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* Music/NineInchNails albums are usually {{concept album}}s. His music kept the exact same introspective subject matter (love, death, meaning etc) from the late 1980s to the early 2000s and reuses/d words like 'skin', 'broken', 'hole', 'bleeding', 'head', 'feels', 'falling/loss' [[http://www.ninwiki.com/Recurring_lyrics etc]]. He both whispers and shouts a lot, often in the same song.

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* Music/NineInchNails albums are Music/NineInchNails, created and led by songwriter and multi-instrumentalist Trent Reznor, is an inspired hodge-podge of musical influences spanning nearly the entire spectrum of rock and electronic music subgenres: post-punk, new wave, industrial, progressive rock, glam rock, heavy metal, and so on and so forth. His compositions tend to overlay actual instrumentation -- chiefly piano and guitar motifs -- with drum machines and synthesizers for percussion, rhythm, and abrasive sounds interspersed throughout. When a Nine Inch Nails song features a guitar riff or a solo, it's usually played in a blues key: examples include the solo from "The Ruiner", the climax of "The Downward Spiral", or the rhythm guitar in "Wish". Trent Reznor specializes in {{concept album}}s. His music kept the exact same album}}s, with an emphasis on introspective subject matter (love, (e.g. love, death, meaning etc) from meaning), though he also sometimes integrates political themes into his lyrics; this is heard most prominently on his 2007 album, *Year Zero*. For the late 1980s to the early 2000s and reuses/d first half of his career, he frequently used words like that evoked graphic imagery: 'skin', 'broken', 'hole', 'bleeding', 'head', 'feels', 'falling/loss' 'falling/loss', [[http://www.ninwiki.com/Recurring_lyrics etc]]. Trent's vocals have little (if any) vibrato; what he lacks in technical singing talent, he makes up for with an uncanny ability to convey raw emotion, particularly anger, angst, and desperation. He has a longstanding habit of both whispers whispering and shouts a lot, shouting, often in the same song.
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* Music/NickCave, throughout the songs he's written, the novel (''Literature/AndTheAssSawTheAngel'') and the film screenplay (''Film/TheProposition'') has shown an enormous interest in four things: flowers, stomach-churning violence, discussion of literature -- often in very unlikely places, and semi-heretical yet extremely pious examinations of religion.

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* Music/NickCave, throughout the songs he's written, the novel (''Literature/AndTheAssSawTheAngel'') and the film screenplay (''Film/TheProposition'') has shown an enormous interest in four things: flowers, stomach-churning violence, discussion of literature -- often (often in very unlikely places, places), and semi-heretical yet extremely pious examinations of religion.
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* {{Music/Afrojack}}, prior to 2016 was known for his version of [[ElectroHouse "Dutch house"]], which contained high-pitched melodies and Latin drum loops.
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* The famously Music/{{Queen}}-influenced Music/{{Muse}} has a notably theatrical and eccentric style with Romantic-era chord progression, space synths, harsh snare beats, strong slap bass, vibrato or falsetto vocals, complex guitar riffs, and simple lyrics often about government plots, cosmic sci-fi stories, and sometimes [[BreadEggsBreadedEggs both]]. Throw in [[LargeHam extra ham]] and some [[LoudnessWar over-compression]], and you've got yourself a [[MemeticMutation pwoper]] Muse song.
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* Earlier, in the 1970s, Music/KingCrimson songs and instrumentals by their guitarist Robert Fripp tend to be characterised by UncommonTime (Fripp adores 5/4 and 7/4 and 13/8) and harmonic movement in thirds: rather than write melodies and progressions that resolve from the dominant to the tonic, he often has them move a minor or major third up or down, and he makes much use of the whole-tone scale, with its built-in tritone.
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* If you're listening to country and it's ''extremely'' brickwalled and tinny sounding, it was probably produced by Frank Liddell and/or Mike Wrucke. Expect a very heavy electric guitar that is turned UpToEleven then compressed beyond recognition. Music/MirandaLambert, David Nail, and the Eli Young Band are the main acts who suffer, although sometimes some genuinely good production slips through on their songs.

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* If you're listening to country and it's ''extremely'' brickwalled and tinny sounding, it was probably produced by Frank Liddell and/or Mike Wrucke. Expect a very heavy electric guitar that is turned UpToEleven up to eleven then compressed beyond recognition. Music/MirandaLambert, David Nail, and the Eli Young Band are the main acts who suffer, although sometimes some genuinely good production slips through on their songs.
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* Music/CattleDecapitation, while quite prone to NeoclassicalPunkZydecoRockabilly, has a pretty clear formula. It's a mixture of frantic, rapid-fire HarshVocals that frequently indulge in MotorMouth and can go from anywhere to a low gurgle to a pseudo-clean nasally screech while mostly sticking to a mid-range bellow, guitarwork that is a mixture of standard brutal tech riffing, slam parts, and discordant, screechy lead riffs and solos that make frequent use of dissonant arpeggios and effects pedals, deep, rumbling bass that often shifts between following the guitar and contrasting it, and blast-heavy drumming that makes VERY heavy use of gravity blasts and highly technical ostinatos and vamps. The lyrics, meanwhile, are almost exclusively about either misanthropy and human wickedness or gore, frequently combining both. A subtle black comedic element is also very common, and irony is extensively used to drive the points home.

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* Music/CattleDecapitation, while quite prone to NeoclassicalPunkZydecoRockabilly, Music/CattleDecapitation has a pretty clear formula. It's a mixture of frantic, rapid-fire HarshVocals that frequently indulge in MotorMouth and can go from anywhere to a low gurgle to a pseudo-clean nasally screech while mostly sticking to a mid-range bellow, guitarwork that is a mixture of standard brutal tech riffing, slam parts, and discordant, screechy lead riffs and solos that make frequent use of dissonant arpeggios and effects pedals, deep, rumbling bass that often shifts between following the guitar and contrasting it, and blast-heavy drumming that makes VERY heavy use of gravity blasts and highly technical ostinatos and vamps. The lyrics, meanwhile, are almost exclusively about either misanthropy and human wickedness or gore, frequently combining both. A subtle black comedic element is also very common, and irony is extensively used to drive the points home.
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* Although Music/{{Queen}} played around with many different sounds, musical styles, and genres, their core sound was a mixture of HardRock, complex vocal harmonies, and overdubbed guitar work. At its core, the band wanted to combine the intensity of HardRock with strong melodies.
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* Music/FloridaGeorgiaLine is the TropeCodifier of "bro-country", and thus use hip-hop beats with a loud mix of guitars and a country instrument (e.g., banjo) that feels completely obligatory, along with constant themes about partying, hot girls, and drinking.

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* Music/FloridaGeorgiaLine is the TropeCodifier of "bro-country", and thus use hip-hop beats with a loud mix of guitars and a country instrument (e.g., banjo) that feels completely obligatory, along with constant themes about partying, hot girls, and drinking. Relatedly, if it sounds like FGL but isn't actually them (AutoTune, power chords. hip-hop beat, out-of-place banjo, lightweight lyrics), it was very likely produced by Joey Moi. Examples include Music/MorganWallen, HARDY, Chris Lane, and [[ProductionPosse nearly everyone else on Big Loud, the label that Moi co-owns]].



* For most of her career, Jo Dee Messina was defined by strong female empowerment/kiss-off/motivation songs with tight, slick production and her brassy alto voice.

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* For most of her career, Jo Dee Messina Music/JoDeeMessina was defined by strong female empowerment/kiss-off/motivation songs with tight, slick production and her brassy alto voice.
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* Music/{{Eminem}} has [[HorrorComedy comedy-spooky]], SubvertedKidsShow pop-G-funk production with RapRock elements, and BloodyHilarious and [[{{Troll}} button-pushing]] lyrics containing celebrity [[TheDissTrack disses]], anguished autobiographical songs about his family and personal struggles, and blatant, upsetting MuseAbuse. He has a distinctive [[NerdyNasalness nasal voice]] and often raps in various silly voices and [[BriefAccentImitation accents]] to [[TalkingToHimself represent other characters or personas]]. The other thing is his ''incredible technical ability'', with complex and ridiculous rhyme schemes and outrageous flows that few other rappers alive can match, [[PissTakeRap intentionally squandered on novelty songs]], [[BigStupidDoodooHead childish belligerence]], and ToiletHumor.
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* Music/NickCave, throughout the songs he's written, the novel (''And The Ass Saw The Angel'') and the film screenplay (''Film/TheProposition'') has shown an enormous interest in four things: flowers, stomach-churning violence, discussion of literature -- often in very unlikely places, and semi-heretical yet extremely pious examinations of religion.

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* Music/NickCave, throughout the songs he's written, the novel (''And The Ass Saw The Angel'') (''Literature/AndTheAssSawTheAngel'') and the film screenplay (''Film/TheProposition'') has shown an enormous interest in four things: flowers, stomach-churning violence, discussion of literature -- often in very unlikely places, and semi-heretical yet extremely pious examinations of religion.
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* If you see someone onstage playing a left-handed Hofner violin bass in something resembling a classic Beatlesuit, he is either Music/PaulMcCartney or someone trying to impersonate him as [[Music/TheBeatles a Beatle.]] If he is playing anything written after ''Music/{{Revolver|Beatles Album}}}'' or if there are no other Beatles impersonators, it's the real thing.

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* If you see someone onstage playing a left-handed Hofner violin bass in something resembling a classic Beatlesuit, he is either Music/PaulMcCartney or someone trying to impersonate him as [[Music/TheBeatles a Beatle.]] If he is playing anything written after ''Music/{{Revolver|Beatles Album}}}'' Album}}'' or if there are no other Beatles impersonators, it's the real thing.

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* If you see someone onstage playing a left-handed Hofner violin bass in something resembling a classic Beatlesuit, he is either Music/PaulMcCartney or someone trying to impersonate him as [[Music/TheBeatles a Beatle.]] If he is playing anything written after ''Music/{{Revolver}}'' or if there are no other Beatles impersonators, it's the real thing.

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* If you see someone onstage playing a left-handed Hofner violin bass in something resembling a classic Beatlesuit, he is either Music/PaulMcCartney or someone trying to impersonate him as [[Music/TheBeatles a Beatle.]] If he is playing anything written after ''Music/{{Revolver}}'' ''Music/{{Revolver|Beatles Album}}}'' or if there are no other Beatles impersonators, it's the real thing.



* Similarly, virtually every Music/{{Manowar}} song is about at least one of the following: warriors and warfare, how awesome heavy metal is, and Norse mythology.

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* Similarly, virtually every Music/{{Manowar}} song is about at least one of the following: warriors and warfare, [[HeavyMeta how awesome heavy metal is, is]], and Norse mythology.Myth/NorseMythology.



* Music/NineInchNails albums are usually concept albums. His music kept the exact same introspective subject matter (love, death, meaning etc) from the late 1980s to the early 2000s and reuses/d words like 'skin', 'broken', 'hole', 'bleeding', 'head', 'feels', 'falling/loss' [[http://www.ninwiki.com/Recurring_lyrics etc]]. He both whispers and shouts a lot, often in the same song.

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* Music/NineInchNails albums are usually concept albums.{{concept album}}s. His music kept the exact same introspective subject matter (love, death, meaning etc) from the late 1980s to the early 2000s and reuses/d words like 'skin', 'broken', 'hole', 'bleeding', 'head', 'feels', 'falling/loss' [[http://www.ninwiki.com/Recurring_lyrics etc]]. He both whispers and shouts a lot, often in the same song.
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* Jim Steinman, almost every song has three distinct movements, is at least 7 minutes long, features a choir of angels at some point, and sounds like Music/MeatLoaf is singing it, even if it's actually Bonnie Tyler, Celine Dion, or Air Supply.

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* Jim Steinman, almost Music/JimSteinman. Almost every song has three distinct movements, is at least 7 minutes long, features a choir of angels at some point, and sounds like Music/MeatLoaf is singing it, even if it's actually [[Music/HoldingOutforaHero Bonnie Tyler, Celine Dion, Tyler]], Music/CelineDion, or Air Supply.Music/AirSupply.
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* Are you listening to an {{instrumental|s}} {{electronic|Music}} rock song, does it have HipHop-style drum beats, is it heavily bass focused, does it have lush synthesizers, and does it feature minimal, yet highly strung guitar? If you answered yes to all of these, you are listening to a Ratatat song.

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* Are you listening to an {{instrumental|s}} {{electronic|Music}} rock song, does it have HipHop-style drum beats, is it heavily bass focused, does it have lush synthesizers, and does it feature minimal, yet highly strung guitar? If you answered yes to all of these, you are listening to a Ratatat song. (Also, there is a very high chance you are either watching an early episode of ''WebVideo/BingingWithBabish''[[note]]Which use "Cream on Chrome" as background music[[/note]] or listening to ''[[Creator/{{NPR}} Marketplace]]''.[[note]]Which uses "Loud Pipes" on occasion.[[/note]])
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* Music/RichardWagner's music is famous for brass ensemble writing, though, contrary to CommonKnowledge, more of this is quiet than loud; the [[https://www.youtube.com/watch?v=qw_SwaedUU0 Valhalla theme]] from ''Theatre/TheRingOfTheNibelung'' is a paradigmatic example. (Its scoring features the quartet of horn-like instruments specially invented for the work that have come to be known as "Wagner tubas.") Wagner's later operas (which he preferred to call music dramas) have long through-composed acts with a high density of {{Leitmotif}}s; the half-diminished seventh, popularly known as the ''[[Theatre/TristanUndIsolde Tristan]]'' chord, is actually prominently featured in several of them.

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* Music/RichardWagner's music is famous for brass ensemble writing, though, contrary to CommonKnowledge, more of this is quiet than loud; the [[https://www.youtube.com/watch?v=qw_SwaedUU0 Valhalla theme]] from ''Theatre/TheRingOfTheNibelung'' is a paradigmatic example. (Its scoring features the quartet of horn-like instruments specially invented for the work that have come to be known as "Wagner tubas.") Wagner's later operas (which he preferred to call music dramas) have long through-composed acts with a high density of {{Leitmotif}}s; the half-diminished seventh, popularly known as the ''[[Theatre/TristanUndIsolde ''[[Theatre/TristanUndIsoldeWagner Tristan]]'' chord, is actually prominently featured in several of them.



* Music/GeorgeJones: His 1950s music was marked by solid honky tonk and rockabilly, but by the 1960s, it had taken on a more countrypolitan/Nashville Sound feel, a style that he would retain throughout the mid 1970s before returning to a more honky-tonk sound mixed with modern contemporary country sounds. Lyrically, his songs -- some of the most critically acclaimed of the genre -- have ranged the gamut, but generally take either a fun, tongue-in-cheek approach ("The Race Is On," "Her Name Is ...," "The One I Loved Back Then") or heartbreak and alcohol-fueled depression with a decidedly self-destructive bent ("The Grand Tour," "He Stopped Loving Her Today"), with touches of reflection ("Who's Gonna Fill Their Shoes") mixed in.
* Hugh Padgham's best-known production technique is his "gated reverb" drum sound as heard on Music/PhilCollins' "In The Air Tonight"

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* Music/GeorgeJones: His 1950s music was marked by solid honky tonk honky-tonk and rockabilly, but by the 1960s, it had taken on a more countrypolitan/Nashville Sound feel, a style that he would retain throughout the mid 1970s before returning to a more honky-tonk sound mixed with modern contemporary country sounds. Lyrically, his songs -- some of the most critically acclaimed of the genre -- have ranged the gamut, but generally take either a fun, tongue-in-cheek approach ("The Race Is On," On", "Her Name Is ...," ", "The One I Loved Back Then") or heartbreak and alcohol-fueled depression with a decidedly self-destructive bent ("The Grand Tour," Tour", "He Stopped Loving Her Today"), with touches of reflection ("Who's Gonna Fill Their Shoes") mixed in.
* Hugh Padgham's best-known production technique is his "gated reverb" drum sound as heard on Music/PhilCollins' "In The Air Tonight"Tonight".

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* Wolfgang Amadeus Mozart has a habit where a number of pieces he writes have sections that end with a prominent trill at the big cadence. This was popular during the Rococo period.

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* Wolfgang Amadeus Mozart Music/WolfgangAmadeusMozart has a habit where a number of pieces he writes have sections that end with a prominent trill at the big cadence. This was popular during the Rococo period.



* Producer Rick Rubin's signature style is the minimal instrumentation, very few effects and overall feeling very stripped down.
** [[LoudnessWar Truly ridiculous brickwalling]].

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* Producer Rick Rubin's signature style is the minimal instrumentation, very few effects and overall feeling very stripped down.
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down. Also, [[LoudnessWar Truly truly ridiculous brickwalling]].
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* Music/EricWhitacre often had a very specific sound to his compositions. Often, a chorale-like piece with lots of major chords with oomph -- often with an added seventh, or fourth or second (from C, count up -- so B, F, D) and lyrics by his medieval historian poet best friend, Charles Anthony Silvestri.
* Two composers of the Renaissance -- Carlo Gesualdo and Vicente Lusitano -- had a signature style by doing things that would not be seen for another 400 years.

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* Amongst composers, Music/FrankZappa is known for his highly peculiar style. On guitar, he favored a Clarence "Gatemouth" Brown or Johnny "Guitar" Watson-inspired complex, left hand fingering, with lots of interaction with the drummer. As a composer, he loved to glue together separate elements and styles in an unpredictable collage of music. As a song writer, he is typified by industrial-strength sarcasm and a dislike of feminism. And he had a big nose and Johnny Otis's imperial mustache (recurring elements on album art).

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* Amongst composers, Music/FrankZappa is known for his highly peculiar style. On guitar, he favored a Clarence "Gatemouth" Brown or Johnny "Guitar" Watson-inspired Music/JohnnyGuitarWatson-inspired complex, left hand left-hand fingering, with lots of interaction with the drummer. As a composer, he loved to glue together separate elements and styles in an unpredictable collage of music. As a song writer, he is typified by industrial-strength sarcasm and a dislike of feminism. And he had a big nose and Johnny Otis's imperial mustache (recurring elements on album art).
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* Drummer Bill Bruford of Music/{{Yes}} and Music/KingCrimson is well known for drumming in a jazzy, yet very precise European style, and for his popping snare drum sound, achieved by hitting near he rim of the drum. He is also known for rarely drumming in a straight 4/4 beat, and for messing around with odd time signatures. His work with Simmons electronic drums in TheEighties is also distinctive.
** Music/KingCrimson itself, in TheEighties, deliberately steered clear of using hi-hats or cymbals, so Bruford used long, high-pitched cylindrical drums known as [[http://en.wikipedia.org/wiki/Octoban octobans]] in place of cymbals. This (along with bassist Tony Levin's use of the [[http://en.wikipedia.org/wiki/Chapman_stick Chapman Stick]]) contributed to the otherworldly rhythmic sound Crimson had in that decade.

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* Drummer Bill Bruford of Music/{{Yes}} and Music/KingCrimson is well known for drumming in a jazzy, yet very precise European style, and for his popping snare drum sound, achieved by hitting near he the rim of the drum. He is also known for rarely drumming in a straight 4/4 beat, and for messing around with odd time signatures. His work with Simmons electronic drums in TheEighties is also distinctive.
** Music/KingCrimson itself, in TheEighties, deliberately steered clear of using hi-hats or cymbals, so Bruford used long, high-pitched cylindrical drums known as [[http://en.wikipedia.org/wiki/Octoban octobans]] in place of cymbals. This (along with bassist Tony Levin's use of the [[http://en.wikipedia.org/wiki/Chapman_stick Chapman Stick]]) stick]]) contributed to the otherworldly rhythmic sound Crimson had in that decade.



* Music/BillAnderson is known for his slick 60's country-pop where most of his lyrics are spoken in a soft, hushed voice instead of sung, thus earning him the nickname "Whisperin' Bill".

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* Music/BillAnderson is known for his slick 60's '60s country-pop where most of his lyrics are spoken in a soft, hushed voice instead of sung, thus earning him the nickname "Whisperin' Bill".
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* Music/{{Nickelback}} has one, which causes a lot of SnarkBait on the internet. The most prominent features are muddy, leaden riffs and Chad Kroeger's distinctive [[{{yarling}} guttural, snarling voice]].

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* Music/{{Nickelback}} has one, which causes a lot of SnarkBait mockery on the internet. The most prominent features are muddy, leaden riffs and Chad Kroeger's distinctive [[{{yarling}} guttural, snarling voice]].
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* Does the song feature a mix of violins, minor-key electric guitars, and very long build-ups? If it also has field recordings and SpokenWordInMusic, it's probably Music/GodspeedYouBlackEmperor's earlier work. If it's more distorted and doesn't feature the recordings, it's their later work.

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* Does the song feature a mix of violins, minor-key electric guitars, DroneOfDread, and very long build-ups? If it also has field recordings and SpokenWordInMusic, it's probably Music/GodspeedYouBlackEmperor's earlier work. If it's more distorted and doesn't feature the recordings, it's their later work.
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* Does the song feature a mix of violins, minor-key electric guitars, and very long build-ups? If it also has field recordings and SpokenWordInMusic, it's probably Music/GodspeedYouBlackEmperor's earlier work. If it's more distorted and doesn't feature the recordings, it's their later work.
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* Jordan Pundik of Music/NewFoundGlory is famous for his distinctive nasally singing style, which occasionally makes him sound like he has a stuffy nose. It's not as unpleasant as it sounds.


* Music/StockAitkenWaterman's production style: heavily synthesized, drum-heavy, very loud dancepop. If it sounds remotely like the {{Rickroll}}, it was probably them.

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* Music/StockAitkenWaterman's production style: heavily synthesized, drum-heavy, very loud dancepop. If it sounds remotely like the {{Rickroll}}, JustForFun/{{Rickroll}}, it was probably them.
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* Music/ImogenHeap is instantly recognizable by her distinctive breathy, nasally singing style. She also ''really'' likes to layer her vocals, and she's known for songs that alternate between [[{{Scatting}} scat-singing]] and introspective lyrics about love and heartbreak.
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** Particularly true for the piano. He loves putting the piano in battle themes (see: "Decisive Battle" from [[VideoGame/FinalFantasyX FFX]], "Saber's Edge" from [[VideoGame/FinalFantasyXIII FFXIII]]) - to [[CrowningMusicOfAwesome epic]] effect.

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** Particularly true for the piano. He loves putting the piano in battle themes (see: "Decisive Battle" from [[VideoGame/FinalFantasyX FFX]], "Saber's Edge" from [[VideoGame/FinalFantasyXIII FFXIII]]) - to [[CrowningMusicOfAwesome [[SugarWiki/AwesomeMusic epic]] effect.
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* Masashi Hamauzu, composer for such games as the ''[[Franchise/SaGaRPG SaGa]]'' series and ''VideoGame/DirgeOfCerberus'', tends to use lots of strings and as one reviewer puts it, "crunchy" piano chords. And expect lots of [[RuleOfCool stylish]] violin solos. The result is a very elegant and uplifting sound.

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* Masashi Hamauzu, composer for such games as the ''[[Franchise/SaGaRPG SaGa]]'' ''VideoGame/{{SaGa|RPG}}'' series and ''VideoGame/DirgeOfCerberus'', tends to use lots of strings and as one reviewer puts it, "crunchy" piano chords. And expect lots of [[RuleOfCool stylish]] violin solos. The result is a very elegant and uplifting sound.
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* Songwriter Casey Beathard tends to write ''everything'' [[ThreeChordsAndTheTruth in D major with an almost ridiculously limited melody]]. He also went from writing a lot of songs about drinking (e.g. "Ten Rounds with Jose Cuervo" and "Drinkin' Bone" by Tracy Byrd, "The World Needs a Drink" by Terri Clark) to writing about being a father (e.g. "Ready, Set, Don't Go" by Billy Ray Cyrus, "Cleaning This Gun" and "He's Mine" by Rodney Atkins, "All I Ask For Anymore" and "Just Fishin'" by Music/TraceAdkins, "I See Me" by Travis Tritt).

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* Songwriter Casey Beathard tends to write ''everything'' [[ThreeChordsAndTheTruth in D major with an almost ridiculously limited melody]]. He also went from writing a lot of songs about drinking (e.g. "Ten Rounds with Jose Cuervo" and "Drinkin' Bone" by Tracy Byrd, "The World Needs a Drink" by Terri Clark) to writing about being a father (e.g. "Ready, Set, Don't Go" by Billy Ray Cyrus, Music/BillyRayCyrus, "Cleaning This Gun" and "He's Mine" by Rodney Atkins, Music/RodneyAtkins, "All I Ask For Anymore" and "Just Fishin'" by Music/TraceAdkins, "I See Me" by Travis Tritt).Music/TravisTritt).
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* Composer Philip Glass writes repetitive minimalistic music that is easy to identify as his. But, when asked what style of music he makes, he'll tell you that it' not a minimalism, but a "[[InsistentTerminology process music]]". See his sometime collaborators, Kronos Quartet, for another example.

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* Composer Philip Glass Music/PhilipGlass writes repetitive minimalistic music that is easy to identify as his. But, when asked what style of music he makes, he'll tell you that it' not a minimalism, but a "[[InsistentTerminology process music]]". See his sometime collaborators, Kronos Quartet, for another example.

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