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* AssPull: [[invoked]] An example of the "Character Made It Up On The Spot". It worked so well, he pulls it out again for some Romulans in "[[Recap/StarTrekS2E12TheDeadlyYears The Deadly Years]]".


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* IndyPloy: An example of the "Character Made It Up On The Spot". It worked so well, he pulls it out again for some Romulans in "[[Recap/StarTrekS2E12TheDeadlyYears The Deadly Years]]".

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* IResembleThatRemark: Kirk berates [=McCoy=] for not telling him about an alert. After Kirk leaves, [=McCoy=] says to himself, "If I jumped every time a light came on around here, I'd... end up talking to myself."
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* CunningPeoplePlayPoker: When faced with Balok's incomprehensible mothership threatening to destroy the Enterprise, Spock contextualises their situation as a game of chess and concludes Balok has declared checkmate. Captain Kirk changes the game to poker, and then bluffs that Enterprise has a defense feature that will ensure that if it's destroyed, Balok's ship will also get blown up.
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[[caption-width-right:299:You know. '''That''' face.]]

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[[caption-width-right:299:You know. '''That''' face.[[caption-width-right:299:This face was a mainstay of the closing credits for some time. Now there's a delightful image to leave viewers with.]]
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* {{Foreshadowing}}: The first instance Kirk is NotAfraidToDie. He's using it as a BrandishmentBluff this time, but later episodes (like "Arena") will have characters concerned about how much he finds the ship more important than his own lidf.

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* {{Foreshadowing}}: The first instance Kirk is NotAfraidToDie. He's using it as a BrandishmentBluff this time, but later episodes (like "Arena") will have characters concerned about how much he finds the ship more important than his own lidf.life.
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Not So Different has been renamed, and it needs to be dewicked/moved


* NotSoDifferent: During their conversation at the end of the episode, Balok points out several things he and Kirk have in common, such as the fact that each is proud of his ship.

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** While Kirk is mostly different from Pike (younger, and tired in a different way), he's still annoyed at a female yeoman, when he'd defend women on the ship later on.



** While Kirk is mostly different from Pike (younger, and tired in a different way), he's still annoyed at a female yeoman, when he'd defend women on the ship later on.


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* {{Foreshadowing}}: The first instance Kirk is NotAfraidToDie. He's using it as a BrandishmentBluff this time, but later episodes (like "Arena") will have characters concerned about how much he finds the ship more important than his own lidf.
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** While Kirk is mostly different from Pike (younger, and tired in a different way), he's still annoyed at a female yeoman, when he'd defend women on the ship later on.
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You know how often at the end of a ''Star Trek'' ep they'll show a CreditsMontage, often ending with a [[NightmareFace creepy, blue alien face]]? Well, this is the ep that still came from! And if you watch it all the way through, [[NightmareRetardant that face won't seem so scary anymore.]] Ironically enough, facing your fears is the [[AnAesop Aesop]] of this episode.

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You know how often at the end of a ''Star Trek'' ep they'll show a CreditsMontage, often ending with a [[NightmareFace creepy, blue alien face]]? Well, this is the ep that still came from! And if you watch it all the way through, [[NightmareRetardant that face won't seem so scary anymore.]] Ironically enough, facing your fears is the [[AnAesop Aesop]] of this episode.

'''Original air date:''' November 10, 1966
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* BottleEpisode: As the first proper (non-pilot) episode, almost all of it is spent on the Enterprise bridge getting to know the main charcters, both old (Spock's infamously stoic new personality; George Takei as helmsman rather than a bit part) and new ([=DeForest=] Kelley, Nichelle Nichols, and Grace Lee Whitney make their debut).

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* BottleEpisode: As the first proper (non-pilot) episode, almost all of it is spent on the Enterprise bridge getting to know the main charcters, characters, both old (Spock's infamously stoic new personality; George Takei as helmsman rather than a bit part) and new ([=DeForest=] Kelley, Nichelle Nichols, and Grace Lee Whitney make their debut).
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* SmartPeoplePlayChess: In light of this episode, maybe the trope should be "Book Smart People Play Chess" and a new trope be called "Street Smart People Play Poker".

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* SmartPeoplePlayChess: In light of this episode, maybe the trope should be "Book Smart People Play Chess" and a new trope be called "Street Smart People Play Poker". Spock contextualizes their conflict with Balok as a game of chess: Balok has them in checkmate, the game is over, ''Enterprise'' loses. Kirk changes the game to poker, and bluffs his way to victory.
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* WhereIsYourXNow?: Averted as Balok is civilized enough to respect such beliefs as they might help the Enterprise crew accept their inevitable fate.

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* WhereIsYourXNow?: WhereIsYourXNow: Averted as Balok is civilized enough to respect such beliefs as they might help the Enterprise crew to accept their inevitable fate.fate.
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* WhereIsYourXNow?: Averted as Balok is civilized enough to respect such beliefs as they might help the Enterprise crew accept their inevitable fate.
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* CharacterisationClickMoment: Originally, Spock didn't have the impassive, scientific characterization he is famous for. Creator/LeonardNimoy said the character first began to click for him when someone suggested he react to Balok's threatening ship with "Fascinating."
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* EstablishingCharacterMoment[=/=]ThrowItIn: The script directed Spock to emote a fearful reaction upon his first sight of the Balok puppet, but director Joseph Sargent suggested to Creator/LeonardNimoy that he simply ignore what the script called for, to see it as an object of curiosity rather than a threat, and react with [[CatchPhrase the single word: "Fascinating."]]

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* EstablishingCharacterMoment[=/=]ThrowItIn: EstablishingCharacterMoment: The script directed Spock to emote a fearful reaction upon his first sight of the Balok puppet, but director Joseph Sargent suggested to Creator/LeonardNimoy that he simply ignore what the script called for, to see it as an object of curiosity rather than a threat, and react with [[CatchPhrase the single word: "Fascinating."]]



** Sargent was also the one who insisted the bridge crew ''must'' include black personnel. The episodes weren't filmed in the order you see them, so Uhura appears in "earlier" episodes, but this is where Joe d'Agosta brought in Nichelle Nichols and the rest is history.

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** Sargent was also the one who insisted the bridge crew ''must'' include black personnel. The episodes weren't filmed in the order you see them, so Uhura appears in "earlier" episodes, but this is where Joe d'Agosta brought in Nichelle Nichols Creator/NichelleNichols and the rest is history.
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** The episode has some solid character-building moments for Kirk, Spock, and Bones, but the FreudianTrio concept hasn't been realized yet. In fact, Spock and Bones hardly interact at all.

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** The episode has some solid character-building moments for Kirk, Spock, and Bones, but the FreudianTrio concept hasn't been realized yet. In fact, Spock and Bones hardly interact at all. A comeback you'd ''think'' would be a perfect fit for Bones ("then may heaven have helped your mother"), is given to ''Scotty'', of all people.
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* RaceAgainstTheClock: They only have 10 (Earth) minutes to get out of this. Sulu is watching the clock for them when Balok isn't reminding them. Scotty eventually gets annoyed by Sulu's counting down, saying he has "an unhealthy obsession with timepieces".

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* RaceAgainstTheClock: They only have 10 (Earth) minutes to get out of this. Sulu is watching the clock for them when Balok isn't reminding them. Scotty eventually gets annoyed by Sulu's counting down, saying he has "an unhealthy obsession annoying fascination with timepieces".
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!!Tropes for this episode include:

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!!Tropes for this episode include:
!!The Corbomite Tropes:
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* HelloNurse: Yeoman Rand. Kirk has a hard time ignoring her charms.

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* HelloNurse: HeadTurningBeauty: Yeoman Rand. Kirk has a hard time ignoring her charms.

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* ReadingsAreOffTheScale: Spock says this of Balok's mothership when they're attempting to measure its size.

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* ReadingsAreOffTheScale: Spock says this of Balok's mothership when they're attempting to measure its size. Which makes no sense, given that the Enterprise's sensors are able to easily measure the mass of moons, planets, stars, and even black holes, and that ship is nowhere even close to the size/mass of a small moon, let alone something larger.


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** The Fesarius itself. The ship's sensors seem to be unable to measure its mass, despite the sensors in other episodes being able to measure objects orders of magnitude larger (like moons, planets, stars, and black holes). Sure, while the ship is massive compared to the Enterprise, it's nowhere even close to a moon, let alone a planet or something bigger.
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* OminousCube: The Enterprise encounters a cube-shaped buoy that blocks their path and eventually begins emitting harmful radiation forcing them to destroy it. Of course, it turns out that it was a marker buoy belonging to The First Federation and destroying it signals a massive ship to come out and attack the Enterprise.
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* DissonantSerenity: InUniverse when Bailey freaks out over everyone's calm response to their imminent death.

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* DissonantSerenity: InUniverse when as Bailey freaks out over can't believe everyone's calm response to their imminent death.
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* YouHaveNoChanceToSurvive: Justified seeing as the object is a SecretTestOfCharacter. It's not like Starfleet doesn't do something similar to see how their recruits face certain death.

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* YouHaveNoChanceToSurvive: Justified JustifiedTrope seeing as the object is a SecretTestOfCharacter. It's not like Starfleet doesn't do [[Film/StarTrekIITheWrathOfKhan something similar to see how their recruits face certain death.death]].

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* DissonantSerenity: InUniverse when Bailey freaks out over everyone's calm response to their imminent death.



* WeComeInPeaceShootToKill: Though advocated by Bailey, not Captain Kirk who'd prefer to leave peacefully, and only fires at the last moment when the [[ExactTimeToFailure increasing radiation levels]] emitted by the buoy endanger their lives.

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* WeComeInPeaceShootToKill: Though advocated by Bailey, Bailey not Captain Kirk Kirk, who'd prefer to leave peacefully, peacefully and only fires at the last moment when the [[ExactTimeToFailure increasing radiation levels]] emitted by the buoy endanger their lives.lives.
* YouHaveNoChanceToSurvive: Justified seeing as the object is a SecretTestOfCharacter. It's not like Starfleet doesn't do something similar to see how their recruits face certain death.
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* IfIDoNotReturn: The first time Balok threatens their vessel Kirk orders a recorder marker dispatched to warn other Earth ships, but it's destroyed on launch.
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* AlwaysABiggerFish: After Enterprise destroys the cube-shaped buoy, it's intercepted by Balok's vessel that dwarfs it in size.
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* TheyWastedAPerfectlyGoodSandwich: Kirk is annoyed when Yeoman Rand serves him salad on DoctorsOrders, but fortunately a RedAlert gives him an excuse to leave it behind.

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* TheyWastedAPerfectlyGoodSandwich: Kirk is annoyed when Yeoman Rand serves him salad [[MeatVersusVeggies salad]] on DoctorsOrders, but fortunately a RedAlert gives him an excuse to leave it behind.

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* TheyWastedAPerfectlyGoodSandwich: Kirk is annoyed when Yeoman Rand serves him salad on DoctorsOrders, but fortunately a RedAlert gives him an excuse to leave it behind.



* YouWastedAPerfectlyGoodSandwich: Kirk isn't happy when Rand serves him salad on DoctorsOrders, but fortunately a RedAlert gives him an excuse to leave it behind.

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* YouWastedAPerfectlyGoodSandwich: Kirk isn't happy when Rand serves him salad on DoctorsOrders, but fortunately a RedAlert gives him an excuse to leave it behind.
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* YouWastedAPerfectlyGoodSalad: Kirk isn't happy when Rand serves his salad on DoctorsOrders, but fortunately a RedAlert gives him an excuse to leave it behind.

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* YouWastedAPerfectlyGoodSalad: YouWastedAPerfectlyGoodSandwich: Kirk isn't happy when Rand serves his him salad on DoctorsOrders, but fortunately a RedAlert gives him an excuse to leave it behind.

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