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* ''Series/{{ER}}'' dropped the usage of its iconic opening credits and theme after the 12th season (replacing it with a title card). However, for the show's final episode, they brought back the opening theme and credited all of the regulars appearing in the episode, including cast members who never had the chance to be credited before (Angela Bassett, John Stamos, David Lyons) and former regulars who had come back for guest appearances in the finale (Noah Wyle, Laura Innes, Sherry Stringfield, Alex Kingston, and Eriq La Salle). Additionally, back when the full theme was used, there would usually be a "softer" opening to the credits sequence if the ColdOpen was a sad or somber one.

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* ''Series/{{ER}}'' dropped the usage of its iconic opening credits and theme after the 12th season (replacing it with a title card). However, for the [[https://youtu.be/RGNugqSZIVg?si=fKu2d3ZFv5gXmvPn show's final episode, episode]], they brought back the opening theme and credited all of the regulars appearing in the episode, including cast members who never had the chance to be credited before (Angela Bassett, John Stamos, David Lyons) and former regulars who had come back for guest appearances in the finale (Noah Wyle, Laura Innes, Sherry Stringfield, Alex Kingston, and Eriq La Salle). Additionally, back when the full theme was used, there would usually be a "softer" opening to the credits sequence if the ColdOpen was a sad or somber one.
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* The [[https://youtu.be/fKSGrsAehaU?si=62GSxsiQ3YSVrA02 typical opening]] to the SoapOpera series ''Loving'' was replaced with a [[https://youtu.be/mzE7SfwZzBU?si=Ujfb1xSmVTlOrJWT different, haunting theme]] during its final major storyline, "The Loving Murders", asking viewers to piece together the clues and figure out who the murderer was.

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* The [[https://youtu.be/fKSGrsAehaU?si=62GSxsiQ3YSVrA02 typical opening]] to the SoapOpera series ''Loving'' ''Series/{{Loving}}'' was replaced with a [[https://youtu.be/mzE7SfwZzBU?si=Ujfb1xSmVTlOrJWT different, haunting theme]] during its final major storyline, "The Loving Murders", asking viewers to piece together the clues and figure out who the murderer was.
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* For it's 30th anniversary, the SoapOpera ''Series/GeneralHospital'' debuted its so-called "[[https://youtu.be/7yiW5G8Rvuw?si=-83LL5sPuCqXfQ9k Faces Of The Heart]]" credits sequence. While the overall tempo was jazzy and upbeat, a much slower and sadder version was used for episodes that had such a ColdOpen, such as a character death.

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* For it's its 30th anniversary, the SoapOpera ''Series/GeneralHospital'' debuted its so-called "[[https://youtu.be/7yiW5G8Rvuw?si=-83LL5sPuCqXfQ9k Faces Of The Heart]]" credits sequence. While the overall tempo was jazzy and upbeat, a much slower and sadder version was used for episodes that had such a ColdOpen, such as a character death.
Is there an issue? Send a MessageReason:
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* ''Series/{{ER}}'' dropped the usage of its iconic opening credits and theme after the 12th season (replacing it with a title card). However, for the show's final episode, they brought back the opening theme and credited all of the regulars appearing in the episode, including cast members who never had the chance to be credited before (Angela Bassett, John Stamos, David Lyons) and former regulars who had come back for guest appearances in the finale (Noah Wyle, Laura Innes, Sherry Stringfield, Alex Kingston, and Eriq La Salle). Additionally, back when the full theme was used, there would often a "softer" opening to the credits sequence if the ColdOpen was a sad or somber one.

to:

* ''Series/{{ER}}'' dropped the usage of its iconic opening credits and theme after the 12th season (replacing it with a title card). However, for the show's final episode, they brought back the opening theme and credited all of the regulars appearing in the episode, including cast members who never had the chance to be credited before (Angela Bassett, John Stamos, David Lyons) and former regulars who had come back for guest appearances in the finale (Noah Wyle, Laura Innes, Sherry Stringfield, Alex Kingston, and Eriq La Salle). Additionally, back when the full theme was used, there would often usually be a "softer" opening to the credits sequence if the ColdOpen was a sad or somber one.

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* ''Series/{{ER}}'' dropped the usage of its iconic opening credits and theme after the 12th season (replacing it with a title card). However, for the show's final episode, they brought back the opening theme and credited all of the regulars appearing in the episode, including cast members who never had the chance to be credited before (Angela Bassett, John Stamos, David Lyons) and former regulars who had come back for guest appearances in the finale (Noah Wyle, Laura Innes, Sherry Stringfield, Alex Kingston, and Eriq La Salle).

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* ''Series/{{ER}}'' dropped the usage of its iconic opening credits and theme after the 12th season (replacing it with a title card). However, for the show's final episode, they brought back the opening theme and credited all of the regulars appearing in the episode, including cast members who never had the chance to be credited before (Angela Bassett, John Stamos, David Lyons) and former regulars who had come back for guest appearances in the finale (Noah Wyle, Laura Innes, Sherry Stringfield, Alex Kingston, and Eriq La Salle). Additionally, back when the full theme was used, there would often a "softer" opening to the credits sequence if the ColdOpen was a sad or somber one.



* For it's 30th anniversary, the SoapOpera ''Series/GeneralHospital'' debuted its so-called "[[https://youtu.be/7yiW5G8Rvuw?si=-83LL5sPuCqXfQ9k Faces Of The Heart]]" credits sequence. While the overall tempo was jazzy and upbeat, a much slower and sadder version was used for episodes that had such a ColdOpen, such as a character death.



** In the season 3 episode ' "Smile Like You Mean It", after [[spoiler: Jerome blows up the Gotham power plant, plunging the city into darkness, the ending title card feature the usual Gotham skyline, except the buildings are completely dark. The following episode's opening title card, when Jerome's followers are spreading chaos, adds a couple of fires.]]



* While most ''Series/LALaw'' episodes typically started out with a [[https://youtu.be/e7R6ycC_s1g?si=EaCIBFJleNPGIUKh jazzy saxophone]] intro into the opening credits, episodes with a more ominous ColdOpen would have [[https://youtu.be/FRvPnV0fCyw?si=croHrbcgWNuO3RTV music]] that corresponded.



* The opening to the SoapOpera series ''Loving'' had a different, haunting opening during its final major storyline, "The Loving Murders", asking viewers to piece together the clues and figure out who the murderer was.

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* The opening [[https://youtu.be/fKSGrsAehaU?si=62GSxsiQ3YSVrA02 typical opening]] to the SoapOpera series ''Loving'' had was replaced with a [[https://youtu.be/mzE7SfwZzBU?si=Ujfb1xSmVTlOrJWT different, haunting opening theme]] during its final major storyline, "The Loving Murders", asking viewers to piece together the clues and figure out who the murderer was.
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** The MusicalEpisode "[[Recap/BuffyTheVampireSlayerS6E7OnceMoreWithFeeling Once More with Feeling]]" has a mellowed version of the theme song playing over a shot of the night sky, with each actor's face appearing on the moon as he or she was listed in standard credits order.

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** The MusicalEpisode "[[Recap/BuffyTheVampireSlayerS6E7OnceMoreWithFeeling Once More with Feeling]]" has a mellowed version of the theme song playing over a shot of the night sky, with each actor's face appearing on the moon as he or she was they were listed in standard credits order.
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* The unlucky-13th episode of Discovery's ''Monster House'' replaced its opening credits' usual lighthearted animation with a stark, grim ArtShift variant, and a variant theme song in which the homeowners all ''vanish'' after the renovations rather than love them.

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* The unlucky-13th horror-themed 13th episode of Discovery's ''Monster House'' replaced its opening usual credits' usual lighthearted animation with a stark, grim ArtShift variant, and a variant creepified theme song in which the homeowners all ''vanish'' after the renovations rather than love them.
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* The unlucky-13th episode of Discovery's ''Monster House'' replaced its opening credits' usual lighthearted animation with a stark, grim ArtShift variant, and a variant theme song in which the homeowners all ''vanish'' after the renovations rather than love them.
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* The MusicalEpisode "[[Recap/StarTrekStrangeNewWorldsS2E09SubspaceRhapsody Subspace Rhapsody]]" has the opening theme being vocalised, and replaces the closing theme with an instrumental medley of the songs from the episode.

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* ** The MusicalEpisode "[[Recap/StarTrekStrangeNewWorldsS2E09SubspaceRhapsody Subspace Rhapsody]]" has the opening theme being vocalised, and replaces the closing theme with an instrumental medley of the songs from the episode.

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* The ''Series/StarTrekStrangeNewWorlds'' episode "[[Recap/StarTrekStrangeNewWorldsS2E07ThoseOldScientists Those Old Scientists]]", a crossover with ''WesternAnimation/StarTrekLowerDecks'', has an animated version of the titles, complete with the same weird energy parasite from the ''Lower Decks'' titles feeding on the warp nacelle, and a glimpse of the cosmic koala.

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* ''Series/StarTrekStrangeNewWorlds''
**
The ''Series/StarTrekStrangeNewWorlds'' episode "[[Recap/StarTrekStrangeNewWorldsS2E07ThoseOldScientists Those Old Scientists]]", a crossover with ''WesternAnimation/StarTrekLowerDecks'', has an animated version of the titles, complete with the same weird energy parasite from the ''Lower Decks'' titles feeding on the warp nacelle, and a glimpse of the cosmic koala.koala.
* The MusicalEpisode "[[Recap/StarTrekStrangeNewWorldsS2E09SubspaceRhapsody Subspace Rhapsody]]" has the opening theme being vocalised, and replaces the closing theme with an instrumental medley of the songs from the episode.
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* ''Series/BetterCallSaul'': The Season 6 episode "Nippy" has the intro sequence glitch between the normal colour and monochrome, until it eventually warps out like an old VHS tape, and just says BETTER CALL SAUL on a standard blue screen. This is because this is the first episode sent entirely in the present day of 2010 (which is portrayed as DeliberatelyMonochrome), rather than being a flashback (which are in colour).
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* The ''Series/StarTrekStrangeNewWorlds'' episode "[[Recap/StarTrekStrangeNewWorldsS2E07ThoseOldScientists Those Old Scientists]]", a crossover with ''WesternAnimation/StarTrekLowerDecks'', has an animated version of the titles, complete with the same weird energy parasite from the ''Lower Decks'' titles feeding on the warp nacelle, and a glimpse of the cosmic koala.
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{{Special Edition Title}}s in LiveActionTV

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{{Special Edition Title}}s in LiveActionTV
LiveActionTV.
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* ''Series/{{Arrowverse}}'':
** ''Series/{{Arrow}}''

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* ''Series/{{Arrowverse}}'':
''Franchise/{{Arrowverse}}'':
** ''Series/{{Arrow}}''''Series/{{Arrow}}'':



** ''Series/TheFlash2014''

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** ''Series/TheFlash2014''''Series/TheFlash2014'':



** ''Series/{{Supergirl|2015}}'': The episodes "House of L" and "Red Dawn", which feature a Soviet version of Supergirl, open with a Kaznian hammer-and-sickle version of the S-shield and the title replaced with Cryllic script reading "Krasnaya Doch" (Russian for "Red Daughter").

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** ''Series/{{Supergirl|2015}}'': ''Series/Supergirl2015'': The episodes "House of L" and "Red Dawn", which feature a Soviet version of Supergirl, open with a Kaznian hammer-and-sickle version of the S-shield and the title replaced with Cryllic script reading "Krasnaya Doch" (Russian for "Red Daughter").



*** All three parts of the "Invasion!" crossover arc (excluding ''Series/{{Supergirl|2015}}'') had special title cards. ''The Flash'' and ''Series/LegendsOfTomorrow'' combined all four series' logos, while ''Arrow'' celebrated its [[MilestoneCelebration 100th episode]] by having each season's title card blend into the next.

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*** All three parts of the "Invasion!" ''Series/Invasion2016'' crossover arc (excluding ''Series/{{Supergirl|2015}}'') had special title cards. ''The Flash'' and ''Series/LegendsOfTomorrow'' combined all four series' logos, while ''Arrow'' celebrated its [[MilestoneCelebration 100th episode]] by having each season's title card blend into the next.



*** All five parts of ''Series/CrisisOnInfiniteEarths'' had a ''Crisis'' logo, similar to ''Crisis on Earth X''. (The side story in ''Series/BlackLightning'' had the regular title.)

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*** All five parts of ''Series/CrisisOnInfiniteEarths'' had ''Series/CrisisOnInfiniteEarths2019'' have a ''Crisis'' logo, similar to ''Crisis on Earth X''. (The side story side-story in ''Series/BlackLightning'' had ''Series/{{Black Lightning|2018}}'' has the regular title.)



* The ''Series/BabylonFive'' VillainEpisode "The Corps Is Mother, The Corps Is Father", centering on Bester, used a credit sequence with Psi Corps insignia in place of the usual Babylon 5 shield.
* During the "occupation" storyline, ''Series/{{Battlestar Galactica|2003}}'' replaced images of the fleet with those of New Caprica under Cylon occupation, and used a different title crawl.
* The closing credits of the last episode of ''Series/BlakesSeven'' were completely silent except for gunshots.
* ''Series/BuffyTheVampireSlayer'',
** Jonathan, a minor recurring character, took over the credit sequence of the "Superstar" episode in which a wish he made turned him into a BlackHoleSue.
** The musical episode "Once More With Feeling" had a mellowed version of the theme song playing over a shot of the night sky, with each actor's face appearing on the moon as he or she was listed in standard credits order.
** "Seing Red" has the only opening with Creator/AmberBenson credited for Tara [[spoiler:because she gets killed]].
** Similarly, a few episodes changed the VanityPlate at the end: "Becoming, Part II" featured the little monster lamenting, "I need a hug..." in place of his normal "Grr, argh!", in "Amends" he wore a Santa hat, "Graduation Day part 2" had him in a mortarboard, and in "Hush" he was silent (not on DVD; perhaps as originally aired?). The above-mentioned OMWF had him ''sing'' his grr-argh. Likewise, in the Season 7 documentary-style episode, he sing-songs ''"We are as GOODDDDSSSS"'', a RunningGag in the preceding episode. In the series finale episode, he looks directly at the viewer.

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* The ''Series/BabylonFive'' VillainEpisode "The "[[Recap/BabylonFiveS05E13TheCorpsIsMotherTheCorpsIsFather The Corps Is Mother, The Corps Is Father", Father]]", centering on Bester, used has a credit sequence with Psi Corps insignia in place of the usual Babylon 5 shield.
* During the "occupation" storyline, ''Series/{{Battlestar Galactica|2003}}'' ''Series/BattlestarGalactica2003'' replaced images of the fleet with those of New Caprica under Cylon occupation, and used a different title crawl.
* The closing credits of the last episode of ''Series/BlakesSeven'' were ''Series/BlakesSeven'', "[[Recap/BlakesSevenS4E13Blake Blake]]", are [[SilentCredits completely silent silent]] except for gunshots.
* ''Series/BuffyTheVampireSlayer'',
''Series/BuffyTheVampireSlayer'':
** Jonathan, a minor recurring character, took takes over the credit sequence of the "Superstar" episode "[[Recap/BuffyTheVampireSlayerS4E17Superstar Superstar]]", in which a wish he made turned makes turns him into a BlackHoleSue.
** The musical episode "Once MusicalEpisode "[[Recap/BuffyTheVampireSlayerS6E7OnceMoreWithFeeling Once More With Feeling" had with Feeling]]" has a mellowed version of the theme song playing over a shot of the night sky, with each actor's face appearing on the moon as he or she was listed in standard credits order.
** "Seing Red" "[[Recap/BuffyTheVampireSlayerS6E19SeeingRed Seing Red]]" has the only opening with Creator/AmberBenson credited for Tara [[spoiler:because she gets killed]].
** Similarly, a few episodes changed change the VanityPlate at the end: "Becoming, "[[Recap/BuffyTheVampireSlayerS2E22BecomingPart2 Becoming, Part II" featured 2]]" features the little monster lamenting, lamenting "I need a hug..." in place of his normal "Grr, argh!", in "Amends" he wore wears a Santa hat, "Graduation Day part 2" had hat in "[[Recap/BuffyTheVampireSlayerS3E10Amends Amends]]", "[[Recap/BuffyTheVampireSlayerS3E22GraduationDayPart2 Graduation Day, Part 2]]" has him in a mortarboard, and in "Hush" "[[Recap/BuffyTheVampireSlayerS4E10Hush Hush]]", he was is silent (not on DVD; perhaps as originally aired?). The above-mentioned OMWF had him ''sing'' his grr-argh. Likewise, in the Season 7 documentary-style episode, "[[Recap/BuffyTheVampireSlayerS7E16Storyteller Storyteller]]", he sing-songs ''"We are as GOODDDDSSSS"'', a RunningGag in the preceding episode. In the series finale episode, "[[Recap/BuffyTheVampireSlayerS7E22Chosen Chosen]]", he looks directly at the viewer.



** HalloweenEpisode "[[Recap/CommunityS2E06Epidemiology Epidemiology]]" featured redrawn, Halloween-themed images for each of the cast and closed with a howling wolf. It's revisited in "[[Recap/CommunityS3E05HorrorFictionInSevenSpookySteps Horror Fiction in Seven Spooky Steps]]", with an additional image for [[PromotionToOpeningTitles Jim Rash]], and again in "[[CommunityS4E02ParanormalParentage Paranormal Parentage]]" with a remixed theme song.

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** HalloweenEpisode "[[Recap/CommunityS2E06Epidemiology Epidemiology]]" featured redrawn, Halloween-themed images for each of the cast and closed with a howling wolf. It's revisited in "[[Recap/CommunityS3E05HorrorFictionInSevenSpookySteps Horror Fiction in Seven Spooky Steps]]", with an additional image for [[PromotionToOpeningTitles Jim Rash]], and again in "[[CommunityS4E02ParanormalParentage "[[Recap/CommunityS4E02ParanormalParentage Paranormal Parentage]]" with a remixed theme song.

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* The ''Series/StargateSG1'' ParodyEpisode "200" abandons the concept of a minute-long TitleMontage used for most of the series' run. When discussing TheMovie of the ShowWithinAShow ''Wormhole X-Treme!'', Cameron Mitchell insists on a "strong opening title sequence", while Martin Lloyd says, "No one does that anymore. You just throw up the title and get on with it." This is immediately followed by a TitleOnlyOpening for ''Stargate SG-1''.

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* The ''Series/StargateSG1'' ParodyEpisode "200" "[[Recap/StargateSG1S10E6200 200]]" abandons the concept of a minute-long TitleMontage used for most of the series' run. When discussing TheMovie of the ShowWithinAShow ''Wormhole X-Treme!'', Cameron Mitchell insists on a "strong opening title sequence", while Martin Lloyd says, "No one does that anymore. You just throw up the title and get on with it." This is immediately followed by a TitleOnlyOpening for ''Stargate SG-1''.



* ''Series/StarTrekEnterprise'' replaced its usual titles, showing a history of exploration, with a version showing a history of conquest for the MirrorUniverse episode "In A Mirror, Darkly". It even went far enough to change the music from a hopeful pop song to an ominous, militaristic theme.

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* ''Series/StarTrekEnterprise'' replaced replaces its usual titles, showing a history of exploration, with a version showing a history of conquest for the MirrorUniverse episode "In A "[[Recap/StarTrekEnterpriseS04E18InAMirrorDarkly In a Mirror, Darkly". Darkly]]". It even went goes so far enough to change the music from a hopeful pop song to an ominous, militaristic theme.



** 3.08, 'A Very Supernatural Christmas' Instead of the normal opening (which featured an exploding Devil's Trap), this christmas special had an exploding ornament and a Santa hat over the A.
** 4.05 'Monster Movie' was a parody of classic black and white monster movies, with a black and white opening
** 4.18 'The Monster At The End of This Book' showed cover art from the series of ''Supernatural'' [[ShowWithinAShow books within a show]] written by Chuck Shurley as Carver Edlund.
** 5.08 'Changing Channels' also contained parodies of several stock television shows, and replaced the opening titles with a sitcom-style montage, complete with appropriately-styled theme song and credits (in the ''Series/FullHouse'' font, no less).
** 6.09 'Clap Your Hands if You Believe' paid homage to ''Series/TheXFiles'' and redid the opening to play the X-Files theme and show footage of the brothers in the same sort of poses as the original X-Files opening did.
** 6.18 'Frontierland' copied the burning map credits from ''Series/{{Bonanza}}''
** 7.08 'Season Seven, Time for a Wedding!' had an exploding wedding cake with Music/RichardWagner's Bridal Chorus for music.
** 7.14 'Plucky Pennywhistle's Magical Menagerie' added an explosion of rainbow sparkles.
** 9.18 'Meta Fiction' start normally, before abruptly switching the show's name to that of the BigBad which [[VillainEpisode the episode focuses on]].
** 13.16 'Scoobynatural' has a unique opening that begins with a version of the opening moments of the ''WesternAnimation/ScoobyDooWhereAreYou'' credit sequence (bats flying past a spooky-looking house) followed by a unique series logo replacing the show's title with ''Scoobynatural''. (In fact, the title ''Supernatural'' is never actually shown on screen in this episode.)

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** 3.08, 'A Very Supernatural Christmas' Instead of the normal opening (which featured features an exploding Devil's Trap), this christmas special had "[[Recap/SupernaturalS03E08AVerySupernaturalChristmas A Very Supernatural Christmas]]" has an exploding ornament and a Santa hat over the A.
** 4.05 'Monster Movie' was "[[Recap/SupernaturalS04E05MonsterMovie Monster Movie]]" is a parody of classic black and white black-and-white monster movies, with a black and white black-and-white opening
** 4.18 'The "[[Recap/SupernaturalS04E18TheMonsterAtTheEndOfThisBook The Monster At The at the End of This Book' showed Book]]" shows cover art from the series of ''Supernatural'' [[ShowWithinAShow books within a show]] written by Chuck Shurley as Carver Edlund.
** 5.08 'Changing Channels' "[[Recap/SupernaturalS05E08ChangingChannels Changing Channels]]" also contained features parodies of several stock television shows, and replaced replaces the opening titles with a sitcom-style montage, complete with appropriately-styled appropriately styled theme song and credits (in the ''Series/FullHouse'' font, no less).
** 6.09 'Clap "[[Recap/SupernaturalS06E09ClapYourHandsIfYouBelieve Clap Your Hands if You Believe' paid Believe...]]" pays homage to ''Series/TheXFiles'' and redid redoes the opening to play the X-Files ''X-Files'' theme and show footage of the brothers in the same sort of poses as the original X-Files ''X-Files'' opening did.
does.
** 6.18 'Frontierland' copied "[[Recap/SupernaturalS06E18Frontierland Frontierland]]" copies the burning map credits from ''Series/{{Bonanza}}''
** 7.08 'Season "[[Recap/SupernaturalS07E08SeasonSevenTimeForAWedding Season Seven, Time for a Wedding!' had Wedding!]]" has an exploding wedding cake with Music/RichardWagner's Bridal Chorus for music.
** 7.14 'Plucky "[[Recap/SupernaturalS07E14PluckyPennywhistlesMagicMenagerie Plucky Pennywhistle's Magical Menagerie' added Menagerie]]" adds an explosion of rainbow sparkles.
** 9.18 'Meta Fiction' "[[Recap/SupernaturalS09E18MetaFiction Meta Fiction]]" start normally, before abruptly switching the show's name to that of the BigBad which [[VillainEpisode the episode focuses on]].
** 13.16 'Scoobynatural' "[[Recap/SupernaturalS13E16ScoobyNatural ScoobyNatural]]" has a unique opening that begins with a version of the opening moments of the ''WesternAnimation/ScoobyDooWhereAreYou'' credit sequence (bats flying past a spooky-looking house) followed by a unique series logo replacing the show's title with ''Scoobynatural''. (In fact, the title ''Supernatural'' is never actually shown on screen in this episode.)



** The "X-Cops" episode used a modified version of the title sequence from ''Series/{{Cops}}''.
** Used during the end credits of [[Recap/TheXFilesS05E05ThePostModernPrometheus "The Post-Modern Prometheus"]] when the traditional [[FadeToBlack fade to black]] is passed over in favor of the final shot of Mulder and Scully captured like a comic book frame, followed by a deformed hand closing the "comic book" to reveal Chris Carter's producer credit on the back cover.
* ''Series/TheYoungOnes'' did this two weeks on the trot with Nasty - done in the style of a Hammer-Horror film - and Time - the first five minutes, including the titles sequence, parodies ''Dallas''.

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** The "X-Cops" episode used "[[Recap/TheXFilesS07E12XCops X-Cops]]" uses a modified version of the title sequence from ''Series/{{Cops}}''.
''Series/Cops1989''.
** Used during the end credits of [[Recap/TheXFilesS05E05ThePostModernPrometheus "The "[[Recap/TheXFilesS05E05ThePostModernPrometheus The Post-Modern Prometheus"]] Prometheus]]" when the traditional [[FadeToBlack fade to black]] is passed over in favor of the final shot of Mulder and Scully captured like a comic book frame, followed by a deformed hand closing the "comic book" to reveal Chris Carter's producer credit on the back cover.
* ''Series/TheYoungOnes'' did this two weeks on the trot with Nasty - done in the style of a Hammer-Horror film - and Time - the first five minutes, including the titles sequence, parodies ''Dallas''.''Dallas''.
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* Downplayed in the ''Series/MurdochMysteries'' episode "Dead on Arrival", which opens with a noir-esque title card ''after'' the regular opening titles.
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** The fifth season premiere, "The One After Ross Says Rachel", features a special cut of the opening credits that only uses footage from the fourth season finale "The One With Ross' Wedding" showing the gang in London. The only non-London footage are the opening and closing shots of the park fountain.

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{{Special Edition Title}}s in LiveActionTV

* For the two versions of ''Series/ThirtyRock'''s LiveEpisode, Jenna (east coast) and Danny (west coast) performed a version of the normally-instrumental ThemeTune WithLyrics at the ''[[strike:Series/SaturdayNightLive]] [[ShowWithinAShow TGS]]'' studio, with the regular opening shown on an adjacent widescreen monitor.
* The Granada TV version of ''Series/TheAdventuresOfSherlockHolmes'' episode "The Final Problem" replaced the opening violin tune with a slower, sadder version.
* A few episodes of ''Series/{{ALF}}'', which have him sing a song, have the normal ending credits replaced with a clip of Alf singing that song (notably "Looking for Lucky" and "Don't It Make Your Brown Eyes Blue?").
* ''Series/{{Arrowverse}}'':
** ''Series/{{Arrow}}''
*** In the episodes "Draw Back Your Bow" and "Broken Hearts", the arrow behind the title is one of Cupid's heart-shaped ones.
*** In the episodes "The Brave and the Bold" and "Legends of Yesterday" (the crossovers with ''Series/TheFlash2014''), the arrow is replaced by the lightning bolt from the ''Flash'' titles.
*** The episode "The Return" (in season 3) uses the distinctly less high-tech looking arrowhead from the season 1 titles.
*** The episodes "Al Sah-Him" and "This is Your Sword", when [[spoiler: Oliver joins the League of Assassins]] have a different "My name is Oliver Queen..." monologue from the other season 3 episodes, beginning "[[ThatManIsDead My name was Oliver Queen]]..."
*** The 100th episode cycles between every version of the logo.
*** One that's only visible in retrospect: Season 6 has a new title sequence with all of Team Arrow's logos appearing, similar to ''Legends''. After [[spoiler: Diggle becomes the new Green Arrow]], it turns out the version with [[spoiler: Spartan's helmet]] was a Special Edition Title. (It then gets used as the regular title between [[spoiler: Ollie taking the mantle back]] and [[spoiler:Ollie going solo, at which point it's back to just an arrowhead]].)
*** For the VillainEpisode "[[Recap/ArrowS6E19TheDragon The Dragon]]", the arrow is replaced by Diaz's dragon tattoo with a roar instead of the arrow sound.
*** The 150th episode replaces the title with that of the [[DocumentaryEpisode in-universe documentary]] ''The Emerald Archer: The Hood and the Rise of Vigilantism''.
*** "Lost Canary" replaces the arrow with Black Canary's logo.
*** [[PoorlyDisguisedPilot "Green Arrow and the Canaries"]] ends with what is most likely the official logo for a new spinoff series - a futuristic arrowhead flanked by two canaries.
*** The series finale, "Fadeout", shows all seven arrows from the past seasons, with seasons 1-3 being on the left, seasons 4-6 on the right, and a lighter green version for season 7 in the middle.
** ''Series/TheFlash2014''
*** In the episodes "Flash vs. Arrow" and "Legends of Today" (the crossovers with ''Arrow''), the lightning bolt running through the title is replaced by an arrow, and the one behind it is green instead of yellow.
*** In the first SeasonFinale, "Fast Enough", the lightning bolt is red and backwards, the symbol of Reverse Flash.
*** The season 2 and 3 Christmas episodes, "Running to Stand Still" and "The Present", include snowflakes behind the lightning bolt.
*** The first episode of season 5, "Nora", and the episode giving her backstory, "Godspeed", has the background as a mix of red and purple, purple being the colour of Nora's XS costume and lightning effects.
*** The end card of "The Last Temptation of Barry Allen" Part One and the opening sequence of Part Two, both show the logo being covered in Bloodwork's blood.
*** "Armageddon Part 4" has [[spoiler: Thawne-as-Flash in Barry's place during the clips of Team Flash]].
** ''Series/LegendsOfTomorrow'':
*** The VillainEpisode "Legion of Doom" gives the title a reddish light, has cinders floating in front of it, and replaces the heroes' logos with those of Damien, Merlyn and Reverse Flash. The same title sequence is used for "Doomworld". Both episodes also have a member of the Legion give the opening monologue.
*** "Helen Hunt", set in the Golden Age of Hollywood, replaces the sequence with a {{Retraux}} title card.
*** The CrossOver episode with ''Series/{{Constantine}}'' "Daddy Darhkest", has the normal Legends intro mixed with the ''Constantine'' logo. A variant of this becomes the standard logo in season 4, when Constantine becomes a main character.
*** The RentAZilla episode "Tagumo Attacks!!!" has the title in Japanese.
*** The 100th episode, "<wvrdr_error_100_not_found>", has all the previous title logos.
*** "Paranoid Android" has an over-the-top action title sequence featuring [[spoiler: the Robot Legends]].
** ''Series/{{Supergirl|2015}}'': The episodes "House of L" and "Red Dawn", which feature a Soviet version of Supergirl, open with a Kaznian hammer-and-sickle version of the S-shield and the title replaced with Cryllic script reading "Krasnaya Doch" (Russian for "Red Daughter").
** {{Crisis Crossover}}s:
*** All three parts of the "Invasion!" crossover arc (excluding ''Series/{{Supergirl|2015}}'') had special title cards. ''The Flash'' and ''Series/LegendsOfTomorrow'' combined all four series' logos, while ''Arrow'' celebrated its [[MilestoneCelebration 100th episode]] by having each season's title card blend into the next.
*** All four parts of ''Series/CrisisOnEarthX'' (including ''Supergirl'') have the same title sequence, which features all the heroes, but not their own logos, treating ''Crisis on Earth-X'' as the series title. The credits are even in a uniform font not used by any of the individual series. It goes to show that they're treating it as one big miniseries special instead of each episode focusing on the cast of one series like "Invasion!" Only who's under "Starring" and who's under "Guest Starring" provides a clue as to which show is which.
*** All three parts of ''Series/Elseworlds2018'' (which ''Legends'' wasn't part of) had the standard logo appear, and then the Elseworlds logo move in to replace it. In addition, the ''Arrow'' opening narration was given by Barry-as-Oliver, and the ''Supergirl'' narration by [[spoiler:Deegan-as-Superman]].
*** All five parts of ''Series/CrisisOnInfiniteEarths'' had a ''Crisis'' logo, similar to ''Crisis on Earth X''. (The side story in ''Series/BlackLightning'' had the regular title.)
* For its final episode, ''Series/AshesToAshes2008'' skips Alex's narration and the opening titles, instead just showing the words "Ashes to Ashes".
* To celebrate its 50th anniversary, two 2006 episodes of ''Series/AsTheWorldTurns'' used the original opening, with a remake of the original opening theme.
* The ''Series/BabylonFive'' VillainEpisode "The Corps Is Mother, The Corps Is Father", centering on Bester, used a credit sequence with Psi Corps insignia in place of the usual Babylon 5 shield.
* During the "occupation" storyline, ''Series/{{Battlestar Galactica|2003}}'' replaced images of the fleet with those of New Caprica under Cylon occupation, and used a different title crawl.
* The closing credits of the last episode of ''Series/BlakesSeven'' were completely silent except for gunshots.
* ''Series/BuffyTheVampireSlayer'',
** Jonathan, a minor recurring character, took over the credit sequence of the "Superstar" episode in which a wish he made turned him into a BlackHoleSue.
** The musical episode "Once More With Feeling" had a mellowed version of the theme song playing over a shot of the night sky, with each actor's face appearing on the moon as he or she was listed in standard credits order.
** "Seing Red" has the only opening with Creator/AmberBenson credited for Tara [[spoiler:because she gets killed]].
** Similarly, a few episodes changed the VanityPlate at the end: "Becoming, Part II" featured the little monster lamenting, "I need a hug..." in place of his normal "Grr, argh!", in "Amends" he wore a Santa hat, "Graduation Day part 2" had him in a mortarboard, and in "Hush" he was silent (not on DVD; perhaps as originally aired?). The above-mentioned OMWF had him ''sing'' his grr-argh. Likewise, in the Season 7 documentary-style episode, he sing-songs ''"We are as GOODDDDSSSS"'', a RunningGag in the preceding episode. In the series finale episode, he looks directly at the viewer.
* One episode of ''Series/ClarissaExplainsItAll'' has her brother Ferguson take over the role of BreakingTheFourthWall. The credits change the name of the series to Ferguson Explains It All.
* ''Series/{{Community}}'' does this fairly regularly:
** HalloweenEpisode "[[Recap/CommunityS2E06Epidemiology Epidemiology]]" featured redrawn, Halloween-themed images for each of the cast and closed with a howling wolf. It's revisited in "[[Recap/CommunityS3E05HorrorFictionInSevenSpookySteps Horror Fiction in Seven Spooky Steps]]", with an additional image for [[PromotionToOpeningTitles Jim Rash]], and again in "[[CommunityS4E02ParanormalParentage Paranormal Parentage]]" with a remixed theme song.
** StopMotion ChristmasEpisode [[Recap/CommunityS2E11AbedsUncontrollableChristmas Abed's Uncontrollable Christmas]] had the title theme integrated into the plot - Abed singing alternate lyrics while dancing from car hood to car hood.
** More thematic redrawn credits were used for "[[Recap/CommunityS2E14AdvancedDungeonsAndDragons Advanced Dungeons & Dragons]]", complete with orchestral score.
** A Western themed version of the credits was used for [[Recap/CommunityS2E23AFistfulOfPaintballs "A Fistful of Paintballs"]] and a James Bond inspired version for [[Recap/CommunityS6E11ModernEspionage "Modern Espionage"]].
** "[[Recap/CommunityS3E17BasicLupineUrology Basic Lupine Urology]]" featured a credits sequence done in the style of ''Series/LawAndOrder'', complete with a rearranged theme song.
** Similarly, "[[Recap/CommunityS3E20DigitalEstatePlanning Digital Estate Planning]]" showed the cast being rendered in an 8-/16-bit style as their faces were being digitized for a video game, set to a chiptune version of the theme song.
** "[[Recap/CommunityS4E01History101 History 101]]" once again features Abed singing alternate lyrics, this time as the theme for the sitcom version of his life (complete with LaughTrack) that he imagines when he is in his "happy place".
* The 2012 ''Series/{{Dallas}}'' series did a special title sequence for the episode "JR's Masterpiece", in honor of both the passing of JR Ewing and his actor Larry Hagman.
* ''Series/DoctorWho'':
** The opening credits generally only change whenever there's a new Doctor or new production team — otherwise, they remain fairly consistent (theme tune, a version of the Vortex, Doctor's face (or not), logo, episode title, writer's name, episode number). In the 1960s and early 1970s, however, several stories had specially designed opening credits. Some of these included:
*** [[Recap/DoctorWhoS3E10TheWarMachines "The War Machines"]] included the story's episode title and number done in the same font as the story's {{Big Bad}}, WOTAN.
*** [[Recap/DoctorWhoS4E2TheTenthPlanet "The Tenth Planet"]] included "computer graphics" that formed the story's name and episode number.
*** [[Recap/DoctorWhoS5E3TheIceWarriors "The Ice Warriors"]] featured a haunting soprano solo over footage of an windswept tundra.
*** In "[[Recap/DoctorWhoS5E7TheWheelInSpace The Wheel In Space]]", the usual time tunnel sequence gradually fades out into a shot of the Wheel, while the theme music is still playing; the story title, episode number and writer are displayed over this shot of the Wheel rather than in the time tunnel sequence.
*** [[Recap/DoctorWhoS6E5TheSeedsOfDeath "The Seeds of Death"]] displayed the title and episode number over a specially filmed model shot of the Earth and the Moon, the two locations featured in the story.
*** In "[[Recap/DoctorWhoS6E6TheSpacePirates The Space Pirates]]", the title, writer and episode number screens appear only after the opening scene (Episode 1) or the cliffhanger reprise (Episodes 2-6), in black text over a white void, with the OneWomanWail over them.
*** [[Recap/DoctorWhoS6E7TheWarGames "The War Games"]] featured footage of explosions and sounds of gunfire interspersed with the story's title and episode number.
*** In "[[Recap/DoctorWhoS7E3TheAmbassadorsOfDeath The Ambassadors of Death]]", the opening titles are cut off early, before the story title appears, instead going straight into the opening scene of the episode (Part 1) or the reprise of the previous episode's cliffhanger (Parts 2-7)... then the remainder of the opening titles is shown. Uniquely, the story title does not all appear at once; first "The Ambassadors" appears at the top of the screen, followed seconds later by of "OF DEATH" in a much larger font.
*** "[[Recap/DoctorWhoS7E4Inferno Inferno]]" featured the name of the story and the episode number over footage of lava flows.
** Special Edition {{Cliffhanger}}s and credits appear in some Classic Series episodes:
*** The first cliffhanger of [[Recap/DoctorWhoS1E8TheReignOfTerror "The Reign of Terror"]] has licking flames in the end credits, after the Doctor was trapped in a burning building.
*** [[Recap/DoctorWhoS5E5TheWebOfFear "The Web of Fear"]] had footage of the web effect playing over the end credits.
*** The last part of [[Recap/DoctorWhoS18E2Meglos "Meglos"]] had the ending theme pitched down by about a tone. Allegedly, this is because the episode was underrunning, and so the end titles were stretched out manually.
*** The last part of [[Recap/DoctorWhoS19E6Earthshock "Earthshock"]] had no ending theme tune at all: [[SilentCredits the credits scrolled past in silence]] over a still of the broken remains of Adric's star badge on the floor, given that he had just died.
*** The end credits of the 20th anniversary special, [[Recap/DoctorWho20thASTheFiveDoctors "The Five Doctors"]], features a unique arrangement of the closing theme that mashes up the incumbent 1980 version with the original 1963 one.
** An unintentional example of this trope was [[Recap/DoctorWhoS10E2CarnivalOfMonsters "Carnival of Monsters"]], which accidentally aired in Australia with a new arrangement of the theme tune (commonly known as the "Delaware theme" after the synthesizer it was made with, a modified EMS Synthi 100 that the BBC Radiophonic Workshop owned). ExecutiveMeddling had rejected the new theme due to disliking it and it was edited out of the UK broadcast, but copies of the tapes had already been sent to Australia.
** [[Recap/DoctorWhoS12E2TheArkInSpace "The Ark in Space"]], Tom Baker's second serial, had the normally blue title sequence coloured green-brown (having been run through a pink filter). There were plans for every story in Season 12 to feature special edition titles, but the staff hated the resulting colour palette for "The Ark in Space" and immediately dropped the idea from part 2 onwards.
** In the first half of Series 7, each episode's opening credits were done in progressively darker colors, with flashes of... well, ''something'' in the Vortex itself attacking the TARDIS, and the logo for the series itself had some design element relating to the particular episode's story (in [[Recap/DoctorWhoS33E5TheAngelsTakeManhattan "The Angels Take Manhattan"]], for instance, the logo was redone to look like [[spoiler:the Statue of Liberty]]). This led many to speculate that the titles were suggesting something big and bad just around the corner for the Doctor... although the switch to a new title sequence for Series 7B thoroughly {{Jossed}} this.
** 50th anniversary special [[Recap/DoctorWho50thASTheDayOfTheDoctor "The Day of the Doctor"]] goes back to the original 1963 opening. Its closing credits are also unique to this special, featuring portraits of every incarnation of the Doctor up to that point.
** The opening for [[Recap/DoctorWhoS34E12DeathInHeaven "Death in Heaven"]] lists Jenna Coleman's name before Peter Capaldi's and replaces the Doctor's eyes with Clara's, to tie in with her lie to the enemy immediately beforehand of being the Doctor herself.
** The Twelfth Doctor's first two Christmas specials, [[Recap/DoctorWho2014CSLastChristmas "Last Christmas"]] and [[Recap/DoctorWho2015CSTheHusbandsOfRiverSong "The Husbands of River Song"]], both have special Christmassy versions of the title sequence. The practice was abandoned for the rest of his Christmas specials, because [[Recap/DoctorWho2016CSTheReturnOfDoctorMysterio "The Return of Doctor Mysterio"]] [[DidIMentionItsChristmas isn't very Christmassy]] and [[Recap/DoctorWho2017CSTwiceUponATime "Twice Upon a Time"]] is a fairly serious regeneration episode.
** [[Recap/DoctorWhoS35E4BeforeTheFlood "Before the Flood"]] features a unique version of the theme music featuring none other than Creator/PeterCapaldi accompanying the melody on electric guitar (to tie in with the fourth wall-breaking pre-titles sequence).
** [[Recap/DoctorWhoS35E9SleepNoMore "Sleep No More"]], [[Recap/DoctorWhoS37E1TheWomanWhoFellToEarth "The Woman Who Fell to Earth"]] and [[Recap/DoctorWho2019NYSResolution "Resolution"]] don't have opening sequences at all. The first has a brief special TitleOnlyOpening of data at the start of its FoundFootage, and the other two employ a CloseOnTitle.
** The closing titles of [[Recap/DoctorWhoS37E3Rosa "Rosa"]] play over "Rise Up" by Music/AndraDay.
** The closing titles of "[[Recap/DoctorWhoS37E6DemonsOfThePunjab Demons of the Punjab]]" have an Indian arrangement of the theme.
** The closing titles of "[[Recap/DoctorWhoS39E4FluxChapterFourVillageOfTheAngels Village of the Angels]]" plays without the distinct four beats at the start. [[spoiler:Some fans speculate this reflects the Doctor being turned into a Weeping Angel in that episode.]]
** All of series 13 has the series title "Flux" added underneath the main title in smaller type.
* ''Series/{{ER}}'' dropped the usage of its iconic opening credits and theme after the 12th season (replacing it with a title card). However, for the show's final episode, they brought back the opening theme and credited all of the regulars appearing in the episode, including cast members who never had the chance to be credited before (Angela Bassett, John Stamos, David Lyons) and former regulars who had come back for guest appearances in the finale (Noah Wyle, Laura Innes, Sherry Stringfield, Alex Kingston, and Eriq La Salle).
* When ''Series/TheDrewCareyShow'' filmed an episode in China, the "Cleveland Rocks" sequence was replaced with a simple TitleOnlyOpening with the show's title in English and Chinese (accompanied with the drawing of Drew from the "Moon Over Parma" sequence).
* The season 4 premiere of ''Series/{{Eureka}}'', which involves TimeTravel back to 1947, has sepia-toned visuals and replaces the whistling in the standard theme tune with a big band. The Christmas episode in the same season has everything covered in snow, with the whistling replaced by a chorus singing "fa la la".
* ''Series/TheFreshPrinceOfBelAir'': The series actually uses one for its pilot episode, having a longer introduction and ending with it leading into the opening scene, as seen [[https://www.youtube.com/watch?v=1nCqRmx3Dnw here]].
* ''Series/{{Friends}}'':
** The "WhatIf" episode featured a TitleMontage of the "what if" versions of the characters, including [[FormerlyFat Monica still being fat]], and this also involves a new version of the classic "dancing in a fountain" opening. These clips were not seen in the episode itself.
** The first episode after Courteney Cox married David Arquette appended "Arquette" after each cast member's name.
* ''Series/{{Fringe}}'' uses this whenever there's a timeshift, flashback or major alteration in reality. As well as the style and images displayed, the list of cutting-edge "Fringe concepts" is often used to suggest the nature of the world.
** The episodes "Peter" and "Subject 13" mostly take place in TheEighties, and [[{{Retraux}} looks like as an eighties science program]]; the credits are revamped with a SynthPop version of the opening theme, a more "computery" font ([[http://www.identifont.com/similar?NIT Amelia]], more specifically), and namecheck 80s "cutting-edge-at-the-times" science (indcluding "personal computing" and "stealth technology")
** In episodes set in the parallel universe starting with the season two finale "Over There Part 1 and 2", the usual blue background was now red and several of the sciences shown are different. In the eighth episode of Season 3, which is set in both universes, the title sequence goes back and forth between red and blue.
** The final episode of Season 3, which takes place in a future that probably won't occur ([[ItMakesSenseInContext it makes sense in context...mostly]]), has a gray background and yet again different "cutting-edge" sciences, such as cryptozoology, chaos structure, and (to underscore [[BadFuture how terrible the "prime" universe has become in 15 years]]) hope and water.
** The 4th season episode "Letter of Transit" takes place in a futuristic fascist dystopia. As well as images of barbed wire walls and faceless masses, the "Fringe concepts" include "Imagination", "Due Process" and "Freedom". This becomes the standard title for the 5th season, set entirely in the BadFuture.
* ''Series/GameOfThrones'' plays songs over its closing credits for a few specific episodes:
** "Blackwater", "The Lion and the Rose" and "The Bear and the Maiden Fair" play the main song of House Lannister, "The Rains of Castamere" in commemoration of Lannister-related events.
** "Walk of Punishment" plays the song "The Bear and the Maiden Fair" in relation to the situation Brienne and Jaime Lannister end up in.
** "Kissed by Fire" plays Shireen's song "It's Always Sunny Under the Sea". Shireen made her debut in that episode.
** "Knight of the Seven Kingdoms" plays the ballad "Jenny of Oldstones" over the closing credits. [[spoiler: The song is about a royal scion who gave up the throne for the love of his life, which reflects Jon and Dany's relationship.]]
* Occasionally done with the ''Series/{{Glee}}'' title card, depending on episodes. More complex ones appeared in season four.
** Those set on Valentine's day have the title colored pink, and the HalloweenEpisode colored it orange.
** A BatSignal version in the superhero-themed episode "Dynamic Duets".
** Wrapped in blinking Christmas lights for "[[ChristmasEpisode Glee, Actually]]".
** Projected from an old super 8 camera in "Boys (and Girls) on Film", which was movie music themed.
** Drawn in crayon and with an added "by Brittany" subtitle, referencing Brittany [[spoiler: leaving New Directions for MIT, and consequently leaving the show]].
** The season five episode "The Quarterback" replaces the L in the title with a silhouette of Finn Hudson.
* ''Series/{{Gotham}}'':
** In the season 3 episode ' "Smile Like You Mean It", after [[spoiler: Jerome blows up the Gotham power plant, plunging the city into darkness, the ending title card feature the usual Gotham skyline, except the buildings are completely dark. The following episode's opening title card, when Jerome's followers are spreading chaos, adds a couple of fires.]]
** In the season 4 finale "No Man's Land", [[spoiler: after Gotham loses power ''again'' and is cut off from the rest of the country, they use the dark version of the ending card, with the addition of [[BatSignal a searchlight]] shining from police headquarters.]]
* In a Volume 3 episode of ''Series/{{Heroes}}'', the usual title is replaced with an evil-looking 'Villains' (also the title of the episode).
* ''Series/{{Jekyll}}'' did this for the finale -- changing the title of the show itself.
* The ''Series/JustShootMe'' episode "My Dinner with Woody" had the titles done in the style of the credits of Woody Allen movies (plain white text over black).
* The ''Franchise/KamenRider'' franchise (starting in ''Series/KamenRiderDecade''), being also a Toei production like ''Anime/PrettyCure'', also promotes its movies by replacing part of its opening sequences with movie scenes. The movie footage is never the same in any two episodes, though. Its sister show ''Franchise/SuperSentai'', on the other hand, only movie-ifies end titles.
** ''Series/KamenRiderDouble'' also did special openings in a story arc centering on an ''Series/AmericanIdol''-style TV show, replacing half of the standard opening with footage of the theme song's performers (who play judges in those episodes) performing the theme on the "Idol" stage.
* The season 2 episode of ''Series/{{Legacies}}'' called "[[Recap/LegaciesS2E5ScrewEndgame Screw Endgame]]" has two characters trapped in a labyrinth themed like a videogame from TheEighties. As such, the show's title is pixelated and features 80's videogame animation.
* One of the later episodes in Season 5 of ''Series/{{Lost}}'' had, rather than its normal opening sequence with the "LOST" logo flying at the camera, [[https://www.youtube.com/watch?v=-ycTH92whao a similar sequence on a starfield]], and then the Enterprise flew by to promote the 2009 ''Film/{{Star Trek|2009}}'' film, also released that year.
* The opening to the SoapOpera series ''Loving'' had a different, haunting opening during its final major storyline, "The Loving Murders", asking viewers to piece together the clues and figure out who the murderer was.
* ''Series/MadAboutYou'' once eschewed the cold open-title structure to instead have opening credits where the names passed by action movie-style - [[https://www.youtube.com/watch?v=FZzeiXJ24cE reminiscent of]] ''Film/{{Speed}}'', as the episode's name is "Speed Baby", and there's a shared plot element (bus has to keep moving = Mabel stops crying when in movement, whether in a vehicle or an elevator).
* Franchise/MarvelCinematicUniverse TV series have done this on a few occasions:
** ''Series/AgentsOfSHIELD'':
*** At the end of the episode "[[Recap/AgentsOfSHIELDS1E17TurnTurnTurn Turn, Turn, Turn]]" [[spoiler: after [[EvilAllAlong Ward]] kills Victoria Hand and the guards to release the Clairvoyant, the HYDRA logo appears instead of the SHIELD logo before TheStinger]].
*** "[[Recap/AgentsOfSHIELDS3E54722Hours 4,722 Hours]]", a WholeEpisodeFlashback to Jemma Simmons' marooning on an alien planet, forgoes the usual logo to show a wide shot of the planet instead, with the title in a different (and more space-y) font.
*** Season 4 was split into three distinct story "pods", each featuring distinct opening sequences representing the ComicBook/GhostRider, the [=LMDs=] and the Framework respectively.
*** Season 5 continued with special opening for story arcs, opening on a shot of EarthThatWas. Once they return to the present, this is replaced by Earth That Is. Several late-Season 5 episodes overlay the show title over the closing moments of the teaser, a change from the usual format.
*** For the 100th episode MilestoneCelebration, ''every'' custom logo listed above was used in quick succession.
*** Season 7 is full of TimeTravel and intentional GenreThrowback, so each episode imitates the style of opening TV credits for its respective year.
** ''Series/TheFalconAndTheWinterSoldier'':
*** The closing credits for episode 4, "The Whole World Is Watching", ditch the jaunty "Louisiana Hero" by Henry Jackman, in favor of a haunting, somber theme tune [[spoiler:reflecting the ramifications of Walker murdering a Flag Smasher with his shield in cold blood]].
*** The closing credits for episode 5, "Truth" modulate "Louisiana Hero" in the closing credits up a half-key as Sam [[spoiler:looks at his Wakandan-made Captain America gear for the first time]].
*** The final episode changes the title to "Captain America and the Winter Soldier", reflecting [[spoiler: Sam Wilson finally embracing and accepting his role as Steve Rogers's successor.]].
** ''Series/MsMarvel2022'':
*** Episodes 4 and 5 both relocate the "animated grafitti of Kamala" closing credits from Jersey to Karachi. The SeasonFinale alternates between the two.
*** Episode 5 has the title card in Urdu, and with the changing graphic design having a more forties look. It's [[CouchGag different every episode]] anyway, but this one is ''more'' different.
** ''Series/SheHulkAttorneyAtLaw'':
*** The second episode "Superhuman Law" changes the subtitle to "Attorny for Hire", as Jennifer was briefly unemployed in that episode.
*** The fifth episode, "Mean, Green, and Straight Poured into These Jeans", turns the title pink and changes the subtitle to "By Titania" to reflect the fact that Titania copyrighted the She-Hulk name and is suing Jennifer over it.
*** The sixth episode, "Just Jen", changes the title to ''Just Jen: Attorney at Law''.
* For its 100th episode, the 1989 revival of ''Series/TheMickeyMouseClub'' did a reunion special with the original '50s version. They mixed footage of the old theme/intro into the newer theme/intro and added the "WesternAnimation/DonaldDuck!" and "High, high, high!" bits from the '50s theme that weren't in the new version. You can watch it [[https://www.youtube.com/watch?v=qzEBhSZIUV0&t=33s here]].
* ''Series/MightyMorphinPowerRangers'' had a miniseries known as ''Mighty Morphin Alien Rangers'' that acted as the last 10 episodes of season 3 of MMPR, wherein the the entire world was age-reversed by 10 years, Rangers included, leaving them as kids without their powers, so reinforcements in the form of the titular Alien Rangers stood in for them until the [[IncrediblyLamePun Power-less Rangers]] managed to find the ResetButton that could turn everyone back to normal (and [[Series/PowerRangersZeo give them new, stronger powers]].) Because of this, the miniseries had a special intro featuring the kid Rangers as well as a modified theme song; "Go, Go, Alien Rangers!"
* Episode 26 of ''Series/MontyPythonsFlyingCircus'' has a DoubleSubversion of this: an announcer says that TheQueenWillBeWatching, but the opening titles will proceed as usual; instead, a uniquely styled "royal" title sequence is shown, with the music changed to "Pomp and Circumstance #1."
** Episode 22 replaced the title with a banner reading, "How to Recognise Different Parts of the Body". An announcer reads this in a non-TitleScream tone, beginning a FramingDevice that recurs intermittently throughout the episode. The banner is, however, squashed by the GiantFootOfStomping as usual ("Number one: the foot").
** Episode 30 replaced the show's title with Tony M. Nyphot's Flying Risccu, an anagram of the show's title (the opening sketch involved a man who spoke only in anagrams).
** In a WhatCouldHaveBeen example, when ExecutiveMeddling threatened to change the show's title, the Pythons threatened that ''every week'' they would rename the show to a different WordSaladTitle. (A number of these, such as "Owl-Stretching Time" and "Whither Canada?", were retained for use as individual episode titles, though they were only shown on screen during the end credits of the first season.)
* ''Series/MrBean'' had a few episodes include a post-credits scene where Mr. Bean is beamed up, to serve as a BookEnd to the opening credits where he was beamed down.
* A variation: ''Series/MysteryScienceTheater3000'' sometimes had special commercial bumpers and/or ending credits, when prompted by the movie or one of the host segments. The typical version was to put different music over it, especially "[[Film/ManosTheHandsOfFate the haunting Torgo theme]]", but other examples exist.
* At the end of the opening credits for the ''Series/{{NCIS}}'' episode [[BigBlackout "Power Down"]], the lights in DC all go off, and then the video cuts out.
* Done in the two {{Formula Breaking Episode}}s of ''Series/NewsRadio''. The one set [[RecycledINSPACE in space]] had StandardizedSpaceViews instead of the usual {{Establishing Shot}}s of New York City. The ''Titanic'' parody had an Irish folk version of the theme over sepia-tone shots of people salvaging artifacts with the actor's pictures on them.
* ''Series/NoelsHouseParty''
** Their first instance of this trope was the 15 March 1997 special ''Noel's New York House Party'' - [[https://www.youtube.com/watch?v=xqS8piirvTE with]] the crescendo of the music featuring a view of the [[BigApplesauce Statue of Liberty]], and also the guests' names on-screen - Tyne Daly, Creator/WilliamShatner, Creator/DavidHasselhoff, Creator/JoanRivers and Music/BarryManilow. Also the words "New York" were in [[IncrediblyLamePun "Broadway" font]], a font considered naff by some nowadays.
** The second time was when they did a special from Ride/UniversalStudios in 1998, ''Noel's House Party at the Movies'', and featured similar titles.[[note]]the Universal episode is considered FanonDiscontinuity, if not CanonDiscontinuity. However, WordOfGod is that the man himself would have preferred to have stayed in the UK to develop fresh ideas -- mentioned on Website/YouTube.[[/note]]
* ''Series/OddSquad'':
** The opening theme for the Season 2 premiere, "First Day", has Oprah handling the narration in place of Olive, with the CharacterInTheLogo shot featuring both of them, along with Otto and Oscar, absent. The question of "Who do we work for?" is also removed and is instead replaced with Oprah simply saying "We are Odd Squad."
** For the Season 3 premiere, "Odd Beginnings", Oprah -- now the Big O -- once again handles narration duties. This time, it's in place of Olympia, who took over her role for the duration of Season 2. Unlike the aforementioned example, however, there's no CouchGag, and instead, Oprah describes her role in Odd Squad as the Big O.
* ''Series/TheOfficeUS'' episode ''"The Michael Scott Paper Company"'', has all other characters removed except for Michael, Pam, and Ryan -- the only employees of the Michael Scott Paper Company, filmed in their office only. The post-Super Bowl episode added specific shots of secondary characters in groups of two or three rather than the usual text only credit.
** In the first episode after Michael Scott's departure, the last shot of the opening montage (Michael adjusting the Dundee Award on his desk) is replaced with a similar shot with his replacement, Deangelo, adjusting one of his kachina dolls.
* The second season premiere of ''Series/PeeWeesPlayhouse'' starts out normally, but when we actually get to the playhouse, it looks all messy. After the theme song suddenly stops (by LettingTheAirOutOfTheBand), Pee-Wee then remembers something important:
-->'''Pee-Wee''': Oh, I totally forgot! We're redecorating the Playhouse![[note]]This episode was done in order to explain the show's move from New York to Hollywood.[[/note]] (gives wink; the show then goes to commercial)
* ''Series/PersonOfInterest'' is fond of these, usually in conjunction with a {{Wham Episode}}. In order:
** Season 2, episode 16, ''Relevance'': [[spoiler:Finch's opening narration crashes with a blue screen of death, and lands at a command line.]]
--->[[spoiler:[!]:./condition.ANOMALY.DETECTED]]\\
[[spoiler:[!]:./action.SWITCH.HEURISTIC]]\\
[[spoiler:deprecate.process.irrelevant]]\\
[[spoiler:source.RELEVANT]]\\
[[spoiler:execute...]]
** Season 2, episode 21, ''Zero Day'': the opening narration [[spoiler:crashes and reboots, then crashes again, complete with {{Ominous Visual Glitch}}es and THREAT TO SYSTEM dialog box spam.]]
** Season 3, episode 16, ''RAM'': a whole flashback episode, it begins with the opening sequence from season 1, which freezes and rewinds to the beginning halfway through.
** Season 3, episode 17, ''/'': [[spoiler:Root co-opts the opening narration from Harold, signifying that she is the character of focus in this episode.]]
-->[[spoiler:[!]:./switching.TERTIARY_OPERATIONS]]
** Season 4, episode 12, "Control-Alt-Delete": It begins with Finch's usual introduction, but then the screen glitches and Control's voice takes over the narration, and the episode proceeds to follow her [[ADayInTheLimelight viewpoint]].
* ''Series/PoliceCameraAction'':
** The 1996 TwoPartEpisode The Man Who Shot OJ skips the usual opening titles for a {{Montage}} of footage in Los Angeles shot by Zoey Tur (then Bob Tur) and in Arial font, "THE MAN WHO SHOT OJ PROGRAMME 1", "THE MAN WHO SHOT OJ PROGRAMME 2", and the lower-thirds (names on-screen) are in ITC Franklin Gothic Demi instead of the show's usual Futura Condensed Bold Italic font.
** The 1998 episode "Coat Hanger Man" has occasionally had its title sequence cut off in EditedForSyndication versions aired 2006-2009, [[InconsistentEpisodeLengths making the runtime 23 minutes instead of the usual 24 minutes]]. However, these are rarely aired, and the TitleSequence is restored.
** The 2000 specials "Crash Test Racers" and "Highway of Tomorrow" have the usual 1999-2000 title sequence, but the episode names are not on the EpisodeTitleCard, with the words "SPECIAL" in Charles Wright font. In the 2005 ReCut versions, the EpisodeTitleCard is skipped over, and OCR-8 font with the episode title on-screen is used.
* ''Series/ThePrisoner1967'':
** The episode "[[Recap/ThePrisonerE14LivingInHarmony Living In Harmony]]", a {{Western}} {{Elseworld}}, replaces the opening with an equivalent sequence in which the character rides into town and turns in his sheriff's badge. The actual title ''The Prisoner'' isn't shown on screen (at least in the unaltered version of the episode; some UK broadcasters insisted on adding it to the opening anyway). Creator/PatrickMcGoohan does not receive his starring credit as a result of this change, though he is credited for playing Number 6 in the slightly revised closing credits sequence (unlike "Fall Out", see below, for which he receives no actor credit).
** The final episode, "[[Recap/ThePrisonerE17FallOut Fall Out]]", has (mostly) the normal end credits, but the opening credits replace the famous normal opening with a recap of the preceding episode with the series title overlaid, then a long helicopter shot over the Village, accompanied by a different arrangement of the theme music (only broadcast once before, as part of the incidental music in "Do Not Forsake Me, Oh My Darling"). This was probably because it was the second half of the show's only two-part story. It was also the first time that it was publicly revealed that the show was filmed at Portmeirion, which had previously been kept secret to heighten the in-show mystery of the Village's location - although ironically the Portmeirion location was not featured in the last four episodes except for minor shots. The closing credits are changed slightly to eliminate the iconic animated sequence of bars closing across Number 6's face, and the closing image of Rover emerging from the water. As a result of the changes to the opening, star Creator/PatrickMcGoohan does not actually receive screen credit for playing Number 6 in this episode (though he is credited for producing, writing and directing it).
* ''Series/{{Psych}}'':
** The series is fond of doing this in "theme" episodes, usually remixing or completely changing the theme tune as well. The Christmas special featured the same lyrics and melody as the normal song, but with sleighbells and over-the-top "Christmas-y" instrumentation, while in episode 213, "Lights, Camera...Homicidio", the credits are sung in Spanish.
** Also, in Season 4's "Bollywood Homicide", the song picks up a distinctly Eastern sound; most of the theme song was sung in Hindi, and the actors' names appeared in Hindi text which then switched to English letters.
** The sixth season episode "The Amazing Psych-Man & Tap Man, Issue #2" is done with the theme redone in a heroic orchestral style and the opening sequence in comic-book panels, specifically an homage to the opening sequence of ''Series/TheCape''.
* While ''Series/{{QI}}'' doesn't change its title graphics, it does occasionally alter its theme music. Their annual ChristmasEpisode incorporates "Jingle Bells" with its regular theme. Episodes 4.5 ("Death") and 7.13 ("Gothic") had moans and other morbid sounds in the background. And episode 6.5 ("France") had an accordion playing the theme tune. The Christmas 2019 episode ''did'' change the graphics, adding snow, holly around the handle of the magnifying glass, and replacing some of the images with a snowflake, a reindeer, Ebeneezer Scrooge, Christmas trees, a medieval Father Christmas, Christmas pudding, mince pies and sprouts.
* ''Series/RedDwarf'' sometimes changed the end credit music, for instance the first appearance of Ace Rimmer had the normal Rimmer play out the theme on a Hammond organ, whilst Gunmen of the Apocalypse had a wild-west version of the music, and "Waxworld" ended with an Elvis impersonator singing it.
* Done in a minor way in the India-themed episodes of ''Series/{{Sanctuary}}''. While the normal title sequence remained unchanged, an Eastern-sounding song was added instead of the usual tune.
* The ''Series/SexAndTheCity'' movies have a re-orchestrated version of the theme music.
* The ''Series/StargateSG1'' ParodyEpisode "200" abandons the concept of a minute-long TitleMontage used for most of the series' run. When discussing TheMovie of the ShowWithinAShow ''Wormhole X-Treme!'', Cameron Mitchell insists on a "strong opening title sequence", while Martin Lloyd says, "No one does that anymore. You just throw up the title and get on with it." This is immediately followed by a TitleOnlyOpening for ''Stargate SG-1''.
** Though this is only borderline "special"; during this part of the show's run, the shorter form was always used when the show was first aired, to leave more time for commercials. However, the full opening had been back for a few episodes.
*** If anything, it was more of a TakeThat at the Sci-Fi Channel's much-maligned decision to remove the full-length TitleSequence.
* ''Series/StarTrekEnterprise'' replaced its usual titles, showing a history of exploration, with a version showing a history of conquest for the MirrorUniverse episode "In A Mirror, Darkly". It even went far enough to change the music from a hopeful pop song to an ominous, militaristic theme.
* The season 1 finale of ''Series/StarTrekDiscovery'' ends with the titular starship rendezvousing with the USS ''Enterprise''. The musical fanfare of the event and the end credits are an updated version of the ''Series/StarTrekTheOriginalSeries'' theme.
* One episode of ''Series/TheState'' began with David Wain explaining that all of the group's members have different specialties. His is editing, and though he gets less recognition for it, it is surprisingly good at letting you express yourself. Cut to a version of the opening titles in which Wain's credit is repeated over and over and the other cast members are only featured for a fraction of a second.
* The ''Series/SupermanAndLois'' episode "Bizarros in a Bizarro World" inverts the S shield and title.
* ''Series/{{Supernatural}}'' has made special opening credit for several episodes:
** 3.08, 'A Very Supernatural Christmas' Instead of the normal opening (which featured an exploding Devil's Trap), this christmas special had an exploding ornament and a Santa hat over the A.
** 4.05 'Monster Movie' was a parody of classic black and white monster movies, with a black and white opening
** 4.18 'The Monster At The End of This Book' showed cover art from the series of ''Supernatural'' [[ShowWithinAShow books within a show]] written by Chuck Shurley as Carver Edlund.
** 5.08 'Changing Channels' also contained parodies of several stock television shows, and replaced the opening titles with a sitcom-style montage, complete with appropriately-styled theme song and credits (in the ''Series/FullHouse'' font, no less).
** 6.09 'Clap Your Hands if You Believe' paid homage to ''Series/TheXFiles'' and redid the opening to play the X-Files theme and show footage of the brothers in the same sort of poses as the original X-Files opening did.
** 6.18 'Frontierland' copied the burning map credits from ''Series/{{Bonanza}}''
** 7.08 'Season Seven, Time for a Wedding!' had an exploding wedding cake with Music/RichardWagner's Bridal Chorus for music.
** 7.14 'Plucky Pennywhistle's Magical Menagerie' added an explosion of rainbow sparkles.
** 9.18 'Meta Fiction' start normally, before abruptly switching the show's name to that of the BigBad which [[VillainEpisode the episode focuses on]].
** 13.16 'Scoobynatural' has a unique opening that begins with a version of the opening moments of the ''WesternAnimation/ScoobyDooWhereAreYou'' credit sequence (bats flying past a spooky-looking house) followed by a unique series logo replacing the show's title with ''Scoobynatural''. (In fact, the title ''Supernatural'' is never actually shown on screen in this episode.)
* ''Series/TeenWolf'', "Illuminated" primely taking place at a club, replaces the usual theme with a remix.
* In the run-up to a general election, the BBC current affairs / politics series ''This Week'' replaces its usual credits with the cast performing a spoof of a well-known song ("Is this the way to Amarillo?" for the 2005 election, and "We're off to see the Wizard" for 2010).
* ''Series/{{Torchwood}}'': [[Recap/TorchwoodS2E5Adam "Adam"]], in which a memory-altering entity infiltrated the usual team, added shots of the interloper to the usual opening sequence.
* ''Series/TwoAndAHalfMen'' [[https://www.youtube.com/watch?v=HtqgJ3bHEfY got one]] for a "crossover" with, of all series, ''Series/{{CSI}}'', when the writers from the latter show decided to swap shows with the "Men" writers for a week.
* ''Series/WalkerTexasRanger'' did this with the end titles in the episodes "Trial of [=LaRue=]" ("Tonight, I'll See You In My Dreams" performed by Geoff Koch) and "Lucas" ("[[https://www.youtube.com/watch?v=naf7scl_AL8 A Rose in December]]" performed by Gino Vannelli and Anton Vannelli), replacing the usual [[DoItYourselfThemeTune action-packed end titles performed by]] Creator/ChuckNorris.
* ''Series/Warehouse13''
** The first ChristmasEpisode makes numerous changes to the title sequence (the longer one from the first two seasons).
*** The titles open with a quick burst of "Joy to the World", before moving into the main theme, which now has a sleigh-bell refrain.
*** The crate in the Sphinx picture is giftwrapped.
*** The scarab sheds red-and-gold sparks
*** The next crate is labelled "Fruitcake".
*** The map is of the North Pole.
*** The EstablishingShot of the warehouse is a snow scene in a pop-up book.
*** Toys, cookies and candy canes are propped up on the Farnsworths the cast appears on.
*** The Tesla is replaced by the snowglobe from the episode "Breakdown".
*** It's snowing over the title.
** The NoirEpisode in Season 4 replaces the usual logo with a flickering neon one.
** They also sometimes have fun with the IdiosyncraticWipes to the commercials, which normally feature the scenes disappearing into slamming crates or flickering Farnsworths, the Warehouse airlock closing, or occasionally characters being [[HumanPopsicle bronzed]]. The episode "Endless Terror", for example, in which Paracleus goes back to the 15th century to MakeWrongWhatOnceWentRight, featured one based on the high-tech doors of the alternate Warehouse 13 in the new timeline, and a slamming crate against the Renaissance Muslim background of Warehouse 9 when Pete and Myka went back to SetRightWhatOnceWentWrong.
** "Savage Seduction", a TrappedInTVLand episode about a {{Telenovela}}, has a Spanish guitar version of the theme, and uses the ShowWithinAShow's IdiosyncraticWipes (a burst of flame).
* ''Series/TheXFiles'':
** The "X-Cops" episode used a modified version of the title sequence from ''Series/{{Cops}}''.
** Used during the end credits of [[Recap/TheXFilesS05E05ThePostModernPrometheus "The Post-Modern Prometheus"]] when the traditional [[FadeToBlack fade to black]] is passed over in favor of the final shot of Mulder and Scully captured like a comic book frame, followed by a deformed hand closing the "comic book" to reveal Chris Carter's producer credit on the back cover.
* ''Series/TheYoungOnes'' did this two weeks on the trot with Nasty - done in the style of a Hammer-Horror film - and Time - the first five minutes, including the titles sequence, parodies ''Dallas''.

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