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* "Carnival of Monsters" has a moment in Part 4 when an Inter Minorian's bald cap completely slips loose. This was considered so bad by an editor that for some transmissions, ''the whole ending got cut out of rebroadcasts''.

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* "Carnival of Monsters" has a moment in Part 4 when an Inter Minorian's bald cap completely slips loose. This was considered so bad by an editor that for some transmissions, ''the whole ending scene got cut out of rebroadcasts''.
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* "Carnival of Monsters" has a moment in Part 4 when an Inter Minorian's bald cap completely slips loose. This was considered so bad by an editor that for some transmissions, ''the whole ending got cut out of rebroadcasts''.

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** The legendary pants-splitting scene.



** The archive footage of the Doctors in the scene where they all save Gallifrey would be passable, if not for the fact you can see Seven's is taken from both the original series and his one telemovie outing... with ''very'' noticably different wardrobes between the two (one taken during the John Nathan-Turner question mark craze years, the other from the movie where he dressed more cultured and somberly).

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** The archive footage of the Doctors in the scene where they all save Gallifrey would be passable, if not for the fact you can see Seven's is taken from both the original series and his one telemovie outing... with ''very'' noticably noticeably different wardrobes between the two (one taken during the John Nathan-Turner question mark craze years, the other from the movie where he dressed more cultured and somberly).

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** The FakeShemp Doctors in the final shot of "Day of the Doctor" quite obviously have faces cut and pasted on, some at unfortunate angles. The Eighth Doctor's head is too big (Worse, Creator/PaulMcGann was asked to return as the Eighth Doctor a ''week'' after filming wrapped. He could have been used in this scene instead of a body double.), and the Fourth Doctor's head is a photo of his [[UncannyValley terrifying]] waxwork. Two does some creepy finger twiddling, while Six looks like he has the neck of a Rock'Em Sock'Em robot. And some of the body doubles don't look very good either. Keep in mind that this episode was being filmed ''for cinema release'', and some harder, more animated hed-pastede-on-yay effects were achieved flawlessly to revive Jon Pertwee and Tom Baker's Doctors for one of the ''trailers'' for this episode. But worst of all, Matt Smith's head ''flinches'' a split second before the fade to black.

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** The FakeShemp Doctors in the final shot of "Day of the Doctor" quite obviously have faces cut and pasted on, some at unfortunate angles. The Eighth Doctor's head is too big (Worse, Creator/PaulMcGann was asked to return as the Eighth Doctor a ''week'' after filming wrapped. He could have been used in this scene instead of a body double.), and the Fourth Doctor's head is a photo of his [[UncannyValley terrifying]] waxwork. Two does some creepy finger twiddling, while Six looks like he has the neck of a Rock'Em Sock'Em robot.Rock'em Sock'em robot. Plus, only the real actors actively move, while the phonies stand still like paper cutouts, which makes the scene a little rigid. And some of the body doubles don't look very good either. Keep in mind that this episode was being filmed ''for cinema release'', and some harder, more animated hed-pastede-on-yay effects were achieved flawlessly to revive Jon Pertwee and Tom Baker's Doctors for one of the ''trailers'' for this episode. But worst of all, Matt Smith's head ''flinches'' a split second before the fade to black.

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** The FakeShemp Doctors in the final shot of "Day of the Doctor" quite obviously have faces cut and pasted on, some at unfortunate angles. The Eighth Doctor's head is too big, and the Fourth Doctor's head is a photo of his [[UncannyValley terrifying]] waxwork. And some of the body doubles don't look very good either. Keep in mind that this episode was being filmed ''for cinema release'', and some harder, more animated hed-pastede-on-yay effects were achieved flawlessly to revive Jon Pertwee and Tom Baker's Doctors for one of the ''trailers'' for this episode.

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** The FakeShemp Doctors in the final shot of "Day of the Doctor" quite obviously have faces cut and pasted on, some at unfortunate angles. The Eighth Doctor's head is too big, big (Worse, Creator/PaulMcGann was asked to return as the Eighth Doctor a ''week'' after filming wrapped. He could have been used in this scene instead of a body double.), and the Fourth Doctor's head is a photo of his [[UncannyValley terrifying]] waxwork.waxwork. Two does some creepy finger twiddling, while Six looks like he has the neck of a Rock'Em Sock'Em robot. And some of the body doubles don't look very good either. Keep in mind that this episode was being filmed ''for cinema release'', and some harder, more animated hed-pastede-on-yay effects were achieved flawlessly to revive Jon Pertwee and Tom Baker's Doctors for one of the ''trailers'' for this episode. But worst of all, Matt Smith's head ''flinches'' a split second before the fade to black.
** The archive footage of the Doctors in the scene where they all save Gallifrey would be passable, if not for the fact you can see Seven's is taken from both the original series and his one telemovie outing... with ''very'' noticably different wardrobes between the two (one taken during the John Nathan-Turner question mark craze years, the other from the movie where he dressed more cultured and somberly).
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* "The Green Death" has an infamous scene where Benton and the Doctor are "riding around" on Bessie with a cure for the maggot infestation. It is a clear-cut case of DrivingADesk. [[LampshadeHanging Pointed out]] during a DW 50th anniversary interview with Creator/StevenMoffat.

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* The Zarbi in "The Web Planet" would look rubbish even if they didn't have two obviously human legs in trousers and shoes sticking out of the bottom and even if they didn't constantly make incredibly synthetic beeping noises. The Larvae Guns are fringed with rags. The Animus and the Menoptera are better looking, but the Menoptera's wings, that look striking when stationary, rustle in a plasticy way when they move them, and the Animus is obviously just a bunch of hoses glued to a hula-hoop like structure and hung off the ceiling with wire. The tube-like structures the Animus uses to communicate with the Doctor are supposed to look like webs, but instead are just a clear plastic drum with some web stuff glued on it - {{Lampshaded}} when the Doctor calls it a 'silly hairdryer thing'. Attempts were made to obscure the lousy special effects by [[GaussianGirl greasing the camera within an inch of its life]], and it doesn't work. On the plus side, the WireFu flight of the Menoptera is extremely convincing thanks to some clever camera angle trickery and the graceful motions of the actors.

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* The Zarbi in "The Web Planet" Planet":
** The Zarbi
would look rubbish even if they didn't have two obviously human legs in trousers and shoes sticking out of the bottom and even if they didn't constantly make incredibly synthetic beeping noises. The Larvae Guns are fringed with rags. The Animus and the Menoptera are better looking, but the Menoptera's wings, that look striking when stationary, rustle in a plasticy way when they move them, and the Animus is obviously just a bunch of hoses glued to a hula-hoop like structure and hung off the ceiling with wire. The tube-like structures the Animus uses to communicate with the Doctor are supposed to look like webs, but instead are just a clear plastic drum with some web stuff glued on it - {{Lampshaded}} when the Doctor calls it a 'silly hairdryer thing'. Attempts were made to obscure the lousy special effects by [[GaussianGirl greasing the camera within an inch of its life]], and it doesn't work. On the plus side, the WireFu flight of the Menoptera is extremely convincing thanks to some clever camera angle trickery and the graceful motions of the actors.


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** There's also the famous {{Blooper}} where the Zarbi accidentally bumps into the camera...
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* The titular monsters from "[[Recap/DoctorWhoS17E5TheHornsOfNimon The Horns of Nimon]]" are among the most ridiculous looking the show has had to offer, especially with their hilariously huge heads and slim bodies.
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'''Justified, deliberate, lampshaded and played-with examples''':
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** For "Destiny of the Daleks", the costumes were unsuited to the BBCQuarry set, and so cheap, lightweight fibreglass shells without bumpers were made for the actors to 'walk' across in. This had the benefit of allowing the series to use more than three convincing-looking Dalek props on screen for the first time ever, but the effect is ruined by the wobbly walking gait. The actual Dalek props had been kept in storage for years and treated very poorly - they all have dented gunsticks, one Dalek has a split hemisphere on its side (revealing it to just be thin plastic) and some have noticeable bits of gaffer tape holding them together. On top of this, Davros was recast with TheOtherDarrin and the mask from "Genesis of the Daleks" (a very good effect in that story) obviously doesn't fit him, bulging horribly when he moves his face to talk and visibly coming off in some shots. [[CreatorsFavorite Dalek enthusiast]] Creator/NicholasBriggs cited it as his personal low point for the Daleks.

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** For "Destiny of the Daleks", the costumes were unsuited to the BBCQuarry set, and so cheap, lightweight fibreglass shells without bumpers were made for the actors to 'walk' across in. This had the benefit of allowing the series to use more than three convincing-looking Dalek props on screen for the first time ever, but the effect is ruined by the wobbly walking gait. The actual Dalek props had been kept in storage for years and treated very poorly - they all have dented gunsticks, one Dalek has a split hemisphere on its side (revealing it to just be thin plastic) and some have noticeable bits of gaffer tape holding them together. The cheap suicide Daleks were made with OffModel flat back parts to save money and should not have been shot from the front, but were, for really long times. On top of this, Davros was recast with TheOtherDarrin and the mask from "Genesis of the Daleks" (a very good effect in that story) obviously doesn't fit him, bulging horribly when he moves his face to talk and visibly coming off in some shots. [[CreatorsFavorite Dalek enthusiast]] Creator/NicholasBriggs cited it as his personal low point for the Daleks.



** When the robot grows to giant size, the [[ChromaKey CSO]] is absolutely horrible. No attempt whatsoever has been made to make the miniature look like it's actually standing in the footage, with the robot obviously reflecting bits of the greenscreen and being lit wrong for the backgrounds. Even the characters it menaces have been [=CSOed=] onto the backgrounds in some shots.

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** When the robot grows to giant size, the [[ChromaKey CSO]] is absolutely horrible. No attempt whatsoever has been made to make the miniature look like it's actually standing in the footage, with the robot obviously reflecting bits of the greenscreen yellow screen used (causing parts of it to disappear, notably its legs) and being lit wrong for the backgrounds. backgrounds. Even the characters it menaces have been obviously [=CSOed=] onto the backgrounds in some shots.
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** The tiny doll Sarah Jane in the robot's grabber with its wobbly little legs.
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* The Sensorites in "The Sensorites" have visible zips down their backs.


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* The Macra in "The Macra Terror". The prop cost £500 (a record amount of money spent on a prop at that time - the equivalent of about £8000 today) and was heavily promoted as the biggest monster yet. While this episode is lost, production stills reveal that [[http://drwhotht02.x10.mx/2j/d02-2j-001.jpg there's more to making a convincing monster than just spending lots of money on it]].
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* "Pyramids of Mars"'s effects are excellent for the time except for that one shot of the glorious godlike alien Sutekh getting up from his throne and revealing [[{{Blooper}} the disembodied hand of a production assistant holding the seat down]].

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* "Pyramids of Mars"'s effects are excellent for the time Mars" is generally an example of VisualEffectsOfAwesome except for that one shot of the glorious godlike alien Sutekh getting up from his throne and revealing [[{{Blooper}} the disembodied hand of a production assistant holding the seat down]].
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* Creator/TomBaker once said of the "[[Recap/DoctorWhoS14E6TheTalonsOfWengChiang The Talons of Weng-Chiang]]", "The BBC is very good at [[CostumeDrama period drama]] but not very good at giant rats." The rat is 'played' by two different effects - some acceptable-looking {{Slurpasaur}} MiniatureEffects of a real rat, and a [[PeopleInRubberSuits rat costume]] so that Leela could fight the rat. The intention was to use mostly footage of the real rat, with the rat suit being shown only in brief glimpses in a very dark environment in a scene with lots of movement, and since "Talons" was the series finale and already [[{{Costumer}} the season's]] [[{{Spectacle}} expensive story]] the costume was simplified to save time and money. It would probably have worked really well had this actually happened - instead, most of what we see of the rat is the rat suit, and we even get an extreme closeup of its mangy puppet face at one point. The effects department was absolutely livid when they found out.

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* Creator/TomBaker once said of the "[[Recap/DoctorWhoS14E6TheTalonsOfWengChiang The Talons of Weng-Chiang]]", "The BBC is very good at [[CostumeDrama period drama]] but not very good at giant rats." The rat is 'played' by two three different effects - some acceptable-looking {{Slurpasaur}} MiniatureEffects of a real rat, a motionless stuffed giant rat dummy, and a [[PeopleInRubberSuits rat costume]] so that Leela could fight the rat. The intention was to use mostly footage of the real rat, with the stuffed rat being shown only from behind and the rat suit being shown only in brief glimpses in a very dark environment in a scene with lots of movement, and since "Talons" was the series finale and already [[{{Costumer}} the season's]] [[{{Spectacle}} expensive story]] the costume was simplified to save time and money. It would probably have worked really well had this actually happened - instead, most of what we see of the rat is the rat suit, suit or the dummy, and we even get an extreme closeup of its mangy puppet plush face at one point. The effects department was absolutely livid when they found out. It also would have helped if any of the three rat 'actors' actually looked anything like each other.
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* Creator/TomBaker once said of the "[[Recap/DoctorWhoS14E6TheTalonsOfWengChiang The Talons of Weng-Chiang]]", "The BBC is very good at [[CostumeDrama period drama]] but not very good at giant rats."

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* Creator/TomBaker once said of the "[[Recap/DoctorWhoS14E6TheTalonsOfWengChiang The Talons of Weng-Chiang]]", "The BBC is very good at [[CostumeDrama period drama]] but not very good at giant rats."" The rat is 'played' by two different effects - some acceptable-looking {{Slurpasaur}} MiniatureEffects of a real rat, and a [[PeopleInRubberSuits rat costume]] so that Leela could fight the rat. The intention was to use mostly footage of the real rat, with the rat suit being shown only in brief glimpses in a very dark environment in a scene with lots of movement, and since "Talons" was the series finale and already [[{{Costumer}} the season's]] [[{{Spectacle}} expensive story]] the costume was simplified to save time and money. It would probably have worked really well had this actually happened - instead, most of what we see of the rat is the rat suit, and we even get an extreme closeup of its mangy puppet face at one point. The effects department was absolutely livid when they found out.

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* "Pyramids of Mars"'s effects are excellent for the time except for that one shot of the glorious godlike alien Sutekh getting up from his throne and revealing [[{{Blooper}} the disembodied hand of a production assistant holding the seat down]].
* Creator/TomBaker once said of the "[[Recap/DoctorWhoS14E6TheTalonsOfWengChiang The Talons of Weng-Chiang]]", "The BBC is very good at [[CostumeDrama period drama]] but not very good at giant rats."



* Creator/TomBaker once said of the "[[Recap/DoctorWhoS14E6TheTalonsOfWengChiang The Talons of Weng-Chiang]]", "The BBC is very good at [[CostumeDrama period drama]] but not very good at giant rats."
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* In [[Recap/DoctorWhoS30E13JourneysEnd "Journey's End"]] [[spoiler:the TARDIS tows the earth]] across the ''VideoGame/DawnOfWar'' loading screen.

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* In [[Recap/DoctorWhoS30E13JourneysEnd "Journey's End"]] [[spoiler:the the TARDIS tows the earth]] earth across the ''VideoGame/DawnOfWar'' loading screen.
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* The BigFinishDoctorWho audio drama "The Rocket Men" is a ridiculously ambitious story involving massive floating platforms, an outrageously beautiful gas giant with an ecosystem of flying animals including billions of glittering beetles that look like diamonds, giant flying manta rays, men with {{jetpacks}}, a glass-bottomed spaceship, giant floating jellyfish, Ian flying out of an airlock to save Barbara and a fistfight in mid-air that would have been ''absolutely impossible'' to achieve with the technology of Season 2 (very difficult to even do with modern CGI). The interview with the writer, John Dorney, revealed it was deliberately written to invoke this trope - early season ''Doctor Who'' did not particularly care about scaling down its ambitions to match its budgets, hence the disastrous early effects in stories like the PlanetaryRomance "The Web Planet" (which he cited as his primary inspiration). The story itself gives no indication you should give it anything other than the effects budget of the mind, but it is quite fun for the listener to imagine bad MatteShot planets, awful WireFu and flying manta rays made out of craft foam and binbags.

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* The BigFinishDoctorWho audio drama "The Rocket Men" is a ridiculously ambitious story involving massive floating platforms, a sumptuous futuristic hotel, an outrageously beautiful gas giant with an ecosystem of flying animals including billions of glittering beetles that look like diamonds, giant flying manta rays, men with {{jetpacks}}, {{jetpack}}s, a glass-bottomed spaceship, a huge pirate spaceship over a mile long, giant floating jellyfish, Ian flying out of an airlock to save Barbara and a fistfight in mid-air that would have been ''absolutely impossible'' to achieve with the technology of Season 2 (very difficult to even do with modern CGI). The interview with the writer, John Dorney, revealed it was deliberately written to invoke this trope - early season ''Doctor Who'' did not particularly care about scaling down its ambitions to match its budgets, hence the disastrous early effects in stories like the outrageously ambitious PlanetaryRomance stories like "The Keys of Marinus" or "The Web Planet" (which he cited as his primary inspiration). The story itself gives no indication you should give it anything other than the effects budget of the mind, but it is quite fun for the listener to imagine bad MatteShot planets, awful WireFu and flying manta rays made out of craft foam and binbags.

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* Even from the early days, the show played with its reputation for cheap monsters - the [[ScoobyDooHoax plot twist]] in the Hartnell story "The Rescue" is dependent on the audience assuming the monsters will look exactly like cheap costumes. The costume itself is quite effective, though.


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'''Justified, deliberate, lampshaded and played-with examples''':
* Even from the early days, the show played with its reputation for cheap monsters - the [[ScoobyDooHoax plot twist]] in the Hartnell story "The Rescue" is dependent on the audience assuming the monsters will look exactly like cheap costumes. The costume itself is quite effective, though.
* The BigFinishDoctorWho audio drama "The Rocket Men" is a ridiculously ambitious story involving massive floating platforms, an outrageously beautiful gas giant with an ecosystem of flying animals including billions of glittering beetles that look like diamonds, giant flying manta rays, men with {{jetpacks}}, a glass-bottomed spaceship, giant floating jellyfish, Ian flying out of an airlock to save Barbara and a fistfight in mid-air that would have been ''absolutely impossible'' to achieve with the technology of Season 2 (very difficult to even do with modern CGI). The interview with the writer, John Dorney, revealed it was deliberately written to invoke this trope - early season ''Doctor Who'' did not particularly care about scaling down its ambitions to match its budgets, hence the disastrous early effects in stories like the PlanetaryRomance "The Web Planet" (which he cited as his primary inspiration). The story itself gives no indication you should give it anything other than the effects budget of the mind, but it is quite fun for the listener to imagine bad MatteShot planets, awful WireFu and flying manta rays made out of craft foam and binbags.
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* "[[Recap/DoctorWhoS12E1 Robot]]":

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* "[[Recap/DoctorWhoS12E1 "[[Recap/DoctorWhoS12E1Robot Robot]]":



'''Doctor:''' I very much doubt it, brigadier.

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'''Doctor:''' I very much doubt it, brigadier.Brigadier.

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* And, of course, that one time when [=UNIT=] used a toy tank and an Action Man doll in "[[Recap/DoctorWhoS12E1Robot Robot]]".
--->'''Brigadier:''' I've brought along something that will deal with it.
---> '''Doctor:''' I very much doubt it, brigadier.
* "Robot"'s [[ChromaKey CSO]] is absolutely horrible too. No effect whatsoever has been made to make the miniature look like it's actually standing in the footage, with the robot obviously reflecting bits of the greenscreen and being lit wrong for the backgrounds. Even the characters it menaces have been CSOed onto the backgrounds in some shots.

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* And, of course, that one time when [=UNIT=] used a toy tank and an Action Man doll in "[[Recap/DoctorWhoS12E1Robot Robot]]".
--->'''Brigadier:''' I've brought along something that will deal with it.
---> '''Doctor:''' I very much doubt it, brigadier.
* "Robot"'s
"[[Recap/DoctorWhoS12E1 Robot]]":
** When the robot grows to giant size, the
[[ChromaKey CSO]] is absolutely horrible too. horrible. No effect attempt whatsoever has been made to make the miniature look like it's actually standing in the footage, with the robot obviously reflecting bits of the greenscreen and being lit wrong for the backgrounds. Even the characters it menaces have been CSOed [=CSOed=] onto the backgrounds in some shots.shots.
** Then there's UNIT using a toy tank and an Action Man doll to fight the robot.
--->'''Brigadier:''' I've brought along something that will deal with it.\\
'''Doctor:''' I very much doubt it, brigadier.



* Quite YMMV but the Werewolf from [[Recap/DoctorWhoS28E2ToothAndClaw "Tooth and Claw"]] is quite obviously CGI.

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* Quite YMMV but the The Werewolf from [[Recap/DoctorWhoS28E2ToothAndClaw "Tooth and Claw"]] is quite obviously CGI.

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[[caption-width-right:350:The BBC, doing what it does worst. [[note]]Effects pictured are, clockwise from top: Chopping the fame in half to edit in the Kroll in "The Power of Kroll", cardboard cutout Daleks in "Power of the Daleks", a beast from "The Androids of Tara", a monster made from black packing tape in "Fear Her", ants with shoes in "The Web Planet", and plastic dinosaur MiniatureEffects in "Invasion of the Dinosaurs".[[/note]]]]

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[[caption-width-right:350:The BBC, doing what it does worst. [[note]]Effects pictured are, clockwise from top: Chopping the fame frame in half to edit in the Kroll in [[Recap/DoctorWhoS16E5ThePowerOfKroll "The Power of Kroll", Kroll"]], cardboard cutout Daleks in "Power [[Recap/DoctorWhoS4E3ThePowerOfTheDaleks "The Power of the Daleks", Daleks"]], a beast from [[Recap/DoctorWhoS16E4TheAndroidsOfTara "The Androids of Tara", Tara"]], a monster made from black packing tape in [[Recap/DoctorWhoS28E11FearHer "Fear Her", Her"]], ants with shoes in [[Recap/DoctorWhoS2E5TheWebPlanet "The Web Planet", Planet"]], and plastic dinosaur MiniatureEffects in [[Recap/DoctorWhoS11E2InvasionOfTheDinosaurs "Invasion of the Dinosaurs".Dinosaurs"]].[[/note]]]]



* Even the new series sometimes has {{Special Effect Failure}}s. The Slitheen and [[Recap/DoctorWhoNSS1E7TheLongGame the Jagrafess]] are two good (that is, bad) examples. They also fit in with the cheesy-alien-costume look from the classic show, so it might have been a deliberate stylistic choice.
* A scene in "The End of the World" where the Doctor pulls a robot arm of the Adherents does look quite fake.
* Quite YMMV but the Werewolf from "Tooth and Claw" is quite obviously CGI.
* The Absorbaloff from "Love and Monsters" looks rather stupid when finally seen.
* The MonsterOfTheWeek in "[[Recap/DoctorWhoNSS3E6TheLazarusExperiment The Lazarus Experiment]]" would have been much more frightening was the CGI quality not in line with ''VideoGame/WorldOfWarcraft''.
* In "[[Recap/DoctorWhoNSS4E13JourneysEnd Journey's End]]" [[spoiler:the TARDIS tows the earth]] across the ''DawnOfWar'' loading screen.
* One of the aliens in "[[Recap/DoctorWhoNSS4E15PlanetOfTheDead Planet of the Dead]]" is killed by a monster that apparently drops straight onto it and they give no sign of the thing even biting him. It's like there was a tube inside the monster that the alien just slides into, as if he were swallowed whole.
* In "[[Recap/DoctorWhoNSS4E17E18TheEndOfTime The End of Time]]", you can see the point at which the Vinvocci's rubber cap joins their heads very clearly. It's particularly noticeable with the female actress, who has a tendency of furrowing her brow while the top of her forehead remains suspiciously immobile. They were actually called "Prostheticons" in early drafts of the script, anticipating this.
* "[[Recap/DoctorWhoS31E06TheVampiresOfVenice The Vampires of Venice]]". Most of the effects are great, such as the aliens. But for some reason, something as simple as a backdrop as the Doctor climbs a tower looks incredibly fake. Huh?
* In "The Crimson Horror", although only noticeable if you're looking for it, just before Strax's "clean my grenades" line you can see his face mask is starting to peel off.
* In "The Day of the Doctor", which normally had VisualEffectsOfAwesome due to its big budget compared to a normal episode, there's a shot where the War Doctor blasts open a Dalek case and the Dalek mutant comes flying out, as unconvincing as a rubber chicken.

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* Even the new series sometimes has {{Special Effect Failure}}s. The Slitheen and [[Recap/DoctorWhoNSS1E7TheLongGame [[Recap/DoctorWhoS27E7TheLongGame the Jagrafess]] are two good (that is, bad) examples. They also fit in with the cheesy-alien-costume look from the classic show, so it might have been a deliberate stylistic choice.
* A scene in [[Recap/DoctorWhoS27E2TheEndOfTheWorld "The End of the World" World"]] where the Doctor pulls a robot arm of the Adherents does look quite fake.
* Quite YMMV but the Werewolf from [[Recap/DoctorWhoS28E2ToothAndClaw "Tooth and Claw" Claw"]] is quite obviously CGI.
* The Absorbaloff from [[Recap/DoctorWhoS28E10LoveAndMonsters "Love and Monsters" & Monsters"]] looks rather stupid when finally seen.
* The MonsterOfTheWeek in "[[Recap/DoctorWhoNSS3E6TheLazarusExperiment The [[Recap/DoctorWhoS29E6TheLazarusExperiment "The Lazarus Experiment]]" Experiment"]] would have been much more frightening was the CGI quality not in line with ''VideoGame/WorldOfWarcraft''.
* In "[[Recap/DoctorWhoNSS4E13JourneysEnd Journey's End]]" [[Recap/DoctorWhoS30E13JourneysEnd "Journey's End"]] [[spoiler:the TARDIS tows the earth]] across the ''DawnOfWar'' ''VideoGame/DawnOfWar'' loading screen.
* One of the aliens in "[[Recap/DoctorWhoNSS4E15PlanetOfTheDead Planet [[Recap/DoctorWhoS30E15PlanetOfTheDead "Planet of the Dead]]" Dead"]] is killed by a monster that apparently drops straight onto it and they give no sign of the thing even biting him. It's like there was a tube inside the monster that the alien just slides into, as if he were swallowed whole.
* In "[[Recap/DoctorWhoNSS4E17E18TheEndOfTime The [[Recap/DoctorWhoS30E17E18TheEndOfTime "The End of Time]]", Time"]], you can see the point at which the Vinvocci's rubber cap joins their heads very clearly. It's particularly noticeable with the female actress, who has a tendency of furrowing her brow while the top of her forehead remains suspiciously immobile. They were actually called "Prostheticons" in early drafts of the script, anticipating this.
* "[[Recap/DoctorWhoS31E06TheVampiresOfVenice The [[Recap/DoctorWhoS31E6TheVampiresOfVenice "The Vampires of Venice]]".Venice"]]. Most of the effects are great, such as the aliens. But for some reason, something as simple as a backdrop as the Doctor climbs a tower looks incredibly fake. Huh?
* In [[Recap/DoctorWhoS33E11TheCrimsonHorror "The Crimson Horror", Horror"]], although only noticeable if you're looking for it, just before Strax's "clean my grenades" line you can see his face mask is starting to peel off.
* In [[Recap/DoctorWho50thASTheDayOfTheDoctor "The Day of the Doctor", which Doctor"]]:
** This aniversary special
normally had has VisualEffectsOfAwesome due to its big budget compared to a normal episode, but there's a shot where the War Doctor blasts open a Dalek case and the Dalek mutant comes flying out, as unconvincing as a rubber chicken.



** The title sequence for Season 7B had a very blocky CGI TARDIS that looked absolutely unconvincing if it took up more than 20% of the screen, and significantly less convincing than the TARDIS model used in-engine in the licensed video games. The shot of the TARDIS's doors opening at the end shows off the pixellated texture on the door sign and was done with an obvious image-stretch and expand, as well.

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** The title sequence for Season 7B had a very blocky CGI TARDIS that looked absolutely unconvincing if it took up more than 20% of the screen, and significantly less convincing than the TARDIS model used in-engine in the licensed video games. The shot of the TARDIS's doors opening at the end shows off the pixellated texture on the door sign and was done with an obvious image-stretch and expand, as well.well.

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* A scene in "The End of the World" where the Doctor pulls a robot arm of the Adherents does look quite fake.
* Quite YMMV but the Werewolf from "Tooth and Claw" is quite obviously CGI.
* The Absorbaloff from "Love and Monsters" looks rather stupid when finally seen.
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* The Fifth Doctor's trademark lapel celery is obviously made of cloth. Peter Davison apparently really disliked it for this reason, and much preferred the plastic celery he got to wear as an old Doctor in "Time Clash" many years later.

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* The Fifth Doctor's trademark lapel celery is obviously made of cloth. Peter Davison apparently really disliked it for this reason, and much preferred the plastic celery he got to wear as an old Doctor in "Time Clash" Crash" many years later.
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[[caption-width-right:177:The BBC, doing what it does worst. [[note]]Effects pictured are from top down: Chopping the fame in half to edit in the Kroll in "The Power of Kroll", plastic dinosaur MiniatureEffects in "Invasion of the Dinosaurs" and ants with shoes in "The Web Planet".[[/note]]]]

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[[caption-width-right:177:The [[caption-width-right:350:The BBC, doing what it does worst. [[note]]Effects pictured are are, clockwise from top down: top: Chopping the fame in half to edit in the Kroll in "The Power of Kroll", cardboard cutout Daleks in "Power of the Daleks", a beast from "The Androids of Tara", a monster made from black packing tape in "Fear Her", ants with shoes in "The Web Planet", and plastic dinosaur MiniatureEffects in "Invasion of the Dinosaurs" and ants with shoes in "The Web Planet".Dinosaurs".[[/note]]]]
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[[caption-width-right:177:The BBC, doing what it does worst. [[note]]Effects pictured are from top down: Chopping the fame in half to edit in the Kroll in "The Power of Kroll", unassailable terrible MiniatureEffects in "Invasion of the Dinosaurs" and ants with shoes in "The Web Planet".[[/note]]]]

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[[caption-width-right:177:The BBC, doing what it does worst. [[note]]Effects pictured are from top down: Chopping the fame in half to edit in the Kroll in "The Power of Kroll", unassailable terrible plastic dinosaur MiniatureEffects in "Invasion of the Dinosaurs" and ants with shoes in "The Web Planet".[[/note]]]]
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[[caption-width-right:177:The BBC, doing what it does worst. [[note]]Effects pictured are from top down: Chopping the fame in half to edit in the Kroll in "The Power of Kroll", unassailable terrible MiniatureEffects in "Invasion of the Dinosaurs" and ants with shoes in "The Web Planet".]]

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[[caption-width-right:177:The BBC, doing what it does worst. [[note]]Effects pictured are from top down: Chopping the fame in half to edit in the Kroll in "The Power of Kroll", unassailable terrible MiniatureEffects in "Invasion of the Dinosaurs" and ants with shoes in "The Web Planet".]]
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[[quoteright:177:http://static.tvtropes.org/pmwiki/pub/images/everyone_tried_their_best_6403.jpg]]
[[caption-width-right:177:The BBC, doing what it does worst. [[note]]Effects pictured are from top down: Chopping the fame in half to edit in the Kroll in "The Power of Kroll", unassailable terrible MiniatureEffects in "Invasion of the Dinosaurs" and ants with shoes in "The Web Planet".]]
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%%
%%The failures are arranged loosely by chronology. Dalek failures have their own section at the top, general failures go underneath that, and title sequence failures go at the bottom. Thanks!
%%

The original ''Series/DoctorWho'' television series, particularly in its early years, brought home the cliche of "Incredibl(y Cheap) BBC Special Effects" to entire generations of fans. The shoestring-budget look has become one of the most warmly remembered parts of the show, and a major fear of many fans prior to the premiere of the new series is that it would look too well-done. Though Creator/ColinBaker's response to the people who "loved" the poor special effects is that you ''didn't'' love them: you ''tolerated'' them, you ''forgave'' them. Claiming otherwise is just your NostalgiaFilter operating. It really demonstrates that if the writing is good (as most, but by no means all, of ''Doctor Who''[='=]s writing has been), the audience will forgive pretty much anything else. It was still ''generally'' good for its time (compare other sci-fi from the same time period), except for the earliest seasons, the seasons made during the UK recession of the late '70s and the final two seasons from 1988-1989. By the time ''Doctor Who'' had ended, a minute of the show cost one-fifth as much as a minute of ''Series/StarTrekTheNextGeneration''. In addition to being lovable because of its Special Effect Failures, there were times when the inability to properly articulate humanoid aliens or robots put them squarely in the UncannyValley to pants-wetting effect.
* Though they are the series' most memorable and terrifying recurring enemies, the Daleks have also been subject to some of ''Doctor Who''[='=]s biggest special effects failures:
** The single most iconic example of this trope in Dalek history, ''Doctor Who'' history and possibly even science fiction history: The end of the moody and atmospheric episode "The Dead Planet" is a {{Cliffhanger}} where Barbara senses something following her through a dead city, reaches a dead end, turns, sees the alien following her (obscured, by ShakyPOVCam, to the audience except for its right arm), and [[ScreamingWoman screams]]... at something that is obviously just an everyday sink plunger stuck on a telescopic pole. The original intention had been to give the Daleks a claw-like appendage (similar to what is seen in the non-canon ''Film/DrWhoAndTheDaleks''), but the BBC ran out of money, and so just stuck on something that looked like it could manipulate things, which they then had to design the sets around (Dalek control panels, even in the very first series, are always circular). Spin-off book ''A History of the Universe in 100 Objects'', which mostly features in-universe items, contains an entry for "Sink Plunger (c.1963)" and ends up a list of things that a Dalek may do with 'cleaning toilets'. Even with good budgets, this was so iconic that it was kept, and the first Dalek episode of the new series features a scene where [[DoNotTauntCthulhu a fool jokes that the Dalek might sucker him to death.]] Which it does, horrifically.
** Less awful than the plunger but still the embodiment of NarmCharm is the Dalek gunstick, which is often considered to resemble an egg whisk. This was played with in "Asylum of the Daleks", a Dalek story which uses egg whisks as a running theme - one repetition of which being how the character Oswin, an enthusiastic cook, wears an egg whisk on her belt. This is {{Foreshadowing}} of the fact that she's [[spoiler: actually a delusional Dalek trying to deal with its body by relating it to things it saw as a human]].
** In their first appearance, the Daleks glided smoothly across the floor and therefore looked genuinely creepy. Later versions of the Dalek costume, at least in the classic series, tended to wobble as they moved, greatly undermining the desired effect.
** Whenever the characters kick about, beat up, blow up, run over or generally torture the Daleks, it's obviously not safe to have a human inside them, so the permanently twitching eyestalks and arms end up motionless for those scenes. It sometimes can even cue you into [[ConspicuouslyLightPatch knowing which Dalek is going to be killed in a scene]].
** The black and white era sometimes used photographic reproductions (read: cardboard cut-outs) of background Daleks in scenes with lots of them (before the first movie was made, there were a total of four Dalek props, and after it a massive ''twenty'', one of which was accidentally rendered unusable in filming the second movie the next year). The background in the [=TARDIS=] control room in the black and white era was also a simple flat image. (This could be gotten away with because the TV system used in the UK for black and white was also much lower resolution than any system ever used for color. This level of crudity was never tried for any color episode.)
** "The Dalek Invasion of Earth" (the second serial of Season 2) has notably good production values for the time due to the show getting a bigger budget after its first season, saving up with a BottleEpisode serial in the first three weeks of Season 2, and doing lots of PropRecycling of ''Film/DrWhoAndTheDaleks''. Unfortunately, the big, beautifully designed spaceship ramp (which must have been great-looking in 1964) is ruined by how the Daleks noticeably wobble and skid as they go down it. Worse, in the climax of the episode, the Black Dalek gloats to Barbara about how their plan is flawless while its excited underlings circle it in menacing delight - tragically, one of them audibly has a squeaky wheel and sounds like one of those snacks trolleys you get on trains.
** The Daleks went through a phase of using fire extinguishers as their main weapon, notably in ''Film/DrWhoAndTheDaleks''. The initial effect was cool -- this weird alien thing that just causes people to die, like an ersatz flamethrower. Unfortunately, it lost its menace whenever the camera focused on the corpses and they were soaking wet.
** "The Chase" features a {{Padding}} sequence of a long line of Daleks all exiting the door of their time machine. Unfortunately, only having a few Daleks means that we just see the same three Daleks going round and round in a circle to create the illusion of there being more. It's easy to see why they thought it wouldn't be obvious, since the Daleks don't look different to each other, but it somehow is.
** When the Dalek falls off the ship in "The Chase", its head dome comes straight off when it hits the water... and floats. Especially annoying since it's supposed to be a fun slapsticky fall that doesn't injure the Dalek, and because of the terrifying and excellent Dalek water scenes in "The Dalek Invasion of Earth".
** The surviving footage of the last episode of "[[Recap/DoctorWhoS4E9TheEvilOfTheDaleks Evil of the Daleks]]" is notorious for featuring Dalek ''[[OffTheShelfFX action figures]]'' in the climactic fight scene between the "humanised" Daleks and the Emperor's troops. (Which ''might'' have worked, except they were ''very bad'' Dalek action figures.)
** "Day of the Daleks" suffers from the fact that it was the first story to bring the Daleks back after their planned [[KilledOffForReal extinction]] in "The Evil of the Daleks". Due to this, the BBC only had three Dalek props available to represent a huge invading army besieging a country house in the plot, neither of which could run convincingly on the hilly grass lawns surrounding it. Also, none of the experienced Dalek voice actors or suit operators could return, and TheOtherDarrin Daleks chosen gave very wobbly and wimpy performances (not even with the ring modulation effect). Both Jon Pertwee and Katy Manning expressed extreme disappointment with the serial because of this. The special edition DVD version removes and fixes some of the more extreme failures and redubs the Dalek voices with very strong revival series Dalek Nicholas Briggs.
** The Daleks also suffered quite noticeably in the 1970s from having the rays from their beam weapons often starting several inches away from the muzzles of said weapons. This would have looked cool if it had been several inches ''ahead'' of the muzzle, rather than above or below. The "effect" shown from being hit was also just reverse-values of the image. This first shows up in ''[[Recap/DoctorWhoS12E4GenesisOfTheDaleks Genesis Of The Daleks]]'' with it being done to the entire image, and later being restricted to just the area the targeted character occupies.
** For "Destiny of the Daleks", the costumes were unsuited to the BBCQuarry set, and so cheap, lightweight fibreglass shells without bumpers were made for the actors to 'walk' across in. This had the benefit of allowing the series to use more than three convincing-looking Dalek props on screen for the first time ever, but the effect is ruined by the wobbly walking gait. The actual Dalek props had been kept in storage for years and treated very poorly - they all have dented gunsticks, one Dalek has a split hemisphere on its side (revealing it to just be thin plastic) and some have noticeable bits of gaffer tape holding them together. On top of this, Davros was recast with TheOtherDarrin and the mask from "Genesis of the Daleks" (a very good effect in that story) obviously doesn't fit him, bulging horribly when he moves his face to talk and visibly coming off in some shots. [[CreatorsFavorite Dalek enthusiast]] Creator/NicholasBriggs cited it as his personal low point for the Daleks.
** The offscreen Daleks in the TV Movie manage to be this despite being completely unseen due to some truly awful sound design. Due to the fact that the illusion of many Daleks was created by taking a voice clip recorded at normal speed and then just speeding it up a lot to fit multiple repetitions of it into the very short scene, and the fact that they aren't even ring-modulated, they all have comically squeaky voices that sounds neither cool nor anything like Daleks.
* In one story in "The Keys of Marinus", the ice on the cave walls is represented with clingfilm stretched over the set. It's quite obvious, but is also forgivable... except for how when the actors run through the the caves, every step makes that distinctive clingfilm squeak.
* Even from the early days, the show played with its reputation for cheap monsters - the [[ScoobyDooHoax plot twist]] in the Hartnell story "The Rescue" is dependent on the audience assuming the monsters will look exactly like cheap costumes. The costume itself is quite effective, though.
* Weird example in "The Chase" - the Mechanoids have a really cool RoboSpeak effect on their voices, but it's so hard to understand what they're saying as a result that the storyline dealing with them is almost incomprehensible.
* The Zarbi in "The Web Planet" would look rubbish even if they didn't have two obviously human legs in trousers and shoes sticking out of the bottom and even if they didn't constantly make incredibly synthetic beeping noises. The Larvae Guns are fringed with rags. The Animus and the Menoptera are better looking, but the Menoptera's wings, that look striking when stationary, rustle in a plasticy way when they move them, and the Animus is obviously just a bunch of hoses glued to a hula-hoop like structure and hung off the ceiling with wire. The tube-like structures the Animus uses to communicate with the Doctor are supposed to look like webs, but instead are just a clear plastic drum with some web stuff glued on it - {{Lampshaded}} when the Doctor calls it a 'silly hairdryer thing'. Attempts were made to obscure the lousy special effects by [[GaussianGirl greasing the camera within an inch of its life]], and it doesn't work. On the plus side, the WireFu flight of the Menoptera is extremely convincing thanks to some clever camera angle trickery and the graceful motions of the actors.
** The Zarbi also suffered from the fact that the costumes were so delicate that the Doctor and Ian couldn't actually touch most parts of the costume when fighting them, which both actors said made the job unbearably hard. This led to a lot of FightSceneFailure - for instance, in a scene where Ian fights the Zarbi, he does a weird manoeuvre where he drops to his back and kicks it away with both legs, simply to ensure he could drop a controlled blow on it at the one point he knew wouldn't fall off (the Zarbi's torso). On top of that, [[CueIrony many of the actors playing the Zarbi developed back problems as a result of the uncomfortable costumes and the way they forced them to move]]. The BBC even had to have special stools made for them.
* The First Doctor's wig can be seen peeling away at the edges or interfering with his forehead movement in a few scenes - notably, at the {{Denouement}} of "The Space Museum", where the lace is visible during his ScriptWank.
* The Monoids in "The Ark" - creatures with long shaggy hair and a single eye, represented by the actor holding a small ball in their mouth - were criticised contemporarily for looking dodgy by the usual standards of ''Doctor Who''. The eye-mouth idea is quite effective thanks to the disturbingly lifelike way the actors manipulate the eyeball with their tongues and 'blink' their lips, but the suits are ill-fitting (one slightly overweight monoid strains at his) and interfere with the actors's movement, making them look lumbering and stupid. The episode also features some truly awful MiniatureEffects (usually something reliably done quite well), such as a landing spaceship in ForcedPerspective so extreme that it makes it blurry, and the scenes of the Monoids' [[StyrofoamRocks obviously very light]] statue being lifted, launched out onto some paper cutouts of space and then exploded with a JumpCut to some stock footage of an explosion.
* The Cybermen from "The Tenth Planet" are obviously just made of surgical tape, paper and wires. They have normal human hands, because ''the costume designer forgot to bring the gloves''. However, this fit their nature as once-human creatures who had been altered through technology, and a common complaint in the fandom is that [[ILikedItBetterWhenItSucked the better-looking Cybermen from later on are not as scary as the shoddy ones from "The Tenth Planet"]], who fell firmly into the UncannyValley.
* A skit on ''Series/DeadRingers'' made a joke about how all of the Second Doctor's monsters were made out of tinfoil. When WebVideo/DiamandaHagan covered the Second Doctor's tenure in her guide to Classic ''Who'', she pointed out that this [[DeadUnicornTrope was a misconception]] - tinfoil would have been an improvement on what his monsters actually were made out of, which was usually FogOfDoom, or malevolent foam, or [[ObscuredSpecialEffects invisible]] DeadlyGas. She also pointed out that this trope did have an upside - it led to a lot of NothingIsScarier, since a very alien thing that you can't see is obviously a lot scarier than an unconvincing rubber suit monster.
* "[[Recap/DoctorWhoS11E2InvasionOfTheDinosaurs Invasion of the Dinosaurs]]" is thrilling when you read the script -- but on the screen, the dinosaurs make the Dalek action figures look convincing by comparison.
* And, of course, that one time when [=UNIT=] used a toy tank and an Action Man doll in "[[Recap/DoctorWhoS12E1Robot Robot]]".
--->'''Brigadier:''' I've brought along something that will deal with it.
---> '''Doctor:''' I very much doubt it, brigadier.
* "Robot"'s [[ChromaKey CSO]] is absolutely horrible too. No effect whatsoever has been made to make the miniature look like it's actually standing in the footage, with the robot obviously reflecting bits of the greenscreen and being lit wrong for the backgrounds. Even the characters it menaces have been CSOed onto the backgrounds in some shots.
* A notorious example of this is "[[Recap/DoctorWhoS12E2TheArkInSpace The Ark In Space]]" where a mid-stage version of the Wirrn is literally an actor wrapped in green bubble-wrap. In fairness, bubble-wrap was new at the time.
* An example of a character who became TheScrappy as the result of this is the RobotBuddy K-9. The actual K-9 prop looks nice and solid if you like the {{Camp}}y design and some of the touches like its twizzly ears and tail are quite cute. But the cast, crew and writers soon grew to hate it because it was poorly-made and constantly broke. It also moved very slowly and unsteadily, especially annoying as it was the companion of a particularly tall and kinetic Doctor who was forced to pace down his naturally fast and comical movements to speeds matching that of K-9, usually with an adlibbed "come along, K-9" every time it just stopped for no reason. Quite often the prop would break and so the character would just be [[AbsenteeActor written out of the serial]] with its important lines [[CompositeCharacter rewritten and given to Romana]], and as it could barely even handle a straight, perfectly level floor it would never show up in stories shot anywhere more exciting than corridors (such as the BBCQuarry, the wetlands in "The Power of Kroll" or the streets in "City of Death" and "Shada"). Many of the scripts are peppered with rather insulting stage directions for K-9, such as (from "Shada") "K-9 HEADS OFF AT WHAT PASSES FOR TOP SPEED", and (in one of the few recorded cases of [[CreativeDifferences on-set rivalries]] between a human and a prop robot) Tom Baker developed a habit of subjecting K-9 to ad-libbed verbal abuse in rehearsals, footage of which occasionally surfaces in HilariousOuttakes BBC shows ("Yeah, you never fucking know the answer when it's important"). On top of that, it was the K-9 prop which caught fire in a prop warehouse thanks to an electrical fault, in the famous fire that destroyed many better-made and more loved 1960s and 70s ''Who'' props.
* Creator/TomBaker once said of the "[[Recap/DoctorWhoS14E6TheTalonsOfWengChiang The Talons of Weng-Chiang]]", "The BBC is very good at [[CostumeDrama period drama]] but not very good at giant rats."
* Even compared to the other creatures that have appeared on ''Series/DoctorWho'', the beast that menaces Romana in "[[Recap/DoctorWhoS16E4TheAndroidsOfTara The Androids of Tara]]" looks utterly atrocious.
* "[[Recap/DoctorWhoS16E5ThePowerOfKroll The Power of Kroll]]" features what could have been a decent effect turned into one of the show's worst-ever thanks to incompetent execution. The model of the titular Kroll (a gigantic squid-like beast) was actually pretty good by the standards of when the episode was made, but the production crew decided to insert it into the location footage by [[TheyJustDidntCare just chopping the frame in half and sticking the model footage on top]], which resulted parts of the landscape and actors magically vanishing whenever Kroll showed up.
* And then there is the memorable "[[Recap/DoctorWhoS17E3TheCreatureFromThePit The Creature from the Pit]]", which bore an [[UnfortunateCharacterDesign uncanny resemblance to a giant penis and scrotum]] -- how BBC effects missed this is a mystery.
* The Fifth Doctor's trademark lapel celery is obviously made of cloth. Peter Davison apparently really disliked it for this reason, and much preferred the plastic celery he got to wear as an old Doctor in "Time Clash" many years later.
* Infamously, the final showdown of "[[Recap/DoctorWhoS19E3Kinda Kinda]]" has the Mara, which has been possessing other characters throughout the story but not yet been seen in its true, allegedly terrifying form, manifest itself as... a giant, inflatable snake. The DVD release fixes this by providing an option to replace it with a better-looking CGI snake.
* [[TearJerker The impact]] (no pun intended) of [[AlasPoorScrappy Adric's demise]] in "[[Recap/DoctorWhoS19E6Earthshock Earthshock]]" is unfortunately lessened when you see the actual freighter "crash" and realize that ''it isn't even moving''. And the explosion itself seems to have been inspired by Atari games.
* In the otherwise beautiful "[[Recap/DoctorWhoS20E5Enlightenment Enlightenment]]", there's the scene where Turlough gets rescued after throwing himself overboard. Cue green screen background of a ship with Mark Strickson hanging from wires in front of it while a net is brought over to scoop him up. Fortunately, many of the bad special effects were fixed when a special remade version was released on DVD along with the original episode.
* Even the new series sometimes has {{Special Effect Failure}}s. The Slitheen and [[Recap/DoctorWhoNSS1E7TheLongGame the Jagrafess]] are two good (that is, bad) examples. They also fit in with the cheesy-alien-costume look from the classic show, so it might have been a deliberate stylistic choice.
* The MonsterOfTheWeek in "[[Recap/DoctorWhoNSS3E6TheLazarusExperiment The Lazarus Experiment]]" would have been much more frightening was the CGI quality not in line with ''VideoGame/WorldOfWarcraft''.
* In "[[Recap/DoctorWhoNSS4E13JourneysEnd Journey's End]]" [[spoiler:the TARDIS tows the earth]] across the ''DawnOfWar'' loading screen.
* One of the aliens in "[[Recap/DoctorWhoNSS4E15PlanetOfTheDead Planet of the Dead]]" is killed by a monster that apparently drops straight onto it and they give no sign of the thing even biting him. It's like there was a tube inside the monster that the alien just slides into, as if he were swallowed whole.
* In "[[Recap/DoctorWhoNSS4E17E18TheEndOfTime The End of Time]]", you can see the point at which the Vinvocci's rubber cap joins their heads very clearly. It's particularly noticeable with the female actress, who has a tendency of furrowing her brow while the top of her forehead remains suspiciously immobile. They were actually called "Prostheticons" in early drafts of the script, anticipating this.
* "[[Recap/DoctorWhoS31E06TheVampiresOfVenice The Vampires of Venice]]". Most of the effects are great, such as the aliens. But for some reason, something as simple as a backdrop as the Doctor climbs a tower looks incredibly fake. Huh?
* In "The Crimson Horror", although only noticeable if you're looking for it, just before Strax's "clean my grenades" line you can see his face mask is starting to peel off.
* In "The Day of the Doctor", which normally had VisualEffectsOfAwesome due to its big budget compared to a normal episode, there's a shot where the War Doctor blasts open a Dalek case and the Dalek mutant comes flying out, as unconvincing as a rubber chicken.
** The FakeShemp Doctors in the final shot of "Day of the Doctor" quite obviously have faces cut and pasted on, some at unfortunate angles. The Eighth Doctor's head is too big, and the Fourth Doctor's head is a photo of his [[UncannyValley terrifying]] waxwork. And some of the body doubles don't look very good either. Keep in mind that this episode was being filmed ''for cinema release'', and some harder, more animated hed-pastede-on-yay effects were achieved flawlessly to revive Jon Pertwee and Tom Baker's Doctors for one of the ''trailers'' for this episode.
* Sometimes you can't even get past the title sequences without pain:
** The title sequence used for Tom Baker's tenure has some ''Film/TwoThousandOneASpaceOdyssey''-inspired slit-scan psychedelic effects that looked mindblowing in the 1970s and still look very weird and beautiful today. Unfortunately, the TARDIS model used in the intro is obviously just made out of card and has a noticeable crack where the ChromaKey shines through it. Fortunately, the abbreviated title sequence usually used doesn't show this bit of the footage.
** The title sequence for Season 7B had a very blocky CGI TARDIS that looked absolutely unconvincing if it took up more than 20% of the screen, and significantly less convincing than the TARDIS model used in-engine in the licensed video games. The shot of the TARDIS's doors opening at the end shows off the pixellated texture on the door sign and was done with an obvious image-stretch and expand, as well.

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