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* HeroicSelfDeprecation: Conor is fine with Joey and Garnt calling him a monkey brain and has joked with them about how bizarre his brain reacts.
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* HeroicSelfDeprecation: Conor is fine with Joey and Garnt calling him a monkey brain and has joked with them about how bizarre his brain reacts.can act.
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* DissonantSerenity: In episode 9, Joey recounts when an earthquake hit when they were their hotel during AX 2019, he remembers Conor calmly eating his chicken nuggets as category 7 hit.
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* HeroicSelfDeprecation: Conor is fine with Joey and Garnt calling him a monkey brain and has joked with them about how bizarre his brain reacts.
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* NoJustNoReaction: Garnt's reaction whenever the subject of Conor's "monkey brain" comes up. In episode 9, he's so frustrated by Conor that he actually jumps from his seat and walks around a bit.
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* GoMadFromTheRevelation: Pretty much Connor and Joey's reactions when Garnt attempts to explain how to navigate the Fate Franchise in episode 8. Connor even starts to screaming at the various numbers of expies the franchise has when he asks how many Rins Fate has and Garnt can't answer right away.
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* OverusedCopycatCharacter: When talking about the [[Franchise/FateSeries Fate franchise]] in episode 8, they inevitably bring up the fact that [[VisualNovel/FateStayNight Saber/Artoria]] has an insane amount of alternative versions as well as other characters that resemble her for some reason.
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* AlternateRealityEpisode: Garnt discusses (in ever-increasing [[ItMakesSenseInContext fandom and lore-consistent complexity]]) the three alternate routes of ''VisualNovel/FateStayNight''--and by extension the expanding ''Franchise/FateSeries'' ([[CallBack something which]] he has done [[https://www.youtube.com/watch?v=wnVwcUhxt1k before]]). Joey and Connor, who already have their misgivings with complicated timelines, lost it.
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* MusicOfNote: Crossed with SugarWiki/AwesomeMusic. The value of sound design is discussed throughout the episodes--particularly how unique sound design and musical compositions (such as the unique soundtracks of ''Franchise/JoJosBizarreAdventure'' every installment) help ensure that an anime production will not only sell well, but foster a large fandom engagement, MemeticMutation and turn it into a classic.
to:
* MusicOfNote: Crossed with SugarWiki/AwesomeMusic. The value of sound design is discussed throughout the in some episodes--particularly how unique sound design and musical compositions (such as the unique soundtracks of ''Franchise/JoJosBizarreAdventure'' every installment) help ensure that an anime production will not only sell well, but foster a large fandom engagement, MemeticMutation and turn it into a classic.
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* StoryToGameplayRatio: At the heart of the discussion of Episode 8, i.e. how much gameplay and story/cutscenes should interactive media (such as VideoGames and/or a VisualNovel should have). Hilariously, Connor is pretty adamant and unapologetic at prioritizing gameplay (to the point of skipping cutscenes, as well as explaining his indifference to the visual novel format) that [[TakeThat he gets labelled "monkey brain"]] by the other two.
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* FreakierThanFiction: Connor's [[https://wirralchessleague.uk/oldsite/playerstats1112.php?id=70 career as a competitive chess player]] was [[https://www.youtube.com/watch?v=aVmd3wiCES8 covered in the tail-end]] of Episode 6--with all the attendant drama, twists and coincidences worthy of it becoming its own sports anime.
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* SmartPeoplePlayChess: The main topic of the tail-end of episode 6, with a discussion on why anime specifically about chess (comparable to ''Manga/HikaruNoGo'') don't exist yet--seguing into Connor's own chess-filled early life.
to:
* SmartPeoplePlayChess: The main topic of the tail-end of episode 6, with a discussion on why anime specifically about chess (comparable to ''Manga/HikaruNoGo'') don't exist yet--seguing into Connor's own competitive chess-filled early life.
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* AtLeastIAdmitIt: Quite possibly the reasoning behind their chosen title for the podcast--in that while they are seasoned anime viewers, the anime/Japanese popular culture has expanded enough that universal "classics"/"good anime value" has become highly-subjective--and that their own tastes will very likely offend older and newer members of their fandoms.
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* NostalgiaFilter: The show in part runs on this, especially as all three are YouTubers who were kids discovering anime during the 90s and the early 2000s. [[PlayingWithATrope That said]], being long-time anime viewers, they are also well-versed on which of the stuff they have watched aged well and which doesn't.
to:
* NostalgiaFilter: The show in part runs on this, especially as all three are YouTubers who were kids discovering anime during the 90s and the early 2000s. [[PlayingWithATrope That said]], being long-time anime viewers, they are also well-versed on which of the stuff they have watched aged well and which doesn't.doesn't--[[RunningGag except maybe]] ''VisualNovel/SchoolDays''.
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* TitleDrop: The name itself of the podcast is liberally invoked in most episodes, especially when they're dissing productions that didn't age well (or when they openly admit to GuiltyPleasure watches/products).
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* GoingNative: An issue for all three of them (even with Joey, who is half-Japanese/half-Australian); while they do significant work to blend in with Japanese society, all three of them still have issues on certain social aspects (as well as low-key discrimination). That said, the most blatant person they know to do this (with full "weeb"/"otaku" card on display) isn't even any of them, but Garnt's fiancee Sydney/@Sydsnap--[[https://www.youtube.com/watch?v=vo680GzJi68 who sang the theme song of]] ''Anime/AnoHanaTheFlowerWeSawThatDay'' in karaoke with Japanese media executives.
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* BitingTheHandHumour: Sometimes PlayedForLaughs, sometimes [[OOCIsSeriousBusiness done pretty seriously]]--especially when they talk about the challenges of being a YouTube content creator and when recalling their administrative woes with the platform. They are pretty [[SincerityMode lighthearted and very kind]] about their main sponsor Bookwalker though.
to:
* BitingTheHandHumour: Sometimes PlayedForLaughs, sometimes [[OOCIsSeriousBusiness done pretty seriously]]--especially when they talk about the challenges of being a YouTube Website/YouTube content creator and when recalling their administrative woes with the platform. They are pretty [[SincerityMode lighthearted and very kind]] about their main sponsor Bookwalker though.
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* BitingTheHandHumour: Sometimes PlayedForLaughs, sometimes [[OOCIsSeriousBusiness done pretty seriously]]--especially when they talk about the challenges of being a YouTube content creator and when recalling their administrative woes with the platform. They are pretty [[SincerityMode lighthearted and very kind]] about their main sponsor Bookwalker though.
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* LiveActionAdaptation: Their discussion on it seems to highlight how very little anime transition well into live-action, with the notable exception of ''Manga/Gintama'' and ''Film/EdgeOfTomorrow''. (''Film/AlitaBattleAngel'', despite its generally favorable reviews, seems to split them as well.)
to:
* LiveActionAdaptation: Their discussion on it seems to highlight how very little anime transition well into live-action, with the notable exception of ''Manga/Gintama'' ''{{Manga/Gintama}}'' and ''Film/EdgeOfTomorrow''. (''Film/AlitaBattleAngel'', despite its generally favorable reviews, seems to split them as well.)
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** Their discussion on Creator/NisiOIsiN's works highlight how it's surprising that despite its linguistic barriers, ''LightNovel/Bakemonogatari'' appeals more than the more mainstream-themed ''LightNovel/Katanagatari''.
to:
** Their discussion on Creator/NisiOIsiN's works highlight how it's surprising that despite its linguistic barriers, ''LightNovel/Bakemonogatari'' ''{{LightNovel/Bakemonogatari}}'' appeals more than the more mainstream-themed ''LightNovel/Katanagatari''.''{{LightNovel/Katanagatari}}''.
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* CriticalDissonance: Sometimes brought up when they discuss how/why certain kinds of anime appeal or don't appeal to a global audience:
** Their discussion on Creator/NisiOIsiN's works highlight how it's surprising that despite its linguistic barriers, ''LightNovel/Bakemonogatari'' appeals more than the more mainstream-themed ''LightNovel/Katanagatari''.
** Humorously, all three are in [[{{Understatement}} significant disagreement]] about the actual quality of ''VisualNovel/SchoolDays''.
* LiveActionAdaptation: Their discussion on it seems to highlight how very little anime transition well into live-action, with the notable exception of ''Manga/Gintama'' and ''Film/EdgeOfTomorrow''. (''Film/AlitaBattleAngel'', despite its generally favorable reviews, seems to split them as well.)
** Their discussion on Creator/NisiOIsiN's works highlight how it's surprising that despite its linguistic barriers, ''LightNovel/Bakemonogatari'' appeals more than the more mainstream-themed ''LightNovel/Katanagatari''.
** Humorously, all three are in [[{{Understatement}} significant disagreement]] about the actual quality of ''VisualNovel/SchoolDays''.
* LiveActionAdaptation: Their discussion on it seems to highlight how very little anime transition well into live-action, with the notable exception of ''Manga/Gintama'' and ''Film/EdgeOfTomorrow''. (''Film/AlitaBattleAngel'', despite its generally favorable reviews, seems to split them as well.)
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* PopCultureIsolation: A running theme when discussing how the state of anime's relative mainstream acceptability is brought up.
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** Joey noted how even regular Japanese people would be less well-versed in anime than most otaku worldwide, with many having likely only watched basic TV fare like ''Franchise/Doraemon'' or ''Anime/SazaeSan''.
to:
** Joey noted how even regular Japanese people would be less well-versed in anime than most otaku worldwide, with many having likely only watched basic TV fare like ''Franchise/Doraemon'' ''{{Franchise/Doraemon}}'' or ''Anime/SazaeSan''.
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** The old ''Anime/DigimonAdventure'' vs. ''Anime/Pokemon'' divide in the early 2000s was discussed, and how despite ''Digimon'' actually having more consistent story arcs, the near-ubiquity of ''Pokemon'' meant "nobody wanted to be the ''Digimon'' kid."
to:
** The old ''Anime/DigimonAdventure'' vs. ''Anime/Pokemon'' ''{{Anime/Pokemon}}'' divide in the early 2000s was discussed, and how despite ''Digimon'' actually having more consistent story arcs, the near-ubiquity of ''Pokemon'' meant "nobody wanted to be the ''Digimon'' kid."
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** The old ''Anime/DigmonAdventure'' vs. ''Anime/Pokemon'' divide in the early 2000s was discussed, and how despite ''Digimon'' actually having more consistent story arcs, the near-ubiquity of ''Pokemon'' meant "nobody wanted to be the ''Digimon'' kid."
to:
** The old ''Anime/DigmonAdventure'' ''Anime/DigimonAdventure'' vs. ''Anime/Pokemon'' divide in the early 2000s was discussed, and how despite ''Digimon'' actually having more consistent story arcs, the near-ubiquity of ''Pokemon'' meant "nobody wanted to be the ''Digimon'' kid."
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** Later, the three agree that Connor's experience is in fact becoming the ideal way to approach becoming an anime YouTuber--in that original and unique content will better attract people towards taking part in the anime fandom than parroting/riffing off classic content (such as ThebridgedSeries and [[CausticCritic anime reviews]]).
to:
** Later, the three agree that Connor's experience is in fact becoming the ideal way to approach becoming an anime YouTuber--in that original and unique content will better attract people towards taking part in the anime fandom than parroting/riffing off classic content (such as ThebridgedSeries TheAbridgedSeries and [[CausticCritic anime reviews]]).
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* LifeImitatesArt: Their discussion on the works of Creator/SatoshiKon praise how very prescient his commentaries on celebrity and new media social relations became--especially relevant to them as online content creators.
to:
* LifeImitatesArt: AccidentallyCorrectWriting: Their discussion on the works of Creator/SatoshiKon praise [[LifeImitatesArt how very prescient prescient]] his commentaries on celebrity and new media social relations became--especially relevant to them as online content creators.
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* MusicOfNote: Crossed with SugarWiki/AwesomeMusic. The value of sound design is discussed throughout the episodes--particularly how unique sound design and musical compositions (such as the unique soundtracks of ''Franchise/JoJosBizarreAdventure'' every installment) help ensure that an anime production will not only sell well, but foster a large fandom engagement, MemeticMutation and turn it into a classic.
* PeripheryDemographic: Factors in a lot of their conversations on how certain anime trends/fandoms evolved:
** The old ''Anime/DigmonAdventure'' vs. ''Anime/Pokemon'' divide in the early 2000s was discussed, and how despite ''Digimon'' actually having more consistent story arcs, the near-ubiquity of ''Pokemon'' meant "nobody wanted to be the ''Digimon'' kid."
** Humorously, Connor's nickname "the 93%", for having (previously) that proportion of female viewers compared to male viewers.
** Later, the three agree that Connor's experience is in fact becoming the ideal way to approach becoming an anime YouTuber--in that original and unique content will better attract people towards taking part in the anime fandom than parroting/riffing off classic content (such as ThebridgedSeries and [[CausticCritic anime reviews]]).
** The old ''Anime/DigmonAdventure'' vs. ''Anime/Pokemon'' divide in the early 2000s was discussed, and how despite ''Digimon'' actually having more consistent story arcs, the near-ubiquity of ''Pokemon'' meant "nobody wanted to be the ''Digimon'' kid."
** Humorously, Connor's nickname "the 93%", for having (previously) that proportion of female viewers compared to male viewers.
** Later, the three agree that Connor's experience is in fact becoming the ideal way to approach becoming an anime YouTuber--in that original and unique content will better attract people towards taking part in the anime fandom than parroting/riffing off classic content (such as ThebridgedSeries and [[CausticCritic anime reviews]]).
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* RootingForTheEmpire: One episode has them discussing how, despite his arrogant demeanor, ''Anime/Pokemon'''s Gary Oak did look be on better track to being a Pokemon Trainer Master compared to Ash, who is engaged in so many distracting side-quests.
to:
* RootingForTheEmpire: VillainsActHeroesReact: One episode has them discussing how, despite his arrogant demeanor, ''Anime/Pokemon'''s ''{{Anime/Pokemon}}'''s [[TheRival Gary Oak Oak]] did look to be on better track to being becoming a Pokemon Trainer Master compared to Ash, who is engaged in so many distracting side-quests.
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* SmallReferencePools: Usually raised when it comes to certain types of anime, manga or literature they pretty like but have near-zero reach to a mainstream audience. This was particularly noticeable with Dazai Osamu, the author of ''Literature/NoLongerHuman'' (who is probably better known as a character in ''Manga/BungoStrayDogs'').
to:
* SmallReferencePools: Usually raised when it comes to certain types of anime, manga or literature they pretty like but have near-zero reach to a mainstream audience. audience.
** Joey noted how even regular Japanese people would be less well-versed in anime than most otaku worldwide, with many having likely only watched basic TV fare like ''Franchise/Doraemon'' or ''Anime/SazaeSan''.
** This was particularly noticeable with Dazai Osamu, the author of ''Literature/NoLongerHuman'' (who is probably better known as a character in ''Manga/BungoStrayDogs'').
** Joey noted how even regular Japanese people would be less well-versed in anime than most otaku worldwide, with many having likely only watched basic TV fare like ''Franchise/Doraemon'' or ''Anime/SazaeSan''.
** This was particularly noticeable with Dazai Osamu, the author of ''Literature/NoLongerHuman'' (who is probably better known as a character in ''Manga/BungoStrayDogs'').
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* LifeImitatesArt: Their discussion on the works of Creator/SatoshiKon praise how very prescient his commentaries on celebrity and new media social relations became--especially relevant to them as online content creators.
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** Garnt (especially in the post-Akihabara shopping episode [Episode 4]) became notorious for buying the lewdest merchandise, such as a nude ''{{Manga/Saki}}'' dakimakura and his prized possession, a [[Anime/HighSchoolDXD pole-dancing Rias Gremory figurine]].
to:
** Garnt (especially in the post-Akihabara shopping episode [Episode 4]) became notorious for buying the lewdest merchandise, such as a nude ''{{Manga/Saki}}'' dakimakura and his prized possession, a [[Anime/HighSchoolDXD [[LightNovel/HighSchoolDXD pole-dancing Rias Gremory figurine]].
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* NostalgiaFilter: The show in part runs on this, especially as all three are YouTubers who were kids discovering anime during the 90s and the early 2000s. [[PlayingWithATrope That said]], being long-time anime viewers, they are also well-versed on which of the stuff they have watched aged well and which doesn't.
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* RootingForTheEmpire: One episode has them discussing how, despite his arrogant demeanor, ''Anime/Pokemon'''s Gary Oak did look be on better track to being a Pokemon Trainer Master compared to Ash, who is engaged in so many distracting side-quests.
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* RealityEnsues:
to:
** Joey apparently tends to be the person who the other two (and by extension, their friends) are likely to see {{Main/Hentai}} from in their Twitter feed.
** Garnt (especially in the post-Akihabara shopping episode [Episode 4]) became notorious for buying the lewdest merchandise, such as a nude ''{{Manga/Saki}}'' dakimakura and his prized possession, a [[Anime/HighSchoolDXD pole-dancing Rias Gremory figurine]].
** Connor, who usually comes off as the more level-headed of the three, openly admits to "[[ADateWithRosiePalms doing the deed]]" with hentai and tends to do more daring material/topics in his videos.
* RealityEnsues: Many conversations deal with either deconstructing/smashing some myths and assumptions about content creation and life in Japan in general.
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** Episode 6 discusses how learning Japanese through anime will most certainly not be helpful.
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** Chris Broad (of WebVideo/AbroadInJapan) admitted in a guesting that his initial idea of releasing videos daily while doing kilometers of bicycle treks was ruinous to his health.
** Episode 6 discusses how learning Japanese through anime will most certainly not behelpful.helpful--unless you use it in complement with actually practicing using and listening to the language.
** Episode 6 discusses how learning Japanese through anime will most certainly not be
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* SmartPeoplePlayChess: The main topic of episode 6, with discussion of anime about chess.
to:
* SmallReferencePools: Usually raised when it comes to certain types of anime, manga or literature they pretty like but have near-zero reach to a mainstream audience. This was particularly noticeable with Dazai Osamu, the author of ''Literature/NoLongerHuman'' (who is probably better known as a character in ''Manga/BungoStrayDogs'').
* SmartPeoplePlayChess: The main topic of the tail-end of episode 6, with a discussionof on why anime specifically about chess.
chess (comparable to ''Manga/HikaruNoGo'') don't exist yet--seguing into Connor's own chess-filled early life.
* SmartPeoplePlayChess: The main topic of the tail-end of episode 6, with a discussion
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** Episode 2 goes on extensive details on how much the tourist/fictional depiction of Japanese life and actually living in Japan differ.
to:
** Episode 2 goes on into extensive details detail on how much the tourist/fictional depiction of Japanese life and actually living in Japan differ.
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%%
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Well, if you ask three particular anime YouTubers based in Japan... pretty much anything. And make it cool, funny and educational along the way as well.
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Well, if you ask three particular anime YouTubers [=YouTubers=] based in Japan... pretty much anything. And make it cool, funny and educational along the way as well.
----
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** Episode 2 goes on extensive details on how much tourist/fictional depiction of Japanese life and actually living in Japan differ.
** Episode 6 discusses how learning Japanese through anime will most certainly not helpful.
* SchoolIsForLosers: Downplayed. While all three members of the podcast went through college-education and above (with Gigguk holding Masters in electric engineering), they all express disappointment and regret over how much college just wasn't for them in the end.
* SmartPeoplePlayChess: The main topic of episode 6, with discussion of anime about chess.
** Episode 6 discusses how learning Japanese through anime will most certainly not helpful.
* SchoolIsForLosers: Downplayed. While all three members of the podcast went through college-education and above (with Gigguk holding Masters in electric engineering), they all express disappointment and regret over how much college just wasn't for them in the end.
* SmartPeoplePlayChess: The main topic of episode 6, with discussion of anime about chess.
to:
** Episode 2 goes on extensive details on how much the tourist/fictional depiction of Japanese life and actually living in Japan differ.
** Episode 6 discusses how learning Japanese through anime will most certainly not be helpful.
* SchoolIsForLosers: Downplayed. While all three members of the podcastwent through college-education and above are college educated (with Gigguk holding a Masters in electric engineering), they all express disappointment and regret over how much college just wasn't for them in the end.
* SmartPeoplePlayChess: The main topic of episode 6, with discussion of anime aboutchess.chess.
----
** Episode 6 discusses how learning Japanese through anime will most certainly not be helpful.
* SchoolIsForLosers: Downplayed. While all three members of the podcast
* SmartPeoplePlayChess: The main topic of episode 6, with discussion of anime about
----
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* RealityEnsues: Episode 2 goes on extensive details on how much tourist/fictional depiction of Japanese life and actually living in Japan differ.
* SchoolIsForLosers: Downplayed. While all three members of the podcast went through college-education and above (with Gigguk holding Masters in electric engineering), they all express disappointment and regret over how much college just wasn't for them in the end.
* SchoolIsForLosers: Downplayed. While all three members of the podcast went through college-education and above (with Gigguk holding Masters in electric engineering), they all express disappointment and regret over how much college just wasn't for them in the end.
to:
* RealityEnsues: RealityEnsues:
** Episode 2 goes on extensive details on how much tourist/fictional depiction of Japanese life and actually living in Japandiffer.differ.
** Episode 6 discusses how learning Japanese through anime will most certainly not helpful.
* SchoolIsForLosers: Downplayed. While all three members of the podcast went through college-education and above (with Gigguk holding Masters in electric engineering), they all express disappointment and regret over how much college just wasn't for them in theend.end.
* SmartPeoplePlayChess: The main topic of episode 6, with discussion of anime about chess.
** Episode 2 goes on extensive details on how much tourist/fictional depiction of Japanese life and actually living in Japan
** Episode 6 discusses how learning Japanese through anime will most certainly not helpful.
* SchoolIsForLosers: Downplayed. While all three members of the podcast went through college-education and above (with Gigguk holding Masters in electric engineering), they all express disappointment and regret over how much college just wasn't for them in the
* SmartPeoplePlayChess: The main topic of episode 6, with discussion of anime about chess.
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Podcast episodes are available on [[https://www.youtube.com/c/TrashTaste/ YouTube]] and [[https://open.spotify.com/show/6i9SWtZPb30xVXWVHSKCqq Spotify]]. A [[https://www.youtube.com/channel/UCry1ZVKLslbZXuQgsf-3TXg separate "highlights" channel]] from the episodes is also available.
to:
Podcast episodes are available on [[https://www.youtube.com/c/TrashTaste/ YouTube]] and [[https://open.spotify.com/show/6i9SWtZPb30xVXWVHSKCqq Spotify]]. A [[https://www.youtube.com/channel/UCry1ZVKLslbZXuQgsf-3TXg separate "highlights" channel]] from the episodes is also available.available.
!! This podcast contains examples of:
* RealityEnsues: Episode 2 goes on extensive details on how much tourist/fictional depiction of Japanese life and actually living in Japan differ.
* SchoolIsForLosers: Downplayed. While all three members of the podcast went through college-education and above (with Gigguk holding Masters in electric engineering), they all express disappointment and regret over how much college just wasn't for them in the end.
!! This podcast contains examples of:
* RealityEnsues: Episode 2 goes on extensive details on how much tourist/fictional depiction of Japanese life and actually living in Japan differ.
* SchoolIsForLosers: Downplayed. While all three members of the podcast went through college-education and above (with Gigguk holding Masters in electric engineering), they all express disappointment and regret over how much college just wasn't for them in the end.
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Podcast episodes are available on [[https://www.youtube.com/c/TrashTaste/ YouTube]] and [[https://open.spotify.com/show/6i9SWtZPb30xVXWVHSKCqq Spotify]].
to:
Podcast episodes are available on [[https://www.youtube.com/c/TrashTaste/ YouTube]] and [[https://open.spotify.com/show/6i9SWtZPb30xVXWVHSKCqq Spotify]]. A [[https://www.youtube.com/channel/UCry1ZVKLslbZXuQgsf-3TXg separate "highlights" channel]] from the episodes is also available.
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Understandably, the show's topics usually launch from the three hosts' unabashed love of anime and Japanese popular culture in general. Nevertheless, despite the seeming simplicity of the show's premise (as well as the hosts' [[WhoWouldWantToWatchUs highly self-deprecating]], [[ClusterFBomb sweary]] and [[ChivalrousPervert full-on "degenerate"]] humor), the show's topics can get pretty detailed, profound and full of RealitySubtext. It is helped that the hosts are pretty open about their personal experiences/years of living in Japan, particularly the significant disconnect between Japan's global popular brand and the realities/pressures of living as migrants in a still-quite exclusive society.
to:
Understandably, the show's topics usually launch from the three hosts' unabashed love of anime and Japanese popular culture in general. Nevertheless, despite the seeming simplicity of the show's premise (as well as the hosts' [[WhoWouldWantToWatchUs highly self-deprecating]], [[ClusterFBomb sweary]] and [[ChivalrousPervert full-on "degenerate"]] humor), the show's topics conversations can get pretty detailed, profound and full of RealitySubtext. It is helped that the hosts are pretty open about their personal experiences/years of living in Japan, particularly the significant disconnect between Japan's global popular brand and the realities/pressures of living as migrants in a still-quite exclusive society.
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''Trash Taste'', launched in June 2020, is an ongoing podcast series hosted by WebVideo/TheAnimeMan (Joey Bizinger), {{WebVideo/Gigguk}} (Garnt Maneetapho) and [=CDawgVA=] (Connor Colquhoun), anime [=YouTube=] influencers affiliated with [[https://www.geexplus.co.jp/ GeeXPlus]][[note]](a web-based arm of Bookwalker, itself a subsidiary of media conglomerate [[https://en.wikipedia.org/wiki/Kadokawa_Corporation Kadokawa Corporation]])[[/note]].
to:
''Trash Taste'', launched in June 2020, is an ongoing podcast series hosted by WebVideo/TheAnimeMan (Joey Bizinger), {{WebVideo/Gigguk}} (Garnt Maneetapho) and [=CDawgVA=] [[https://www.youtube.com/channel/UCPsZ_0SkFdi551iYTG04R2g CDawgVA]] (Connor Colquhoun), anime [=YouTube=] influencers affiliated with [[https://www.geexplus.co.jp/ GeeXPlus]][[note]](a web-based arm of Bookwalker, itself a subsidiary of media conglomerate [[https://en.wikipedia.org/wiki/Kadokawa_Corporation Kadokawa Corporation]])[[/note]].
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''Trash Taste'', launched in June 2020, is an ongoing podcast series hosted by WebVideo/TheAnimeMan (Joey Bizinger), {{WebVideo/Gigguk}} (Garnt Maneetapho) and [=CDawgVA=] (Connor Colquhoun), anime [=YouTube=] influencers affiliated with [[https://www.geexplus.co.jp/ GeeXPlus]] (a media-based subsidiary of media conglomerate [[https://en.wikipedia.org/wiki/Kadokawa_Corporation Kadokawa Corporation]]). Understandably, the shows topics usually launch from the three hosts' unabashed love of anime and Japanese popular culture in general. Nevertheless, despite the seeming simplicity of the show's premise (as well as the hosts' [[WhoWouldWantToWatchUs highly self-deprecating]], [[ClusterFBomb sweary]] and [[ChivalrousPervert full-on "degenerate"]] humor), the show's topics can get pretty detailed, profound and full of RealitySubtext. It is helped that the hosts are pretty open about their personal experiences/years of living in Japan, particularly the significant disconnect between Japan's global popular brand and the realities/pressures of living as migrants in a still-quite exclusive society.
to:
''Trash Taste'', launched in June 2020, is an ongoing podcast series hosted by WebVideo/TheAnimeMan (Joey Bizinger), {{WebVideo/Gigguk}} (Garnt Maneetapho) and [=CDawgVA=] (Connor Colquhoun), anime [=YouTube=] influencers affiliated with [[https://www.geexplus.co.jp/ GeeXPlus]] (a media-based GeeXPlus]][[note]](a web-based arm of Bookwalker, itself a subsidiary of media conglomerate [[https://en.wikipedia.org/wiki/Kadokawa_Corporation Kadokawa Corporation]]). Corporation]])[[/note]].
Understandably, theshows show's topics usually launch from the three hosts' unabashed love of anime and Japanese popular culture in general. Nevertheless, despite the seeming simplicity of the show's premise (as well as the hosts' [[WhoWouldWantToWatchUs highly self-deprecating]], [[ClusterFBomb sweary]] and [[ChivalrousPervert full-on "degenerate"]] humor), the show's topics can get pretty detailed, profound and full of RealitySubtext. It is helped that the hosts are pretty open about their personal experiences/years of living in Japan, particularly the significant disconnect between Japan's global popular brand and the realities/pressures of living as migrants in a still-quite exclusive society.society.
Podcast episodes are available on [[https://www.youtube.com/c/TrashTaste/ YouTube]] and [[https://open.spotify.com/show/6i9SWtZPb30xVXWVHSKCqq Spotify]].
Understandably, the
Podcast episodes are available on [[https://www.youtube.com/c/TrashTaste/ YouTube]] and [[https://open.spotify.com/show/6i9SWtZPb30xVXWVHSKCqq Spotify]].
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Well, if you ask three particular anime YouTubers based in Japan... pretty much anything.
''Trash Taste'', launched in June 2020, is an ongoing podcast series hosted by WebVideo/TheAnimeMan (Joey Bizinger), {{WebVideo/Gigguk}} (Garnt Maneetapho) and CDawgVA (Connor Colquhoun)
''Trash Taste'', launched in June 2020, is an ongoing podcast series hosted by WebVideo/TheAnimeMan (Joey Bizinger), {{WebVideo/Gigguk}} (Garnt Maneetapho) and CDawgVA (Connor Colquhoun)
to:
Well, if you ask three particular anime YouTubers based in Japan... pretty much anything.
anything. And make it cool, funny and educational along the way as well.
''Trash Taste'', launched in June 2020, is an ongoing podcast series hosted by WebVideo/TheAnimeMan (Joey Bizinger), {{WebVideo/Gigguk}} (Garnt Maneetapho) andCDawgVA [=CDawgVA=] (Connor Colquhoun)Colquhoun), anime [=YouTube=] influencers affiliated with [[https://www.geexplus.co.jp/ GeeXPlus]] (a media-based subsidiary of media conglomerate [[https://en.wikipedia.org/wiki/Kadokawa_Corporation Kadokawa Corporation]]). Understandably, the shows topics usually launch from the three hosts' unabashed love of anime and Japanese popular culture in general. Nevertheless, despite the seeming simplicity of the show's premise (as well as the hosts' [[WhoWouldWantToWatchUs highly self-deprecating]], [[ClusterFBomb sweary]] and [[ChivalrousPervert full-on "degenerate"]] humor), the show's topics can get pretty detailed, profound and full of RealitySubtext. It is helped that the hosts are pretty open about their personal experiences/years of living in Japan, particularly the significant disconnect between Japan's global popular brand and the realities/pressures of living as migrants in a still-quite exclusive society.
''Trash Taste'', launched in June 2020, is an ongoing podcast series hosted by WebVideo/TheAnimeMan (Joey Bizinger), {{WebVideo/Gigguk}} (Garnt Maneetapho) and
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/trash_taste_square_3000_550x550.png]]
[[caption-width-right:350:[[SelfDeprecation "The Worst Anime Podcast Has Arrived"]]]]
It's 2020. For the first half of the year, the world was laid low by the UsefulNotes/COVID19Pandemic. Like many countries affected by nationwide lockdowns, {{UsefulNotes/Japan}} was affected--and with it, its pop culture, anime and tourism industry. Nearly every public event related to these industries have been shuttered, cancelled and/or delayed. What hot topics, then, can Anime Website/YouTube cover or talk about in these trying times?
Well, if you ask three particular anime YouTubers based in Japan... pretty much anything.
''Trash Taste'', launched in June 2020, is an ongoing podcast series hosted by WebVideo/TheAnimeMan (Joey Bizinger), {{WebVideo/Gigguk}} (Garnt Maneetapho) and CDawgVA (Connor Colquhoun)
[[caption-width-right:350:[[SelfDeprecation "The Worst Anime Podcast Has Arrived"]]]]
It's 2020. For the first half of the year, the world was laid low by the UsefulNotes/COVID19Pandemic. Like many countries affected by nationwide lockdowns, {{UsefulNotes/Japan}} was affected--and with it, its pop culture, anime and tourism industry. Nearly every public event related to these industries have been shuttered, cancelled and/or delayed. What hot topics, then, can Anime Website/YouTube cover or talk about in these trying times?
Well, if you ask three particular anime YouTubers based in Japan... pretty much anything.
''Trash Taste'', launched in June 2020, is an ongoing podcast series hosted by WebVideo/TheAnimeMan (Joey Bizinger), {{WebVideo/Gigguk}} (Garnt Maneetapho) and CDawgVA (Connor Colquhoun)
