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History Recap / NightmareTimeS1E2ForeverAndAlwaysAndTimeBastard

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* TheFamilyThatSlaysTogether: At the end [[spoiler:Emma and Paul both admit they're duplicates who killed their originals and agree to go and kill the homeless man who knows she isn't the original so he won't blow her cover.]]
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* BroadStrokes: Treats Paul and Emma's relationship from ''Theatre/TheGuyWhoDidntLikeMusicals'' as canon but omits the AlienInvasion.

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* RealityEnsues: Dan and Donna's hilarious FreakOut is a nice reality check that if a genuinely sapient TalkingAnimal actually existed in RealLife they would in fact be treated as an EldritchAbomination whose existence would overturn most of the assumptions our society is based on.


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* SurprisinglyRealisticOutcome: Dan and Donna's hilarious FreakOut is a nice reality check that if a genuinely sapient TalkingAnimal actually existed in RealLife they would in fact be treated as an EldritchAbomination whose existence would overturn most of the assumptions our society is based on.
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* TakeOurWordForIt: For the filthy, disgusting appearance of the "real" Tinky, for the elaborate futuristic office building of CCRP in 2104 and the horrifying inhuman appearance of Executive Kilgore (represented in this reading with [[CheapCostume bits of foil on Jeff Blim's face]], and most of all for the quite expensive special effect of the DisintegratorRay.

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* TakeOurWordForIt: For the filthy, disgusting appearance of the "real" Tinky, for the elaborate futuristic office building of CCRP in 2104 and the horrifying inhuman appearance of Executive Kilgore (represented in this reading with [[CheapCostume bits of foil on Jeff Blim's face]], face]]), and most of all for the quite expensive special effect of the DisintegratorRay.
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* LotusEaterMachine: The HopeSpot with the "AlternateTimeline" of Ted and Jenny's wedding seems like a DreamSequence, but TheNarrator outright tells us it isn't -- it's far too vivid to be a dream, with Ted being able to smell Jenny's skin and feel hear breath on his neck, taste the wedding cake, etc. In hindsight, it's probably this trope, with Tinky using his RealityWarper powers on Ted directly.

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* LotusEaterMachine: The HopeSpot with the "AlternateTimeline" of Ted and Jenny's wedding seems like a DreamSequence, but TheNarrator outright tells us it isn't -- it's far too vivid to be a dream, with Ted being able to smell Jenny's skin and feel hear her breath on his neck, taste the wedding cake, etc. In hindsight, it's probably this trope, with Tinky using his RealityWarper powers on Ted directly.
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* {{Metaphorgotten}}: When Ted expresses skepticism at the idea of having sex with a robot, Prof. Hidgens gives Ted an optimistic speech about how "anything is possible with imagination and a little elbow grease"... then muses that "any kind of lube will do".
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* NeckLift: Robot Emma shows off her SuperStrength doing this to Real Emma while delivering her MotiveRant (which is, of course, all done by Creator/LaurenLopez in [[TakeOurWordForIt pantomime]]).
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* DespairEventHorizon: Ted is ''about'' to cross it when Jenny dies by disintegration, and is fully lost to it when his attempt to SetRightWhatOnceWentWrong fails utterly and he realizes he's lost his TimeTravel powers (thanks to havnig gone back too far) and is TrappedInThePast. It's vaguely implied that coming into full awareness of one's nature as a TimeParadox entails crossing the DespairEventHorizon completely and entering [[AndIMustScream the Bastard's Box]].

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* DespairEventHorizon: Ted is ''about'' to cross it when Jenny dies by disintegration, and is fully lost to it when his attempt to SetRightWhatOnceWentWrong fails utterly and he realizes he's lost his TimeTravel powers (thanks to havnig having gone back too far) and is TrappedInThePast. It's vaguely implied that coming into full awareness of one's nature as a TimeParadox entails crossing the DespairEventHorizon completely and entering [[AndIMustScream the Bastard's Box]].
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* GettingCrapPastTheRadar: In-universe -- Ted thinks he's doing this when he refers to his mustache as a "bush-brush", but clearly isn't.

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%% * GettingCrapPastTheRadar: In-universe -- Ted thinks he's doing GettingCrapPastThe Radar: Due to overwhelming and persistent misuse, GCPTR is on-page examples only until 01 June 2021. If you are reading this when he refers in the future, please check the trope page to his mustache as a "bush-brush", but clearly isn't.make sure your example fits the current definition.
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* ReunionShow: One for both the actors and characters from ''Theatre/TheGuyWhoDidntLikeMusicals'', minus only Mariah Rose Faith -- all of the core cast of ''TGWDLM'' reappear as their primary characters from that show in either this story or its immediate sequel, "Time Bastard", since it's about all of Paul's friends from CCRP Technical showing up at his wedding.
* RobotGirl: Robot Emma is this, naturally. A synthetic organism made from the original's genetic material in her likeness.

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* ReunionShow: One for both the actors Alongside ''Time Bastard'', ''Forever and characters from Always'' acts as a proper follow-up to ''Theatre/TheGuyWhoDidntLikeMusicals'', minus only Mariah Rose Faith -- all of bringing back Paul (well, close enough), Emma, Ted, Charlotte, Bill, Professor Hidgens, Mr. Davidson, and the core cast of ''TGWDLM'' reappear as their primary characters from that show in either this story or its immediate sequel, "Time Bastard", since it's about all of Paul's friends from CCRP Technical showing up at his wedding.
Homeless Man.
* RobotGirl: Robot Emma is this, naturally. A synthetic organism made from the original's genetic material in her likeness.

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* AccidentalPervert: A classic example, with Paul trying to give a casual hug and kiss to someone he ''thinks'' is his wife but is actually a shocked and offended stranger -- complete with a chivalrous bystander (naturally played by [[TheBigGuy Dylan Saunders]]) butting in and offering to beat the crap out of him if he doesn't leave the lady alone.



* MistakenForPervert: A classic example, with Paul trying to give a casual hug and kiss to someone he ''thinks'' is his wife but is actually a shocked and offended stranger -- complete with a chivalrous bystander (naturally played by [[TheBigGuy Dylan Saunders]]) butting in and offering to beat the crap out of him if he doesn't leave the lady alone.
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* MistakenForPervert: A classic example, with Paul trying to give a casual hug and kiss to someone he ''thinks'' is his wife but is actually a shocked and offended stranger -- complete with a chivalrous bystander (naturally played by [[TheBigGuy Dylan Saunders]]) butting in and offering to beat the crap out of him if he doesn't leave the lady alone.


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** A few people have commented on how Creator/LaurenLopez's discomfort with stage kissing led to the BigDamnKiss moment being subverted in ''Theatre/TheGuyWhoDidntLikeMusicals'' -- one silver lining of ''Nightmare Time'' being done over Zoom is the audience being willing to suspend disbelief and accept the BigDamnKiss moment at Paul and Emma's wedding being described in narration without Paul and Emma actually making contact (being in separate windows).
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* ContrivedCoincidence: One reason Ted can't let go of TheOneThatGotAway is that the ''very next day'' after he tried and failed to [[CannotSpitItOut pluck up the courage to confess to her]] he found a DearJohn letter saying she'd left town never to return because -- crushing {{irony}} of ironies -- she couldn't stand being around him knowing her love for him was [[UnrequitedTragicMaiden unrequited]].


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* InstantSedation: Future Ted subdues his past self using the classic rag soaked in ether.


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* LiquidCourage: Young Ted spent the whole day pouring himself another drink until his inhibitions were finally lowered enough to go confess his love to Jenny... and never reached that point before he passed out and fell unconscious. At least, that's what he ''thought'' happened -- in reality he just gave Future Ted the opportunity to ambush him in his drunken state with an [[InstantSedation ether-soaked rag]].
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* GettingCrapPastTheRadar: In-universe -- Ted thinks he's doing this when he refers to his mustache as a "bush-brush", but clearly isn't.

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* ShoutOut: Hidgens describing his ability to have sex with inanimate objects like an Amazon Echo as "Life... life finds a way", quoting Ian Malcolm from ''Film/JurassicPark''.


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** Hidgens describing his ability to have sex with inanimate objects like an Amazon Echo as "Life... life finds a way", quoting Ian Malcolm from ''Film/JurassicPark''.
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* ShoutOut: Hidgens describing his ability to have sex with inanimate objects like an Amazon Echo as "Life... life finds a way", quoting Ian Malcolm from ''Film/JurassicPark''.
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* AndNowForSomethingCompletelyDifferent: "Peanuts!" is ''wildly'' different from even the silliest ''Nightmare Time'' story proper.
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* DreamSue: The ambiguous DreamSequence of Ted and Jenny's wedding doesn't give Ted his TheOneThatGotAwayBack, it makes ''everything'' in his life better -- Paul ''actually is'' his best friend and best man instead of barely tolerating him, his {{Frenemy}} Bill is now his direct subordinate at work who seeks his approval -- in fact, just the fact that he has a huge crowd of approving friends and family on his side of the aisle means his life is much better than his real life as TheFriendNobodyLikes. Sadly, what we learn about Ted's life is that this trope is justified -- [[ForWantOfANail it was losing Jenny in the first place]] that triggered Ted's downward spiral into an unrepentant {{Jerkass}} to everyone around him in an effort to NeverBeHurtAgain.

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* DreamSue: The ambiguous DreamSequence of Ted and Jenny's wedding doesn't just give Ted his TheOneThatGotAwayBack, TheOneThatGotAway back, it makes ''everything'' in his life better -- Paul ''actually is'' his best friend and best man instead of barely tolerating him, his {{Frenemy}} Bill is now his direct subordinate at work who seeks his approval -- in fact, just the fact that he has a huge crowd of approving friends and family on his side of the aisle means his life is much better than his real life as TheFriendNobodyLikes. Sadly, what we learn about Ted's life is that this trope is justified -- [[ForWantOfANail it was losing Jenny in the first place]] that triggered Ted's downward spiral into an unrepentant {{Jerkass}} to everyone around him in an effort to NeverBeHurtAgain.
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* AlternateTimeline: Name-dropped in this story, as Ted's explanation for the DreamSequence of his and Jenny's wedding, leading to his determination to SetRightWhatOnceWentWrong and make that timeline real. In a bit of DramaticIrony, even though we know {{Alternate Timeline}}s ''are'' a thing in this setting -- because we've already seen several of them where [[TheChewToy Ted is dead]] -- this trope is harshly ''averted'' by this story, which always took place in only one timeline in a StableTimeLoop (and where the "Ted/Jenny wedding timeline" was probably always just a LotusEaterMachine).


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* WrongGenreSavvy: Ted is familiar enough with science-fiction tropes -- as are most people these days -- that when he finally realizes he's actually capable of TimeTravel he ''immediately'' seizes on the idea of an AlternateTimeline and decides his story is a SetRightWhatOnceWentWrong plot to get back to the reality where he married Jenny. Unfortunately, the presence of the taunting EldritchAbomination Tinky should've clued him in that he's actually in a SciFiHorror story where the only outcome of attempting to abuse TimeTravel is an [[{{Irony}} ironic downfall]].
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* DreamSue: The ambiguous DreamSequence of Ted and Jenny's wedding doesn't give Ted his TheOneThatGotAwayBack, it makes ''everything'' in his life better -- Paul ''actually is'' his best friend and best man instead of barely tolerating him, his {{Frenemy}} Bill is now his direct subordinate at work who seeks his approval -- in fact, just the fact that he has a huge crowd of approving friends and family on his side of the aisle means his life is much better than his real life as TheFriendNobodyLikes. Sadly, what we learn about Ted's life is that this trope is justified -- [[ForWantOfANail it was losing Jenny in the first place]] that triggered Ted's downward spiral into an unrepentant {{Jerkass}} to everyone around him in an effort to NeverBeHurtAgain.


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* LotusEaterMachine: The HopeSpot with the "AlternateTimeline" of Ted and Jenny's wedding seems like a DreamSequence, but TheNarrator outright tells us it isn't -- it's far too vivid to be a dream, with Ted being able to smell Jenny's skin and feel hear breath on his neck, taste the wedding cake, etc. In hindsight, it's probably this trope, with Tinky using his RealityWarper powers on Ted directly.
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* SurvivalMantra: We get yet another CallBack to Paul's "Okay... okay... okay..." from ''Theatre/TheGuyWhoDidntLikeMusicals''; this time Paul uses it while trying to process Emma's [[ConfessToALesserCrime initial confession that she's an impostor]].
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* MyNameIsInigoMontoya: After his NoHoldsBarredBeatdown of Young Andy, Ted not only leaves him alive, but outright ''tells him'' to remember the face of the man who beat him and his [[TheRedBaron badass title]] of "The Time Bastard" -- not just TemptingFate but ''ensuring'' that the StableTimeLoop that turns Andy into Executive Andrew Kilgore is completed. (Sadly, Ted doesn't yet know exactly how this StableTimeLoop ends...)
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* DrivesLikeCrazy: Emma describes the tour bus driver in Guatemala doing this (unfortunately TruthInTelevision for many tour bus drivers) going up the mountain to Tikal, leading to the tragic bus accident she barely survived. It turns out this was VehicularSabotage by Emma 2, who picked this way to do it to more effectively MakeItLookLikeAnAccident.


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* MakeItLookLikeAnAccident: Emma 2 considers it very important to do this whenever killing somebody, even when doing so ''massively'' increases the CollateralDamage.
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** Many fans therefore took notice of this trope being ''averted'' with Emma's knife -- an actual high-quality kitchen knife Lauren brandishes with surprisingly carefreeness during the fight scenes.

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** Many fans therefore took notice of this trope being ''averted'' with Emma's knife -- an actual high-quality kitchen knife Lauren brandishes with surprisingly surprising carefreeness during the fight scenes.
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* PostProcessingVideoEffects: Mariah's character gets a bunch laid on her in the SurrealMusicVideo TitleSequence -- first BishieSparkle, then PetalPower, followed by a final layer of {{Pixellation}} and {{Ominous Visual Glitch}}ing in the last verse, as though to indicate she's not really there and being viewed on a screen. The vague implication -- along with her wiping away a SingleTear before Robert sings the last line, "us", alone -- is that their relationship ended tragically and she's only a LivingMemory of his LostLenore.

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* PostProcessingVideoEffects: Mariah's character gets a bunch laid on her in the SurrealMusicVideo TitleSequence -- first BishieSparkle, then PetalPower, followed by a final layer of {{Pixellation}} and {{Ominous Visual Glitch}}ing in the last verse, as though to indicate she's not really there and being viewed on a screen. The vague implication -- along with her wiping away a SingleTear before Robert sings the last line, word, "us", alone -- is that their relationship ended tragically and she's only a LivingMemory of his LostLenore.
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* OutOfFocus: Some fans were surprised -- and a bit disappointed -- that despite the heartfelt heart-to-heart Hidgens and Ted have at the beginning of this story, nothing comes of it and Hidgens plays no significant further role in the plot (including [[ChronicallyKilledActor not being killed]]).

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* DearJohnLetter: The tragedy of Ted's past revolves around finding a letter from his best friend Jenny confessing her love to him and saying she was leaving with Andy to Clivesdale because she couldn't bear the knowledge that her love was unrequited. We get to see her writing it in the past later in the episode.


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* DearJohnLetter: The tragedy of Ted's past revolves around finding a letter from his best friend Jenny confessing her love to him and saying she was leaving with Andy to Clivesdale because she couldn't bear the knowledge that her love was unrequited. We get to see her writing it in the past later in the episode.
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* RedHerring: Andrew Kilgore both gives ''true'' {{Foreshadowing}} that two of Creator/JoeyRichter's characters are TwoAliasesOneCharacter ("Here, you are a homeless man, Mr. Spankoffski") and ''false'' foreshadowing just to throw us off the scent ("He's a wily one!"). (At least, there's no indication thus far that Ted and Uncle Wiley are the same person, and if they were it would require one hell of a convoluted explanation.)
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* OnlySaneMan: The Man in a Hurry gets to play this next to Dan and Donna in this video, with his bemused, [[RunningGag impatient]] responses ("I don't know..." and ''"I don't know!"'') to their increasingly frantic questions about his opinion of Peanuts.

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