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* AnachronismStew: Scott Aiello’s review — supposedly written in UsefulNotes/TheNineties for a recently released (fictional) movie — describes Creator/MichellePieffer as an up-and-coming actress. In RealLife, she had already been a star for over a decade by that point.

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* AnachronismStew: Scott Aiello’s Andy Hoover’s review — supposedly written in UsefulNotes/TheNineties for a recently released (fictional) movie — describes Creator/MichellePieffer as an up-and-coming actress. In RealLife, she had already been a star for over a decade by that point.


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* BodyBackupDrive: The {{Mockumentary}} Lost Down the Rage Chasm: A Pitr Strait Story claims that Pitr Strait died [[YourHeadExplode very unexpectedly]] early on in the show, but has since been brought back [[ExpendableClone hundreds of times]] by Paulo Quiros, who uses ”necrobothany” to grow Pitr clones in his rooftop garden. Some of the clones were supposedly murdered by Jon Miller and — at least in one case — Tim Nolan, whereas others simply exploded or spontaneously combusted, something which interviewee [[UnreliableNarrator Scott Aiello]] credits partially to CloneDegeneration, partially to Pitr being ”a white guy[[note]]Pitr has presumably become an OppositeSexClone since. It has yet to be stated whether this has had any effect on her incineration rate, though it appears to have alleviated her hair loss, if nothing else.[[/note]] from the suburbs.”
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* AnachronismStew: Scott Aiello’s review — supposedly written in UsefulNotes/TheNineties for a recently released (fictional) movie — describes Creator/MichellePieffer as an up-and-coming actress. In RealLife, she had already been a star for over a decade by that point.
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--->"Weekend at Bernie’s, the latest [[ArcWords offering]] from talented but often frustrating director Paulo Quiros. A madcap, avant garde spectacle, and at times a mortifying and confusing examination of what it is to alive in 1989. It is many things, but I can not tell you if it is — [[LeaningOnTheFourthWall in the strictest sense of the word]] — a movie. Based on the semi-autobiographical mea culpa We Thought We Were Gods: The Real Story of Hampton Island by Richard Parker, Weekend at Bernie’s takes a surprisingly bold and often offensive approach to the infamous events on Hampton Isle which left two dead and several injured. While previous attempts to dramatise the events of July 3rd, 1989 — including of course Music/DavidByrne’s solo concept album The Mask of the Duck — while those took a more dark thriller tack, this so-called “comedy” leans into the absurdity of these real-life events. At its best, the film delivers on its grim promise of black comedy, reveling in the pathetic absurdity of central players Richard Parker and Larry Wilson. This movie so disturbed me that it made me question the entire career that I had chosen as a movie critic, as well as my marriage, and the fact that I was born with eyes and ears.

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--->"Weekend at Bernie’s, the latest [[ArcWords offering]] from talented but often frustrating director Paulo Quiros. A madcap, avant garde spectacle, and at times a mortifying and confusing examination of what it is to alive in 1989. It is many things, but I can not tell you if it is — [[LeaningOnTheFourthWall in the strictest sense of the word]] — a movie. Based on the semi-autobiographical mea culpa We Thought We Were Gods: The Real Story of Hampton Island by Richard Parker, Weekend at Bernie’s takes a surprisingly bold and often offensive approach to the infamous events on Hampton Isle which left two dead and several injured. While previous attempts to dramatise the events of July 3rd, 1989 — including of course Music/DavidByrne’s solo concept album The Mask of the Duck — while those took a more dark thriller tack, this so-called “comedy” leans into the absurdity of these real-life events. At its best, the film delivers on its grim promise of black comedy, reveling in the pathetic absurdity of central players Richard Parker and Larry Wilson. This movie so disturbed me that it made me question the entire career that I had chosen as a movie critic, as well as my marriage, and the fact that I was born with eyes and ears. I look forward to salvation, but must commend the performance of a young Creator/MichellePhieffer in the role of Baby Destruction. That kid is going places.
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--->"Weekend at Bernie’s, the latest [[ArcWords offering]] from talented but often frustrating director Paulo Quiros. A madcap, avant garde spectacle, and at times a mortifying and confusing examination of what it is to alive in 1989. It is many things, but I can not tell you if it is — [[LeaningOnTheFourthWall in the strictest sense of the word]] — a movie. Based on the semi-autobiographical mea culpa We Thought We Were Gods: The Real Story of Hampton Island by Richard Parker, Weekend at Bernie’s takes a surprisingly bold and often offensive approach to the infamous events on Hampton Isle which left two dead and several injured. While previous attempts to dramatise the events of July 3rd, 1989 — including of course Music/DavidByrne’s solo concept album The Mask of the Duck — while those took a more dark thriller tack, this so-called “comedy” leans into the absurdity of these real-life events.

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--->"Weekend at Bernie’s, the latest [[ArcWords offering]] from talented but often frustrating director Paulo Quiros. A madcap, avant garde spectacle, and at times a mortifying and confusing examination of what it is to alive in 1989. It is many things, but I can not tell you if it is — [[LeaningOnTheFourthWall in the strictest sense of the word]] — a movie. Based on the semi-autobiographical mea culpa We Thought We Were Gods: The Real Story of Hampton Island by Richard Parker, Weekend at Bernie’s takes a surprisingly bold and often offensive approach to the infamous events on Hampton Isle which left two dead and several injured. While previous attempts to dramatise the events of July 3rd, 1989 — including of course Music/DavidByrne’s solo concept album The Mask of the Duck — while those took a more dark thriller tack, this so-called “comedy” leans into the absurdity of these real-life events. At its best, the film delivers on its grim promise of black comedy, reveling in the pathetic absurdity of central players Richard Parker and Larry Wilson. This movie so disturbed me that it made me question the entire career that I had chosen as a movie critic, as well as my marriage, and the fact that I was born with eyes and ears.
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--->"Weekend at Bernie’s, the latest [[ArcWords offering]] from talented but often frustrating director Paulo Quiros. A madcap, avant garde spectacle, and at times a mortifying and confusing examination of what it is to alive in 1989. It is many things, but I can not tell you if it is — [[LeaningOnTheFourthWall in the strictest sense of the word]] — a movie.

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--->"Weekend at Bernie’s, the latest [[ArcWords offering]] from talented but often frustrating director Paulo Quiros. A madcap, avant garde spectacle, and at times a mortifying and confusing examination of what it is to alive in 1989. It is many things, but I can not tell you if it is — [[LeaningOnTheFourthWall in the strictest sense of the word]] — a movie. Based on the semi-autobiographical mea culpa We Thought We Were Gods: The Real Story of Hampton Island by Richard Parker, Weekend at Bernie’s takes a surprisingly bold and often offensive approach to the infamous events on Hampton Isle which left two dead and several injured. While previous attempts to dramatise the events of July 3rd, 1989 — including of course Music/DavidByrne’s solo concept album The Mask of the Duck — while those took a more dark thriller tack, this so-called “comedy” leans into the absurdity of these real-life events.
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--->"Weekend at Bernie’s, the latest [[ArcWords offering]] from talented but often frustrating director Paulo Quiros. A madcap, avant garde spectacle, and at times a mortifying and confusing examination of what it is to alive in 1989. It is many things, but I can not tell you if it is — [[LeaningOnTheFourthWall in the strictest sense of the word]] — a movie.
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** The third riddle:
--->"I’m a most melodic creature,\\
With vocal nightengale features.\\
Upon new stages there I sing,\\
Through olden songs of jazz and swing.\\
And though they say I’m like Sinatra,\\
To him I’d like to say ’I’m not ya.’”[[note]]Answer: Creator/MichaelBuble[[/note]]

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** The first riddle:



each with these important features.\\

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each Each with these important features.\\



we travel up, as down we drain.\\

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we We travel up, as down we drain.\\



we swim the water while you scrub.\\

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we We swim the water while you scrub.\\



to solve this riddle [[BreakingTheFourthWall Tim just scrawled.]]

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to To solve this riddle [[BreakingTheFourthWall Tim just scrawled.]]]]”[[note]]Answer: Bubbles[[/note]]
** The second riddle:
--->"We are speculative creatures,\\
With certain volatile features.\\
Take stock of us before we burst,\\
And streets with walls will claim you first,\\
But if you let the markets wait,\\
Your futures soon will all deflate.”[[note]] Answer: Stock Market bubbles[[/note]]
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--->"We are little airy creatures,\\
each with these important features.\\
Shiny things we form in spheres.\\
Poke us once, we disappear.\\
In glassy cups of sweet champagne,\\
we travel up, as down we drain.\\
And in the flashing tub,\\
we swim the water while you scrub.\\
Tell us what we all are called,\\
to solve this riddle [[BreakingTheFourthWall Tim just scrawled.]]
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* UnknownCharacter: Pitr Strait’s offering is a guessing game, in which the other players have to figure out the identities of fictional characters based on the given stats from Pitr’s custom character sheets. [[note]] The characters in question are Neo, Hermione Granger, Film/SpeedRacer, Cassandra Wong and Film/TheBraveLittleToaster.[[/note]]

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* UnknownCharacter: Pitr Strait’s offering is a guessing game, in which the other players have to figure out the identities of fictional characters based on the given stats from Pitr’s custom character sheets. [[note]] The characters in question are Neo, [[Film/TheMatrix Neo]], [[Franchise/HarryPotter Hermione Granger, Granger]], Film/SpeedRacer, [[Film/WaynesWorld Cassandra Wong Wong]] and Film/TheBraveLittleToaster.WesternAnimation/TheBraveLittleToaster.[[/note]]
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* UnknownCharacter: Pitr Strait’s offering is a guessing game, in which the other players have to figure out the identities of fictional characters based on the given stats from Pitr’s custom character sheets.

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* UnknownCharacter: Pitr Strait’s offering is a guessing game, in which the other players have to figure out the identities of fictional characters based on the given stats from Pitr’s custom character sheets. [[note]] The characters in question are Neo, Hermione Granger, Film/SpeedRacer, Cassandra Wong and Film/TheBraveLittleToaster.[[/note]]
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** Lisa Kopitsky’s is [[Recap/FilmRerollBillAndTedsExcellentAdventure Bill and Ted’s Excellent Adventure.]]
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** Paulo Quiros says that his favorite campaign is the Rashomon segment they just rerolled.
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** Carolyn Faye Kramer’s is [[Recap/FilmRerollTheRock The Rock.]]
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** Pitr Strait’s is [[Recap/FilmRerollThelmaAndLouise Thelma and Louise.]]
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** Scott Aiello’s is ([[FirstInstallmentWins the first episode of]]) [[Recap/FilmRerollPracticalMagic Practical Magic.]]
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** Jon Miller’s is [[Recap/FilmRerollWeekendAtBernies Weekend at Bernie’s.]]
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** Joz Vammer and Tim Nolan’s are both [[Recap/FilmRerollJaws Jaws]], purely because of the aforementioned coroner scene.

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** Joz Vammer and Tim Nolan’s are both [[Recap/FilmRerollJaws Jaws]], purely Jaws]] (specifically because of the aforementioned coroner scene.scene, in the case of Joz.)

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** Andy Hoover’s is [[Recap/FilmRerollPokemonTheFirstMovie Pokémon: The First Movie]]

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** Andy Hoover’s is [[Recap/FilmRerollPokemonTheFirstMovie Pokémon: The First Movie]]Movie.]]
** Joz Vammer and Tim Nolan’s are both [[Recap/FilmRerollJaws Jaws]], purely because of the aforementioned coroner scene.
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** Andy Hoover’s is [[Recap/FilmRerollPokemonTheFirstMovie Pokémon: The First Movie]]
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** [[Recap/FilmRerollTheWizardOfOz The Cowardly Lion musing what may have happened to Dorothy and the Scarecrow.]] Here too, an animatic was shown.
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** [[Recap/FilmRerollAladdin Aladdin worrying that Jafar is trying to hit on him, only for the vizier to actually fall in love with the street rat.]]

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** [[Recap/FilmRerollAladdin Aladdin worrying that Jafar is trying to hit on him, only for the vizier to actually fall in love with the street rat.]]]] For this one, they watched a fan-made animatic.
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** [[Recap/FilmRerollAladdin Aladdin worrying that Jafar is trying to hit on him, only for the vizier to actually fall in love with the street rat.

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** [[Recap/FilmRerollAladdin Aladdin worrying that Jafar is trying to hit on him, only for the vizier to actually fall in love with the street rat.]]
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** [[Recap/FilmRerollAladdin Aladdin worrying that Jafar is trying to hit on him, only for the vizier to actually fall in love with the street rat.
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** [[Recap/FilmRerollIronMan3 Pitr Strait accidentally shooting the president.]]
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** [[Recap/FilmRerollFridayThe13thTheFinalChapter The reveal of Jason Voorhees, as well as Carolyn Faye Kramer trying to expose his so-called “true identity.”]]

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* AndNowForSomethingCompletelyDifferent: Possibly the biggest BizarroEpisode in the history of the show, given its highly unusual format. It stands out even more coming right after [[Recap/FilmRerollMemento Memento]], which was both a SoloCharacterRun (albeit with a RevolvingDoorCasting) and by far the longest Film Reroll campaign ever.

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* AndNowForSomethingCompletelyDifferent: Possibly the biggest BizarroEpisode in the history of the show, given its highly unusual format. It stands out even more coming right after [[Recap/FilmRerollMemento Memento]], which was both a SoloCharacterRun (albeit one with a RevolvingDoorCasting) and by far the longest Film Reroll campaign ever.



* ClipShow: The highlight sequences are essentially this, with the Rerollers commenting on their previous work in the style of an audio-only ReactionVideo.

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* ClipShow: The highlight sequences are essentially this, with the Rerollers commenting on their previous work in the style of an audio-only ReactionVideo. The featured segments are:
** [[Recap/FilmRerollJaws Andy and Pitr’s two-headed coroner.]]
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* TheBadGuyWins: PlayedStraight with Sleeping Beauty. Possibly the case with Rashomon, though the film was purposfully vague on just how evil its various characters were or weren’t.
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* {{Robinsonade}}: Coincidentally or not, this episode features two speedrolls — The Martian and Cast Away — based on films following this trope. The former goes well. The latter... doesn’t.
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* EveryoneIsJesusInPurgatory: InUniverse, Pitr Strait feels that Godot is an annoyingly obvious metaphor for God. WordOfGod (heh) claimed that the name similarity was a coincidence.

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