those were NOT CGI.not CGI.
** In season 3, when Sookie has a V-induced dream of Eric flying outside her window, it is painfully obvious that Alexander Skarsgard (who plays Eric) is being held up on strings, which has the unintended effect of making the scene look goofy instead of serious.
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*** It should be noted (as explained in the Season 4 DVD commentary) that real panthers were brought in for the chase scene when Jason escapes Hotshot. Those were NOT CGI.
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*** There's one scene in "[[Recap/AngelS04E06SpinTheBottle Spin The Bottle]]" where Creator/DavidBoreanaz and Vincent Kartheiser's stunt doubles are clearly visible, and another in one of the Pylea eps where the bulge of Creator/AmyAcker's microphone pack under her costume is seen.

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*** There's one scene in "[[Recap/AngelS04E06SpinTheBottle Spin The Bottle]]" where Creator/DavidBoreanaz and Vincent Kartheiser's Creator/VincentKartheiser's stunt doubles are clearly visible, and another in one of the Pylea eps where the bulge of Creator/AmyAcker's microphone pack under her costume is seen.
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** Sort of {{inverted}} in "Squeeze" in that the effect is spoiled not by being too fake but by being too real(istic) and thus not fantastic enough. The MonsterOfTheWeek is a RubberMan mutant who can squeeze through tiny spaces to get at his victims, but the one time he's actually shown doing that, it looks like they had a real {{Contortionist}} slowly and laboriously squeeze into a moderately small space, so it's unimpressive compared to his off-screen abilities.
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* ''Series/WandaVision'': In-universe. In the bizarre sitcom universe, the effects are horrible and era-appropriate, with lots of blatant cuts to cover onjects appearing out of thin air, and Wanda's telekinesis obviously relying on strings. It's only in the third episode, [[spoiler:when "Geraldine" brings up some of Wanda's real-world trauma that she shouldn't know about, that Wanda once again demonstrates her trademark red glow]].

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* ''Series/WandaVision'': In-universe. In the bizarre sitcom universe, the effects are horrible and era-appropriate, with lots of blatant cuts to cover onjects objects appearing out of thin air, and Wanda's telekinesis obviously relying on strings. It's only in the third episode, [[spoiler:when "Geraldine" brings up some of Wanda's real-world trauma that she shouldn't know about, that Wanda once again demonstrates her trademark red glow]].
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* ''Series/WandaVision'': In-universe. In the bizarre sitcom universe, the effects are horrible and era-appropriate, with lots of blatant cuts to cover onjects appearing out of thin air, and Wanda's telekinesis obviously relying on strings. It's only in the third episode, [[spoiler:when "Geraldine" brings up some of Wanda's real-world trauma that she shouldn't know about, that Wanda once again demonstrates her trademark red glow]].
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* ''Series/TheMandalorian'' is a mostly [[SugarWiki/VisualEffectsOfAwesome fantastic-looking series]], though there are some goofs visible in the second season. The show had at least two instances of stagehands being briefly visible, one of whom was [[FanNickname later dubbed]] "[[MemeticBystander Jeans Guy]]" by fans. [[spoiler: Though the CGI used to de-age Creator/MarkHamill to his 1983 self to portray Luke in "The Rescue" is well-done for the most part, the appearance of his eyes did dip into the UncannyValley for some.]]
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* In the ''Series/FawltyTowers'' episode "Basil the Rat", most of the shots of Manuel's pet "filligree Siberian hamster" use a real rat, videotaped separately from the main action and edited in. In a scene where the rat scurries across the floor, it's obviously a model pulled by a nylon cord, but the main fx failure occurs in the final scene in which the rat pops its head out of a biscuit tin that Polly is presenting to [[spoiler:the health inspector]]. In this scene, the rat is a very unconvincing puppet with a rotating head which is operated from beneath the tin by actress Connie Booth.
* In the ''Series/{{Firefly}}'' episode War Stories, Mal's ear gets cut off by the villain as part of some ColdBloodedTorture. The scene wasn't too bad when the show was originally broadcast and viewed on an old fashioned analog TV, but when streamed on a modern high definition TV, the prosthetic that Creator/NathanFillion is wearing is painfully obvious.

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* In the ''Series/FawltyTowers'' episode "Basil "[[Recap/FawltyTowersS2E6BasilTheRat Basil the Rat", Rat]]", most of the shots of Manuel's pet "filligree Siberian hamster" use a real rat, videotaped separately from the main action and edited in. In a scene where the rat scurries across the floor, it's obviously a model pulled by a nylon cord, but the main fx failure occurs in the final scene in which the rat pops its head out of a biscuit tin that Polly is presenting to [[spoiler:the health inspector]]. In this scene, the rat is a very unconvincing puppet with a rotating head which is operated from beneath the tin by actress Connie Booth.
* In the ''Series/{{Firefly}}'' episode "[[Recap/FireflyE10WarStories War Stories, Stories]]", Mal's ear gets cut off by the villain as part of some ColdBloodedTorture. The scene wasn't too bad when the show was originally broadcast and viewed on an old fashioned analog TV, but when streamed on a modern high definition TV, the prosthetic that Creator/NathanFillion is wearing is painfully obvious.
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* ''Series/{{Mash}} had a couple during its run. The most egregious one (mixed with EarlyInstallmentWeirdness comes in the episode "[[Recap/MashS2E8TheTrialOfHenryBlake The Trial of Henry Blake]]". In this one, Klinger tries one of his most ambitious and whacky scemes to leave the Army -- [[CrazyAwesome if he can't get out on a Section-8, he'll fly out with a home-made hang-glider!]] The problem comes after takeoff: the only optical-composition shot of the show's run is a fairly obvious shot of Creator/JamieFarr walking slowly across a floor hanging onto the prop glider superimposed over a long-shot of the camp. It's about as unconvincing as it sounds.

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* ''Series/{{Mash}} ''Series/{{Mash}}'' had a couple during its run. The most egregious one (mixed with EarlyInstallmentWeirdness EarlyInstallmentWeirdness) comes in the episode "[[Recap/MashS2E8TheTrialOfHenryBlake The Trial of Henry Blake]]". In this one, Klinger tries one of his most ambitious and whacky scemes schemes to leave the Army -- [[CrazyAwesome if he can't get out on a Section-8, Section 8, he'll fly out with a home-made hang-glider!]] The problem comes after takeoff: the only optical-composition shot of the show's run is a fairly obvious shot of Creator/JamieFarr walking slowly across a floor hanging onto the prop glider superimposed over a long-shot of the camp. It's about as unconvincing as it sounds.
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* ''Series/{{Mash}} had a couple during its run. The most egregious one (mixed with EarlyInstallmentWeirdness comes in the episode "[[Recap/MashS2E8TheTrialOfHenryBlake The Trial of Henry Blake]]". In this one, Klinger tries one of his most ambitious and whacky scemes to leave the Army -- [[CrazyAwesome if he can't get out on a Section-8, he'll fly out with a home-made hang-glider!]] The problem comes after takeoff: the only optical-composition shot of the show's run is a fairly obvious shot of Creator/JamieFarr walking slowly across a floor hanging onto the prop glider superimposed over a long-shot of the camp. It's about as unconvincing as it sounds.

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* ''Series/StargateSG1'' has a very strange example in "Pretense". The minimalist Tollan Stargate appears to only exist as a painting, the forced perspective fails as the tracking shot follows SG-1 away from the gate. A long shot later shows a completely different physical prop.

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* ''Series/StargateSG1'' has ''Series/StargateSG1'':
** In the first episode, the special effects for the alien tech look very good. Which means that it's especially glaring in the same scene when the American soldiers fire guns that have muzzle flashes that they did a poor job of adding digitally.
** There's
a very strange example in "Pretense". The minimalist Tollan Stargate appears to only exist as a painting, the forced perspective fails as the tracking shot follows SG-1 away from the gate. A long shot later shows a completely different physical prop.
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** ''Series/NedsDeclassifiedSchoolSurvivalGuide'' did this a lot, since the show was fairly cartoony to being with.
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** The CGI used for "Jack"'s true form in "Infinite Possibilities" is much better than the physical puppet used in the earlier "A Human Reaction". Unfortunately, after he dies, they switch back to the puppet for the corpse, which is particularly obvious since the CGI and physical forms are significantly different in appearance.

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** The CGI used for "Jack"'s true form in "Infinite Possibilities" is much better than the physical puppet used for his previous appearance in the earlier "A Human Reaction". Unfortunately, after he dies, they switch back to the puppet for the corpse, which is particularly obvious since the CGI and physical forms are significantly different in appearance.
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** The dramatic climax of the episode "Dream a Little Dream" is somewhat undercut by the fact that what is meant to be a flaming torch is blatantly an electric light on the end of a stick. Presumably they were told they couldn't use a real flame when there wasn't enough time to come up with a better effect.

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* ''Series/RedDwarf'' has a scene where Rimmer is supposed to accidentally trigger an ejector seat and be flung out of a parked spaceship. The wires involved were so obvious on screen that they added a little aerial to Rimmer's peaked cap in an attempt to disguise the line. It didn't work.
** ''Red Dwarf'' is full of this kind of thing, but in earlier seasons nobody minded. Then came Series VIII, where Cat makes a shuttle tap-dance. Poorly.

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* ''Series/RedDwarf'' has a scene where Rimmer is supposed actually fares fairly well, as far as low-budget BBC ScienceFiction goes - mainly thanks to accidentally trigger an ejector seat and be flung out of a parked spaceship. The wires involved were so obvious on screen that they added a little aerial to Rimmer's peaked cap in an attempt to disguise the line. It didn't work.
** ''Red Dwarf'' is full of this kind of thing,
''very'' talented SFX team - but in earlier seasons nobody minded. Then came Series VIII, where Cat makes a shuttle tap-dance. Poorly.it is far from immune.



*** The pixellation effect was dropped in Series II, and a more effective posterisation effect was used from Series III-V.

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*** The pixellation effect was dropped in Series II, and a more effective posterisation posterization effect was used from Series III-V.



** Some split-screen snafus - Lister can be seen clearly leaning one to one side to avoid crossing the line in the middle of the screen in ''[[Recap/RedDwarfSeasonIMe2 Me2]]'', while the final shot of ''Polymorph'' has a painfully obvious wipe to accomodate a second Lister walking into frame.

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** Some split-screen snafus - Lister can be seen clearly leaning one to one side to avoid crossing the line in the middle of the screen in ''[[Recap/RedDwarfSeasonIMe2 Me2]]'', while the final shot of ''Polymorph'' has a painfully obvious wipe to accomodate accommodate a second Lister walking into frame.
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*** There's one scene in "[[Recap/Spin The Bottle" where Creator/DavidBoreanaz and Vincent Kartheiser's stunt doubles are clearly visible, and another in one of the Pylea eps where the bulge of Creator/AmyAcker's microphone pack under her costume is seen.

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*** There's one scene in "[[Recap/Spin "[[Recap/AngelS04E06SpinTheBottle Spin The Bottle" Bottle]]" where Creator/DavidBoreanaz and Vincent Kartheiser's stunt doubles are clearly visible, and another in one of the Pylea eps where the bulge of Creator/AmyAcker's microphone pack under her costume is seen.
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* In-universe (''and how'') on ''Series/TheGoesWrongShow.'' Every single "play" has the most horrible effects imaginable with the actors clearly having no idea they'd be so terrible and have to roll with it.
** "Harpet's Locket" has video of a man riding a horse in a field. Cut to him coming on stage with a guy in a very bad horse costume literally falling apart.
** The blue-screen "air combat" battle in "The Pilot (Not the Pilot)".
** "The Trial" has a man unable to spew out fake blood in the first two tries then drown his co-star in it on the third.
** "The Lodge" is nothing but terrible effects combined with a bad set.
** "90 Degrees" has a "dog" being a puppet on a skateboard whose remote controller keeps getting into messes.
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** "Seek, Locate, Destroy" starts with a supposedly terrifying TinCanRobot that wobbles as it goes and is just generally poorly-designed, looking adorable rather than menacing.
** The third season episode "The Harvest of Kairos" is particularly exemplary. The ''better'' of the two main types of aliens seen is modelled by a rock... Many will say that said episode can only be enjoyed as comedy.
** "Gold" has a particularly jarring jump cut on the teleport effect, with actor Roy Kinnear obviously moving between cuts in the foreground.

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** "Seek, "[[Recap/BlakesSevenS1E6SeekLocateDestroy Seek, Locate, Destroy" Destroy]]" starts with a supposedly terrifying TinCanRobot that wobbles as it goes and is just generally poorly-designed, looking adorable rather than menacing.
** "[[Recap/BlakesSevenS3E5TheHarvestOfKairos The third season episode "The Harvest of Kairos" Kairos]]" is particularly exemplary. The ''better'' of the two main types of aliens seen is modelled by a rock... Many will say that said episode can only be enjoyed as comedy.
** "Gold" "[[Recap/BlakesSevenS4E10Gold Gold]]" has a particularly jarring jump cut on the teleport effect, with actor Roy Kinnear obviously moving between cuts in the foreground.



*** The quality on Oz's werewolf transformation wavers. The first time ("Phases") there is a pretty good werewolf suit, but the second time ("Beauty and the Beasts") it looks like a scary tiki mask glued onto a gorilla costume. In fact, this costume became much reviled on ''Buffy the Vampire Slayer'', to the point where, when the spin-off ''Series/{{Angel}}'' decided to do werewolves, the costume designers were given this note: "Don't make it look like a gay possum."
*** Soldier Xander's gun in Season 2 "Halloween" doesn't even have a muzzle flash.
*** The Series 2 Finale famously has a fight scene between Buffy and Angel where the antagonist is obviously David Boreanaz's stunt double in a couple of shots due to the double's receding hairline.
*** The Season 4 finale "Restless" contains an ''intentional'' example. The scene in Xander's dream where he's driving the ice cream truck has a very obvious greenscreen effect; the background is moving quickly, and there are artifacts around Anya when she's shown in front of the window. This is done to enhance the surreal, dreamlike quality, by creating an effect of "stillness in motion".
*** [[FanNickname "Fake the Snake"]] from Season 5 episode "Shadow", which is either being represented by sub-par CGI or a big, motionless rubber model trundling along on a truck.
*** The Watcher's Council building explosion in Season 7, an effect shot so embarrassing it's allowed only a split-second of screen time.
** ''Series/{{Angel}}''
*** The show's biggest failure is the attempt at redesigning vampire makeup in the pilot episode. They quickly went back to the Buffy-style stuff.
*** There's one scene in "Spin The Bottle" where David Boreanaz and Vincent Kartheiser's stunt doubles are clearly visible, and another in one of the Pylea eps where the bulge of Amy Acker's microphone pack under her costume is seen.
*** Sadly the last scene of the series ended up being this. In the script the last scene was similar to the end of the ''Film/MortalKombat'' movie, where the sky cracks open and legions of warriors and demons appear; this demonstrates, as we find out in the comic book, that LA has been pulled into Hell. As shot it's an alley set, with rain, a bunch of stuntmen in rubber suits lurching around in the shadows, and a CGI baby dragon.

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*** The quality on Oz's werewolf transformation wavers. The first time ("Phases") ("[[Recap/BuffyTheVampireSlayerS2E15Phases Phases]]") there is a pretty good werewolf suit, but the second time ("Beauty ("[[Recap/BuffyTheVampireSlayerS3E4BeautyAndTheBeasts Beauty and the Beasts") Beasts]]") it looks like a scary tiki mask glued onto a gorilla costume. In fact, this costume became much reviled on ''Buffy the Vampire Slayer'', to the point where, when the spin-off ''Series/{{Angel}}'' decided to do werewolves, the costume designers were given this note: "Don't make it look like a gay possum."
*** Soldier Xander's gun in Season 2 "Halloween" "[[Recap/BuffyTheVampireSlayerS2E6Halloween Halloween]]" doesn't even have a muzzle flash.
*** The Series 2 Finale "[[Recap/BuffyTheVampireSlayerS2E22BecomingPart2 Becoming Part 2]]" famously has a fight scene between Buffy and Angel where the antagonist is obviously David Boreanaz's stunt double in a couple of shots due to the double's receding hairline.
*** The Season 4 finale "Restless" "[[Recap/BuffyTheVampireSlayerS4E22Restless Restless]]" contains an ''intentional'' example. The scene in Xander's dream where he's driving the ice cream truck has a very obvious greenscreen effect; the background is moving quickly, and there are artifacts around Anya when she's shown in front of the window. This is done to enhance the surreal, dreamlike quality, by creating an effect of "stillness in motion".
*** [[FanNickname "Fake the Snake"]] from Season 5 episode "Shadow", "[[Recap/BuffyTheVampireSlayerS5E8Shadow Shadow]]", which is either being represented by sub-par CGI or a big, motionless rubber model trundling along on a truck.
*** The Watcher's Council building explosion in Season 7, "[[Recap/BuffyTheVampireSlayerS7E9NeverLeaveMe Never Leave Me]]", an effect shot so embarrassing it's allowed only a split-second of screen time.
** ''Series/{{Angel}}''
''Series/{{Angel}}'':
*** The show's biggest failure is the attempt at redesigning vampire makeup in the pilot episode."[[Recap/AngelS01E01CityOf City of...]]". They quickly went back to the Buffy-style stuff.
*** There's one scene in "Spin "[[Recap/Spin The Bottle" where David Boreanaz Creator/DavidBoreanaz and Vincent Kartheiser's stunt doubles are clearly visible, and another in one of the Pylea eps where the bulge of Amy Acker's Creator/AmyAcker's microphone pack under her costume is seen.
*** Sadly the last scene of the series ended up being this. In the script for "[[Recap/AngelS05E22NotFadeAway Not Fade Away]]", the last scene was similar to the end of the ''Film/MortalKombat'' movie, where the sky cracks open and legions of warriors and demons appear; this demonstrates, as we find out in the comic book, that LA has been pulled into Hell. As shot it's an alley set, with rain, a bunch of stuntmen in rubber suits lurching around in the shadows, and a CGI baby dragon.
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* A particularly odd one shows up on ''Series/{{Galavant}}''. During Princess Jubilee's song number in Season 2 Episode 5, Jubilee says "Wake up and smell my unshaved armpit". She holds her arm up to see it...and it's very clearly shaved, completely hairless. Presumably they could've just asked the actress not to shave for a week, or failing hat just put some prop hair there. She also claims she likes "waking up with new tattoos", but the actress doesn't have any, made all the more obvious by her shoulders, arms, and legs being visible for almost the entire song number. The lack of effort put in is incredibly odd.

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