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** The symbiote itself is rather creepy. In other adaptations of the comic book, it has a voice. In [[WesternAnimation/TheSpectacularSpiderman some cases]] this made it more horrifying, while in [[Film/Venom2018 others]] it made it more awesome. ''This'' iteration of lacks a voice, but [[ItCanThink it still clearly has intelligence]]. It actively follows Peter to his apartment, taking residence there until he starts bonding to him. Heck, Peter doesn't even know of the symbiote's existence until he gets the black suit. Having an alien BlobMonster hide in your home; not knowing it's there until it's already attached itself to you is prime ParanoiaFuel.

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** The symbiote itself is rather creepy. In other adaptations of the comic book, it has a voice. In [[WesternAnimation/TheSpectacularSpiderman some cases]] this made it more horrifying, while in [[Film/Venom2018 others]] it made it more awesome. ''This'' iteration of lacks a voice, but [[ItCanThink it still clearly has intelligence]]. It actively follows Peter to his apartment, taking residence there until he starts bonding to him. Heck, Peter doesn't even know of the symbiote's existence until he gets the black suit. Having an alien BlobMonster hide in your home; not knowing it's there until it's already attached itself to you is prime ParanoiaFuel.
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Trope was cut/disambiguated due to cleanup


* Venom in this game is much, '''MUCH''' more threatening here than in the film, inheriting traits from his comics portrayal such as the OverlyLongTongue and EvilIsBigger physique, while making Creator/TopherGrace sound genuinely ''imposing'' with a GutturalGrowler filter. Unlike in the film where he simply convinces Sandman to join him, here he outright ''blackmails'' Sandman into a VillainTeamUp by [[WouldHurtAChild kidnapping his terminally ill daughter Penny]], with zero remorse, more so [[BlackComedy cracking jokes about it]]. His dialogue before the final boss truly sums up the type of bastard Venom seriously is:

to:

* Venom in this game is much, '''MUCH''' more threatening here than in the film, inheriting traits from his comics portrayal such as the OverlyLongTongue and EvilIsBigger physique, while making Creator/TopherGrace sound genuinely ''imposing'' with a GutturalGrowler deep filter. Unlike in the film where he simply convinces Sandman to join him, here he outright ''blackmails'' Sandman into a VillainTeamUp by [[WouldHurtAChild kidnapping his terminally ill daughter Penny]], with zero remorse, more so [[BlackComedy cracking jokes about it]]. His dialogue before the final boss truly sums up the type of bastard Venom seriously is:
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** This is perhaps the most chillingly '''alien''' the symbiote itself has ever looked. Rather than the black BlobMonster it's usually depicted as, this incarnation resembles a writhing mass of tar, tendrils, and cobwebs that encompass a person by slithering up their body like a mass of miniature hands.
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** In the previous two films, both antagonists had their terrifying moments but overall remained [[Antivillain sympathetic]] [[TragicVillain and tragic]]. For all his corrupt beliefs, Norman was still tormented by his SplitPersonality. For all his ego-driven scheming, Otto was influenced by grief and the [=AI=] in his tentacles, and overcame this to [[HeroicSacrifice sacrifice himself]]. The scariest part about this Venom is that ''he is not tragic.'' He's not misguided, nor corrupted. He is the end result of taking some ineffectual womanizing hack, and making him worse by getting him DrunkWithPower. This Venom is one of the few incarnations who is genuinely and undisputably '''''evil''''', a fact that he outright admits to relish. Tie-in material such as ''The Black'' further displays his malice, attempting to murder a group of people out of petty rage before settling on killing intervening cops.

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** In the previous two films, both antagonists had their terrifying moments but overall remained [[Antivillain [[AntiVillain sympathetic]] [[TragicVillain and tragic]]. For all his corrupt beliefs, Norman was still tormented by his SplitPersonality. For all his ego-driven scheming, Otto was influenced by grief and the [=AI=] in his tentacles, and overcame this to [[HeroicSacrifice sacrifice himself]]. The scariest part about this Venom is that ''he is not tragic.'' He's not misguided, nor corrupted. He is the end result of taking some ineffectual womanizing hack, and making him worse by getting him DrunkWithPower. This Venom is one of the few incarnations who is genuinely and undisputably '''''evil''''', a fact that he outright admits to relish. Tie-in material such as ''The Black'' further displays his malice, attempting to murder a group of people out of petty rage before settling on killing intervening cops.
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** In the previous two films, both antagonists had their terrifying moments but overall remained sympathetic and tragic. For all his corrupt beliefs, Norman was still tormented by his SplitPersonality. For all his ego-driven scheming, Otto was influenced by grief and the [=AI=] in his tentacles, and overcame this to sacrifice himself. The scariest part about this Venom is that ''he is not tragic.'' He's not misguided, nor corrupted. He is the end result of taking some ineffectual womanizing hack, and making him worse by getting him DrunkWithPower. This Venom is one of the few incarnations who is genuinely and undisputably '''''evil''''', a fact that he outright admits to relish. Tie-in material such as ''The Black'' further displays his malice, attempting to murder a group of people out of petty rage before settling on killing intervening cops.

to:

** In the previous two films, both antagonists had their terrifying moments but overall remained sympathetic [[Antivillain sympathetic]] [[TragicVillain and tragic.tragic]]. For all his corrupt beliefs, Norman was still tormented by his SplitPersonality. For all his ego-driven scheming, Otto was influenced by grief and the [=AI=] in his tentacles, and overcame this to [[HeroicSacrifice sacrifice himself.himself]]. The scariest part about this Venom is that ''he is not tragic.'' He's not misguided, nor corrupted. He is the end result of taking some ineffectual womanizing hack, and making him worse by getting him DrunkWithPower. This Venom is one of the few incarnations who is genuinely and undisputably '''''evil''''', a fact that he outright admits to relish. Tie-in material such as ''The Black'' further displays his malice, attempting to murder a group of people out of petty rage before settling on killing intervening cops.
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* While largely a TearJerker, Harry's fatal wound gets disturbing fast, ''especially'' if you pay attention to Venom. The camera pans down and ''[[GoryDiscretionShot you see that the glider pierced his chest]]'', just as Peter lets loose a bloodcurdling scream of horror. Venom promptly tosses him away like garbage, the only reaction he's showing being a snarl, which sounds nothing short of contemptuous. Disappointed, and almost mocking. [[ItsAllAboutMe Eddie is so utterly hellbent on killing Peter for his own satisfaction that he sees Harry as some useless fodder obstacle that got in the way.]] He's '''[[MoralEventHorizon so]]''' morally bankrupt at this point that this immediately causes an enraged Peter to [[HeroicSecondWind arm himself with steel beams and beat the high holy hell out of him as a result.]]


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* While largely a TearJerker, Harry's fatal wound gets disturbing fast, ''especially'' if you pay attention to Venom. The camera pans down and ''[[GoryDiscretionShot you see that the glider pierced his chest]]'', just as Peter lets loose a bloodcurdling scream of horror. Venom promptly tosses him away like garbage, the only reaction he's showing being a snarl, which sounds like nothing short of contemptuous. Disappointed, and almost mocking.a contemptuous ''laugh''. Just full of spite. [[ItsAllAboutMe Eddie is so utterly hellbent on killing Peter for his own satisfaction that he sees Harry as some useless fodder obstacle that got in the way.]] He's '''[[MoralEventHorizon so]]''' morally bankrupt at this point that this immediately causes an enraged Peter to [[HeroicSecondWind arm himself with steel beams and beat the high holy hell out of him as a result.]]

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* While largely a TearJerker, Harry's fatal wound gets disturbing fast, ''especially'' if you pay attention to Venom. The camera pans down and ''[[GoryDiscretionShot you see that the glider pierced his chest]]'', just as Peter lets loose a bloodcurdling scream of horror. Venom promptly tosses him away like garbage, the only reaction he's showing being a snarl, which sounds nothing short of contemptuous. Disappointed, and almost mocking. [[ItsAllAboutMe Eddie is so utterly hellbent on killing Peter for his own satisfaction that he sees Harry as some useless fodder obstacle that got in the way.]] He is '''so''' utterly ethically detached that this immediately causes Peter to [[HeroicSecondWind arm himself with steel beams and beat the high holy hell out of him as a result.]]


to:

* While largely a TearJerker, Harry's fatal wound gets disturbing fast, ''especially'' if you pay attention to Venom. The camera pans down and ''[[GoryDiscretionShot you see that the glider pierced his chest]]'', just as Peter lets loose a bloodcurdling scream of horror. Venom promptly tosses him away like garbage, the only reaction he's showing being a snarl, which sounds nothing short of contemptuous. Disappointed, and almost mocking. [[ItsAllAboutMe Eddie is so utterly hellbent on killing Peter for his own satisfaction that he sees Harry as some useless fodder obstacle that got in the way.]] He is '''so''' utterly ethically detached He's '''[[MoralEventHorizon so]]''' morally bankrupt at this point that this immediately causes an enraged Peter to [[HeroicSecondWind arm himself with steel beams and beat the high holy hell out of him as a result.]]

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None


* While largely a TearJerker, Harry's fatal wound gets disturbing fast, ''especially'' if you pay attention to Venom. The camera pans down and ''[[GoryDiscretionShot you see that the glider pierced his chest]]'', just as Peter lets loose a bloodcurdling scream of horror. Venom promptly tosses him away like garbage, the only reaction he's showing being a snarl, which sounds nothing short of contemptuous. Disappointed, and almost mocking. [[ItsAllAboutMe Eddie is so utterly hellbent on killing Peter for his own satisfaction that he sees Harry as some useless fodder obstacle that got in the way.]] He is '''so''' utterly ethically detached that this immediately causes Peter to [[HeroicSecondWind arm himself with steel beams and beat the high mighty hell out of him as a result.]]


to:

* While largely a TearJerker, Harry's fatal wound gets disturbing fast, ''especially'' if you pay attention to Venom. The camera pans down and ''[[GoryDiscretionShot you see that the glider pierced his chest]]'', just as Peter lets loose a bloodcurdling scream of horror. Venom promptly tosses him away like garbage, the only reaction he's showing being a snarl, which sounds nothing short of contemptuous. Disappointed, and almost mocking. [[ItsAllAboutMe Eddie is so utterly hellbent on killing Peter for his own satisfaction that he sees Harry as some useless fodder obstacle that got in the way.]] He is '''so''' utterly ethically detached that this immediately causes Peter to [[HeroicSecondWind arm himself with steel beams and beat the high mighty holy hell out of him as a result.]]

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\n* While largely a TearJerker, Harry's fatal wound gets disturbing fast, ''especially'' if you pay attention to Venom. The camera pans down and ''[[GoryDiscretionShot you see that the glider pierced his chest]]'', just as Peter lets loose a bloodcurdling scream of horror. Venom promptly tosses him away like garbage, the only reaction he's showing being a snarl, which sounds nothing short of contemptuous. Disappointed, and almost mocking. [[ItsAllAboutMe Eddie is so utterly hellbent on killing Peter for his own satisfaction that he sees Harry as some useless fodder obstacle that got in the way.]] He is '''so''' utterly ethically detached that this immediately causes Peter to [[HeroicSecondWind arm himself with steel beams and beat the high mighty hell out of him as a result.]]

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\n** This edit also makes Venom's murder of Harry even more morbid to watch. Had Peter ever saw Harry again before removing the symbiote, he could very well have stooped to Eddie's low and made sure he'd ''kill'' him on the spot.

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Added DiffLines:

** In the previous two films, both antagonists had their terrifying moments but overall remained sympathetic and tragic. For all his corrupt beliefs, Norman was still tormented by his SplitPersonality. For all his ego-driven scheming, Otto was influenced by grief and the [=AI=] in his tentacles, and overcame this to sacrifice himself. The scariest part about this Venom is that ''he is not tragic.'' He's not misguided, nor corrupted. He is the end result of taking some ineffectual womanizing hack, and making him worse by getting him DrunkWithPower. This Venom is one of the few incarnations who is genuinely and undisputably '''''evil''''', a fact that he outright admits to relish. Tie-in material such as ''The Black'' further displays his malice, attempting to murder a group of people out of petty rage before settling on killing intervening cops.
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None


--> There's something scary about this Venom. It's not even Venom. It's not the symbiote. It's Peter. It's Peter trapped inside the symbiote. The symbiote isn't screaming as Venom. It's Peter screaming in there. He's screaming for help. That's why he has human teeth and a human tongue.\\

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--> There's -->There's something scary about this Venom. It's not even Venom. It's not the symbiote. It's Peter. It's Peter trapped inside the symbiote. The symbiote isn't screaming as Venom. It's Peter screaming in there. He's screaming for help. That's why he has human teeth and a human tongue.\\



[[folder: The Video Game]]

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[[folder: The [[folder:The Video Game]]



* Venom in this game is much, '''MUCH''' more threatening here than in the film, inheriting traits from his comics portrayal such as the OverlyLongTongue and EvilIsBigger physique, while making Creator/TopherGrace sound genuinely ''imposing'' with a GutturalGrowler filter. Unlike in the film where he simply convinces Sandman to join him, here he outright ''blackmails'' Sandman into a VillainTeamUp by [[WouldHurtAChild kidnapping his terminally ill daughter Penny]], with zero remorse, moreso [[BlackComedy cracking jokes about it]]. His dialogue before the final boss truly sums up the type of bastard Venom seriously is:
-->'''Venom''': You haven't suffered ''nearly'' enough, Pete... I'm getting bored! I think it's time to put you out of '''MY''' misery.
----
[[/folder]]

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* Venom in this game is much, '''MUCH''' more threatening here than in the film, inheriting traits from his comics portrayal such as the OverlyLongTongue and EvilIsBigger physique, while making Creator/TopherGrace sound genuinely ''imposing'' with a GutturalGrowler filter. Unlike in the film where he simply convinces Sandman to join him, here he outright ''blackmails'' Sandman into a VillainTeamUp by [[WouldHurtAChild kidnapping his terminally ill daughter Penny]], with zero remorse, moreso more so [[BlackComedy cracking jokes about it]]. His dialogue before the final boss truly sums up the type of bastard Venom seriously is:
-->'''Venom''': -->'''Venom:''' You haven't suffered ''nearly'' enough, Pete... I'm getting bored! I think it's time to put you out of '''MY''' misery.
----
[[/folder]]
[[/folder]]
----
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** Related to this, the Editor's Cut somehow makes Peter's infamous goofy dancing montage darker by re-arranging its order, placing his humiliating of Eddie Brock ''before'' his confrontation with Harry, which now has a new beginning to it where Peter is already in Harry's room, ''waiting'' for him and declaring "I am really gonna enjoy this", showing that he ''intends'' on fighting Harry rather than just doing it because he lost his temper like in the theatrical cut. After their fight plays out, Peter blows Harry up with his own bomb, walks away without looking back...which then immediately cut to the silly montage, which now plays like Peter [[TheSociopath just giving absolutely no damns about what he just did to his former best friend.]]


to:

** Related to this, the Editor's Cut somehow makes Peter's infamous goofy dancing montage darker by re-arranging its order, placing his humiliating of Eddie Brock ''before'' his confrontation with Harry, which now has a new beginning to it where Peter is already in Harry's room, ''waiting'' for him and declaring "I am really gonna enjoy this", showing that he ''intends'' on fighting Harry rather than just doing it because he lost his temper like in the theatrical cut. After their fight plays out, Peter blows Harry up with his own bomb, walks away without looking back... which then immediately cut to the silly montage, which now plays like Peter [[TheSociopath just giving absolutely no damns about what he just did to his former best friend.]]

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** Related to this, the Editor's Cut somehow makes Peter's infamous goofy dancing montage darker by re-arranging its order, placing his humiliating of Eddie Brock ''before'' his confrontation with Harry, which now has a new beginning to it where Peter is already in Harry's room, ''waiting'' for him and declaring "I am really gonna enjoy this", showing that he ''intends'' on fighting Harry rather than just doing it because he lost his temper like in the theatrical cut. After their fight plays out, Peter blows Harry up with his own bomb, walks away without looking back...which then immediately cut to the silly montage, which now plays like Peter [[TheSociopath just giving absolutely no fucks about what he just did to his former best friend.]]


to:

** Related to this, the Editor's Cut somehow makes Peter's infamous goofy dancing montage darker by re-arranging its order, placing his humiliating of Eddie Brock ''before'' his confrontation with Harry, which now has a new beginning to it where Peter is already in Harry's room, ''waiting'' for him and declaring "I am really gonna enjoy this", showing that he ''intends'' on fighting Harry rather than just doing it because he lost his temper like in the theatrical cut. After their fight plays out, Peter blows Harry up with his own bomb, walks away without looking back...which then immediately cut to the silly montage, which now plays like Peter [[TheSociopath just giving absolutely no fucks damns about what he just did to his former best friend.]]

Is there an issue? Send a MessageReason:
None


* Venom in this game is much, '''MUCH''' more threatening here than in the film, inheriting traits from his comics portrayal such as the OverlyLongTongue and EvilIsBigger physique, while making Creator/TopherGrace sound genuinely ''imposing'' with a GutturalGrowler filter. Unlike in the film where he simply convinces Sandman to join him, here he outright ''blackmails'' Sandman into a VillainTeamUp by [[WouldHurtAChild kidnapping his terminally ill daughter Penny]], with zero remorse, moreso [[BlackComedy chiding jokes about it]]. His dialogue before the final boss truly sums up the type of bastard Venom seriously is:

to:

* Venom in this game is much, '''MUCH''' more threatening here than in the film, inheriting traits from his comics portrayal such as the OverlyLongTongue and EvilIsBigger physique, while making Creator/TopherGrace sound genuinely ''imposing'' with a GutturalGrowler filter. Unlike in the film where he simply convinces Sandman to join him, here he outright ''blackmails'' Sandman into a VillainTeamUp by [[WouldHurtAChild kidnapping his terminally ill daughter Penny]], with zero remorse, moreso [[BlackComedy chiding cracking jokes about it]]. His dialogue before the final boss truly sums up the type of bastard Venom seriously is:
Is there an issue? Send a MessageReason:
None


** Related to this, the editor's cut somehow makes Peter's infamous goofy dancing montage darker by re-arranging its order, placing his humiliating of Eddie Brock ''before'' his confrontation with Harry, which now has a new beginning to it where Peter is already in Harry's room, ''waiting'' for him and saying "I'm going to enjoy this", showing that he ''intends'' on fighting Harry rather than just doing it because he lost his temper like in the theatrical cut. He then blows Harry up with his own bomb, walks away without looking back...and then immediately cut to the silly montage, which now plays like Peter [[TheSociopath just giving absolutely no fucks at what he just did to his former best friend.]]


to:

** Related to this, the editor's cut Editor's Cut somehow makes Peter's infamous goofy dancing montage darker by re-arranging its order, placing his humiliating of Eddie Brock ''before'' his confrontation with Harry, which now has a new beginning to it where Peter is already in Harry's room, ''waiting'' for him and saying "I'm going to declaring "I am really gonna enjoy this", showing that he ''intends'' on fighting Harry rather than just doing it because he lost his temper like in the theatrical cut. He then After their fight plays out, Peter blows Harry up with his own bomb, walks away without looking back...and which then immediately cut to the silly montage, which now plays like Peter [[TheSociopath just giving absolutely no fucks at about what he just did to his former best friend.]]




* Venom in this game is much, '''MUCH''' more threatening here than in the film, inheriting traits from his comics portrayal such as the OverlyLongTongue and EvilIsBigger physique, while making Creator/TopherGrace sound genuinely ''imposing'' with a GutturalGrowler filter. Unlike in the film where he simply convinces Sandman to join him, here he outright ''blackmails'' Sandman into a VillainTeamUp by [[WouldHurtAChild kidnapping his terminally ill daughter Penny]], with zero remorse, moreso [[BlackComedy chiding jokes about it]]. His dialogue before the final boss truly sums up the type of bastard Venom seriously is;

to:

* Venom in this game is much, '''MUCH''' more threatening here than in the film, inheriting traits from his comics portrayal such as the OverlyLongTongue and EvilIsBigger physique, while making Creator/TopherGrace sound genuinely ''imposing'' with a GutturalGrowler filter. Unlike in the film where he simply convinces Sandman to join him, here he outright ''blackmails'' Sandman into a VillainTeamUp by [[WouldHurtAChild kidnapping his terminally ill daughter Penny]], with zero remorse, moreso [[BlackComedy chiding jokes about it]]. His dialogue before the final boss truly sums up the type of bastard Venom seriously is;is:
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* The symbiote attaching itself to Peter as he lay asleep and defenseless.

to:

* The symbiote attaching itself to Peter as he lay lays asleep and defenseless.



The way this turned out is actually extremely macabre. The new Venom movies created this buddy relationship between the symbiote and its host. However, here we see an alien creature that took the form of Spider-Man’s suit and has taken over his body with whatever is left of him helplessly screaming inside of it. That’s disturbing as s**t.

to:

The way this turned out is actually extremely macabre. The new Venom movies created this buddy relationship between the symbiote and its host. However, here we see an alien creature that took the form of Spider-Man’s suit and has taken over his body with [[AndIMustScream whatever is left of him helplessly screaming inside of it.it]]. That’s disturbing as s**t.
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The scene of Peter being tempted by the black suit happened AFTER his ousting of Eddie at the Bugle (in the Editor's Cut).


* In the editor's cut, just before Peter humiliates Eddie at the Bugle, he is in his apartment, proceeding to open the suitcase containing the black suit. What comes after is shocking: the suit briefly ''moves'' on its own, reminding us that the alien symbiote is still sentient, even when bonded to the suit. Peter then stares at the suit, beginning to [[SlasherSmile smile eerily]] as the music playing gets louder to the point you'd think the symbiote was ''talking to Peter''.

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* In the editor's cut, Editor's Cut, just before Peter humiliates Eddie goes to fight Harry at the Bugle, latter's penthouse, he is in his apartment, proceeding to open the suitcase containing the black suit. What comes after is shocking: the suit briefly ''moves'' on its own, reminding us that the alien symbiote is still sentient, even when bonded to the suit. Peter then stares at the suit, beginning to [[SlasherSmile smile eerily]] as the music playing gets louder to the point you'd think the symbiote was ''talking to Peter''.
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** Sandman can control every single grain of sand in his body. A heap of sand can transform into a car-sized, rock-hard fist, and with that he slowly bashes Spider-Man to death as everyone watches.

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** Sandman can control every single grain of sand in his body. A heap of sand can transform into a car-sized, rock-hard fist, and with that he slowly bashes Spider-Man to death near-death as everyone watches.

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