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Deleted line(s) 18,19 (click to see context) :
* {{Adorkable}}: Kate sums up Angel's appeal.
-->'''Kate:''' How do you get them to trust you, Angel? Give them the [[PuppyDogEyes big dark eyes]], the ‘I’m not good with talk’ speech?
-->'''Kate:''' How do you get them to trust you, Angel? Give them the [[PuppyDogEyes big dark eyes]], the ‘I’m not good with talk’ speech?
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Added DiffLines:
* SerialKiller: The demon wants to find the perfect body to inhabit, but until then it has to keep killing to find a new one when its latest acquisition has been worn out.
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Changed line(s) 3,4 (click to see context) from:
Angel is on the hunt for a demon that kills men and women it picks up at clubs.
to:
At the office, Angel sits in the dark, alone. He blinks when the lights come on and Doyle arrives, with a Friday-night plan for the three of them to go out together. Besides trying to get Angel to break his isolation, Doyle also has a personal agenda—he wants Angel to put in a good word with Cordelia for him, without letting her know about his demon heritage. Angel is just declining to arrange a date between his coworkers, when Cordelia arrives with a box of the calling cards she had printed up for Angel Investigations. Angel, clearly at a loss, guesses the little angel drawn on them is a butterfly, while Doyle, trying futilely to impress Cordelia, guesses the graphic depicts a night-hunting owl. Just as Cordelia whacks him on the hunt arm in mock disgust, Doyle is seized by a vision of a night club, accompanied by an impending sense of calamity. Angel goes out clubbing with Doyle and Cordelia after all.
Meanwhile at D'Oblique, the club in Doyle's vision, a young woman named Sharon Reichler sits alone at the bar, unaware she is observed by a man named Kevin. He approaches her and they move to a table to get acquainted. Lonely and desperate, Sharon and Kevin soon make a real connection and leave the club together, just after the Angel Investigations team arrives. Cordelia immediately begins to pass around Angel's business cards, until Doyle stops her, cautioning her to stay "under the radar", since some people might label Angel the "v-word". Cordelia guesses "vampire", but Doyle means "vigilante". After briefly talking with the bartender, Angel makes no progress with people near the bar until a woman named Kate asks if he's all right. Intrigued by this apparent reflection of his intentions, Angel awkwardly strikes up a conversation with Kate, who also seems inept at the social scene. Despite a slow start, Angel and Kate find enough in common to make what they both consider to be a true connection.
Across the room, a rude guy mockingly speculates that the AI calling cards give Cordelia's number for sexual services, and Doyle tries to stand up for her. When Cordelia gets indignant, and the rude guy is backed up by his rude friend, Doyle stops negotiating and wades in. Having just declined Kate's invitation to go someplace quieter (making Kate suddenly very frosty), Angel charges into the fight and thrashes both guys, before the bartender ejects them as known trouble-makers. A stylishly turned out woman, impressed by Angel's heroic actions, coyly introduces herself. Angel gamely follows her lead, trying to ascertain whether she might be the person Doyle's vision didn't show. As he banters, Angel notices Kate watching, seeming hurt and angry, and, in turn, helplessly watches her leave the club.
The next morning, after spending the night with Kevin, Sharon calmly gets dressed, unperturbed by the bloody sheets and Kevin's dead body on the bed. At the office, the team spends the day researching any past incidents connected to D'Oblique. Their search turns up a badly mutilated woman and an eviscerated man, both known to have been at the club. Doyle and Cordelia research on demons that cause evisceration to their victims and find several suspects, including the Piasca and an unnamed demon. Meanwhile, Angel goes back to D'Oblique to see if he can spot the killer. On his way in, Angel literally bumps into Kate, who takes umbrage when he tries to warn her of a suspiciously non-specific danger. Inside, Angel talks to the bartender and another patron and finds out that Kevin disappeared after going home with Sharon. After asking a few more questions, Angel tracks Sharon down, then runs straight to her place to try to prevent the next murder.
Angel arrives at the apartment just in time to see that Sharon is dead while Neil, the geeky guy she took home, is alive and hosting a parasitic demon. Angel and the demon fight, but it gets away just as Kate arrives and finds Angel leaving the crime scene. Pulling a gun on Angel, Kate reveals she's a detective with the LAPD, and arrests him. When Angel sees that Kate won't be convinced he's not the killer, he breaks out of her grasp and dives out the third floor window. Meanwhile, the demon goes back to D'Oblique to find another host body. As dawn approaches, Angel makes his way to Cordelia's dingy apartment, not knowing that Kate has gone to illegally search his own place. Waking Cordelia and Doyle, Angel asks them to research eviscerating burrowers—demons that move from body to body, endlessly seeking the perfect one to live in forever. They discover their burrower is vulnerable to fire. Seeking help to destroy the powerful demon, Angel calls Kate and requests a meeting, asking for five minutes to explain himself, to prove that he isn't the killer. Later that night at the club, Kate asks the bartender to notify her when Angel arrives. A few minutes later as she fends someone off, the bartender tells Kate he thinks Angel is out back but, when they get there, the bartender smashes a wine bottle into the back of Kate's head. Angel arrives just in time to keep the burrower demon from transferring to Kate's body, forcing it back inside the bartender. Though weakening, the bartender host is still strong enough to fight Angel until Kate recovers somewhat. Then, not wanting to deal with them both at once, the demon tosses Kate and Angel down into the basement and locks them in.
While the demon cruises for a fresh, undamaged body—having little luck "making a connection", given the bartender's blood-soaked shirt and peeling skin—Kate and Angel finally escape D'Oblique's basement and split up to search. Angel locates the bartender first, and again battles the demon in its bartender host, which is still strong enough to injure Angel. Still waiting for Kate to back him up, Angel barely manages to throw the demon into a nearby burn barrel before collapsing to the pavement. Ignited by the fire in the barrel, the bartender host is immediately engulfed in flames. Howling, the demon lurches purposefully toward Angel, who helplessly watches, unable to move. Circling back, Kate arrives just in time to shoot the bartender, knocking him to the ground and halting the attack on Angel. After more police and emergency services arrive on scene, Kate gets a moment alone with Angel. She admits thatkills men she never would have guessed the bartender was the killer, thanks Angel for saving her life earlier, and women it picks up at clubs.
confesses to searching his apartment. Agreeing that the bartender had ample opportunity, Angel makes no mention of a body-hopping, parasitic demon being the real killer. Then, after thanking Kate for saving his life as well, Angel asks why she chose to tell him of her illegal search. When she says she wants the two of them to start over from the beginning, with no secrets between them, Angel pauses almost imperceptibly, then agrees.
At the office, Angel generously and very awkwardly suggests that the three of them go out together, but is deeply relieved and gratified when Cordelia and Doyle instead take pity on him and leave him to brood in the dark, alone.
Meanwhile at D'Oblique, the club in Doyle's vision, a young woman named Sharon Reichler sits alone at the bar, unaware she is observed by a man named Kevin. He approaches her and they move to a table to get acquainted. Lonely and desperate, Sharon and Kevin soon make a real connection and leave the club together, just after the Angel Investigations team arrives. Cordelia immediately begins to pass around Angel's business cards, until Doyle stops her, cautioning her to stay "under the radar", since some people might label Angel the "v-word". Cordelia guesses "vampire", but Doyle means "vigilante". After briefly talking with the bartender, Angel makes no progress with people near the bar until a woman named Kate asks if he's all right. Intrigued by this apparent reflection of his intentions, Angel awkwardly strikes up a conversation with Kate, who also seems inept at the social scene. Despite a slow start, Angel and Kate find enough in common to make what they both consider to be a true connection.
Across the room, a rude guy mockingly speculates that the AI calling cards give Cordelia's number for sexual services, and Doyle tries to stand up for her. When Cordelia gets indignant, and the rude guy is backed up by his rude friend, Doyle stops negotiating and wades in. Having just declined Kate's invitation to go someplace quieter (making Kate suddenly very frosty), Angel charges into the fight and thrashes both guys, before the bartender ejects them as known trouble-makers. A stylishly turned out woman, impressed by Angel's heroic actions, coyly introduces herself. Angel gamely follows her lead, trying to ascertain whether she might be the person Doyle's vision didn't show. As he banters, Angel notices Kate watching, seeming hurt and angry, and, in turn, helplessly watches her leave the club.
The next morning, after spending the night with Kevin, Sharon calmly gets dressed, unperturbed by the bloody sheets and Kevin's dead body on the bed. At the office, the team spends the day researching any past incidents connected to D'Oblique. Their search turns up a badly mutilated woman and an eviscerated man, both known to have been at the club. Doyle and Cordelia research on demons that cause evisceration to their victims and find several suspects, including the Piasca and an unnamed demon. Meanwhile, Angel goes back to D'Oblique to see if he can spot the killer. On his way in, Angel literally bumps into Kate, who takes umbrage when he tries to warn her of a suspiciously non-specific danger. Inside, Angel talks to the bartender and another patron and finds out that Kevin disappeared after going home with Sharon. After asking a few more questions, Angel tracks Sharon down, then runs straight to her place to try to prevent the next murder.
Angel arrives at the apartment just in time to see that Sharon is dead while Neil, the geeky guy she took home, is alive and hosting a parasitic demon. Angel and the demon fight, but it gets away just as Kate arrives and finds Angel leaving the crime scene. Pulling a gun on Angel, Kate reveals she's a detective with the LAPD, and arrests him. When Angel sees that Kate won't be convinced he's not the killer, he breaks out of her grasp and dives out the third floor window. Meanwhile, the demon goes back to D'Oblique to find another host body. As dawn approaches, Angel makes his way to Cordelia's dingy apartment, not knowing that Kate has gone to illegally search his own place. Waking Cordelia and Doyle, Angel asks them to research eviscerating burrowers—demons that move from body to body, endlessly seeking the perfect one to live in forever. They discover their burrower is vulnerable to fire. Seeking help to destroy the powerful demon, Angel calls Kate and requests a meeting, asking for five minutes to explain himself, to prove that he isn't the killer. Later that night at the club, Kate asks the bartender to notify her when Angel arrives. A few minutes later as she fends someone off, the bartender tells Kate he thinks Angel is out back but, when they get there, the bartender smashes a wine bottle into the back of Kate's head. Angel arrives just in time to keep the burrower demon from transferring to Kate's body, forcing it back inside the bartender. Though weakening, the bartender host is still strong enough to fight Angel until Kate recovers somewhat. Then, not wanting to deal with them both at once, the demon tosses Kate and Angel down into the basement and locks them in.
While the demon cruises for a fresh, undamaged body—having little luck "making a connection", given the bartender's blood-soaked shirt and peeling skin—Kate and Angel finally escape D'Oblique's basement and split up to search. Angel locates the bartender first, and again battles the demon in its bartender host, which is still strong enough to injure Angel. Still waiting for Kate to back him up, Angel barely manages to throw the demon into a nearby burn barrel before collapsing to the pavement. Ignited by the fire in the barrel, the bartender host is immediately engulfed in flames. Howling, the demon lurches purposefully toward Angel, who helplessly watches, unable to move. Circling back, Kate arrives just in time to shoot the bartender, knocking him to the ground and halting the attack on Angel. After more police and emergency services arrive on scene, Kate gets a moment alone with Angel. She admits that
At the office, Angel generously and very awkwardly suggests that the three of them go out together, but is deeply relieved and gratified when Cordelia and Doyle instead take pity on him and leave him to brood in the dark, alone.
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* BodySurf: Talamour jumps from body to body in search of the one it could live in permanently. It's a metaphor for searching for the perfect mate and, indeed, most of the episode takes place in a nightclub.
Deleted line(s) 15 (click to see context) :
* BodySurf: Talamour moves from one host to another trying to find a suitable body that will host him forever.
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ymmv
Deleted line(s) 33 (click to see context) :
* HollywoodHomely: Sharon Reichler, the shy blonde, is considered "bottom of the barrel" by Kevin's friend.
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* TheInternetIsForPorn: Angel asks how Doyle got to be so good with computers. Cordelia snarks that he learned by downloading pictures of naked women. Doyle doesn't deny this.
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* PuppeteerParasite: The demon possesses human bodies and took over their mind, however it had to go from body to body on a regular basis, because once it's been in a body for too long, the body started to deteriorate...sensibly enough, as the initial immolation action would logically kill the victim, with the possessed body then being little more than a still-warm corpse. The third season also had the "sluks", transparent crustacean-like demons who entered their hosts through their mouths, the downside being that these creatures required lots of water to survive, causing their hosts to dry down and die.
Changed line(s) 59 (click to see context) from:
* SeeYouInHell
to:
* SeeYouInHellSeeYouInHell:
Changed line(s) 74 (click to see context) from:
* TapOnTheHead: Kate
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* TapOnTheHead: KateThe demon knocks Kate out with a bottle.
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* UndercoverCopReveal: Kate shows her badge (and her gun) to Angel at a mid-episode cliffhanger.
to:
* UndercoverCopReveal: Kate shows her badge (and her gun) to Angel at a mid-episode cliffhanger.cliffhanger.
----
----
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/angel_lonely_heart.jpg]]
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* AllThereInTheManual: The bartender's name (Danny) is revealed in the script.
Changed line(s) 22,23 (click to see context) from:
* DoesThisRemindYouOfAnything: Yes, Talamour does have a phallic shape.
* FacialHorror: Makes it difficult to get a date when half your face is coming off. It's a result of Talamour's presence within the body, seemingly accelerating decomposition.
* FacialHorror: Makes it difficult to get a date when half your face is coming off. It's a result of Talamour's presence within the body, seemingly accelerating decomposition.
to:
* DoesThisRemindYouOfAnything: Yes, Talamour does have a phallic shape.
shape. Yes, how it jumps from a host body to the next after sex is reminiscent of an STD. And, yes, its need to find a permanent host body - specially when its time within Danny is running out and his body is rotting away -is a clear metaphor of how repulsive can someone made desperate by loneliness become.
* FacialHorror: Makes it difficult to get a date when half your face is coming off. It's a result of Talamour's presence within the body, seeminglyaccelerating decomposition.causing necrosis.
* FacialHorror: Makes it difficult to get a date when half your face is coming off. It's a result of Talamour's presence within the body, seemingly
*RunningGag: Noone can tell the logo in the Angel Investigations card is shaped like an angel. Angel thinks its a butterfly, Doyle is sure its an owl and Kate asks if its a lobster.
Changed line(s) 67 (click to see context) from:
* SuperStrength: Talamour has strength that rivals that of Angel.
to:
* SuperStrength: Within a host body, Talamour has strength that rivals that of Angel.
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Changed line(s) 23 (click to see context) from:
* FacialHorror: Makes it difficult to get a date when half your face is coming off. Its a result of Talamour's presence within the body, seemingly accelerating decomposition.
to:
* FacialHorror: Makes it difficult to get a date when half your face is coming off. Its It's a result of Talamour's presence within the body, seemingly accelerating decomposition.
Changed line(s) 44 (click to see context) from:
* MistakenForMurderer: Kate belives Angel to be the killer when she finds him in Neil's apartment, along with the body of Sharon.
to:
* MistakenForMurderer: Kate belives believes Angel to be the killer when she finds him in Neil's apartment, along with the body of Sharon.
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Changed line(s) 67 (click to see context) from:
* SuperStrength: Talamour has strenght that rivals that of Angel.
to:
* SuperStrength: Talamour has strenght strength that rivals that of Angel.
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Changed line(s) 47 (click to see context) from:
* NamelessNarrative: The episode doens't mention that the bartender's name is Danny.
to:
* NamelessNarrative: The episode doens't doesn't mention that the bartender's name is Danny.
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Changed line(s) 9 (click to see context) from:
* BaitAndSwitch: Twice. Suave Kevin chats up the shy Sharon at the bar, so she's obviously the VictimOfTheWeek. No wait, his eviscerated body ends up lying on the bed whil she puts on a maneater magenta dress -- SHE must be the killer! But no, the killer is a body-snatcher; the corpse is just the cast-off.
to:
* BaitAndSwitch: Twice. Suave Kevin chats up the shy Sharon at the bar, so she's obviously the VictimOfTheWeek. No wait, his eviscerated body ends up lying on the bed whil while she puts on a maneater magenta dress -- SHE must be the killer! But no, the killer is a body-snatcher; the corpse is just the cast-off.
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Changed line(s) 58 (click to see context) from:
-->'''Doyle:''' Tell [Cordelia] what I great guy I am.
to:
-->'''Doyle:''' Tell [Cordelia] what I a great guy I am.
Changed line(s) 67 (click to see context) from:
* SuperhumanStrenght: Talamour has strenght that rivals that of Angel.
to:
* SuperhumanStrenght: SuperStrength: Talamour has strenght that rivals that of Angel.
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Changed line(s) 22 (click to see context) from:
* DoesThisRemindYoouOfAnything: Yes, Talamour does have a phallic shape.
to:
* DoesThisRemindYoouOfAnything: DoesThisRemindYouOfAnything: Yes, Talamour does have a phallic shape.
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Changed line(s) 8 (click to see context) from:
* BaitAndSwitch: Twice. Guy chats up a girl at the bar, so she's obviously the VictimOfTheWeek. No wait, his eviscerated body ends up lying on the bed -- SHE must be the killer! But no, the killer is a body-snatcher; the corpse is just the cast-off.
to:
*AttemptedRape: Invoked when Talamour ties down Kate and prepares to jump into her body.
* BaitAndSwitch: Twice.Guy Suave Kevin chats up a girl the shy Sharon at the bar, so she's obviously the VictimOfTheWeek. No wait, his eviscerated body ends up lying on the bed whil she puts on a maneater magenta dress -- SHE must be the killer! But no, the killer is a body-snatcher; the corpse is just the cast-off.
* BaitAndSwitch: Twice.
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* BodySurf: The demon moves from one host to another trying to find a suitable body.
to:
* BodySurf: The demon Talamour moves from one host to another trying to find a suitable body.body that will host him forever.
Changed line(s) 13 (click to see context) from:
* ChestBurster: How the demon jumps from one body to the other.
to:
* ChestBurster: How the demon Talamour jumps from one body to the other.
Changed line(s) 21 (click to see context) from:
* FacialHorror: Makes it difficult to get a date when half your face is coming off. Its a result of the demon's presence within the body, seemingly accelerating decomposition.
to:
*DoesThisRemindYoouOfAnything: Yes, Talamour does have a phallic shape.
* FacialHorror: Makes it difficult to get a date when half your face is coming off. Its a result ofthe demon's Talamour's presence within the body, seemingly accelerating decomposition.
* FacialHorror: Makes it difficult to get a date when half your face is coming off. Its a result of
*HollywoodHomely: Sharon Reichler, the shy blonde, is considered "bottom of the barrel" by Kevin's friend.
*FrameUp: Sort of. Angel allows the murders to be pinned on Danny the bartender, the last victim of Talamour.
Changed line(s) 39,40 (click to see context) from:
* MistakenForGay: While the group are questioning people at the singles bar, we see Angel anxiously telling a guy "No, really, I wasn't hitting on you!"
* MustBeInvited: Averted. Angel can enter the killer's place uninvited because the invitation rule doesn't apply to demon lairs.
* MustBeInvited: Averted. Angel can enter the killer's place uninvited because the invitation rule doesn't apply to demon lairs.
to:
* MistakenForGay: While the group are questioning people at the singles bar, D'Oblique, we see Angel anxiously telling a guy "No, really, I wasn't hitting on you!"
*MistakenForMurderer: Kate belives Angel to be the killer when she finds him in Neil's apartment, along with the body of Sharon.
* MustBeInvited: Averted. Angel can enter the killer's place uninvited because the invitation rule doesn't apply to demonlairs.lairs and the legal owner (the host body) is dead.
*MistakenForMurderer: Kate belives Angel to be the killer when she finds him in Neil's apartment, along with the body of Sharon.
* MustBeInvited: Averted. Angel can enter the killer's place uninvited because the invitation rule doesn't apply to demon
*NamelessNarrative: The episode doens't mention that the bartender's name is Danny.
*SuperhumanStrenght: Talamour has strenght that rivals that of Angel.
*SuperSenses: Talamour can also sense Angel isn't human but vampire.
*SuperSenses: Talamour can also sense Angel isn't human but vampire.
Changed line(s) 62 (click to see context) from:
* TrashcanBonfire: The demon tries to stick Angel's head in it, but ends up getting set on fire himself.
to:
* TrashcanBonfire: The demon Talamour (in the bartender's body) tries to stick Angel's head in it, but ends up getting set on fire himself.
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Changed line(s) 13 (click to see context) from:
* ChestBurster: The killer's power.
to:
* ChestBurster: The killer's power.How the demon jumps from one body to the other.
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* FacialHorror: Makes it difficult to get a date when half your face is coming off.
to:
* FacialHorror: Makes it difficult to get a date when half your face is coming off. Its a result of the demon's presence within the body, seemingly accelerating decomposition.
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* ManOnFire[=/=]KillItWithFire: The killer's rather convenient weakness.
to:
* ManOnFire[=/=]KillItWithFire: The killer's demon's rather convenient weakness.
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Added line(s) 4 (click to see context) :
----
!!Tropes in this episode:
!!Tropes in this episode:
Changed line(s) 4 (click to see context) from:
-->How do you get them to trust you, Angel? Give them the [[PuppyDogEyes big dark eyes]], the ‘I’m not good with talk’ speech?
to:
Changed line(s) 6 (click to see context) from:
* BaitAndSwitch: Twice. Guy chats up a girl at the bar, so she's obviously the VictimOfTheWeek. No wait, his eviscerated body ends up lying on the bed - SHE must be the killer! But no, the killer is a body-snatcher; the corpse is just the cast-off.
to:
* BaitAndSwitch: Twice. Guy chats up a girl at the bar, so she's obviously the VictimOfTheWeek. No wait, his eviscerated body ends up lying on the bed - -- SHE must be the killer! But no, the killer is a body-snatcher; the corpse is just the cast-off.
Changed line(s) 13,14 (click to see context) from:
-->'''Angel:''' Hey, look at that, there is our number. It’s right next to a… a um - a – a butterfly?\\
'''Doyle:''' It’s obviously not a butterfly, you idiot. It’s a – a bird. No, no, wait, it’s an owl. A – a bird that hunts at night. Brilliant! It’s a- a...\\
'''Doyle:''' It’s obviously not a butterfly, you idiot. It’s a – a bird. No, no, wait, it’s an owl. A – a bird that hunts at night. Brilliant! It’s a- a...\\
to:
-->'''Angel:''' Hey, look at that, there is there's our number. It’s right next to a… a um - -- a – a butterfly?\\
'''Doyle:''' It’s obviously not a butterfly, you idiot. It’s a – a bird. No, no, wait, it’s an owl. A – a bird that hunts at night. Brilliant! It’sa- a-- a...\\
'''Doyle:''' It’s obviously not a butterfly, you idiot. It’s a – a bird. No, no, wait, it’s an owl. A – a bird that hunts at night. Brilliant! It’s
Changed line(s) 18 (click to see context) from:
* CoolestClubEver: D'Oblique. Subverted by Doyle, who describes it as "one of those 'terminally-stuck in TheEighties' places".
to:
* CoolestClubEver: D'Oblique. Subverted by Doyle, who describes it as "one of those 'terminally-stuck 'terminally stuck in TheEighties' places".places."
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'''Kate:''' Where is your license?\\
to:
'''Kate:''' Where is Where's your license?\\
Changed line(s) 27 (click to see context) from:
-->'''Doyle:''' Violence isn’t going to solve a thing here. [headbutts man] On the other hand it is kind of festive.
to:
-->'''Doyle:''' Violence isn’t going to solve a thing here. [headbutts man] ''[headbutts man]'' On the other hand it is kind of festive.
Changed line(s) 33 (click to see context) from:
-->"I, uh...well, basically I'm...uh, [[WeHelpTheHelpless I help]]-- I'm a veterinarian."
to:
Changed line(s) 35 (click to see context) from:
* ManOnFire / KillItWithFire: The killer's rather convenient weakness.
to:
* ManOnFire / KillItWithFire: ManOnFire[=/=]KillItWithFire: The killer's rather convenient weakness.
Changed line(s) 45 (click to see context) from:
'''Angel:''' I didn’t do that. I’m sorry for this! [hits her and dives out the window]
to:
'''Angel:''' I didn’t do that. I’m sorry for this! [hits ''[hits her and dives out the window]window]''
Changed line(s) 49 (click to see context) from:
* SelfDeprecation
to:
* SelfDeprecationSelfDeprecation: Doyle and Kate.
Changed line(s) 53 (click to see context) from:
** Also Kate
to:
Changed line(s) 58 (click to see context) from:
* StealthHiBye: I'd get used to it, Kate.
to:
* StealthHiBye: I'd get used to it, Kate. We actually see Angel move off when Kate's back is turned, but a second later when she turns back he's all the way down the alley.
Changed line(s) 62 (click to see context) from:
-->'''Doyle:''' I think it's refreshing to see a woman living like this, you know. It means you're not so uptight, you live for the moment— (steps in a bowl of oatmeal) [[HypocriticalHumor You're disgusting.]]
to:
-->'''Doyle:''' I think it's refreshing to see a woman living like this, you know. It means you're not so uptight, you live for the moment— (steps moment-- ''[steps in a bowl of oatmeal) oatmeal]'' [[HypocriticalHumor You're disgusting.]]
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Dumping the spoiler tags and cleaning up some zero-context examples
Changed line(s) 5,7 (click to see context) from:
* AmbiguouslyBrown: The bartender
* BaitAndSwitch: Twice. Guy chats up a girl at the bar, so she's obviously the VictimOfTheWeek. No wait, [[spoiler:his eviscerated body ends up lying on the bed - SHE must be the killer]]! But no, [[spoiler:the killer is a body-snatcher; the corpse is just the cast-off]].
* BarBrawl
* BaitAndSwitch: Twice. Guy chats up a girl at the bar, so she's obviously the VictimOfTheWeek. No wait, [[spoiler:his eviscerated body ends up lying on the bed - SHE must be the killer]]! But no, [[spoiler:the killer is a body-snatcher; the corpse is just the cast-off]].
* BarBrawl
to:
* AmbiguouslyBrown: The bartender
bartender.
* BaitAndSwitch: Twice. Guy chats up a girl at the bar, so she's obviously the VictimOfTheWeek. No wait,[[spoiler:his his eviscerated body ends up lying on the bed - SHE must be the killer]]! killer! But no, [[spoiler:the the killer is a body-snatcher; the corpse is just the cast-off]].
cast-off.
*BarBrawlBarBrawl: Angel and Doyle end up on the winning side of this one.
* BaitAndSwitch: Twice. Guy chats up a girl at the bar, so she's obviously the VictimOfTheWeek. No wait,
*
Changed line(s) 9,11 (click to see context) from:
* [[spoiler:BodySurf / RedHerring: The demon moves from one host to another trying to find a suitable body.]]
* BulletholeDoor: What works when your [[AwesomeButImpractical fancy James Bond grapple gun doesn't]].
* ChestBurster
* BulletholeDoor: What works when your [[AwesomeButImpractical fancy James Bond grapple gun doesn't]].
* ChestBurster
to:
* [[spoiler:BodySurf / RedHerring: BodySurf: The demon moves from one host to another trying to find a suitable body.]]
body.
* BulletholeDoor: What works when your [[AwesomeButImpractical fancy James Bond grapplegun doesn't]].
gun]] doesn't.
*ChestBursterChestBurster: The killer's power.
* BulletholeDoor: What works when your [[AwesomeButImpractical fancy James Bond grapple
*
Changed line(s) 17 (click to see context) from:
* ComeAlone: Averted; Angel tells [[spoiler:Kate to bring as much backup as she wants.]] [[IdiotBall She comes alone anyway.]]
to:
* ComeAlone: Averted; Angel tells [[spoiler:Kate Kate to bring as much backup as she wants.]] wants. [[IdiotBall She comes alone anyway.]]
Changed line(s) 35 (click to see context) from:
* ManOnFire / KillItWithFire
to:
* ManOnFire / KillItWithFireKillItWithFire: The killer's rather convenient weakness.
* MustBeInvited: Averted. Angel can enter the killer's place uninvited because the invitation rule doesn't apply to demon lairs.
Changed line(s) 41 (click to see context) from:
* PreemptiveApology: [[spoiler:Kate is cuffing Angel after finding him with the latest victim.]]
to:
* PreemptiveApology: [[spoiler:Kate Kate is cuffing Angel after finding him with the latest victim.]]
Changed line(s) 43 (click to see context) from:
[[spoiler:'''Kate:''' Is that a confession?]]\\
to:
Changed line(s) 62,63 (click to see context) from:
* [[spoiler:UndercoverCopReveal: Kate.]]
* VampireInvitation
* VampireInvitation
to:
* [[spoiler:UndercoverCopReveal: Kate.]]
* VampireInvitationUndercoverCopReveal: Kate shows her badge (and her gun) to Angel at a mid-episode cliffhanger.
* VampireInvitation
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Changed line(s) 47 (click to see context) from:
-->'''Angel:''' Been there. Done that.
to:
-->'''Angel:''' [[Recap/BuffyTheVampireSlayerS2E22BecomingPart2 Been there. Done that.]]
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Changed line(s) 10 (click to see context) from:
* BulletholeDoor: What works when your fancy James Bond grapple gun doesn't.
to:
* BulletholeDoor: What works when your [[AwesomeButImpractical fancy James Bond grapple gun doesn't.doesn't]].
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None
* {{Adorkable}}: Kate sums up Angel's appeal.
-->How do you get them to trust you, Angel? Give them the [[PuppyDogEyes big dark eyes]], the ‘I’m not good with talk’ speech?
-->How do you get them to trust you, Angel? Give them the [[PuppyDogEyes big dark eyes]], the ‘I’m not good with talk’ speech?
Deleted line(s) 43,44 (click to see context) :
* PuppyDogEyes / {{Adorkable}}: Kate sums up Angel's appeal.
-->How do you get them to trust you, Angel? Give them the big dark eyes, the ‘I’m not good with talk’ speech?
-->How do you get them to trust you, Angel? Give them the big dark eyes, the ‘I’m not good with talk’ speech?
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Changed line(s) 8 (click to see context) from:
* BulletholeDoor: What works when your fancy James Bond grappel gun doesn't.
to:
* BulletholeDoor: What works when your fancy James Bond grappel grapple gun doesn't.doesn't.
* ChestBurster
* ChestBurster
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Changed line(s) 42 (click to see context) from:
* PuppyDogEyes: Kate sums up Angel's appeal.
to:
* PuppyDogEyes: PuppyDogEyes / {{Adorkable}}: Kate sums up Angel's appeal.
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None
Added DiffLines:
* BaitAndSwitch: Twice. Guy chats up a girl at the bar, so she's obviously the VictimOfTheWeek. No wait, [[spoiler:his eviscerated body ends up lying on the bed - SHE must be the killer]]! But no, [[spoiler:the killer is a body-snatcher; the corpse is just the cast-off]].
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Added DiffLines:
* IResembleThatRemark
-->'''Kate:''' How else are you gonna meet somebody outside of work? It's either this or sit at home alone in the dark.\\
'''Angel:''' Wouldn't want that.
-->'''Kate:''' How else are you gonna meet somebody outside of work? It's either this or sit at home alone in the dark.\\
'''Angel:''' Wouldn't want that.
Added DiffLines:
** Also Kate
-->'''Kate:''' Way to come off like a drunken slut. Slut's better than a hypocrite, right? I'm moving up?
-->'''Angel:''' You're kind of hard on yourself.
-->'''Kate:''' Well, I'm a self-flagellating hypocrite slut.
-->'''Kate:''' Way to come off like a drunken slut. Slut's better than a hypocrite, right? I'm moving up?
-->'''Angel:''' You're kind of hard on yourself.
-->'''Kate:''' Well, I'm a self-flagellating hypocrite slut.
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Changed line(s) 43 (click to see context) from:
* SelfDepreciation
to:
* SelfDepreciationSelfDeprecation
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Added DiffLines:
* SelfDepreciation
-->'''Doyle:''' Tell [Cordelia] what I great guy I am.
-->'''Angel:''' I barely know you.
-->'''Doyle:''' Well, perfect, that should make it easier for ya.
-->'''Doyle:''' Tell [Cordelia] what I great guy I am.
-->'''Angel:''' I barely know you.
-->'''Doyle:''' Well, perfect, that should make it easier for ya.
Added DiffLines:
* TrashOfTheTitans: Cordy's apartment.
-->'''Doyle:''' I think it's refreshing to see a woman living like this, you know. It means you're not so uptight, you live for the moment— (steps in a bowl of oatmeal) [[HypocriticalHumor You're disgusting.]]
-->'''Doyle:''' I think it's refreshing to see a woman living like this, you know. It means you're not so uptight, you live for the moment— (steps in a bowl of oatmeal) [[HypocriticalHumor You're disgusting.]]
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Changed line(s) 6 (click to see context) from:
* [[spoiler:BodySurf: The demon moves from one host to another trying to find a suitable body.]]
to:
* [[spoiler:BodySurf: [[spoiler:BodySurf / RedHerring: The demon moves from one host to another trying to find a suitable body.]]
