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Misuse. Trope is specifically about instances where a pre-existing song is recycled as an advertising jingle.


* RepurposedPopSong: "Outrage At Valdez" was a piece Zappa originally composed for a 1990 documentary investigating the 1989 Exxon Valdez oil spill disaster.
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Removal of malformed wicks from GCPTR cleanup


%% * GettingCrapPastThe Radar: Due to overwhelming and persistent misuse, GCPTR is on-page examples only until 01 June 2021. If you are reading this in the future, please check the trope page to make sure your example fits the current definition.
* GratuitousGerman: Some German is spoken at the start of "Welcome To The United States".

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%% * GettingCrapPastThe Radar: Due to overwhelming and persistent misuse, GCPTR is on-page examples only until 01 June 2021. If you are reading this in the future, please check the trope page to make sure your example fits the current definition.
* GratuitousGerman: Some German is spoken at the start of "Welcome To The United States". States".
-->Be quiet! ''Von seiner Werkbank zu uns heute Abend hergekommen ist unser Hermann Kretzschmar wolle merm reinlasse?''[[labelnote:translation]]Our Hermann Kretzschmar came to us this evening from his workbench, would you like to let me in?[[/labelnote]] Laugh now! (HA HA HA HA HA!)
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* CelebrityCameo: The liner notes thank some notable celebrities for their "very special but no less significant contributions", among them Beverley D' Angelo (Ellen Griswold in the Film/NationalLampoon Vacation film series; voice of [[Recap/TheSimpsonsS3E20ColonelHomer Lurleen Lumpkin]] in ''WesternAnimation/TheSimpsons''), Music/YokoOno, Creator/MattGroening, Larry Flynt, Lynda Barry, Creator/RutgerHauer, [[Series/{{Roseanne}} Tom and Roseanne Arnold]], composers/conductors Nicolas Slonimsky, Pierre Boulez and Kent Nagano, Creator/StephenHawking, Warren [=DeMartini=], Don Cerveris, Creator/JohnnyCarson, Creator/DennisMiller and Creator/JackNicholson.

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* CelebrityCameo: The liner notes thank some notable celebrities for their "very special but no less significant contributions", among them Beverley D' Angelo (Ellen Griswold in the Film/NationalLampoon Vacation film series; voice of [[Recap/TheSimpsonsS3E20ColonelHomer Lurleen Lumpkin]] in ''WesternAnimation/TheSimpsons''), Creator/BeverlyDAngelo, Music/YokoOno, Creator/MattGroening, Larry Flynt, Lynda Barry, Creator/RutgerHauer, [[Series/{{Roseanne}} Tom and Roseanne Arnold]], composers/conductors Nicolas Slonimsky, Pierre Boulez and Kent Nagano, Creator/StephenHawking, Warren [=DeMartini=], Don Cerveris, Creator/JohnnyCarson, Creator/DennisMiller and Creator/JackNicholson.
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* MyCountryTisOfTheeThatISting: "Food Gathering In Post-Industrial America" criticizes [[spoiler:the pro-life movement in the USA]], while "Welcome To The United States" [[spoiler:pokes fun at the the US Customs Card that needs to be filled in by immigrants who visit the USA. The stinger is the final question: "Between 1933 and 1945 have you been involved in any way with persecutions associated with Nazi Germany?" When the visitor answers "Yes" he is immediately welcomed to the United States.]]

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* MyCountryTisOfTheeThatISting: "Food Gathering In Post-Industrial America" criticizes [[spoiler:the pro-life movement in the USA]], USA with the WhamLine about food being harvested from abandoned children who were born after the US government banned abortion]], while "Welcome To The United States" [[spoiler:pokes fun at the the US Customs Card that needs to be filled in by immigrants who visit the USA. The stinger is the final question: "Between 1933 and 1945 have you been involved in any way with persecutions associated with Nazi Germany?" When the visitor answers "Yes" he is immediately welcomed to the United States.]]
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* GettingCrapPastTheRadar: "Questi Cazzi Di Piccione", which sounds chic, unless you speak Italian, because it means "Those Fucking Pigeons". "G-Spot Tornado" is another example. "Food Gathering In Post-Industrial America" ends with [[spoiler: criticism of anti-abortionists]] and "Welcome To The United States" with [[spoiler: the question whether the visitor was involved with persecutions associated with Nazi Germany, which is already controversial enough on its own but then remember that this concert was performed in Germany itself!]]. "Get Whitey" sounds like the racially motivated slur, but was actually inspired by the fact that the piece was originally only concerned with the white keys on the piano.

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%% * GettingCrapPastTheRadar: "Questi Cazzi Di Piccione", which sounds chic, unless GettingCrapPastThe Radar: Due to overwhelming and persistent misuse, GCPTR is on-page examples only until 01 June 2021. If you speak Italian, because it means "Those Fucking Pigeons". "G-Spot Tornado" is another example. "Food Gathering In Post-Industrial America" ends with [[spoiler: criticism of anti-abortionists]] and "Welcome To The United States" with [[spoiler: the question whether the visitor was involved with persecutions associated with Nazi Germany, which is already controversial enough on its own but then remember that are reading this concert was performed in Germany itself!]]. "Get Whitey" sounds like the racially motivated slur, but was actually inspired by future, please check the fact that trope page to make sure your example fits the piece was originally only concerned with the white keys on the piano.current definition.

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''The Yellow Shark'' is a 1993 ClassicalMusic LiveAlbum by Music/FrankZappa, generally seen as the crown on his career. The album is a collaboration with the German Ensemble Modern, a classical orchestra specialized in performing more modern AvantGardeMusic. It wasn't Zappa's first experience with a classical orchestra: ''Music/LumpyGravy'' (1968) and ''Film/TwoHundredMotels'' (1971) already had orchestral pieces on them and albums like ''Music/OrchestralFavorites'' (1979), ''Music/LondonSymphonyOrchestra'' (1983/1987) and ''Music/ThePerfectStranger'' (1984) were even entirely classical music. Never before, however, had an orchestra been [[ShownTheirWork so entirely devoted to rehearsing and performing Zappa's music according to his personal wishes]]. The orchestra was even able to perform "G-Spot Tornado", a track off of ''Music/JazzFromHell'' that Zappa had previously assumed to be unplayable by human musicians (the studio version was composed entirely on a Synclavier). For Zappa, this was the most satisfying performance his work ever received, being the closest approximation of how his compositions sounded in his head, and it all happened one year before his untimely death from cancer. It would also be the last album released while he was still alive. Even for the Ensemble Modern, it was the first time a classically trained orchestra performed music in a manner similar to a large-scale rock concert.

to:

''The Yellow Shark'' is a 1993 ClassicalMusic LiveAlbum by Music/FrankZappa, generally seen as the crown on his career. The album is a collaboration with the German Ensemble Modern, a classical orchestra specialized in performing more modern AvantGardeMusic. It wasn't Zappa's first experience with a classical orchestra: ''Music/LumpyGravy'' (1968) and ''Film/TwoHundredMotels'' (1971) already had orchestral pieces on them and albums like ''Music/OrchestralFavorites'' (1979), ''Music/LondonSymphonyOrchestra'' (1983/1987) and ''Music/ThePerfectStranger'' (1984) were even entirely classical music. Never before, however, had an orchestra been [[ShownTheirWork so entirely devoted to rehearsing and performing Zappa's music according to his personal wishes]]. The orchestra was even able to perform "G-Spot Tornado", a track off of ''Music/JazzFromHell'' that Zappa had previously assumed to be unplayable by human musicians (the studio version was composed entirely on a Synclavier). Synclavier).

For Zappa, this was the most satisfying performance his work ever received, being the closest approximation of how his compositions sounded in his head, and it all happened one year before his untimely death from cancer. cancer (which limited him to appearing for only a small number of songs on the album). It would also be the last album released while he was still alive. alive; given everything already described, it ended up being a sadly fitting album to close out his life on. Even for the Ensemble Modern, it was the first time a classically trained orchestra performed music in a manner similar to a large-scale rock concert.
concert.
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''The Yellow Shark'' is a 1993 ClassicalMusic album by Music/FrankZappa, generally seen as the crown on his career. The album is a collaboration with the German Ensemble Modern, a classical orchestra specialized in performing more modern AvantGardeMusic. It wasn't Zappa's first experience with a classical orchestra, after all ''Music/LumpyGravy'' (1968) and ''Film/TwoHundredMotels'' (1971) already had orchestral pieces on them and albums like "Orchestral Favorites" (1979), ''Music/LondonSymphonyOrchestra'' (1983/1988) and ''Music/ThePerfectStranger'' (1984) were even entirely classical music. But never before had an orchestra been [[ShownTheirWork so entirely devoted to rehearsing and performing Zappa's music according to his personal wishes]]. The orchestra was even able to perform "G-Spot Tornado", a track off of ''Music/JazzFromHell'' that Zappa had designed to be deliberately unplayable by human musicians (the studio version was composed entirely on a Synclavier). For Zappa this was the most satisfying performance his work ever received and it all happened one year before his untimely death from cancer. It would also be the last album released while he was still alive. Even for the Ensemble Modern it was the first time a classically trained orchestra performed music in the same manner similar to a large-scale rock concert.

to:

''The Yellow Shark'' is a 1993 ClassicalMusic album LiveAlbum by Music/FrankZappa, generally seen as the crown on his career. The album is a collaboration with the German Ensemble Modern, a classical orchestra specialized in performing more modern AvantGardeMusic. It wasn't Zappa's first experience with a classical orchestra, after all orchestra: ''Music/LumpyGravy'' (1968) and ''Film/TwoHundredMotels'' (1971) already had orchestral pieces on them and albums like "Orchestral Favorites" ''Music/OrchestralFavorites'' (1979), ''Music/LondonSymphonyOrchestra'' (1983/1988) (1983/1987) and ''Music/ThePerfectStranger'' (1984) were even entirely classical music. But never before Never before, however, had an orchestra been [[ShownTheirWork so entirely devoted to rehearsing and performing Zappa's music according to his personal wishes]]. The orchestra was even able to perform "G-Spot Tornado", a track off of ''Music/JazzFromHell'' that Zappa had designed previously assumed to be deliberately unplayable by human musicians (the studio version was composed entirely on a Synclavier). For Zappa Zappa, this was the most satisfying performance his work ever received received, being the closest approximation of how his compositions sounded in his head, and it all happened one year before his untimely death from cancer. It would also be the last album released while he was still alive. Even for the Ensemble Modern Modern, it was the first time a classically trained orchestra performed music in the same a manner similar to a large-scale rock concert.
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''The Yellow Shark'' is a 1993 ClassicalMusic album by Music/FrankZappa, generally seen as the crown on his career. The album is a collaboration with the German Ensemble Modern, a classical orchestra specialized in performing more modern AvantGardeMusic. It wasn't Zappa's first experience with a classical orchestra, after all ''Music/LumpyGravy'' (1968) and ''Film/TwoHundredMotels'' (1971) already had orchestral pieces on them and albums like "Orchestral Favorites" (1979), ''Music/LondonSymphonyOrchestra'' (1983/1988) and ''Music/ThePerfectStranger'' (1984) were even entirely classical music. But never before had an orchestra been [[ShownTheirWork so entirely devoted to rehearsing and performing Zappa's music according to his personal wishes]]. For Zappa this was the most satisfying performance his work ever received and it all happened one year before his untimely death from cancer. It would also be the last album released while he was still alive. Even for the Ensemble Modern it was the first time a classically trained orchestra performed music in the same manner similar to a large-scale rock concert.

to:

''The Yellow Shark'' is a 1993 ClassicalMusic album by Music/FrankZappa, generally seen as the crown on his career. The album is a collaboration with the German Ensemble Modern, a classical orchestra specialized in performing more modern AvantGardeMusic. It wasn't Zappa's first experience with a classical orchestra, after all ''Music/LumpyGravy'' (1968) and ''Film/TwoHundredMotels'' (1971) already had orchestral pieces on them and albums like "Orchestral Favorites" (1979), ''Music/LondonSymphonyOrchestra'' (1983/1988) and ''Music/ThePerfectStranger'' (1984) were even entirely classical music. But never before had an orchestra been [[ShownTheirWork so entirely devoted to rehearsing and performing Zappa's music according to his personal wishes]]. The orchestra was even able to perform "G-Spot Tornado", a track off of ''Music/JazzFromHell'' that Zappa had designed to be deliberately unplayable by human musicians (the studio version was composed entirely on a Synclavier). For Zappa this was the most satisfying performance his work ever received and it all happened one year before his untimely death from cancer. It would also be the last album released while he was still alive. Even for the Ensemble Modern it was the first time a classically trained orchestra performed music in the same manner similar to a large-scale rock concert.



'''Tracklist'''

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'''Tracklist'''!!Tracklist



'''Personnel'''

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'''Personnel'''!!Personnel
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''The Yellow Shark'' is a 1993 ClassicalMusic album by Music/FrankZappa, generally seen as the crown on his career. The album is a collaboration with the German Ensemble Modern, a classical orchestra specialized in performing more modern AvantGardeMusic. It wasn't Zappa's first experience with a classical orchestra, after all ''Music/LumpyGravy'' (1968) and ''Music/TwoHundredMotels'' (1971) already had orchestral pieces on them and albums like "Orchestral Favorites" (1979), ''Music/LondonSymphonyOrchestra'' (1983/1988) and ''Music/ThePerfectStranger'' (1984) were even entirely classical music. But never before had an orchestra been [[ShownTheirWork so entirely devoted to rehearsing and performing Zappa's music according to his personal wishes]]. For Zappa this was the most satisfying performance his work ever received and it all happened one year before his untimely death from cancer. It would also be the last album released while he was still alive. Even for the Ensemble Modern it was the first time a classically trained orchestra performed music in the same manner similar to a large-scale rock concert.

to:

''The Yellow Shark'' is a 1993 ClassicalMusic album by Music/FrankZappa, generally seen as the crown on his career. The album is a collaboration with the German Ensemble Modern, a classical orchestra specialized in performing more modern AvantGardeMusic. It wasn't Zappa's first experience with a classical orchestra, after all ''Music/LumpyGravy'' (1968) and ''Music/TwoHundredMotels'' ''Film/TwoHundredMotels'' (1971) already had orchestral pieces on them and albums like "Orchestral Favorites" (1979), ''Music/LondonSymphonyOrchestra'' (1983/1988) and ''Music/ThePerfectStranger'' (1984) were even entirely classical music. But never before had an orchestra been [[ShownTheirWork so entirely devoted to rehearsing and performing Zappa's music according to his personal wishes]]. For Zappa this was the most satisfying performance his work ever received and it all happened one year before his untimely death from cancer. It would also be the last album released while he was still alive. Even for the Ensemble Modern it was the first time a classically trained orchestra performed music in the same manner similar to a large-scale rock concert.
Is there an issue? Send a MessageReason:


* CelebrityCameo: The liner notes thank some notable celebrities for their "very special but no less significant contributions", among them Beverley D' Angelo (Ellen Griswold in the Franchise/NationalLampoon Vacation film series; voice of [[Recap/TheSimpsonsS3E20ColonelHomer Lurleen Lumpkin]] in ''WesternAnimation/TheSimpsons''), Music/YokoOno, Creator/MattGroening, Larry Flynt, Lynda Barry, Creator/RutgerHauer, [[Series/{{Roseanne}} Tom and Roseanne Arnold]], composers/conductors Nicolas Slonimsky, Pierre Boulez and Kent Nagano, Creator/StephenHawking, Warren [=DeMartini=], Don Cerveris, Creator/JohnnyCarson, Creator/DennisMiller and Creator/JackNicholson.

to:

* CelebrityCameo: The liner notes thank some notable celebrities for their "very special but no less significant contributions", among them Beverley D' Angelo (Ellen Griswold in the Franchise/NationalLampoon Film/NationalLampoon Vacation film series; voice of [[Recap/TheSimpsonsS3E20ColonelHomer Lurleen Lumpkin]] in ''WesternAnimation/TheSimpsons''), Music/YokoOno, Creator/MattGroening, Larry Flynt, Lynda Barry, Creator/RutgerHauer, [[Series/{{Roseanne}} Tom and Roseanne Arnold]], composers/conductors Nicolas Slonimsky, Pierre Boulez and Kent Nagano, Creator/StephenHawking, Warren [=DeMartini=], Don Cerveris, Creator/JohnnyCarson, Creator/DennisMiller and Creator/JackNicholson.
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-> ''It is his last major work. The ensemble is awe-inspiring. It is a rich pageant of texture in colour. It's the clarity of his perfect madness, and mastery. Frank governs with Elmore James on his left and [[Music/IgorStravinsky Stravinsky]] on his right. Frank reigns and rules with the strangest tools.''

-> '''Music/TomWaits''', who placed "The Yellow Shark" on the 13th place in his personal list of Top 20 favorite albums of all time, published in "The Guardian" in 2006.

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-> ''It ''"It is his last major work. The ensemble is awe-inspiring. It is a rich pageant of texture in colour. It's the clarity of his perfect madness, and mastery. Frank governs with Elmore James on his left and [[Music/IgorStravinsky Stravinsky]] on his right. Frank reigns and rules with the strangest tools.''

->
"''
-->--
'''Music/TomWaits''', who placed "The Yellow Shark" on the 13th place in his personal list of Top 20 favorite albums of all time, published in "The Guardian" in 2006.
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How To Create A Works Page explicitly says "No bolding is used for work titles."


'''The Yellow Shark''' is a 1993 ClassicalMusic album by Music/FrankZappa, generally seen as the crown on his career. The album is a collaboration with the German Ensemble Modern, a classical orchestra specialized in performing more modern AvantGardeMusic. It wasn't Zappa's first experience with a classical orchestra, after all ''Music/LumpyGravy'' (1968) and ''Music/TwoHundredMotels'' (1971) already had orchestral pieces on them and albums like "Orchestral Favorites" (1979), ''Music/LondonSymphonyOrchestra'' (1983/1988) and ''Music/ThePerfectStranger'' (1984) were even entirely classical music. But never before had an orchestra been [[ShownTheirWork so entirely devoted to rehearsing and performing Zappa's music according to his personal wishes]]. For Zappa this was the most satisfying performance his work ever received and it all happened one year before his untimely death from cancer. It would also be the last album released while he was still alive. Even for the Ensemble Modern it was the first time a classically trained orchestra performed music in the same manner similar to a large-scale rock concert.

to:

'''The ''The Yellow Shark''' Shark'' is a 1993 ClassicalMusic album by Music/FrankZappa, generally seen as the crown on his career. The album is a collaboration with the German Ensemble Modern, a classical orchestra specialized in performing more modern AvantGardeMusic. It wasn't Zappa's first experience with a classical orchestra, after all ''Music/LumpyGravy'' (1968) and ''Music/TwoHundredMotels'' (1971) already had orchestral pieces on them and albums like "Orchestral Favorites" (1979), ''Music/LondonSymphonyOrchestra'' (1983/1988) and ''Music/ThePerfectStranger'' (1984) were even entirely classical music. But never before had an orchestra been [[ShownTheirWork so entirely devoted to rehearsing and performing Zappa's music according to his personal wishes]]. For Zappa this was the most satisfying performance his work ever received and it all happened one year before his untimely death from cancer. It would also be the last album released while he was still alive. Even for the Ensemble Modern it was the first time a classically trained orchestra performed music in the same manner similar to a large-scale rock concert.
Is there an issue? Send a MessageReason:


'''The Yellow Shark''' is a 1993 ClassicalMusic album by Music/FrankZappa, generally seen as the crown on his career. The album is a collaboration with the German Ensemble Modern, a classical orchestra specialized in performing more modern AvantGardeMusic. It wasn't Zappa's first experience with a classical orchestra, after all ''Music/LumpyGravy'' (1968) and ''Music/TwoHundredMotels'' (1971) already had orchestral pieces on them and albums like "Orchestral Favorites" (1979), ''Music/LondonSymphonyOrchestra'' (1983/1988) and ''Music/ThePerfectStranger'' (1984) were even entirely classical music. But never before had an orchestra been [[ShownTheirWork so entirely devoted to rehearsing and performing Zappa's music according to his personal wishes]]. For Zappa this was the most satisfying performance his work ever received and it all happened one year before his untimely death from cancer. It would also be the last album released while he was still alive. Therefore, as far as Zappa's classical albums go it's seen as his MagnumOpus. Even for the Ensemble Modern it was the first time a classically trained orchestra performed music in the same manner similar to a large-scale rock concert.

to:

'''The Yellow Shark''' is a 1993 ClassicalMusic album by Music/FrankZappa, generally seen as the crown on his career. The album is a collaboration with the German Ensemble Modern, a classical orchestra specialized in performing more modern AvantGardeMusic. It wasn't Zappa's first experience with a classical orchestra, after all ''Music/LumpyGravy'' (1968) and ''Music/TwoHundredMotels'' (1971) already had orchestral pieces on them and albums like "Orchestral Favorites" (1979), ''Music/LondonSymphonyOrchestra'' (1983/1988) and ''Music/ThePerfectStranger'' (1984) were even entirely classical music. But never before had an orchestra been [[ShownTheirWork so entirely devoted to rehearsing and performing Zappa's music according to his personal wishes]]. For Zappa this was the most satisfying performance his work ever received and it all happened one year before his untimely death from cancer. It would also be the last album released while he was still alive. Therefore, as far as Zappa's classical albums go it's seen as his MagnumOpus. Even for the Ensemble Modern it was the first time a classically trained orchestra performed music in the same manner similar to a large-scale rock concert.
Is there an issue? Send a MessageReason:
None


[[caption-width-right:350: ''Now let's get serious, ladies and gentlemen. I know you came here for really FINE performances by a really FINE modern music enesemble, conducted by a really FINE conductor.'']]

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[[caption-width-right:350: ''Now let's get serious, ladies and gentlemen. I know you came here for really FINE performances by a really FINE modern music enesemble, ensemble, conducted by a really FINE conductor.'']]

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[[caption-width-right:350: The Master in his final years.]]

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[[caption-width-right:350: ''Now let's get serious, ladies and gentlemen. I know you came here for really FINE performances by a really FINE modern music enesemble, conducted by a really FINE conductor.'']]

-> ''It is his last major work.
The Master ensemble is awe-inspiring. It is a rich pageant of texture in colour. It's the clarity of his perfect madness, and mastery. Frank governs with Elmore James on his left and [[Music/IgorStravinsky Stravinsky]] on his right. Frank reigns and rules with the strangest tools.''

-> '''Music/TomWaits''', who placed "The Yellow Shark" on the 13th place
in his final years.]]
personal list of Top 20 favorite albums of all time, published in "The Guardian" in 2006.



The concert was named after a piece of FanArt that Zappa had received in 1988: a yellow surfboard carved and modified in the shape of a shark. A famous fan of the album is Music/TomWaits who ranks it among his 20 favorite albums. [[http://www.theguardian.com/music/2005/mar/20/popandrock1]]

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The concert was named after a piece of FanArt that Zappa had received in 1988: a yellow surfboard carved and modified in the shape of a shark. A famous fan of the album is Music/TomWaits who ranks it among his 20 favorite albums. [[http://www.theguardian.com/music/2005/mar/20/popandrock1]]\n
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* MyCountryTisOfTheeThatISting: "Food Gathering In Post-Industrial America" critizes [[spoiler:the pro-life movement in the USA]], while "Welcome To The United States" [[spoiler:pokes fun at the the US Customs Card that needs to be filled in by immigrants who visit the USA. The stinger is the final question: "Between 1933 and 1945 have you been involved in any way with persecutions associated with Nazi Germany?" When the visitor answers "Yes" he is immediately welcomed to the United States.]]

to:

* MyCountryTisOfTheeThatISting: "Food Gathering In Post-Industrial America" critizes criticizes [[spoiler:the pro-life movement in the USA]], while "Welcome To The United States" [[spoiler:pokes fun at the the US Customs Card that needs to be filled in by immigrants who visit the USA. The stinger is the final question: "Between 1933 and 1945 have you been involved in any way with persecutions associated with Nazi Germany?" When the visitor answers "Yes" he is immediately welcomed to the United States.]]
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--> ''I understand there is a sign in the audience that once again says: "What's the secret word for tonight?" The secret word for tonight is ... (sound of children's ray gun)''

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--> ''I understand there is a sign in the audience that once again says: "What's the secret word for tonight?" The secret word for tonight is ... '' (sound of children's ray gun)''gun)
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* BookEnds: [[spoiler: "Welcome To The United States" starts off and ends with the title being spoken]].
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* CallBack and ContinuityNod: "The Yellow Shark" brings up memories to the mudshark featured on ''Music/FillmoreEastJune1971''. "Dog Breath Variations", "Uncle Meat" and "Pound For A Brown" appeared earlier on ''Music/UncleMeat'' (1969). "The Girl In The Magnesium Dress" was a piece from ''Music/ThePerfectStranger'' (1984), "Be-Bop Tango" made its debut on ''Music/RoxyAndElsewhere'' (1973) and "G-Spot Tornado" on ''Music/JazzFromHell''. "Food Gathering In Post-Indudstrial America" mentions poodles, a dog species Zappa referenced before on ''Music/OverNiteSensation'' and ''Music/{{Apostrophe}}''. "Welcome To The United States quotes from "Louie Louie", a piece that Zappa enjoyed referencing now and then in his music, as he did on ''Music/UncleMeat'' (1969) and ''Music/OneSizeFitsAll'' (1975).

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* CallBack and ContinuityNod: "The Yellow Shark" brings up memories to the mudshark featured on ''Music/FillmoreEastJune1971''. "Dog Breath Variations", "Uncle Meat" and "Pound For A Brown" appeared earlier on ''Music/UncleMeat'' (1969). "The Girl In The Magnesium Dress" was a piece from ''Music/ThePerfectStranger'' (1984), "Be-Bop Tango" made its debut on ''Music/RoxyAndElsewhere'' (1973) and "G-Spot Tornado" on ''Music/JazzFromHell''. "Food Gathering In Post-Indudstrial Post-Industrial America" mentions poodles, a dog species Zappa referenced before on ''Music/OverNiteSensation'' and ''Music/{{Apostrophe}}''. "Welcome To The United States quotes from "Louie Louie", a piece that Zappa enjoyed referencing now and then in his music, as he did on ''Music/UncleMeat'' (1969) and ''Music/OneSizeFitsAll'' (1975).
Is there an issue? Send a MessageReason:
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* CelebrityCameo: The liner notes thank some notable celebrities for their "very special but no less significant contributions", among them Beverley D' Angelo (Ellen Griswold in the Vacation film series; voice of Lurleen Lumpkin in "The Simpsons"), Music/YokoOno, Creator/MattGroening, Larry Flynt, Lynda Barry, Creator/RutgerHauer, [[Series/{{Roseanne}} Tom and Roseanne Arnold]], composers/conductors Nicolas Slonimsky, Pierre Boulez and Kent Nagano, Creator/StephenHawking, Warren [=DeMartini=], Don Cerveris, Creator/JohnnyCarson, Creator/DennisMiller and Creator/JackNicholson.

to:

* CelebrityCameo: The liner notes thank some notable celebrities for their "very special but no less significant contributions", among them Beverley D' Angelo (Ellen Griswold in the Franchise/NationalLampoon Vacation film series; voice of [[Recap/TheSimpsonsS3E20ColonelHomer Lurleen Lumpkin Lumpkin]] in "The Simpsons"), ''WesternAnimation/TheSimpsons''), Music/YokoOno, Creator/MattGroening, Larry Flynt, Lynda Barry, Creator/RutgerHauer, [[Series/{{Roseanne}} Tom and Roseanne Arnold]], composers/conductors Nicolas Slonimsky, Pierre Boulez and Kent Nagano, Creator/StephenHawking, Warren [=DeMartini=], Don Cerveris, Creator/JohnnyCarson, Creator/DennisMiller and Creator/JackNicholson.
Is there an issue? Send a MessageReason:
None


* CelebrityCameo: The liner notes thank some notable celebrities for their "very special but no less significant contributions", among them Beverley D' Angelo (voice of Lurleen Lumpkin in "The Simpsons"), Music/YokoOno, Creator/MattGroening, Larry Flynt, Lynda Barry, Creator/RutgerHauer, [[Series/{{Roseanne}} Tom and Roseanne Arnold]], composers/conductors Nicolas Slonimsky, Pierre Boulez and Kent Nagano, Creator/StephenHawking, Warren [=DeMartini=], Don Cerveris, Creator/JohnnyCarson, Creator/DennisMiller and Creator/JackNicholson.

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* CelebrityCameo: The liner notes thank some notable celebrities for their "very special but no less significant contributions", among them Beverley D' Angelo (voice (Ellen Griswold in the Vacation film series; voice of Lurleen Lumpkin in "The Simpsons"), Music/YokoOno, Creator/MattGroening, Larry Flynt, Lynda Barry, Creator/RutgerHauer, [[Series/{{Roseanne}} Tom and Roseanne Arnold]], composers/conductors Nicolas Slonimsky, Pierre Boulez and Kent Nagano, Creator/StephenHawking, Warren [=DeMartini=], Don Cerveris, Creator/JohnnyCarson, Creator/DennisMiller and Creator/JackNicholson.
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Added DiffLines:

[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/the_yellow_shark_2660.jpg]]
[[caption-width-right:350: The Master in his final years.]]

'''The Yellow Shark''' is a 1993 ClassicalMusic album by Music/FrankZappa, generally seen as the crown on his career. The album is a collaboration with the German Ensemble Modern, a classical orchestra specialized in performing more modern AvantGardeMusic. It wasn't Zappa's first experience with a classical orchestra, after all ''Music/LumpyGravy'' (1968) and ''Music/TwoHundredMotels'' (1971) already had orchestral pieces on them and albums like "Orchestral Favorites" (1979), ''Music/LondonSymphonyOrchestra'' (1983/1988) and ''Music/ThePerfectStranger'' (1984) were even entirely classical music. But never before had an orchestra been [[ShownTheirWork so entirely devoted to rehearsing and performing Zappa's music according to his personal wishes]]. For Zappa this was the most satisfying performance his work ever received and it all happened one year before his untimely death from cancer. It would also be the last album released while he was still alive. Therefore, as far as Zappa's classical albums go it's seen as his MagnumOpus. Even for the Ensemble Modern it was the first time a classically trained orchestra performed music in the same manner similar to a large-scale rock concert.

The concert was named after a piece of FanArt that Zappa had received in 1988: a yellow surfboard carved and modified in the shape of a shark. A famous fan of the album is Music/TomWaits who ranks it among his 20 favorite albums. [[http://www.theguardian.com/music/2005/mar/20/popandrock1]]

'''Tracklist'''
# "Intro" (1:44)
# "Dog Breath Variations" (2:06)
# "Uncle Meat" (3:24)
# "Outrage At Valdez" (3:27)
# "Times Beach III" (7:31)
# "III Revisited" (1:45)
# "The Girl In The Magnesium Dress" (4:33)
# "Be-Bop Tango" (3:43)
# "Ruth Is Sleeping" (5:56)
# "None Of The Above" (2:17)
# "Pentagon Afternoon" (2:28)
# "Questi Cazzi Di Piccioni" (3:02)
# "Times Beach III" (4:26)
# "Food Gathering In Post-Industrial America, 1992" (2:49)
# "Welcome To The United States" (6:41)
# "Pound For A Brown" (2:13)
# "Exercise #4" (1:37)
# "Get Whitey" (7:01)
# "G-Spot Tornado" (5:17)

'''Personnel'''
* Music/FrankZappa: conductor, compositions, producer, performer
* Peter Rundel: conductor, violin
* Ensemble Modern: orchestra.


!! Trope Gathering In A Post-Industrial Environment.
* AlbumFiller: Zappa originally wrote "Food Gathering In Post-Industrial America" as concert filler. It actually turned out to be one of the funniest moments of the entire show.
* CallBack and ContinuityNod: "The Yellow Shark" brings up memories to the mudshark featured on ''Music/FillmoreEastJune1971''. "Dog Breath Variations", "Uncle Meat" and "Pound For A Brown" appeared earlier on ''Music/UncleMeat'' (1969). "The Girl In The Magnesium Dress" was a piece from ''Music/ThePerfectStranger'' (1984), "Be-Bop Tango" made its debut on ''Music/RoxyAndElsewhere'' (1973) and "G-Spot Tornado" on ''Music/JazzFromHell''. "Food Gathering In Post-Indudstrial America" mentions poodles, a dog species Zappa referenced before on ''Music/OverNiteSensation'' and ''Music/{{Apostrophe}}''. "Welcome To The United States quotes from "Louie Louie", a piece that Zappa enjoyed referencing now and then in his music, as he did on ''Music/UncleMeat'' (1969) and ''Music/OneSizeFitsAll'' (1975).
* CelebrityCameo: The liner notes thank some notable celebrities for their "very special but no less significant contributions", among them Beverley D' Angelo (voice of Lurleen Lumpkin in "The Simpsons"), Music/YokoOno, Creator/MattGroening, Larry Flynt, Lynda Barry, Creator/RutgerHauer, [[Series/{{Roseanne}} Tom and Roseanne Arnold]], composers/conductors Nicolas Slonimsky, Pierre Boulez and Kent Nagano, Creator/StephenHawking, Warren [=DeMartini=], Don Cerveris, Creator/JohnnyCarson, Creator/DennisMiller and Creator/JackNicholson.
* ComicallyMissingThePoint: During "Welcome To The United States" Kreitschmar asks a person to "answer yes or no" to a question, to which he answers: "Yes or no."
* DeliberatelyMonochrome: Zappa appears in black-and-white on the album cover.
* DepartmentOfRedundancyDepartment: "Welcome To The United States" was based on the US Customs Card that most be filled in by persons entering the United States. As Zappa himself said in the liner notes:
--> ''I couldn't believe that anybody would ask those questions and expect somebody to give honest answers to them. It just seemed like such a classic piece of governmental stupidity-first, that it exists, and second that people are forced to fill it out. Somewhere, there's a whole government machinery that has to deal with filled-out cards. It's so stupid. Since most of the people in the group were German, I know that when they came to the United States, they all had to fill these things out, and probably found it especially offensive.''
* EpicRocking: "Times Beach III" and "Get Whitey" are over seven minutes long.
* EverythingIsAnInstrument: "Food Gathering In Post-Industrial America" makes use of a clown whistle, an alarm, a toy piano, rustling crisps bags and a didgeridoo in a bucket of water. The "Intro" and "Pentagon Afternoon" make use of toy ray guns and a wind machine.
* FaceOnTheCover: Zappa's visibly older face is seen on the album cover. His aging is also due to cancer taking his toll on him.
* GettingCrapPastTheRadar: "Questi Cazzi Di Piccione", which sounds chic, unless you speak Italian, because it means "Those Fucking Pigeons". "G-Spot Tornado" is another example. "Food Gathering In Post-Industrial America" ends with [[spoiler: criticism of anti-abortionists]] and "Welcome To The United States" with [[spoiler: the question whether the visitor was involved with persecutions associated with Nazi Germany, which is already controversial enough on its own but then remember that this concert was performed in Germany itself!]]. "Get Whitey" sounds like the racially motivated slur, but was actually inspired by the fact that the piece was originally only concerned with the white keys on the piano.
* GratuitousGerman: Some German is spoken at the start of "Welcome To The United States".
* GratuitousItalian: "Questi Cazzi Di Piccione", which means "Those Fucking Pigeons" in Italian. It was inspired by Zappa's visit to Venice, where pigeons are everywhere.
* ImAHumanitarian: [[spoiler: "Food Gathering In Post-Industrial America" features wild, abandoned young children who are eaten by other Americans and are "accumulating since the total ban on abortion a few years back."]]
* {{Instrumental}}: All music is instrumental, save for "Food Gathering In Post-Industrial America" and "Welcome To The United States".
* LiveAlbum: The album was entirely live.
* MickeyMousing: "Food Gathering In Post-Industrial America" and "Welcome To The United States" both tell stories, while the orchestra provides musical queues and sound effects to illustrate what's being told.
* MundaneMadeAwesome: "None Of The Above", a throwaway title for a very complex piece. The lyrics of "Welcome To The United States" are nothing more but the instructions of a US Customs Card.
* MyCountryTisOfTheeThatISting: "Food Gathering In Post-Industrial America" critizes [[spoiler:the pro-life movement in the USA]], while "Welcome To The United States" [[spoiler:pokes fun at the the US Customs Card that needs to be filled in by immigrants who visit the USA. The stinger is the final question: "Between 1933 and 1945 have you been involved in any way with persecutions associated with Nazi Germany?" When the visitor answers "Yes" he is immediately welcomed to the United States.]]
* NonAppearingTitle: The album title does not appear in any of the lyrics.
* NotEvenBotheringWithTheAccent: Hermann Kretzschmar's recitation of "Welcome To The United States" doesn't hide his German accent.
* TheParody: "Be-Bop A Tango" has a mid-section where people start chattering and the music sounds like a cheesy cocktail bar lounge in a restaurant.
* RealLifeWritesThePlot: "Outrage At Valdez" refers to the 1989 Exxon Valdez oil spill disaster. "Times Beach III" and "III Revised" were inspired by the 1983 scandal in Times Beach, USA, where an entire town had to move out because of dioxin-infestation.
* RepurposedPopSong: "Outrage At Valdez" was a piece Zappa originally composed for a 1990 documentary investigating the 1989 Exxon Valdez oil spill disaster.
* SecretWord: During the intro Zappa says:
--> ''I understand there is a sign in the audience that once again says: "What's the secret word for tonight?" The secret word for tonight is ... (sound of children's ray gun)''
* ShoutOut:
** "Welcome To The United States" has a brief quote from "Louie Louie".
** "Ruth Is Sleeping" refers to Zappa's percussionist Ruth Underwood and her habit of sleeping underneath the marimba.
* SirNotAppearingInThisTrailer: Due to him suffering from cancer Zappa couldn't be present at all the Ensemble Modern concerts and even when he was he only conducted a few pieces himself. On the CD his voice is only heard during the intro.
* SpokenWordInMusic: "Food Gathering In Post-Industrial America" and "Welcome To The United States" have recitation.
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