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Changed line(s) 89 (click to see context) from:
* InterruptedDeclarationOfLove: Apparently Angel to Cordelia.
to:
* InterruptedDeclarationOfLove: Apparently At the end of the episode, Angel is trying awkwardly to Cordelia.confess his feelings to Cordelia when she's distracted by the appearance of Groosalugg.
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Changed line(s) 87 (click to see context) from:
* ImprovisedWeapon: Angel is choking Tragedy Minion while Cordy is throwing everything she can get her hands on at Comedy Minion who's trying to run her through with a sword. Finally all she's got to brandish is a fly whisk, so she shouts, "A little help here!" Just then Tragedy shoves a stiletto into Angel's chest. Angel thanks him, pulls out the stiletto and uses it to kill Comedy minion.
to:
* ImprovisedWeapon: Angel is choking Tragedy Minion while Cordy is throwing everything she can get her hands on at Comedy Minion who's trying to run her through with a sword. Finally all she's got to brandish is a fly whisk, so she shouts, "A little help here!" Just then Tragedy shoves a stiletto into Angel's chest. Angel thanks him, pulls out the stiletto and uses it to kill Comedy minion.Minion.
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They knew it was the same company.
Changed line(s) 57 (click to see context) from:
* DeliciousDistraction: The Fang Gang wonder how the ballet company is the same as the one Angel saw over a hundred years ago.
to:
* DeliciousDistraction: The Fang Gang wonder how the ballet company is has the same as the one dancers that Angel saw over a hundred years ago.
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An Axe To Grind is no longer a trope
Deleted line(s) 26 (click to see context) :
* AnAxeToGrind: Uncle Lorne protecting Connor.
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Changed line(s) 50 (click to see context) from:
* ContinuityNod: Like Fred in [[Recap/AngelS03E07Offspring "Offspring"]], Lorne says that Angel and Cordelia have ''kyrumption'', a Pylean word meaning the meeting of two larger-than-life souls.
to:
* ContinuityNod: ContinuityNod:
** Like Fred in [[Recap/AngelS03E07Offspring "Offspring"]], Lorne says that Angel and Cordelia have ''kyrumption'', a Pylean word meaning the meeting of two larger-than-lifesouls.souls.
** Angel mentions to Cordelia that he has previous experience with [[Recap/BuffyTheVampireSlayerS2E19IOnlyHaveEyesForYou being possessed by spirits of tragic lovers]].
** Like Fred in [[Recap/AngelS03E07Offspring "Offspring"]], Lorne says that Angel and Cordelia have ''kyrumption'', a Pylean word meaning the meeting of two larger-than-life
** Angel mentions to Cordelia that he has previous experience with [[Recap/BuffyTheVampireSlayerS2E19IOnlyHaveEyesForYou being possessed by spirits of tragic lovers]].
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Enjoying a play isn't a moral standard
Deleted line(s) 66,67 (click to see context) :
* EvenEvilHasStandards: Not the antagonist of the episode, but ''Angelus'' who upon watching the performance back in 1890, was brought to '''tears''' at the performance.
-->'''Angel:''' I saw their production of ''Giselle'' in 1890. I cried like a baby -- and I was evil!
-->'''Angel:''' I saw their production of ''Giselle'' in 1890. I cried like a baby -- and I was evil!
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Added DiffLines:
* EvenEvilHasStandards: Not the antagonist of the episode, but ''Angelus'' who upon watching the performance back in 1890, was brought to '''tears''' at the performance.
-->'''Angel:''' I saw their production of ''Giselle'' in 1890. I cried like a baby -- and I was evil!
-->'''Angel:''' I saw their production of ''Giselle'' in 1890. I cried like a baby -- and I was evil!
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Deleted line(s) 40 (click to see context) :
** Wesley mocking Cordelia's "rythmic snoring" echoes Giles' chastising Anya's "Wagnerian snoring" when the Scoobies had to stay in Xander's basement in "[[Recap/BuffyTheVampireSlayerS4E14GoodbyeIowa Goodye, Iowa]]".
* ContinuityNod: Like Fred in [[Recap/AngelS03E07Offspring "Offspring"]], Lorne says that Angel and Cordelia have ''kyrumption'', a Pylean word meaning the meeting of two larger-than-life souls.
Changed line(s) 80 (click to see context) from:
* HasAType: According to Lorne, Angel has a thing former cheerleaders.
to:
* HasAType: According to Lorne, Angel has a thing for former cheerleaders.
Changed line(s) 83,84 (click to see context) from:
* HydraProblem: Every time a lackey is killed, they split into two live lackeys. However every time this happens the spell weakens as the Count has to keep control of an increasing number of lackeys.
* IDoNotLikeGreenEggsAndHam: Gunn is angry that Angel got them ballet tickets, instead of tickets to a hip-hop concert. He's almost weeping with joy by the first intermission.
* IDoNotLikeGreenEggsAndHam: Gunn is angry that Angel got them ballet tickets, instead of tickets to a hip-hop concert. He's almost weeping with joy by the first intermission.
to:
* HydraProblem: Every time a lackey is killed, they split into two live lackeys. However However, every time this happens the spell weakens as the Count has to keep control of an increasing number of lackeys.
* IDoNotLikeGreenEggsAndHam: Gunn is angry that Angel got them ballettickets, tickets instead of tickets to a hip-hop concert. He's almost weeping with joy by the first intermission.
* IDoNotLikeGreenEggsAndHam: Gunn is angry that Angel got them ballet
Changed line(s) 87 (click to see context) from:
* InterplayOfSexAndViolence: Angel kills two lackeys simultaneously, stabbing one while killing the other with a dagger thrown OffhandBackhand. As the lackeys interrupted them as they were about to have sex, Cordelia says they've got to get out of there immediately. "You just looked ''really'' hot doing that."
to:
* InterplayOfSexAndViolence: Angel kills two lackeys simultaneously, stabbing one while killing the other with a dagger thrown OffhandBackhand. As the lackeys interrupted them as they were about to have sex, sex under the influence of the lovers' spirits, Cordelia says they've got to get out of there immediately. immediately because, "You just looked ''really'' hot doing that."
Changed line(s) 116 (click to see context) from:
* NightmareFetishist: Spoofed when Wesley appears to be raving over a woodcut of a six-breasted she-demon in the open book in front of him, but he's [[BaitAndSwitchComment actually going on about Fred]].
to:
* NightmareFetishist: Spoofed when Wesley appears to be raving over a woodcut of a six-breasted she-demon in the book open book in front of him, but he's [[BaitAndSwitchComment actually going on about Fred]].
Changed line(s) 128 (click to see context) from:
* RelationshipUpgrade: Fred/Gunn
to:
* RelationshipUpgrade: Fred/GunnFred/Gunn.
Changed line(s) 130 (click to see context) from:
-->'''Angel:''' "Don't be stupid. I'm that guy and the most beautiful girl I've ever seen is making eyes at me? It's either bachelor party or a scam."\\
to:
-->'''Angel:''' "Don't be stupid. I'm that guy and the most beautiful girl woman I've ever seen is making eyes at me? It's either bachelor party or a scam."\\
Changed line(s) 142 (click to see context) from:
-->'''Fred:''' "Oh. Okay. I'm very excited about tonight. I love the ballet! I mean, I haven't seen that much, but my family used to go to ''the Nutcracker'' every Christmas, and I had my first sexual dream about the Mouse King."
to:
-->'''Fred:''' "Oh. Okay. I'm very excited about tonight. I love the ballet! I mean, I haven't seen that much, but my family used to go to ''the ''The Nutcracker'' every Christmas, and I had my first sexual dream about the Mouse King."
Changed line(s) 149,150 (click to see context) from:
-->'''Angel:''' I saw their production of "Giselle" in 1890. I cried like a baby -- and I was evil!
** Subverted with Count Kurskov. he doesn't even know ballet that well, and fails to notice the mistake the ballerina makes in every performance.
** Subverted with Count Kurskov. he doesn't even know ballet that well, and fails to notice the mistake the ballerina makes in every performance.
to:
-->'''Angel:''' I saw their production of "Giselle" ''Giselle'' in 1890. I cried like a baby -- and I was evil!
** Subverted with Count Kurskov. Despite being a LoonyFan and theatre company owner, he doesn't even know the mechanics of ballet that well, and fails to notice the mistake the ballerina makes in every performance.
** Subverted with Count Kurskov. Despite being a LoonyFan and theatre company owner, he doesn't even know the mechanics of ballet that well, and fails to notice the mistake the ballerina makes in every performance.
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Changed line(s) 3,4 (click to see context) from:
Wesley researches a demon from one of Cordelia's visions while Cordelia questions Wesley about his romantic feelings towards Fred. After Gunn and Fred return from breakfast, Angel announces he is taking them all to a production of the ballet ''Giselle'', performed by the Bllinikov School. Gunn is horrified, since Angel had originally gone out to pick up tickets for one of his favourite bands and tells Angel they've 'lost the trust'. He says he saw the same ballet performed by the same company in 1890, which made him cry like a baby... which was quite a feat, considering he was still evil back then.
to:
Wesley researches a demon from one of Cordelia's visions while Cordelia questions Wesley about his romantic feelings towards Fred. After Gunn and Fred return from breakfast, Angel announces he is taking them all to a production of the ballet ''Giselle'', ''Theatre/{{Giselle}}'', performed by the Bllinikov School. Gunn is horrified, since Angel had originally gone out to pick up tickets for one of his favourite bands and tells Angel they've 'lost the trust'. He says he saw the same ballet performed by the same company in 1890, which made him cry like a baby... which was quite a feat, considering he was still evil back then.
Changed line(s) 50 (click to see context) from:
* CompositeCharacter: The prima ballerina's story echoes that of two heroines from famous ballets. Giselle (which is also the ballet she is performing) is in a love triangle with the man she loves and a man who feels he's [[EntitledToHaveYou entitled to have her]]. And Odette from ''Swan Lake'' - a maiden cursed by an evil sorcerer to go through an endless cycle over and over again.
to:
* CompositeCharacter: The prima ballerina's story echoes that of two heroines from famous ballets. Giselle Theatre/{{Giselle}} (which is also the ballet she is performing) is in a love triangle with the man she loves and a man who feels he's [[EntitledToHaveYou entitled to have her]]. And Odette from ''Swan Lake'' ''Theatre/SwanLake'' - a maiden cursed by an evil sorcerer EvilSorcerer to go through an endless cycle over and over again.
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Changed line(s) 50 (click to see context) from:
* CompositeCharacter: The prima ballerina's story echoes that of two heroines from famous ballets. Giselle (which is also the ballet she is performing) is in a love triangle with the man she loves and a man who feels he's entitled to have her. And Odette from ''Swan Lake'' - a maiden cursed by an evil sorcerer to go through an endless cycle over and over again.
to:
* CompositeCharacter: The prima ballerina's story echoes that of two heroines from famous ballets. Giselle (which is also the ballet she is performing) is in a love triangle with the man she loves and a man who feels he's [[EntitledToHaveYou entitled to have her.her]]. And Odette from ''Swan Lake'' - a maiden cursed by an evil sorcerer to go through an endless cycle over and over again.
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Changed line(s) 13,16 (click to see context) from:
Worried, Fred encourages the guys to help her look for the missing Angel and Cordelia (although Gunn, loving the show, is practically dragged away). The Count directs his demon minions to deal with those sneaking around backstage. While trying to escape the backstage halls, Cordelia recalls an element of fear she felt while possessed. She convinces Angel to reenter the dressing room so that they can break the spell holding them backstage, where they are possessed by the spirits again with wild passion for each other. Cordelia calls Angel "Stefan" and confesses her fears of another man who is controlling her life. They kiss, and "Stefan" offers to take her away, but she wants him to help her deal with the problem instead. As Fred tends to a wound Gunn received in the battle with the Count's minions, he jokes about his injury, and Fred gets emotional because she thought he was seriously hurt. The two kiss as Wesley quietly discovers them and walks away sadly.
The ballet continues on stage as the gang gathers backstage. Wesley explains that the Count was a wizard who discovered the prima ballerina whom he adored had a lover. To repay her for her "betrayal", the count forced her into a temporal shift where she would dance for him forever. As Angel searches for the Count's power center, he finds the prima ballerina waiting in the wings, resigned to perform the same dance for the rest of eternity regretting she didn't leave when Stefan urged her to. Meanwhile, the rest of the gang weaken the Count's magic by fighting off the Count's demons, who multiply whenever they're killed.
The ballet continues on stage as the gang gathers backstage. Wesley explains that the Count was a wizard who discovered the prima ballerina whom he adored had a lover. To repay her for her "betrayal", the count forced her into a temporal shift where she would dance for him forever. As Angel searches for the Count's power center, he finds the prima ballerina waiting in the wings, resigned to perform the same dance for the rest of eternity regretting she didn't leave when Stefan urged her to. Meanwhile, the rest of the gang weaken the Count's magic by fighting off the Count's demons, who multiply whenever they're killed.
to:
Worried, Fred encourages the guys to help her look for the missing Angel and Cordelia (although Gunn, loving the show, is practically dragged away). The Count directs his demon minions to deal with those sneaking around backstage. While trying to escape the backstage halls, Cordelia recalls an element of fear she felt while possessed. She convinces Angel to reenter the dressing room so that they can break get more information about how the spell holding them backstage, where happened, and they are possessed by the spirits again with wild passion for each other. Cordelia calls Angel "Stefan" and confesses her fears of another man who is controlling her life. They kiss, and "Stefan" offers to take her away, but she wants him to help her deal with the problem instead. As Fred tends to a wound Gunn received in the battle with the Count's minions, he jokes about his injury, and Fred gets emotional because she thought he was seriously hurt. The two kiss as Wesley quietly discovers them and walks away sadly.
The ballet continueson stage onstage as the gang gathers backstage. Wesley explains that the Count was a wizard who discovered the prima ballerina whom he adored had a lover. To repay her for her "betrayal", the count forced her into a temporal shift where she would dance for him forever. As Angel searches for the Count's power center, he finds the prima ballerina waiting in the wings, resigned to perform the same dance for the rest of eternity regretting she didn't leave when Stefan urged her to. Meanwhile, the rest of the gang weaken the Count's magic by fighting off the Count's demons, who multiply whenever they're killed.
The ballet continues
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Changed line(s) 17,18 (click to see context) from:
The Prima Ballerina sadly tells Angel that during the first act, her foot slips a little every time during the courtship dance... she's not dancing each night, but rather just repeating her movements again and again for eternity. Angel tells her to break the magic holding her prisoner, she has to change the dance. She dances on stage using her own steps. Angel attacks the Count and, guessing the power center is in a medallion the count wears, smashes it with a powerful punch, finally releasing the ballet dancers. The Prima Ballerina, knowing she's has been released from her eternal curse, bows to Angel in thanks as she vanishes. The Count tells Angel he has no right to do this, the Prima Ballerina was his and danced only for him... but Angel isn't interested and knocks him out. Wesley dresses Gunn's injury and watches on in emotional agony as Fred and Gunn exchange loving looks.
to:
The Prima Ballerina sadly tells Angel that during the first act, her foot slips a little every time during the courtship dance... she's not dancing each night, but rather just repeating her movements again and again for eternity. Angel tells her that to break the magic holding her prisoner, she has to change the dance. She With the spell weakening due to Team Angel's efforts, she dances on stage using her own steps. Angel attacks the Count and, guessing the power center is in a medallion the count wears, smashes it with a powerful punch, finally releasing the ballet dancers. The Prima Ballerina, knowing she's has been released from her eternal curse, bows to Angel in thanks as she vanishes. The Count tells Angel he has no right to do this, the Prima Ballerina was his and danced only for him... but Angel isn't interested and knocks him out. Wesley dresses Gunn's injury and watches on in emotional agony as Fred and Gunn exchange loving looks.
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Changed line(s) 15,16 (click to see context) from:
The ballet continues on stage as the gang gathers backstage. Wesley explains that the Count was a wizard who discovered the prima ballerina whom he adored had a lover. To repay her for her "betrayal", the count forced her into a temporal shift where she would dance for only him, forever. As Angel searches for the Count's power center, he finds the prima ballerina waiting in the wings, resigned to perform the same dance for the rest of eternity regretting she didn't leave when Stefan urged her to. Meanwhile, the rest of the gang weaken the Count's magic by fighting off the Count's demons, who multiply whenever they're killed.
to:
The ballet continues on stage as the gang gathers backstage. Wesley explains that the Count was a wizard who discovered the prima ballerina whom he adored had a lover. To repay her for her "betrayal", the count forced her into a temporal shift where she would dance for only him, him forever. As Angel searches for the Count's power center, he finds the prima ballerina waiting in the wings, resigned to perform the same dance for the rest of eternity regretting she didn't leave when Stefan urged her to. Meanwhile, the rest of the gang weaken the Count's magic by fighting off the Count's demons, who multiply whenever they're killed.
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None
Changed line(s) 15,16 (click to see context) from:
The ballet continues on stage as the gang gathers backstage. Wesley explains that the Count was a wizard who discovered the prima ballerina whom he adored had a lover. To repay her for her betrayal, the count forced her into a temporal shift where she would dance for only him, forever. As Angel searches for the Count's power center, he finds the prima ballerina waiting in the wings, resigned to perform the same dance for the rest of eternity regretting she didn't leave when Stefan urged her to. Meanwhile, the rest of the gang weaken the Count's magic by fighting off the Count's demons, who multiply whenever they're killed.
to:
The ballet continues on stage as the gang gathers backstage. Wesley explains that the Count was a wizard who discovered the prima ballerina whom he adored had a lover. To repay her for her betrayal, "betrayal", the count forced her into a temporal shift where she would dance for only him, forever. As Angel searches for the Count's power center, he finds the prima ballerina waiting in the wings, resigned to perform the same dance for the rest of eternity regretting she didn't leave when Stefan urged her to. Meanwhile, the rest of the gang weaken the Count's magic by fighting off the Count's demons, who multiply whenever they're killed.
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None
Changed line(s) 116 (click to see context) from:
* NightmareFetishist: Spoofed when Wesley appears to be raving over a woodcut of a six-breasted she-demon, but he's [[BaitAndSwitchComment actually going on about Fred]].
to:
* NightmareFetishist: Spoofed when Wesley appears to be raving over a woodcut of a six-breasted she-demon, she-demon in the open book in front of him, but he's [[BaitAndSwitchComment actually going on about Fred]].
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Changed line(s) 141 (click to see context) from:
* TooMuchInformation: Angel mutters that he used to get box seats, "or I'd eat the people in them." Cordelia tells him to stop with the reminiscing. Also:
to:
* TooMuchInformation: Angel mutters that he used to get box seats, seat tickets, "or I'd eat the people in who had them." Cordelia tells him to stop with the reminiscing. Also:
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Added DiffLines:
* LoonyFan: How the Prima Ballerina describes Count Kurskov. Angel also tells him contemptuously to start a website.
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Changed line(s) 9,10 (click to see context) from:
Compliments are directed to everyone as their attire is revealed at the hotel, and they depart together. At theater, the gang find their way to their seats and Angel grumbles at the distance between their seats and the stage and remembers how, in the past, getting a box seat was only a good meal away. The show begins and Cordelia is literally and almost instantly bored to sleep while Gunn finds himself enraptured with the performance. Angel, as he watches, begins to get troubled at the sight of the dancers. During intermission, Angel tells his friends that the show is the same as the one he saw in 1890... and he means exactly the same, with the same dancers. Angel knows the dancers aren't vampires, so the gang decide to investigate. He and Cordelia sneak backstage, where they discover they are mystically trapped in a maze of corridors.
to:
Compliments are directed to everyone as their attire is revealed at the hotel, and they depart together. At theater, the gang find their way to their seats and Angel grumbles at the distance between their seats and the stage and remembers how, in the past, getting tickets for a box seat was only just a good meal away.matter of eating the people who had them. The show begins and Cordelia is literally and almost instantly bored to sleep while Gunn finds himself enraptured with the performance. Angel, as he watches, begins to get troubled at the sight of the dancers. During intermission, Angel tells his friends that the show is the same as the one he saw in 1890... and he means exactly the same, with the same dancers. Angel knows the dancers aren't vampires, so the gang decide to investigate. He and Cordelia sneak backstage, where they discover they are mystically trapped in a maze of corridors.
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Changed line(s) 64 (click to see context) from:
* DreamBallet: There was a deleted scene that featured a fantasy ballet sequence between Fred and Wesley.
to:
* DreamBallet: There was a deleted scene that featured a fantasy ballet sequence in Wes's head between Fred him and Wesley.Fred.
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Deleted line(s) 106,108 (click to see context) :
* LooksLikeSheIsEnjoyingIt
-->'''Gunn:''' "Hear that? Sounds like someone's in pain."\\
'''Fred:''' "Either that or someone's in fun..."
-->'''Gunn:''' "Hear that? Sounds like someone's in pain."\\
'''Fred:''' "Either that or someone's in fun..."
Added DiffLines:
* PainMistakenForSex:
-->'''Gunn:''' "Hear that? Sounds like someone's in pain."\\
'''Fred:''' "Either that or someone's in fun..."
-->'''Gunn:''' "Hear that? Sounds like someone's in pain."\\
'''Fred:''' "Either that or someone's in fun..."
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Added DiffLines:
* HasAType: According to Lorne, Angel has a thing former cheerleaders.
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Changed line(s) 68 (click to see context) from:
'''Angel:''' "There will be [[GettingCrapPastTheRadar no coming together]], okay?"
to:
'''Angel:''' "There will be [[GettingCrapPastTheRadar [[{{double entendre}} no coming together]], okay?"
Changed line(s) 73 (click to see context) from:
* GettingCrapPastTheRadar: After Angel and Cordy come out of the dressing room where they were making out, Cordy mentions she's glad there are no lasting effects. Angel agrees, as he takes off his tux jacket and [[RagingStiffie holds it in front of himself]].
to:
%% * GettingCrapPastTheRadar: After Angel GettingCrapPastThe Radar: Due to overwhelming and Cordy come out of persistent misuse, GCPTR is on-page examples only until 01 June 2021. If you are reading this in the dressing room where they were making out, Cordy mentions she's glad there are no lasting effects. Angel agrees, as he takes off his tux jacket and [[RagingStiffie holds it in front of himself]].future, please check the trope page to make sure your example fits the current definition.
Changed line(s) 92 (click to see context) from:
-->'''Cordy:''' Hey...it's awkward, but it's not ''us''. So long as nothing is removed or...[[GettingCrapPastTheRadar inserted]] it's all forgotten."
to:
-->'''Cordy:''' Hey...it's awkward, but it's not ''us''. So long as nothing is removed or...[[GettingCrapPastTheRadar inserted]] inserted it's all forgotten."
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Changed line(s) 3,4 (click to see context) from:
Angel buys tickets to the ballet for the Fang Gang, but discovers the performers are the same people he saw back in 1890.
to:
Wesley researches a demon from one of Cordelia's visions while Cordelia questions Wesley about his romantic feelings towards Fred. After Gunn and Fred return from breakfast, Angel buys tickets announces he is taking them all to a production of the ballet ''Giselle'', performed by the Bllinikov School. Gunn is horrified, since Angel had originally gone out to pick up tickets for one of his favourite bands and tells Angel they've 'lost the trust'. He says he saw the same ballet performed by the same company in 1890, which made him cry like a baby... which was quite a feat, considering he was still evil back then.
At theater, the company's owner, Count Kurskov, promises theater manager an unforgettable show while a shadowed figure watches from above the stage and laughs.
In preparation for their glamorous night at the ballet, Fred and Cordelia shop for new dresses, where Cordelia teaches Fred about the ancient custom of buying an expensive dress, hiding the tag and returning it the next day. Cordelia broaches the subject of Fred's romantic interests. Cordelia thinks Fred's mind is on Wesley, when it's really on Gunn, and tells Fred the feeling is mutual. Lorne informs Angel that he knows about the vampire's feelings for Cordelia . Angel initially denies it, but Lorne reminds him that Cordelia has grown into an amazing woman (and also jokingly points out that Angel seems to have a thing for ex-cheerleaders). Angel is unsure of if he should persue her, considering he doesn't feel he has anything he can offer her. Lorne tries to talk him round, telling him that moments like this don't come around very often and he should act on his feeling. Then Cordelia, looking amazing in her dress, arrives and tells Angel that she hopes to leave behind their regular lives (well, regular for them anyway) and enjoy an evening of classical dance. Angel can only agree.
Compliments are directed to everyone as their attire is revealed at the hotel, and they depart together. At theater, the gang find their way to their seats and Angel grumbles at the distance between their seats and the stage and remembers how, in the past, getting a box seat was only a good meal away. The show begins and Cordelia is literally and almost instantly bored to sleep while Gunn finds himself enraptured with the performance. Angel, as he watches, begins to get troubled at the sight of the dancers. During intermission, Angel tells his friends that the show is the same as the one he saw in 1890... and he means exactly the same, with the same dancers. Angel knows the dancers aren't vampires, so the gang decide to investigate. He and Cordelia sneak backstage, where they discover they are mystically trapped in a maze of corridors.
Looking through the Prima Ballerina's dressing room, Angel observes that the dressing room hasn't changed in two hundred years as Cordelia examines a cross necklace from a table. Both feel the room warm, and Cordelia suddenly asks Angel to undress her. Soon they find themselves possessed by spirits in love and are unable to keep their hands off each other, until Cordelia accidentally burns Angel with the cross. Both come to their senses and leave the dressing room before things go too far.
Worried, Fred encourages the guys to help her look for theFang Gang, missing Angel and Cordelia (although Gunn, loving the show, is practically dragged away). The Count directs his demon minions to deal with those sneaking around backstage. While trying to escape the backstage halls, Cordelia recalls an element of fear she felt while possessed. She convinces Angel to reenter the dressing room so that they can break the spell holding them backstage, where they are possessed by the spirits again with wild passion for each other. Cordelia calls Angel "Stefan" and confesses her fears of another man who is controlling her life. They kiss, and "Stefan" offers to take her away, but she wants him to help her deal with the problem instead. As Fred tends to a wound Gunn received in the battle with the Count's minions, he jokes about his injury, and Fred gets emotional because she thought he was seriously hurt. The two kiss as Wesley quietly discovers them and walks away sadly.
The ballet continues on stage as theperformers are gang gathers backstage. Wesley explains that the Count was a wizard who discovered the prima ballerina whom he adored had a lover. To repay her for her betrayal, the count forced her into a temporal shift where she would dance for only him, forever. As Angel searches for the Count's power center, he finds the prima ballerina waiting in the wings, resigned to perform the same people dance for the rest of eternity regretting she didn't leave when Stefan urged her to. Meanwhile, the rest of the gang weaken the Count's magic by fighting off the Count's demons, who multiply whenever they're killed.
The Prima Ballerina sadly tells Angel that during the first act, her foot slips a little every time during the courtship dance... she's not dancing each night, but rather just repeating her movements again and again for eternity. Angel tells her to break the magic holding her prisoner, she has to change the dance. She dances on stage using her own steps. Angel attacks the Count and, guessing the power center is in a medallion the count wears, smashes it with a powerful punch, finally releasing the ballet dancers. The Prima Ballerina, knowing she's has been released from her eternal curse, bows to Angel in thanks as she vanishes. The Count tells Angel hesaw back has no right to do this, the Prima Ballerina was his and danced only for him... but Angel isn't interested and knocks him out. Wesley dresses Gunn's injury and watches on in 1890.
emotional agony as Fred and Gunn exchange loving looks.
Angel and Cordelia agree to forget whatever happened between them while they were possessed. Angel starts to admit his true feelings for Cordelia, but the Groosalugg from Pylea appears on the stairs, drawing Cordelia's attention away from Angel. Groo and Cordelia kiss as Lorne comes downstairs to inform Angel that Pylea has formed a republic; with no need for a leader, Groo returned for his true love, Cordelia. Dejected, Angel goes upstairs to check on Connor while Fred and Wesley watch on, both realizing the path of love is not something that can be foretold.
At theater, the company's owner, Count Kurskov, promises theater manager an unforgettable show while a shadowed figure watches from above the stage and laughs.
In preparation for their glamorous night at the ballet, Fred and Cordelia shop for new dresses, where Cordelia teaches Fred about the ancient custom of buying an expensive dress, hiding the tag and returning it the next day. Cordelia broaches the subject of Fred's romantic interests. Cordelia thinks Fred's mind is on Wesley, when it's really on Gunn, and tells Fred the feeling is mutual. Lorne informs Angel that he knows about the vampire's feelings for Cordelia . Angel initially denies it, but Lorne reminds him that Cordelia has grown into an amazing woman (and also jokingly points out that Angel seems to have a thing for ex-cheerleaders). Angel is unsure of if he should persue her, considering he doesn't feel he has anything he can offer her. Lorne tries to talk him round, telling him that moments like this don't come around very often and he should act on his feeling. Then Cordelia, looking amazing in her dress, arrives and tells Angel that she hopes to leave behind their regular lives (well, regular for them anyway) and enjoy an evening of classical dance. Angel can only agree.
Compliments are directed to everyone as their attire is revealed at the hotel, and they depart together. At theater, the gang find their way to their seats and Angel grumbles at the distance between their seats and the stage and remembers how, in the past, getting a box seat was only a good meal away. The show begins and Cordelia is literally and almost instantly bored to sleep while Gunn finds himself enraptured with the performance. Angel, as he watches, begins to get troubled at the sight of the dancers. During intermission, Angel tells his friends that the show is the same as the one he saw in 1890... and he means exactly the same, with the same dancers. Angel knows the dancers aren't vampires, so the gang decide to investigate. He and Cordelia sneak backstage, where they discover they are mystically trapped in a maze of corridors.
Looking through the Prima Ballerina's dressing room, Angel observes that the dressing room hasn't changed in two hundred years as Cordelia examines a cross necklace from a table. Both feel the room warm, and Cordelia suddenly asks Angel to undress her. Soon they find themselves possessed by spirits in love and are unable to keep their hands off each other, until Cordelia accidentally burns Angel with the cross. Both come to their senses and leave the dressing room before things go too far.
Worried, Fred encourages the guys to help her look for the
The ballet continues on stage as the
The Prima Ballerina sadly tells Angel that during the first act, her foot slips a little every time during the courtship dance... she's not dancing each night, but rather just repeating her movements again and again for eternity. Angel tells her to break the magic holding her prisoner, she has to change the dance. She dances on stage using her own steps. Angel attacks the Count and, guessing the power center is in a medallion the count wears, smashes it with a powerful punch, finally releasing the ballet dancers. The Prima Ballerina, knowing she's has been released from her eternal curse, bows to Angel in thanks as she vanishes. The Count tells Angel he
Angel and Cordelia agree to forget whatever happened between them while they were possessed. Angel starts to admit his true feelings for Cordelia, but the Groosalugg from Pylea appears on the stairs, drawing Cordelia's attention away from Angel. Groo and Cordelia kiss as Lorne comes downstairs to inform Angel that Pylea has formed a republic; with no need for a leader, Groo returned for his true love, Cordelia. Dejected, Angel goes upstairs to check on Connor while Fred and Wesley watch on, both realizing the path of love is not something that can be foretold.
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* CallBack: When Angel and Cordelia are discussing going back into the dressing room to become possessed by the spirits again Angel says "Look I've been possessed by the spirits of old lovers before, it never ends well." This is a reference to the ''Series/{{Buffy|the Vampire Slayer}}'' episode "[[Recap/BuffyTheVampireSlayerS2E19IOnlyHaveEyesForYou I Only Have Eyes For You]]", where Angelus and Buffy were possessed by the ghosts of two lovers. Earlier Cordelia kids Wesley about how he only had eyes for her in Sunnydale, referring to their courtship in BTVS Season 3.
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* CallBack: CallBack:
** When Angel and Cordelia are discussing going back into the dressing room to become possessed by the spirits again Angel says "Look I've been possessed by the spirits of old lovers before, it never ends well." This is a reference to the ''Series/{{Buffy|the Vampire Slayer}}'' episode "[[Recap/BuffyTheVampireSlayerS2E19IOnlyHaveEyesForYou I Only Have Eyes For You]]", where Angelus and Buffy were possessed by the ghosts of two lovers. Earlier Cordelia kids Wesley about how he only had eyes for her in Sunnydale, referring to their courtship in BTVS Season3.3.
** Wesley mocking Cordelia's "rythmic snoring" echoes Giles' chastising Anya's "Wagnerian snoring" when the Scoobies had to stay in Xander's basement in "[[Recap/BuffyTheVampireSlayerS4E14GoodbyeIowa Goodye, Iowa]]".
** When Angel and Cordelia are discussing going back into the dressing room to become possessed by the spirits again Angel says "Look I've been possessed by the spirits of old lovers before, it never ends well." This is a reference to the ''Series/{{Buffy|the Vampire Slayer}}'' episode "[[Recap/BuffyTheVampireSlayerS2E19IOnlyHaveEyesForYou I Only Have Eyes For You]]", where Angelus and Buffy were possessed by the ghosts of two lovers. Earlier Cordelia kids Wesley about how he only had eyes for her in Sunnydale, referring to their courtship in BTVS Season
** Wesley mocking Cordelia's "rythmic snoring" echoes Giles' chastising Anya's "Wagnerian snoring" when the Scoobies had to stay in Xander's basement in "[[Recap/BuffyTheVampireSlayerS4E14GoodbyeIowa Goodye, Iowa]]".
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* AtTheOperaTonight: Not the opera but the ballet.
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* AtTheOperaTonight: Not The characters go to the opera but ballet and incidentally showed the ballet.world that Creator/SummerGlau could act.
* BalletEpisode: While he doesn't actually perform, Gunn finds himself dragged to the ballet and is so into it by the end he's giving a standing ovation.
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* CreatorInJoke: Mata Hari, the band Gunn originally thinks they're going to see, is a band Joss Whedon's brother is in.
* CreepyBallet: A ballerina is cursed to repeat the same performance for her jealous RomanticRunnerUp.
* CreepyBallet: A ballerina is cursed to repeat the same performance for her jealous RomanticRunnerUp.
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* CreatorInJoke: Mata Hari, the band Gunn originally thinks they're going to see, is a band Joss Whedon's Creator/JossWhedon's brother is in.
* CreepyBallet: A ballerina is cursed to repeat the same performance for her jealous RomanticRunnerUp. After 110 years, the Fang Gang is able to break the curse and set her free.
* CreepyBallet: A ballerina is cursed to repeat the same performance for her jealous RomanticRunnerUp. After 110 years, the Fang Gang is able to break the curse and set her free.
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* DespairSpeech
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* DespairSpeechDespairSpeech:
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* DreamBallet / SucksAtDancing: In the DeletedScene Wesley [[ImagineSpot imagines himself]] ballet dancing (ineptly) up stage with a graceful Fred.
* EndlessCorridor: Backstage in the theatre.
* EndlessCorridor: Backstage in the theatre.
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* DreamBallet / SucksAtDancing: In the DeletedScene Wesley [[ImagineSpot imagines himself]] DreamBallet: There was a deleted scene that featured a fantasy ballet dancing (ineptly) up stage with a graceful Fred.
sequence between Fred and Wesley.
* EndlessCorridor:Backstage The theatre contains endless corridors in the theatre.basement of a dance house.
* EndlessCorridor:
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* YouRemindMeOfX: In reference to Cordy, Lorne kids Angel about his liking for ex-cheerleaders. Nice one, Lorne -- you've just reminded Angel of his [[Series/BuffyTheVampireSlayer last disastrous affair with a human girl]].
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* YouRemindMeOfX: In reference to Cordy, Lorne kids Angel about his liking for ex-cheerleaders. Nice one, Lorne -- you've just reminded Angel of his [[Series/BuffyTheVampireSlayer last disastrous affair with a human girl]].girl]].
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* CreepyBallet: A ballerina is cursed to repeat the same performance for her jealous RomanticRunnerUp.
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* RagingStiffie: Angel and Cordelia are trying to get out of the ballerina's dressing room while KissingUnderTheInfluence.
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* RagingStiffie: Angel and Cordelia are trying to get out of the ballerina's dressing room while KissingUnderTheInfluence.OvercomeWithDesire.
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/angel_waiting_in_the_wings.png]]
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!! Tropes:
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* LeaningOnTheFourthWall: Cordelia and Fred out shopping formal dresses. When Fred is uncertain, Cordy states that "caveman wear" is "so last season". Indeed it was - at the end of season two.
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Deleted line(s) 93 (click to see context) :
* OneSceneWonder: Creator/SummerGlau as the ballerina only speaks in one scene.