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[[quoteright:337:https://static.tvtropes.org/pmwiki/pub/images/tumblr_m9rcqtobwg1qky792o1_500_751.gif]]
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%% Image removed via crowner in the Moments Images Cleanup Thread: https://tvtropes.org/pmwiki/crowner.php?crowner_id=aak5t6un
%% https://tvtropes.org/pmwiki/posts.php?discussion=1642193091068711500
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** Make of it what you will, but this song was said to be a huge precursor to GothRock. Among other things, Jim's silky, smooth baritone and whispered vocals can be easily switched in one's mind from a [[TheSandman Sandman]]-like solo to [[Franchise/CthulhuMythos some unheard of echolocation a la Dhole]] (or what have you).
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** Make of it what you will, but this song was said to be a huge precursor to GothRock. Among other things, Jim's silky, smooth baritone and whispered vocals can be easily switched in one's mind from a [[TheSandman Sandman]]-like solo to [[Franchise/CthulhuMythos some unheard of unheard-of echolocation a la Dhole]] (or what have you).
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Changed line(s) 56,57 (click to see context) from:
** Make of it what you will, but this song was said to be a huge precursor to GothRock. Among other things, Jim's silky, smooth baritone and whispered vocals can be easily switched in one's mind from a [[TheSandman Sandman]]-like solo to [[Franchise/Cthulhu Mythos some unheard of echolocation a la Dhole]] (or what have you).
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** Make of it what you will, but this song was said to be a huge precursor to GothRock. Among other things, Jim's silky, smooth baritone and whispered vocals can be easily switched in one's mind from a [[TheSandman Sandman]]-like solo to [[Franchise/Cthulhu Mythos [[Franchise/CthulhuMythos some unheard of echolocation a la Dhole]] (or what have you).
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Changed line(s) 56,57 (click to see context) from:
** Make of it what you will, but this song was said to be a huge precursor to GothRock. Among other things, Jim's silky, smooth baritone and whispered vocals can be easily switched in one's mind from a {{Sandman}}-like solo to [[Franchise/Cthulhu Mythos some unheard of echolocation a la Dhole]] (or what have you).
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** Make of it what you will, but this song was said to be a huge precursor to GothRock. Among other things, Jim's silky, smooth baritone and whispered vocals can be easily switched in one's mind from a {{Sandman}}-like [[TheSandman Sandman]]-like solo to [[Franchise/Cthulhu Mythos some unheard of echolocation a la Dhole]] (or what have you).
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** Make of it what you will, but this song was said to be a huge precursor to GothRock. Among other things, Jim's silky, smooth baritone and whispered vocals can be easily switched in one's mind from a {{Sandman}}-like solo to [[Franchise/Cthulhu Mythos some unheard of echolocation a la Dhole]] (or what have you).
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** Oddly enough, the original song has the same lyrics (albeit with "little boy" in the place of "little girl", because the singers are a group of prostitutes). The lyrics seem so bizarre because they're actually a [[Main/BlindIdiotTranslation rather terrible translation]] of a poem Brecht wrote in German. Apparently, he was rather fond of Main/GratuitousEnglish.
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** Oddly enough, the original song has the same lyrics (albeit with "little boy" in the place of "little girl", because the singers are singer is a group of prostitutes).female prostitute... she also goes looking for "ze next leetle dollar"). The lyrics seem so bizarre because they're actually a [[Main/BlindIdiotTranslation rather terrible translation]] of a poem Brecht wrote in German. Apparently, he was rather fond of Main/GratuitousEnglish.Main/GratuitousEnglish. Presumably "little boy/girl" isn't meant to imply pedophilia... it's merely a messed-up translation of something innocuous.
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** Oddly enough, the original song has the same lyrics (albeit with "little boy" in the place of "little girl", because the singers are a group of prostitutes). The lyrics seem so bizarre because they're actually a [[Main/BlindIdiotTranslation rather terrible translation]] of a poem Brecht wrote in German. Apparently, he was rather fond of Main/GratuitousEnglish.
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'''Music/TheSoftParade''' / '''Absolutely Live'''
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'''Music/MorrisonHotel'''
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'''Music/WaitingForTheSun'''
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* An unintentional example: The [[https://www.youtube.com/watch?v=exs6GO2bvjE official lyric video]] for "Hello, I Love You" is done to look like Morrison is texting the subject of the song... except the first lyrics after the title are "Won't you tell me your name," which implies that Morrison knows the girl's phone number ''but not her name''. Then, when the song reaches its "HELLO! HELLO! HELLO!" ending, the 'hello's get progressively bigger and bolder, which gives some stalker undertones.
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Changed line(s) 9 (click to see context) from:
** And then the second verse shifts from the whiskey bar to what might a reference to paedophilia: "Show me the way to the next little girl".
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** And then the second verse shifts from the whiskey bar to what might a reference to paedophilia: "Show me the way to the next little girl".girl."
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** And then the second verse shifts from the whiskey bar to what might a reference to paedophilia: "Show me the way to the next little girl".
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** As the song progresses, the organ gets crazier as each second passes, up until the end where it starts to ease a bit. Jim Morrison finishes the song with the immortal “I am the Lizard King. I can do anything”), which in itself is creepy enough... [[LastNoteNightmare but then the organ pops back up with one last goodbye]].
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** As the song progresses, the organ gets crazier as each second passes, up until the end where it starts to ease a bit. Jim Morrison finishes the song with the immortal “I am the Lizard King. I can do anything”), anything”, which in itself is creepy enough... [[LastNoteNightmare but then the organ pops back up with one last goodbye]].
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** As the song progresses, the organ gets crazier as each second passes, up until the end where it starts to ease a bit. Jim Morrison finishes the song with the immortal “I am the Lizard King. I can do anything”), which in itself is creepy enough... [[LastNoteNightmare and then the organ pops back up with one last goodbye]].
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** As the song progresses, the organ gets crazier as each second passes, up until the end where it starts to ease a bit. Jim Morrison finishes the song with the immortal “I am the Lizard King. I can do anything”), which in itself is creepy enough... [[LastNoteNightmare and but then the organ pops back up with one last goodbye]].
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Changed line(s) 27 (click to see context) from:
** As the song progresses, the organ gets crazier as each second passes, up until the end where it starts to ease a bit. Jim Morrison finishes the song with the immortal “I am the Lizard King. I can do anything”) and everything seems fine... [[LastNoteNightmare and then the organ pops back up with one last goodbye]].
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** As the song progresses, the organ gets crazier as each second passes, up until the end where it starts to ease a bit. Jim Morrison finishes the song with the immortal “I am the Lizard King. I can do anything”) and everything seems fine...anything”), which in itself is creepy enough... [[LastNoteNightmare and then the organ pops back up with one last goodbye]].
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** As the song progresses, the organ gets crazier as each second passes, up until the end where it starts to ease a bit. Jim Morrison finishes the song with the immortal “I am the Lizard King. I can do anything”) and everything seems fine... [[LastNoteNightmare and then the organ pops back up with one last goodbye]].
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* "Five to One": ''No one here gets out alive.''
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* "Five to One": ''No one here gets out alive.alive, now.''
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* "L'America" maintains the same ominous four chord progression throughout. It sounds out of place on what is otherwise a very bluesy record, but not in a bad way; even so, it still has a rather dark tone.
* The beginning of the title track. It sounds as if a car is driving along a desert highway, but with strange slide guitar licks thrown in for good measure.
* The beginning of the title track. It sounds as if a car is driving along a desert highway, but with strange slide guitar licks thrown in for good measure.
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* "L'America" maintains the same ominous four chord progression throughout. It sounds out of place on what is otherwise a very bluesy record, but not in a bad way; even so, it still has a rather dark tone.
* The beginning of the title track. It sounds as if a car is driving along a desert highway, but with strange slide guitar licks thrown in for good measure.
* The beginning of the title track. It sounds as if a car is driving along a desert highway, but with strange slide guitar licks thrown in for good measure.
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Wrong Song Title
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* "End of the Line". The echoed keyboard effect sounds akin to something you'd hear in a haunted house attraction at an amusement park -- one that actually manages to be scary in a trippy sort of way.
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* "End of the Line".Night". The echoed keyboard effect sounds akin to something you'd hear in a haunted house attraction at an amusement park -- one that actually manages to be scary in a trippy sort of way.
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"The Doors -..." The You Tube account associated with this video has been terminated due to multiple third-party notifications of copyright infringement."
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* "Five to One": ''[[https://www.youtube.com/watch?v=pKtvvI0g2uo No one here gets out alive.]]''
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* "Five to One": ''[[https://www.youtube.com/watch?v=pKtvvI0g2uo No ''No one here gets out alive.]]''''
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"This video contains content from Eagle Rock, who has blocked it on copyright grounds."
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* "[[https://www.youtube.com/watch?v=jLAr-WlxMZY When the Music's Over]]". Morrison singing in a disturbingly outstretched song about the moment when "the music is over". The end is especially frightening when he shouts that ''music is your only friend... until the end'', whereupon the entire world seems to die along with him.
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* "[[https://www.youtube.com/watch?v=jLAr-WlxMZY When "When the Music's Over]]".Over". Morrison singing in a disturbingly outstretched song about the moment when "the music is over". The end is especially frightening when he shouts that ''music is your only friend... until the end'', whereupon the entire world seems to die along with him.
