History NightmareFuel / PinkFloyd

*** The screaming face emerging from the wall.

*** a dove suddenly becoming a dark metallic eagle.

[[HellIsThatNoise Wouldn't you miss me at aaaAAAAAAAALL]]"

* "On The Run" is a living, breathing [[HellIsThatNoise Hell Is That Noise]].

*** An army of planes emerging from the towering structure.

*** Strange creatures wearing gas masks.

*** Blood trickling through a sidewalk grating.

** "Goodbye Blue Sky". It starts with a soothing guitar riff, then the terror sets in. "D-D-D-DID YOU SEE THE FRIGHTENED ONES? D-D-D-DID YOU HEAR THE FALLING BOMBS?"
*** [[HarbingerOfImpendingDoom "Look mummy, there's an aeroplane up in the sky"]]

** The meat grinder in "Another Brick in the Wall (Part 2)".

* The whole of ''Music/TheDarkSideOfTheMoon'' is so, so unsettling. "There's someone in my head... [[OhCrap but it's not me.]]"

* While "Welcome to the Machine" is a pretty dark song to begin with, the [[http://www.youtube.com/watch?v=vk6iI1Fh4VQ music video]] is just as disturbing as the animated scenes from "The Wall".

* Not exactly a Pink Floyd song, but Barrett's "[[http://www.youtube.com/watch?v=xEr6w7P44Nk Dark Globe]]" is both heartbreaking and terrifying. It's a SanitySlippageSong written by a man who was actually turning insane.

* Barrett's last song to be on a Floyd album, "Jugband Blues" from ''Saucerful of Secrets'', is a skin-crawling combination of SanitySlippageSong, [=Tearjerker=] and bitter EtTuBrute to the rest of the band. One of the eeriest things about it is the way it uses NonSequitur as an organising principle. The opening lines seem to be a [[SarcasmMode sarcastic]] TakeThat: "It's ''awfully'' considerate of you to think of me here / And I'm ''much'' obliged to you for [[WeUsedToBeFriends making it clear that I'm not here.]]" Then the song trips along in its part-cheerful, part-melancholy way for a while, one section lurching into another, until the band is drowned out by a parping brass band in a completely unrelated key, which in turn is replaced by just Barrett, strumming a guitar, sounding chillingly lonely, with the song cutting off abruptly on his very last word:

* Not exactly a Pink Floyd song, but Barrett's "[[http://www.youtube.com/watch?v=xEr6w7P44Nk Dark Globe]]" is both [[TearJerker heartbreaking]] and terrifying. It's a SanitySlippageSong written by a man who was actually turning insane.

* Barrett's last song to be on a Floyd album, "Jugband Blues" from ''Saucerful of Secrets'', is a skin-crawling combination of SanitySlippageSong, TearJerker and bitter EtTuBrute to the rest of the band. One of the eeriest things about it is the way it uses NonSequitur as an organising principle. The opening lines seem to be a [[SarcasmMode sarcastic]] TakeThat: "It's ''awfully'' considerate of you to think of me here / And I'm ''much'' obliged to you for [[WeUsedToBeFriends making it clear that I'm not here.]]" Then the song trips along in its part-cheerful, part-melancholy way for a while, one section lurching into another, until the band is drowned out by a parping brass band in a completely unrelated key, which in turn is replaced by just Barrett, strumming a guitar, sounding chillingly lonely, with the song cutting off abruptly on his very last word:

** Run Like Hell. "With your empty smile And your hungry heart Feel the bile rising from your guilty past With your nerves in tatters When the cockleshell shatters And the hammers batter Down the door You better run!

* While the interlocking sounds of "Speak to Me" lie within the bounds of ParanoiaFuel, the segment transforms into pure NightmareFuel right at its end when a sample of Claire Torrie's screams from "The Great Gig In the Sky" enters the mix.

* While the interlocking sounds of "Speak to Me" lie within the bounds of ParanoiaFuel, the segment transforms into pure NightmareFuel right at its end when a sample of Claire Torrie's vocal performance from "The Great Gig In the Sky" enters the mix.

* While the interlocking sounds of "Speak to Me" lie within the bounds of ParanoiaFuel, the track transforms into pure NightmareFuel right at its end when a sample of Claire Torrie's vocal performance from "The Great Gig In the Sky" enters the mix.

* While the interlocking sounds of "Speak to Me" lie within the bounds of ParanoiaFuel, it transforms into NightmareFuel right at its end when a sample of Claire Torrie's vocal performance from "The Great Gig In the Sky" enters the mix.

* Barrett's last song to be on a Floyd album, "Jugband Blues" from ''Saucerful of Secrets'', is a skin-crawling combination of SanitySlippageSong, TearJerker, bitter EtTuBrute to the rest of the band. One of the eeriest things about it is the way it uses NonSequitur as an organising principle. The opening lines seem to be a [[SarcasmMode sarcastic]] TakeThat: "It's ''awfully'' considerate of you to think of me here / And I'm ''much'' obliged to you for [[WeUsedToBeFriends making it clear that I'm not here.]]" Then the song trips along in its part-cheerful, part-melancholy way for a while, one section lurching into another, until the band is drowned out by a parping brass band in a completely unrelated key, which in turn is replaced by just Barrett, strumming a guitar, sounding chillingly lonely, with the song cutting off abruptly on his very last word:

* Barrett's last song to be on a Floyd album, "Jugband Blues" from ''Saucerful of Secrets'', is a skin-crawling combination of SanitySlippageSong, TearJerker, bitter EtTuBrute to the rest of the band. One of the eeriest things about it is the way it uses NonSequitur as an organising principle. The opening lines seem to be a [[SarcasmMode sarcastic]] TakeThat: "[[WeUsedToBeFriends It's ''awfully'' considerate of you to think of me here / And I'm ''much'' obliged to you for making it clear that I'm not here.]]" Then the song trips along in its part-cheerful, part-melancholy way for a while, one section lurching into another, until the band is drowned out by a parping brass band in a completely unrelated key, which in turn is replaced by just Barrett, strumming a guitar, sounding chillingly lonely, with the song cutting off abruptly on his very last word:

* Barrett's last song to be on a Floyd album, "Jugband Blues" from ''Saucerful of Secrets'', is a skin-crawling combination of SanitySlippageSong, TearJerker and bitter EtTuBrute to the rest of the band. The opening lines seem to be a [[SarcasmMode sarcastic]] TakeThat: "[[WeUsedToBeFriends It's awfully considerate of you to think of me here / And I'm much obliged to you for making it clear that I'm not here.]]" Then the song trips along in its part-cheerful, part-melancholy way for a while until it's drowned out by a parping brass band in a completely unrelated key, which in turn fades out to be replaced by just Barrett, strumming a guitar, sounding chillingly lonely, with the song cutting off abruptly on his very last word:

And what exactly is a joke?"

** Speaking of ''TheWall'', while the entire album is creepy, two tracks stand out. Most of "Don't Leave Me Now" sounds extremely disturbing, and the beginning of "Is There Anybody Out There?" resembles something from a horror movie. Thank God it turns into a nice-sounding guitar melody.

* The whole of ''DarkSideOfTheMoon'' is so, so unsettling. "There's someone in my head... [[OhCrap but it's not me.]]"