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Changed line(s) 77 (click to see context) from:
* DyingAsYourself: Used when Buffy defeats Angelus just as Willow completes her spell to turn him back to Angel. Although he is himself again, Buffy has to kill him anyway to close the gate that Angelus opened. It's reversed when he came back though.
to:
* DyingAsYourself: Used when Buffy defeats Angelus just as Willow completes her spell to turn him back to Angel. Although he is himself again, Buffy has to kill him anyway to close the gate that Angelus opened. It's reversed when he came back though.
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Changed line(s) 44 (click to see context) from:
* ChekhovsGunman: Principal Snyder mentions the BigBad of Season 3 when he calls the cops- Mayor Wilkins.
to:
* ChekhovsGunman: Principal Snyder mentions the BigBad of Season 3 [[spoiler: when he calls the cops- Mayor Wilkins.]]
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Changed line(s) 22 (click to see context) from:
* AdultFear: When Joyce, in the heat of the moment, tells Buffy not to come back if she leaves the house and Buffy walks out anyway, you can briefly see the [[MyGodWhatHaveIDone fear]] on Joyce's face that Buffy will take her at her word. ([[Recap/BuffyTheVampireSlayerS3E1Anne And Buffy does]], for a couple months anyway.)
to:
* AdultFear: When Joyce, in the heat of the moment, tells Buffy not to come back if she leaves the house and Buffy walks out anyway, you can briefly see the [[MyGodWhatHaveIDone fear]] on Joyce's face that Buffy will take her at her word. ([[Recap/BuffyTheVampireSlayerS3E1Anne And Buffy does]], [[spoiler: for a couple months anyway.)]])
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Not So Different has been renamed, and it needs to be dewicked/moved
Changed line(s) 97 (click to see context) from:
** The seeds of Spuffy are planted here with what will become some very familiar elements -- the [[BelligerentSexualTension exchange of snarks and punches]] between Buffy and Spike, their [[AdventureDuo instinctive teamwork in a crisis]], and their NotSoDifferent connection when compared to outsiders like Joyce.
to:
** The seeds of Spuffy are planted here with what will become some very familiar elements -- the [[BelligerentSexualTension exchange of snarks and punches]] between Buffy and Spike, their [[AdventureDuo instinctive teamwork in a crisis]], and their NotSoDifferent connection when compared to outsiders like Joyce.
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Changed line(s) 131 (click to see context) from:
* InvincibleClassicCar: Spike crashes his car, a 1959 DeSoto Fireflite, through the garage door of the mansion, and the car isn't damaged at all. The paint doesn't even get scratched.
to:
* InvincibleClassicCar: Spike crashes his car, a 1959 DeSoto [=DeSoto=] Fireflite, through the garage door of the mansion, and the car isn't damaged at all. The paint doesn't even get scratched.
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Changed line(s) 120 (click to see context) from:
* ImmediateSequel: As the second part of a two-parter, it's to be expected.
to:
* ImmediateSequel: As IdiotBall: Angelus picks it up when he's trying to awaken Acathla. He has to torture Giles for hours to find out that he has to use his own blood for the second ritual, even though the Latin part of a two-parter, it's to be expected.'''contains the phrase''' Sanguia Meam. Roughly translated, it means my blood. And Angel definitely understands Latin.
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Changed line(s) 131 (click to see context) from:
* Invincible Classic Car: Spike crashes his car, a 1959 DeSoto Fireflite, through the garage door of the mansion, and the car isn't damaged at all. The paint doesn't even get scratched.
to:
* Invincible Classic Car: InvincibleClassicCar: Spike crashes his car, a 1959 DeSoto Fireflite, through the garage door of the mansion, and the car isn't damaged at all. The paint doesn't even get scratched.
Changed line(s) 138 (click to see context) from:
* KarmaHoudini: Xander never faces any consequences for telling Buffy his BlatantLies. Considering that he took part in causing [[BrokenBird her]] one of the worst pains she's ever faced ([[KillTheOnesYouLove killing Angel]]), that's a very serious karma oversight.
to:
* KarmaHoudini: KarmaHoudini:
** Xander never faces any consequences for telling Buffy his BlatantLies. Considering that he took part in causing [[BrokenBird her]] one of the worst pains she's ever faced ([[KillTheOnesYouLove killing Angel]]), that's a very serious karmaoversight.oversight.
** Spike and Drusilla get away as part of the former's deal with Buffy.
** Xander never faces any consequences for telling Buffy his BlatantLies. Considering that he took part in causing [[BrokenBird her]] one of the worst pains she's ever faced ([[KillTheOnesYouLove killing Angel]]), that's a very serious karma
** Spike and Drusilla get away as part of the former's deal with Buffy.
Changed line(s) 238 (click to see context) from:
* WhoNeedsEnemies: Spike offers to strike a deal with Buffy; he will help her stop Angelus if she lets him and Drusilla skip town. Later he's carrying out Drusilla and notices a sword-wielding Angelus advancing on a disarmed Buffy.
to:
* WhoNeedsEnemies: Spike offers to strike strikes a deal with Buffy; he will help her stop Angelus if she lets him and Drusilla skip town. Later he's carrying out Drusilla and notices a sword-wielding Angelus advancing on a disarmed Buffy.
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* Invincible Classic Car: Spike crashes his car, a 1959 DeSoto Fireflite, through the garage door of the mansion, and the car isn't damaged at all. The paint doesn't even get scratched.
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Changed line(s) 81 (click to see context) from:
* EnemyMine: Played straight, then subverted when Spike walks off and leaves Buffy to her fate. In fairness, he ''had'' kept his side of the bargain by saving Giles. Spike had no reason to support either Buffy or Angel after that.
to:
* EnemyMine: Played straight, then subverted when Spike walks off and leaves Buffy to her fate. In fairness, he ''had'' kept his side of the bargain by saving Giles.Giles, distracting Dru and Angelus while Buffy took out the minions, and taking Dru out. Spike had no reason to support either Buffy or Angel after that.
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Changed line(s) 73 (click to see context) from:
** Earlier, Spike serves as the voice of reason to Angelus, talking him down from not killing Giles. Angelus says "You know I kinda like having you watch my back" unaware that Spike is planning to betray him and is only helping him for Drusilla.
to:
** Earlier, Spike serves as the voice of reason to Angelus, talking him down from not killing Giles. Angelus says "You know I kinda like having you watch my back" unaware that Spike is planning to betray him and is only helping him for Drusilla. Doubly ironic; Spike reveals this betrayal by sneaking up ''behind'' Angelus and beating him with a tire iron.
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* AndThatWouldBeWrong: Spike is initially thrilled when he hears that Drusilla killed a Slayer, but quickly drops it after seeing Buffy's answering DeathGlare.
--> '''Spike:''' Dru bagged a Slayer? She didn't tell me! ''[starts grinning]'' Hey, good for her.\\
''[Buffy glares at him]''\\
'''Spike:''' ''[drops the smile]'' ...Though, not from your perspective, I suppose.
--> '''Spike:''' Dru bagged a Slayer? She didn't tell me! ''[starts grinning]'' Hey, good for her.\\
''[Buffy glares at him]''\\
'''Spike:''' ''[drops the smile]'' ...Though, not from your perspective, I suppose.
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*** For that matter, the seeds of Spike's HeelFaceTurn are planted, as it shows his willingness to pair up with the good guys if it so conveniences him--which is what initially gets him over to the Scoobies' side, his eventual love for Buffy being what makes him stay for as long as he does.
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** Spike being a fan of Manchester United is a subtle piece of foreshadowing towards the ''much'' later reveal that he's an upper-middle-class man pretending to be working class.[[note]]Any real working class Londoner would view an accusation of supporting Manchester United as a death-worthy insult, but it's a common stereotype in British football culture that many MU supporters are middle-class people from outside the North-West, with little knowledge of football, who only like them because of their fame and record of success.[[/note]]
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Changed line(s) 5,8 (click to see context) from:
Directed by Creator/JossWhedon
Written by Whedon, Creator/RobDesHotel, & Creator/DeanBatali
Written by Whedon, Creator/RobDesHotel, & Creator/DeanBatali
to:
Directed by Creator/JossWhedon
Creator/JossWhedon.
Written by Whedon, Creator/RobDesHotel, &Creator/DeanBatali
Dean Batali.
Written by Whedon, Creator/RobDesHotel, &
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Directed by Creator/JossWhedon
Written by Whedon, Creator/RobDesHotel, & Creator/DeanBatali
Written by Whedon, Creator/RobDesHotel, & Creator/DeanBatali
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Changed line(s) 82 (click to see context) from:
* FingerMuzzle: BookEnds the scene where Buffy quiets Angel's half-hearted attempt to stop them making love in "Surprise."
to:
* FingerMuzzle: BookEnds the scene where Buffy quiets Angel's half-hearted attempt to stop them making love in "Surprise.""[[Recap/BuffyTheVampireSlayerS2E13Surprise Surprise]]".
Deleted line(s) 98 (click to see context) :
* GriefSong: "Full of Grace" by Music/SarahMcLachlan.
* TheLastOfTheseIsNotLikeTheOthers: Buffy yelling at her mom that she never chose to be this way; she would rather be upstairs watching TV or gossiping about boys, "or god, even '''studying!'''"
Changed line(s) 150 (click to see context) from:
* TheLastOfTheseIsNotLikeTheOthers: Buffy yelling at her mom that she never chose to be this way; she would rather be upstairs watching TV or gossiping about boys, "or god, even '''studying!'''"
to:
* TheLastOfTheseIsNotLikeTheOthers: OOCIsSeriousBusiness: Fed up with trying to explain things to her mother, Buffy yelling at turns on her mom heels, "Just have another drink." Joyce reacts by [[DramaticShattering smashing her glass on the floor]] and snaps, "Don't you '''talk to me that she never chose way'''," causing Buffy to be this way; she would rather be upstairs watching TV or gossiping about boys, "or god, even '''studying!'''" freeze in her tracks. Yow.
Deleted line(s) 152,155 (click to see context) :
* OOCIsSeriousBusiness: Fed up with trying to explains things to her mother, Buffy turns on her heels, "Just have another drink." Joyce reacts by [[DramaticShattering smashing her glass on the floor]] and snaps, "Don't you '''talk to me that way'''," causing Buffy to freeze in her tracks. Yow.
* OutOfCharacterAlert: When Angelus wants to kill Giles, Spike advises against it, much to the former's surprise. He doesn't know about Spike's secret deal with Buffy, and that Buffy has only agreed to let Drusilla go if Giles isn't killed.
-->'''Angelus:''' Since when did ''you'' become so levelheaded?\\
'''Spike:''' Right about the time you became so pig-headed. You have your way with him, you'll never get to destroy the world.
* OutOfCharacterAlert: When Angelus wants to kill Giles, Spike advises against it, much to the former's surprise. He doesn't know about Spike's secret deal with Buffy, and that Buffy has only agreed to let Drusilla go if Giles isn't killed.
-->'''Angelus:''' Since when did ''you'' become so levelheaded?\\
'''Spike:''' Right about the time you became so pig-headed. You have your way with him, you'll never get to destroy the world.
* OurWormholesAreDifferent: It's a demon portal opened by blood.
* OutOfCharacterAlert: When Angelus wants to kill Giles, Spike advises against it, much to the former's surprise. He doesn't know about Spike's secret deal with Buffy, and that Buffy has only agreed to let Drusilla go if Giles isn't killed.
-->'''Angelus:''' Since when did ''you'' become so levelheaded?\\
'''Spike:''' Right about the time you became so pig-headed. You have your way with him, you'll never get to destroy the world.
* OutOfCharacterAlert: When Angelus wants to kill Giles, Spike advises against it, much to the former's surprise. He doesn't know about Spike's secret deal with Buffy, and that Buffy has only agreed to let Drusilla go if Giles isn't killed.
-->'''Angelus:''' Since when did ''you'' become so levelheaded?\\
'''Spike:''' Right about the time you became so pig-headed. You have your way with him, you'll never get to destroy the world.
Deleted line(s) 165 (click to see context) :
* OurWormholesAreDifferent: It's a demon portal opened by blood.
Changed line(s) 167 (click to see context) from:
* PutOnABus: Buffy herself. The last shot of the episode is of a sign on the outskirts of town. It reads: "Now leaving Sunnydale -- [[EnvironmentalSymbolism Come back soon!]]"
to:
* PutOnABus: PutOnABus:
** Buffy herself. The last shot of the episode is of a sign on the outskirts of town. It reads: "Now leaving Sunnydale -- [[EnvironmentalSymbolism Come back soon!]]"
** Buffy herself. The last shot of the episode is of a sign on the outskirts of town. It reads: "Now leaving Sunnydale -- [[EnvironmentalSymbolism Come back soon!]]"
Changed line(s) 169 (click to see context) from:
* PyrrhicVictory: A Most Triumphant Example.
to:
* PyrrhicVictory: A Most Triumphant Example.Buffy kills Angel to save the world, right after his soul was already restored. That and a combination of Buffy's mother rejecting her and Kendra's death getting pinned on her causes Buffy to run away to Los Angeles.
Changed line(s) 182 (click to see context) from:
* SmashCut: Cordelia arrives at Willow's bedside, explaining that she ran away and "made it through three counties" before she noticed no one was in pursuit. Now everyone's accounted for. ...Hold on. Xander asks if Giles made it out with Cordy, and she says she hasn't seen him. Cut to the mansion, where Giles is starting to come to. Angelus is crouched on the floor next to him, looking like that cat that ate the canary.
to:
* SmashCut: SmashCut:
** Cordelia arrives at Willow's bedside, explaining that she ran away and "made it through three counties" before she noticed no one was in pursuit. Now everyone's accounted for. ...Hold on. Xander asks if Giles made it out with Cordy, and she says she hasn't seen him. Cut to the mansion, where Giles is starting to come to. Angelus is crouched on the floor next to him, looking like that cat that ate the canary.
** Cordelia arrives at Willow's bedside, explaining that she ran away and "made it through three counties" before she noticed no one was in pursuit. Now everyone's accounted for. ...Hold on. Xander asks if Giles made it out with Cordy, and she says she hasn't seen him. Cut to the mansion, where Giles is starting to come to. Angelus is crouched on the floor next to him, looking like that cat that ate the canary.
* TrailersAlwaysSpoil: There was never a big question as to whether Angel would return, since the announcement of ''Series/{{Angel}}'' was made right after this episode aired.
Changed line(s) 211,212 (click to see context) from:
* TrailersAlwaysSpoil: There was never a big question as to whether Angel would return, since the announcement of ''Series/{{Angel}}'' was made right after this episode aired.
* TrespassingToTalk: Whistler
* TrespassingToTalk: Whistler
to:
* TrailersAlwaysSpoil: There was never a big question as to whether Angel would return, since the announcement of ''Series/{{Angel}}'' was made right after TrespassingToTalk: Whistler makes contact with Buffy this episode aired.
* TrespassingToTalk: Whistlerway.
* TrespassingToTalk: Whistler
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* GlassesPull: A smirking Angelus cleans Giles' glasses for him while he's tied to a chair and tortured by having his fingers broken.
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Changed line(s) 25 (click to see context) from:
* BarehandedBladeBlock: See above. She also shoves the sword away, causing the hilt to hit Angelus square in the face. DONK.
to:
* BarehandedBladeBlock: See above. She also shoves the Buffy stops Angelus's sword away, causing this way, although the hilt to hit Angelus square in the face. DONK.attack that she blocks is a stab rather than a swing. Also, she has SuperStrength and enhanced Slayer reflexes.
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Changed line(s) 109 (click to see context) from:
* [[IHaveNoSon I Have No Daughter]]: Joyce refuses to accept that her daughter is a vampire Slayer, and the battle lines are drawn. It's Ultimatum Time. Joyce says she won't let Buffy leave the house. They get into a shoving match, and Buffy opens the door to leave. "You walk out of this house, don't even THINK about coming back!" barks Joyce. Buffy just looks at her sadly and then walks out. Joyce slumps over the counter, her head in her hands. ''That'' could have gone better.
to:
* [[IHaveNoSon I Have No Daughter]]: Joyce refuses to accept that her daughter is a vampire Slayer, and the battle lines are drawn. It's Ultimatum Time. Joyce says she won't let Buffy leave the house. They get into a shoving shouting match, and Buffy opens the door to leave. "You walk out of this house, don't even THINK about coming back!" barks Joyce. Buffy just looks at her sadly and then walks out. Joyce slumps over the counter, her head in her hands. ''That'' could have gone better.
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Changed line(s) 77 (click to see context) from:
* FakeOutMakeOut / HugAndComment: The G-rated version. Buffy sneaks into the hospital, wearing an oversized coat and black watch cap. She finds Xander just as some cops round a corner in the hall, so Xander pulls her in for a tight hug until the coast is clear.
to:
* FakeOutMakeOut / HugAndComment: FakeOutMakeOut: The G-rated version. Buffy sneaks into the hospital, wearing an oversized coat and black watch cap. She finds Xander just as some cops round a corner in the hall, so Xander pulls her in for a tight hug until the coast is clear.
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no doubles.
Changed line(s) 55 (click to see context) from:
* DeadlyHug[=/=]EmptyPromise: "Close your eyes."
to:
* DeadlyHug[=/=]EmptyPromise: DeadlyHug: "Close your eyes."
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Changed line(s) 183 (click to see context) from:
%%* StakingTheLovedOne
to:
Added DiffLines:
* TraumaCongaLine: This episode is notable for putting Buffy in a emotional ''meat-grinder'' for 24 hours. By the end of the finale, Buffy has lost a friend, been framed for murder, kicked out of school, thrown out of her own house, and subjected the man she loves to AFateWorseThanDeath. This is not the last time horrible things would happen to Buffy, but never again would so ''many'' occur in such a brief period of time.
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Changed line(s) 93 (click to see context) from:
* FromBadToWorse: Ohhhh, boy, the whole two-parter is just one thing after another piling onto poor Buffy. Events that you'd normally expect to have episodes, or even entire ''story arcs'' devoted to them are instead all crammed into one two-parter. What's more, most of them have ''nothing to do'' with Angelus' plan to destroy the world -- it's just one of those days where it particularly sucks to be Buffy.
to:
* FromBadToWorse: Ohhhh, boy, the whole two-parter is just one thing after another piling onto poor Buffy. Events that you'd normally expect to have episodes, or even entire ''story arcs'' devoted to them are instead all crammed into one two-parter. What's more, most of them have ''nothing ''little to do'' with Angelus' plan to destroy the world -- it's just one of those days where it particularly sucks to be Buffy.
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Changed line(s) 76 (click to see context) from:
* ExactWords: Spike and Dru stare at each other as Spike says, "I don't wanna hurt you, baby." Dru's answer is to grab him by the throat and shove him against the wall. He immediately clocks her with a haymaker punch, then shrugs, "Doesn't mean I ''won't''.
to:
* ExactWords: Spike and Dru stare at each other as Spike says, "I don't wanna hurt you, baby." Dru's answer is to grab him by the throat and shove him against the wall. He immediately clocks her with a haymaker punch, then shrugs, "Doesn't mean I ''won't''."
Changed line(s) 78 (click to see context) from:
** Subverted in that it lacks the usual {{UST}}; when Buffy jokes that Xander had [[CovertPervert ulterior motives for doing that]], [[OOCIsSeriousBusiness his lack of reaction]] makes her realise something bad has happened (to Willow).
to:
** Subverted in that it lacks the usual {{UST}}; when Buffy jokes that Xander had [[CovertPervert ulterior motives for doing that]], [[OOCIsSeriousBusiness his lack of reaction]] makes her realise realize something bad has happened (to Willow).
Changed line(s) 90 (click to see context) from:
** Angel was supposed to be the hero who saved the world from Acathla, but he turned evil, so it's Buffy who does so - with some help from her friends and Spike. This reflects the ambiguity in the ''Series/{{Angel}}'' series over which side Angel would end up on when the Apocalypse happened. In the final season of the spin-off, it's also ambiguous whether Angel or Spike is TheChampion foretold in the Shanshu Prophecy.
to:
** Angel was supposed to be the hero who saved the world from Acathla, but he turned evil, so it's Buffy who does so - -- with some help from her friends and Spike. This reflects the ambiguity in the ''Series/{{Angel}}'' series over which side Angel would end up on when the Apocalypse happened. In the final season of the spin-off, it's also ambiguous whether Angel or Spike is TheChampion foretold in the Shanshu Prophecy.
Changed line(s) 93 (click to see context) from:
* FromBadToWorse: Ohhhh, boy, the whole two-parter is just one thing after another piling onto poor Buffy.
to:
* FromBadToWorse: Ohhhh, boy, the whole two-parter is just one thing after another piling onto poor Buffy. Events that you'd normally expect to have episodes, or even entire ''story arcs'' devoted to them are instead all crammed into one two-parter. What's more, most of them have ''nothing to do'' with Angelus' plan to destroy the world -- it's just one of those days where it particularly sucks to be Buffy.
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Changed line(s) 25 (click to see context) from:
* BarehandedBladeBlock: Angelus, noticing Spike's departure, proceeds to toy with his prey. "Now that's everything, huh? [[TheReasonYouSuckSpeech No weapons. No friends. No hope.]]" Buffy closes her eyes in anticipation of death. "Take that away, and what's left?" He draws the sword back and thrusts it straight at her face; Buffy grabs the blade between both palms, and replies, "'''Me'''." She shoves the sword away, causing the hilt to hit Angelus square in the face. DONK.
to:
* BarehandedBladeBlock: Angelus, noticing Spike's departure, proceeds to toy with his prey. "Now that's everything, huh? [[TheReasonYouSuckSpeech No weapons. No friends. No hope.]]" Buffy closes her eyes in anticipation of death. "Take that away, and what's left?" He draws the sword back and thrusts it straight at her face; Buffy grabs the blade between both palms, and replies, "'''Me'''." See above. She also shoves the sword away, causing the hilt to hit Angelus square in the face. DONK.
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no tropes without examples.
Changed line(s) 93 (click to see context) from:
* FromBadToWorse
to:
* FromBadToWorseFromBadToWorse: Ohhhh, boy, the whole two-parter is just one thing after another piling onto poor Buffy.
Changed line(s) 110 (click to see context) from:
* ImmediateSequel
to:
* ImmediateSequelImmediateSequel: As the second part of a two-parter, it's to be expected.
Changed line(s) 164 (click to see context) from:
* OurWormholesAreDifferent
to:
* OurWormholesAreDifferentOurWormholesAreDifferent: It's a demon portal opened by blood.
Changed line(s) 172 (click to see context) from:
* SaveTheWorldClimax
to:
* SaveTheWorldClimaxSaveTheWorldClimax: Done in a heartbreaking way; Buffy ends up sending her love to hell in order to prevent the Earth from ''literally'' going to hell.
Changed line(s) 174 (click to see context) from:
* SeasonFinale
to:
* SeasonFinaleSeasonFinale: Of the second season, and remains one of the most memorable of the whole show.
Changed line(s) 183 (click to see context) from:
* StakingTheLovedOne
to:
Changed line(s) 196 (click to see context) from:
* TalkingIsAFreeAction
to:
Changed line(s) 211 (click to see context) from:
* TwoPartEpisode
to:
* TwoPartEpisodeTwoPartEpisode: Nach, also acting as the finale of season two.
Changed line(s) 213 (click to see context) from:
* WeirdnessCensor: Lampshaded by Buffy
to:
* WeirdnessCensor: Lampshaded by BuffyBuffy:
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Changed line(s) 20 (click to see context) from:
* AnguishedDeclarationOfLove: Xander, standing alone by Willow's bedside, [[ConverseWithTheUnconscious begging her to wake up]]. He jokingly asks who else is going to help him "pass Trig". Then ([[TearJerker not so jokingly]]), he becomes choked with emotion and tells her she's his best friend, and desperately adds, "I love you."
to:
* AnguishedDeclarationOfLove: Xander, standing alone by Willow's bedside, [[ConverseWithTheUnconscious begging her to wake up]]. He jokingly asks who else is going to help him "pass Trig". Trig." Then ([[TearJerker not so jokingly]]), he becomes choked with emotion and tells her she's his best friend, and desperately adds, "I love you."
Changed line(s) 46 (click to see context) from:
* ComicallyMissingThePoint: Spike says he'll help kill Angelus in exchange for getting to flee town with Dru. Buffy says Drusilla doesn't get to live because she killed Kendra, to which Spike exclaims, "Dru bagged a Slayer?" Elated, he turns to Joyce. "She didn't tell me! Hey, good for her!" Glare from Buffy. "..[[OnSecondThought Though not from your perspective]], I suppose."
to:
* ComicallyMissingThePoint: Spike says he'll help kill Angelus in exchange for getting to flee town with Dru. Buffy says Drusilla doesn't get to live because she killed Kendra, to which Spike exclaims, "Dru bagged a Slayer?" Elated, he turns to Joyce. "She didn't tell me! Hey, good for her!" Glare from Buffy. ".."...[[OnSecondThought Though not from your perspective]], I suppose."
Changed line(s) 53 (click to see context) from:
* CouchGag: The "Grr Arg" at the end of the credits was altered for this episode. Instead of the trademark grunt the monster says "Oooh, I need a hug".
to:
* CouchGag: The "Grr Arg" at the end of the credits was altered for this episode. Instead of the trademark grunt the monster says "Oooh, I need a hug".hug."
Changed line(s) 60 (click to see context) from:
** The awkward silence is briefly interrupted when Joyce asks him where she's seen him before, and Spike explains she was hitting him with an axe screaming "get the hell away from my daughter". Fond memories.
to:
** The awkward silence is briefly interrupted when Joyce asks him where she's seen him before, and Spike explains she was hitting him with an axe screaming "get the hell away from my daughter". daughter." Fond memories.
Changed line(s) 82 (click to see context) from:
* FingerMuzzle: BookEnds the scene where Buffy quiets Angel's half-hearted attempt to stop them making love in "Surprise".
to:
* FingerMuzzle: BookEnds the scene where Buffy quiets Angel's half-hearted attempt to stop them making love in "Surprise"."Surprise."
Changed line(s) 100 (click to see context) from:
* HaveYouTriedNotBeingAMonster: While trying to come to terms with Buffy being a Vampire Slayer (and Spike and Angel being vampires), Joyce asks if Buffy's "tried not being a Slayer".
to:
* HaveYouTriedNotBeingAMonster: While trying to come to terms with Buffy being a Vampire Slayer (and Spike and Angel being vampires), Joyce asks if Buffy's "tried not being a Slayer".Slayer."
Changed line(s) 133 (click to see context) from:
* LogoJoke: Instead of his usual "Grr! Argh!", the Mutant Enemy zombie says "I need a hug."
to:
* LogoJoke: Instead of his usual "Grr! Argh!", Argh!" the Mutant Enemy zombie says "I need a hug."
Changed line(s) 135 (click to see context) from:
* LostInCharacter: Drusilla delving a bit too far into her role as "Jenny", is still snogging with Giles as Spike and Angelus [[{{Ahem}} clear their throats]] impatiently. They have to try a couple of times to get her attention until Dru turns around and sheepishly responds, "Sorry. I was in the moment."
to:
* LostInCharacter: Drusilla delving a bit too far into her role as "Jenny", "Jenny," is still snogging with Giles as Spike and Angelus [[{{Ahem}} clear their throats]] impatiently. They have to try a couple of times to get her attention until Dru turns around and sheepishly responds, "Sorry. I was in the moment."
Changed line(s) 137 (click to see context) from:
** Both times Angel dies, the words he hears are: "close your eyes". It's the last thing Darla said to him before she made him a vampire, And it`s also the last thing Buffy says to Angel before she runs him through with her sword.
to:
** Both times Angel dies, the words he hears are: "close your eyes". eyes." It's the last thing Darla said to him before she made him a vampire, And it`s also the last thing Buffy says to Angel before she runs him through with her sword.
Changed line(s) 165 (click to see context) from:
* ProphecyTwist: Whistler claiming that this was supposed to be Angel's "big day". He recruited Angel because he believed he was destined to stop Acaltha, but things didn't go as planned -- rather, the reverse. Buffy's love for Angel was an X factor nobody saw coming.
to:
* ProphecyTwist: Whistler claiming that this was supposed to be Angel's "big day". day." He recruited Angel because he believed he was destined to stop Acaltha, but things didn't go as planned -- rather, the reverse. Buffy's love for Angel was an X factor nobody saw coming.
Changed line(s) 212 (click to see context) from:
* WaxingLyrical: Spike's description of the end of days "goodbye Picadilly, farewell Leicester bloody Square" is a quote from the song "It's a Long Way to Tipperary".
to:
* WaxingLyrical: Spike's description of the end of days "goodbye Picadilly, farewell Leicester bloody Square" is a quote from the song "It's a Long Way to Tipperary". Tipperary."
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Changed line(s) 52 (click to see context) from:
* ConvenientComa: Getting conked by a falling bookcase as put Willow into a coma. Xander explains that she has head trauma and could wake up at any time, but it's touch-and-go.
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* ConvenientComa: Getting conked by a falling bookcase as has put Willow into a coma. Xander explains that she has head trauma and could wake up at any time, but it's touch-and-go.
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Changed line(s) 37 (click to see context) from:
* ChokeHolds: An odd example: Spike appears to choke Drusilla out. It's also possible he's using {{Pressure Point}}s) -- which is [[EroticAsphyxiation almost fitting for these two -- or cutting off her blood flow, not her air.
to:
* ChokeHolds: An odd example: Spike appears to choke Drusilla out. It's also possible he's using {{Pressure Point}}s) -- which is [[EroticAsphyxiation almost fitting for these two two]] -- or cutting off her blood flow, not her air.
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The page does not talk to itself.
Changed line(s) 37,39 (click to see context) from:
* ChokeHolds: An odd example: Spike appears to choke Drusilla out. (Or perhaps uses {{Pressure Point}}s) -- which is [[EroticAsphyxiation almost fitting for these two]].
** Another theory is that Spike breaks her neck. As long as he doesn't decapitate her, she'll eventually recover. (A choke hold obviously won't work on a vampire because they don't need to breathe.)
** She was put in a Mata Leon (or rear naked choke) a move used in Brazilian jiu-jitsu and mixed martial-arts. A person is knocked unconscious by this move because of the restriction of blood flow to the brain; loss of air has nothing to do with it.
** Another theory is that Spike breaks her neck. As long as he doesn't decapitate her, she'll eventually recover. (A choke hold obviously won't work on a vampire because they don't need to breathe.)
** She was put in a Mata Leon (or rear naked choke) a move used in Brazilian jiu-jitsu and mixed martial-arts. A person is knocked unconscious by this move because of the restriction of blood flow to the brain; loss of air has nothing to do with it.
to:
* ChokeHolds: An odd example: Spike appears to choke Drusilla out. (Or perhaps uses It's also possible he's using {{Pressure Point}}s) -- which is [[EroticAsphyxiation almost fitting for these two]].
** Another theory is that Spike breakstwo -- or cutting off her neck. As long as he doesn't decapitate her, she'll eventually recover. (A choke hold obviously won't work on a vampire because they don't need to breathe.)
** She was put in a Mata Leon (or rear naked choke) a move used in Brazilian jiu-jitsu and mixed martial-arts. A person is knocked unconscious by this move because of the restriction ofblood flow to the brain; loss of air has nothing to do with it.flow, not her air.
** Another theory is that Spike breaks
** She was put in a Mata Leon (or rear naked choke) a move used in Brazilian jiu-jitsu and mixed martial-arts. A person is knocked unconscious by this move because of the restriction of
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not really sure what this is responding to anymore
Changed line(s) 194,195 (click to see context) from:
* SwordFight: Buffy vs Angelus.
** There was a perfectly good reason. They were going to fight. They both had swords in their hands. What else are they going to do?
** There was a perfectly good reason. They were going to fight. They both had swords in their hands. What else are they going to do?
to:
* SwordFight: Buffy vs Angelus.
** There was a perfectly good reason. They were going to fight. They both had swords in their hands. What else are they going to do?Angelus, for the fate of the world.
** There was a perfectly good reason. They were going to fight. They both had swords in their hands. What else are they going to do?
Changed line(s) 201,205 (click to see context) from:
-->'''Spike:''' [absently] I'm just gonna kill this guy.
-->'''Buffy''': [clears her throat loudly]
-->'''Spike''': Oh, right.
* TemptingFate: Buffy assures Whistler that if spilling Angel's blood will seal the portal, then she's more than up to the task: "I've got nothing left to lose." To her retreating figure, Whistler says under his breath, "Wrong, kid. You got one more thing."
** Angelus reminding Buffy that the deck is stacked against her odds-wise, gesturing to his lackeys. That's Spike's cue to rise up out of his wheelchair and clobber Angelus' across the head with an andiron.
-->'''Buffy''': [clears her throat loudly]
-->'''Spike''': Oh, right.
* TemptingFate: Buffy assures Whistler that if spilling Angel's blood will seal the portal, then she's more than up to the task: "I've got nothing left to lose." To her retreating figure, Whistler says under his breath, "Wrong, kid. You got one more thing."
** Angelus reminding Buffy that the deck is stacked against her odds-wise, gesturing to his lackeys. That's Spike's cue to rise up out of his wheelchair and clobber Angelus' across the head with an andiron.
to:
-->'''Spike:''' [absently] I'm just gonna kill this guy.
-->'''Buffy''':guy.\\
'''Buffy''': [clears her throatloudly]
-->'''Spike''':loudly]\\
'''Spike''': Oh, right.
*TemptingFate: TemptingFate:
** Buffy assures Whistler that if spilling Angel's blood will seal the portal, then she's more than up to the task: "I've got nothing left to lose." To her retreating figure, Whistler says under his breath, "Wrong, kid. You got one more thing."
** Angelus reminding Buffy that the deck is stacked against her odds-wise, gesturing to his lackeys. That's Spike's cue to rise up out of his wheelchair and clobberAngelus' Angelus across the head with an andiron.
-->'''Buffy''':
'''Buffy''': [clears her throat
-->'''Spike''':
'''Spike''': Oh, right.
*
** Buffy assures Whistler that if spilling Angel's blood will seal the portal, then she's more than up to the task: "I've got nothing left to lose." To her retreating figure, Whistler says under his breath, "Wrong, kid. You got one more thing."
** Angelus reminding Buffy that the deck is stacked against her odds-wise, gesturing to his lackeys. That's Spike's cue to rise up out of his wheelchair and clobber
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Changed line(s) 23 (click to see context) from:
--->'''Angelus:''' No weapons. No friends. No hope. Strip all that away, and what's left? ''[thrusts his sword toward Buffy, intending to stab her through the throat]''\\
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