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Changed line(s) 18 (click to see context) from:
* ''Murder'' is another unsettling song from this album.
to:
* ''Murder'' ''Murders'' is another unsettling song from this album.
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Added DiffLines:
* ''Murder'' is another unsettling song from this album.
** The instrumental of the song creates such an unsettling, oppressive atmosphere. The distorted, pounding piano and UncommonTime make it very hard to settle into the song throughout.
*** It's also interesting that after the guitar solo, the song entirely drops that earlier atmosphere. It goes for an [[DissonantSerenity eerily calm piano interlude]], before the lyrics come in. It repeats "[[MadnessMantra All for nothing at all]]" over and over, [[DroneOfDread growing in intensity]]. Eventually, this drops away too, and the singer repeats the opening lines, but with the pronouns switched, revealing [[AndThatLittleGirlWasMe they were the protagonist the whole time]].
** The instrumental of the song creates such an unsettling, oppressive atmosphere. The distorted, pounding piano and UncommonTime make it very hard to settle into the song throughout.
*** It's also interesting that after the guitar solo, the song entirely drops that earlier atmosphere. It goes for an [[DissonantSerenity eerily calm piano interlude]], before the lyrics come in. It repeats "[[MadnessMantra All for nothing at all]]" over and over, [[DroneOfDread growing in intensity]]. Eventually, this drops away too, and the singer repeats the opening lines, but with the pronouns switched, revealing [[AndThatLittleGirlWasMe they were the protagonist the whole time]].
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Changed line(s) 8,9 (click to see context) from:
--->Here in my kingdom I am your Lord
--->I order you to cower and pray/prey
--->I order you to cower and pray/prey
to:
--->Here in my kingdom I am your Lord
--->ILord\\
I order you to cower and pray/prey
--->I
I order you to cower and pray/prey
Changed line(s) 13,17 (click to see context) from:
--->See how I laugh at you
--->You'll never understand... No, you'll never understand... No, you'll never ever ever understand
--->See how I run from you
--->I'll never ever understand... No, I'll never ever ever understand
--->([[LastNoteNightmare Demonic Roar]])
--->You'll never understand... No, you'll never understand... No, you'll never ever ever understand
--->See how I run from you
--->I'll never ever understand... No, I'll never ever ever understand
--->([[LastNoteNightmare Demonic Roar]])
to:
--->See how I laugh at you
--->You'llyou\\
You'll never understand... No, you'll never understand... No, you'll never ever everunderstand
--->Seeunderstand\\
See how I run fromyou
--->I'llyou\\
I'll never ever understand... No, I'll never ever everunderstand
--->([[LastNoteNightmareunderstand\\
([[LastNoteNightmare DemonicRoar]])Roar]])
----
--->You'll
You'll never understand... No, you'll never understand... No, you'll never ever ever
--->See
See how I run from
--->I'll
I'll never ever understand... No, I'll never ever ever
--->([[LastNoteNightmare
([[LastNoteNightmare Demonic
----
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(b)an(ana) man
Changed line(s) 3 (click to see context) from:
** For starters, the story itself. Depending on who you ask, it's either about a criminal who gets executed by an electric chair, or an man who pleads insanity for committing a crime he was innocent of, undergoes electro-shock therapy, and actually goes insane. Not to mention the fact that he's specifically referred to as a [[WouldHurtAChild minor]]. Some have connected the entire album as one story and have theorized that the song's protagonist (frequently named "Simon" after the original draft of the song) was convicted for the murder of his girlfriend (which he had nothing to do with), which makes his predicament even worse.
to:
** For starters, the story itself. Depending on who you ask, it's either about a criminal who gets executed by an electric chair, or an a man who pleads insanity for committing a crime he was innocent of, undergoes electro-shock therapy, and actually goes insane. Not to mention the fact that he's specifically referred to as a [[WouldHurtAChild minor]]. Some have connected the entire album as one story and have theorized that the song's protagonist (frequently named "Simon" after the original draft of the song) was convicted for the murder of his girlfriend (which he had nothing to do with), which makes his predicament even worse.
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split from Tally Hall
Added DiffLines:
* The album cover is one, surprisingly enough. It seems to be a peaceful tropical shore on a moonlit night, until you realize the "moon" is actually the lure of a giant anglerfish-like creature, whose toothy mouth you can make out in the sky.
* "The Mind Electric" is widely regarded as ''the'' most disturbing song to come out of Tally Hall or their related work.
** For starters, the story itself. Depending on who you ask, it's either about a criminal who gets executed by an electric chair, or an man who pleads insanity for committing a crime he was innocent of, undergoes electro-shock therapy, and actually goes insane. Not to mention the fact that he's specifically referred to as a [[WouldHurtAChild minor]]. Some have connected the entire album as one story and have theorized that the song's protagonist (frequently named "Simon" after the original draft of the song) was convicted for the murder of his girlfriend (which he had nothing to do with), which makes his predicament even worse.
** The whole song has a rather erratic, anxiety-inducing tone akin to a horror-themed version of [[Music/{{Queen}} Bohemian Rhapsody]], with whimsical sections suddenly interrupted by dramatic opera-esque sections, and culminating in an awesome but menacing rock portion.
** The song first plays backwards before finally playing forwards, which makes for unsettling listening.
** There are two "final" versions of the song: a "clean" one you get if you reverse the reversed version at the beginning, and the "distorted" one that plays normally after the reversed version of the song. The distorted version has a lot of disturbing audio glitches that even incorporates samples from other songs, especially the random Mozart choir added in the middle.
** This line. The fact that the final word is left purposefully [[AmbiguousSyntax ambiguous]] makes it even worse.
--->Here in my kingdom I am your Lord
--->I order you to cower and pray/prey
** Listen carefully to the background of the second opera-esque portion:
--->([[QuietCryForHelp Help me...]]) [[MadnessMantra AXON DENDRITE!]] (Help me...) AXON DENDRITE! (Help me...) AXON DENDRITE! (Help me...) AXON DENDRITE!
** The [[https://www.youtube.com/watch?v=6kClVNuC-68 fourth demo]] adds an even creepier verse to the "see how the serfs work the ground" portion (later taken out and the tune was retooled into the less creepy song "Labyrinth")
--->See how I laugh at you
--->You'll never understand... No, you'll never understand... No, you'll never ever ever understand
--->See how I run from you
--->I'll never ever understand... No, I'll never ever ever understand
--->([[LastNoteNightmare Demonic Roar]])
* "The Mind Electric" is widely regarded as ''the'' most disturbing song to come out of Tally Hall or their related work.
** For starters, the story itself. Depending on who you ask, it's either about a criminal who gets executed by an electric chair, or an man who pleads insanity for committing a crime he was innocent of, undergoes electro-shock therapy, and actually goes insane. Not to mention the fact that he's specifically referred to as a [[WouldHurtAChild minor]]. Some have connected the entire album as one story and have theorized that the song's protagonist (frequently named "Simon" after the original draft of the song) was convicted for the murder of his girlfriend (which he had nothing to do with), which makes his predicament even worse.
** The whole song has a rather erratic, anxiety-inducing tone akin to a horror-themed version of [[Music/{{Queen}} Bohemian Rhapsody]], with whimsical sections suddenly interrupted by dramatic opera-esque sections, and culminating in an awesome but menacing rock portion.
** The song first plays backwards before finally playing forwards, which makes for unsettling listening.
** There are two "final" versions of the song: a "clean" one you get if you reverse the reversed version at the beginning, and the "distorted" one that plays normally after the reversed version of the song. The distorted version has a lot of disturbing audio glitches that even incorporates samples from other songs, especially the random Mozart choir added in the middle.
** This line. The fact that the final word is left purposefully [[AmbiguousSyntax ambiguous]] makes it even worse.
--->Here in my kingdom I am your Lord
--->I order you to cower and pray/prey
** Listen carefully to the background of the second opera-esque portion:
--->([[QuietCryForHelp Help me...]]) [[MadnessMantra AXON DENDRITE!]] (Help me...) AXON DENDRITE! (Help me...) AXON DENDRITE! (Help me...) AXON DENDRITE!
** The [[https://www.youtube.com/watch?v=6kClVNuC-68 fourth demo]] adds an even creepier verse to the "see how the serfs work the ground" portion (later taken out and the tune was retooled into the less creepy song "Labyrinth")
--->See how I laugh at you
--->You'll never understand... No, you'll never understand... No, you'll never ever ever understand
--->See how I run from you
--->I'll never ever understand... No, I'll never ever ever understand
--->([[LastNoteNightmare Demonic Roar]])
