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* ''Surfer Rosa'' (1988): Their raw {{Grunge}} album, produced by Steve Albini, with probably the largest predominance of more "comedic"/light-hearted tunes in their catalogue, like the goofy "Tony's Theme", the BilingualBonus "Oh My Golly!" or the comic malevolence of "Something Against You". Source of the band's first single, "Gigantic", notable for being written and sung mainly by Kim Deal (before Francis' ego kicked in), and the [[WordSaladLyrics word salady]] meditation on fish behaviour "Where Is My Mind?", which somehow became [[FightClub very]] [[SuckerPunch popular]] for movie soundtracks.
to:
* ''Surfer Rosa'' (1988): Their raw {{Grunge}} album, produced by Steve Albini, with probably the largest predominance of more "comedic"/light-hearted tunes in their catalogue, like the goofy "Tony's Theme", the BilingualBonus "Oh My Golly!" (which contains the TitleDrop) or the comic malevolence of "Something Against You". Source of the band's first single, "Gigantic", notable for being written and sung mainly by Kim Deal (before Francis' ego kicked in), and the [[WordSaladLyrics word salady]] meditation on fish behaviour "Where Is My Mind?", which somehow became [[FightClub very]] [[SuckerPunch popular]] for movie soundtracks.
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* ''Doolittle'' (1989): Where they hooked up with Gil Norton, who stuck with them for the remainder of their career. Has a more polished production, slightly more nightmarish in spots especially when Francis showcases his awesome lungpower ("Debaser"), contains their BlackSheepHit "Here Comes Your Man" and the offbeat ballad about pollution "Monkey Gone to Heaven", which provides the page quote. This was their first album after a deal with signed with Elektra Records, who would distribute their albums in the USA while 4AD handled the UK. Deal doesn't get a tune for herself, but she sings lead alongside Francis on "I Bleed", provides plenty of backing ones ("Silver", "There Goes My Gun", "Monkey Gone to Heaven", "Hey"), and Lovering got [[StepUpToTheMicrophone prodded into singing]] "La La Love You".
to:
* ''Doolittle'' (1989): Where they hooked up with Gil Norton, who stuck with them for the remainder of their career. Has a more polished production, slightly more nightmarish in spots especially when Francis showcases his awesome lungpower ("Debaser"), contains their BlackSheepHit "Here Comes Your Man" and the offbeat ballad about pollution "Monkey Gone to Heaven", which provides the page quote. This was their first album after a deal with signed with Elektra Records, who would distribute their albums in the USA while 4AD handled the UK. Deal doesn't get a tune for herself, but she sings lead alongside Francis on "I Bleed", Bleed" and "Silver", provides plenty of backing ones ("Silver", "There ("There Goes My Gun", "Monkey Gone to Heaven", "Hey"), and Lovering got [[StepUpToTheMicrophone prodded into singing]] "La La Love You".
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Changed line(s) 31 (click to see context) from:
* AlbumTitleDrop - The EP ''Come On Pilgrim'' takes its name from a line in "Levitate Me." Similarly, ''Doolittle'' is mentioned in "Mr. Grieves." And ''Surfer Rosa'' is said in "Oh My Golly!". ''Trompe le Monde'' doesn't have this, but it makes up for that by having a song called "Trompe le Monde", the only Pixies album to have a TitleSong.
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* AlbumTitleDrop - The EP ''Come On Pilgrim'' takes its name from a line in "Levitate Me." Similarly, ''Doolittle'' is mentioned in "Mr. Grieves." And ''Surfer Rosa'' is said in "Oh My Golly!". ''Trompe le Monde'' doesn't have this, but it makes up for that by having a song called "Trompe le Monde", the only Pixies album to have a TitleSong.TitleTrack.
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* AudienceParticipationSong - There's a video on Youtube of the audience shouting the lyrics to "Stormy Weather" during (appropriately enough) a performance hit by thunderstorm.
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* EleventhHourNumber - Utilized very well to serve as the climax of their albums.
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* EleventhHourNumber - TheElevenOClockNumber- Utilized very well to serve as the climax of their several albums.
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* EleventhHourNumber - Utilized very well to serve as the climax of their albums.
** The haunting, quiet "Silver" builds up a 'calm-before-the-storm' feeling before the final track on ''Doolittle,'' "Gouge Away."
** "Stormy Weather," the penultimate track on ''Bossanova,'' builds up into a massive climax before dissolving into the quiet "Havalina."
** The epic "Motorway to Roswell" is the penultimate track on ''Trompe le Monde.''
** The haunting, quiet "Silver" builds up a 'calm-before-the-storm' feeling before the final track on ''Doolittle,'' "Gouge Away."
** "Stormy Weather," the penultimate track on ''Bossanova,'' builds up into a massive climax before dissolving into the quiet "Havalina."
** The epic "Motorway to Roswell" is the penultimate track on ''Trompe le Monde.''
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* TruckDriversGearChange - Used to [[CrowningMomentOfAwesome glorious]] effect in "Stormy Weather."
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Changed line(s) 31 (click to see context) from:
* AlbumTitleDrop - The EP ''Come On Pilgrim'' takes its name from a line in "Levitate Me." Similarly, ''Doolittle'' is mentioned in "Mr. Grieves." And ''Surfer Rosa'' is said in "Oh My Golly!". ''Trompe le Monde'' doesn't have this, but it makes up for that by having a song called "Trompe le Monde", the only Pixies album to have a titular track.
to:
* AlbumTitleDrop - The EP ''Come On Pilgrim'' takes its name from a line in "Levitate Me." Similarly, ''Doolittle'' is mentioned in "Mr. Grieves." And ''Surfer Rosa'' is said in "Oh My Golly!". ''Trompe le Monde'' doesn't have this, but it makes up for that by having a song called "Trompe le Monde", the only Pixies album to have a titular track.TitleSong.
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* ''Bossanova'' (1990): Recorded after the band and Norton moved to LosAngeles, this is the album where Francis took complete control of the band and marginalised Deal (no cowrites or lead vocals; she's largely relegated to backing vocals on the choruses of "Is She Weird", "Ana" and "Havalina"). A much shinier, heavily SurfRock-influenced effort ("Cecilia Ann") whose lyrical obsession with space and [=UFOs=] complements its PsychedelicRock sound. Contains the successful single "Dig for Fire", "Velouria" (famous for its slapdash, slow-motion abusing video) and some of their mellower material ("Ana", "Havalina"). It got their best chart performance in the UK (#3), while Elektra's resources meant that they started getting extra attention back home.
to:
* ''Bossanova'' (1990): Recorded after the band and Norton moved to LosAngeles, UsefulNotes/LosAngeles, this is the album where Francis took complete control of the band and marginalised Deal (no cowrites or lead vocals; she's largely relegated to backing vocals on the choruses of "Is She Weird", "Ana" and "Havalina"). A much shinier, heavily SurfRock-influenced effort ("Cecilia Ann") whose lyrical obsession with space and [=UFOs=] complements its PsychedelicRock sound. Contains the successful single "Dig for Fire", "Velouria" (famous for its slapdash, slow-motion abusing video) and some of their mellower material ("Ana", "Havalina"). It got their best chart performance in the UK (#3), while Elektra's resources meant that they started getting extra attention back home.
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* StageNames - Francis' real name is Charles Thompson. For ''Come On Pilgrim'' and ''Surfer Rosa'', Deal was credited as "Mrs. John Murphy" as a feminist joke at the expense of a woman who told her [[TheMaidenNameDebate she wanted to be known as "Mrs. <her husband's name>"]][[hottip:*:John Murphy was Deal's husband at the time]].
to:
* StageNames - Francis' real name is Charles Thompson. For ''Come On Pilgrim'' and ''Surfer Rosa'', Deal was credited as "Mrs. John Murphy" as a feminist joke at the expense of a woman who told her [[TheMaidenNameDebate she wanted to be known as "Mrs. <her husband's name>"]][[hottip:*:John name>"]][[note]]John Murphy was Deal's husband at the time]].time[[/note]].
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* {{Step Up To The Microphone}} - "Gigantic" and the cover of "I've Been Waiting For You" has lead vocals by Kim Deal (and she does backing vocals on quite a few tunes), while "La La Love You" and the B-side "Make Believe" are sung by David Lovering (who also adds backing vocals to the previously-mentioned "I've Been Waiting for You").
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* {{Step Up To The Microphone}} StepUpToTheMicrophone - "Gigantic" and the cover of "I've Been Waiting For You" has lead vocals by Kim Deal (and she does backing vocals on quite a few tunes), while "La La Love You" and the B-side "Make Believe" are sung by David Lovering (who also adds backing vocals to the previously-mentioned "I've Been Waiting for You").
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Changed line(s) 24 (click to see context) from:
* ''Doolittle'' (1989): Where they hooked up with Gil Norton, who stuck with them for the remainder of their career. Has a more polished production, slightly more nightmarish in spots especially when Francis showcases his awesome lungpower ("Debaser"), contains their BlackSheepHit "Here Comes Your Man" and the offbeat ballad about pollution "Monkey Gone to Heaven", which provides the page quote. This was their first album after a deal with signed with Elektra Records, who would distribute their albums in the USA while 4AD handled the UK. Deal doesn't get a tune for herself, but she sings lead alongside Francis on "I Bleed", provides plenty of backing ones ("Silver", "There Goes My Gun", "Monkey Gone to Heaven", "Hey"), and Lovering got [[StepUpToTheMicrophone prodded into taking a turn on the mic]] for "La La Love You".
to:
* ''Doolittle'' (1989): Where they hooked up with Gil Norton, who stuck with them for the remainder of their career. Has a more polished production, slightly more nightmarish in spots especially when Francis showcases his awesome lungpower ("Debaser"), contains their BlackSheepHit "Here Comes Your Man" and the offbeat ballad about pollution "Monkey Gone to Heaven", which provides the page quote. This was their first album after a deal with signed with Elektra Records, who would distribute their albums in the USA while 4AD handled the UK. Deal doesn't get a tune for herself, but she sings lead alongside Francis on "I Bleed", provides plenty of backing ones ("Silver", "There Goes My Gun", "Monkey Gone to Heaven", "Hey"), and Lovering got [[StepUpToTheMicrophone prodded into taking a turn on the mic]] for singing]] "La La Love You".
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Changed line(s) 24,26 (click to see context) from:
* ''Doolittle'' (1989): Where they hooked up with Gil Norton, who stuck with them for the remainder of their career. Has a more polished production, slightly more nightmarish in spots especially when Francis showcases his awesome lungpower ("Debaser"), contains their BlackSheepHit "Here Comes Your Man" and the offbeat ballad about pollution "Monkey Gone to Heaven", which provides the page quote. This was their first album after a deal with signed with Elektra Records, who would distribute their albums in the USA while 4AD handled the UK.
* ''Bossanova'' (1990): Recorded after the band and Norton moved to LosAngeles, this is the album where Francis took complete control of the band and marginalised Deal. A much shinier, heavily SurfRock-influenced effort ("Cecilia Ann") whose lyrical obsession with space and [=UFOs=] complements its PsychedelicRock sound. Contains the successful single "Dig for Fire", "Velouria" (famous for its slapdash, slow-motion abusing video) and some of their mellower material ("Ana", "Havalina"). It got their best chart performance in the UK (#3), while Elektra's resources meant that they started getting extra attention back home.
* ''Trompe le Monde'' (1991): Maintaining the shiny spacey sound of the previous effort but much more Music/HeavyMetal-influenced (Francis attributed this to recording next door to Music/OzzyOsbourne), showcases the band at their most {{Badass}} (the furiously fast "Planet of Sound", the [[TheJesusAndMaryChain "Head On"]] cover, the cowbell-featuring TakeThat "U-Mass"), while making enough room for melodic ("Bird Dream of the Olympus Mons") and mellow material ("The Navajo Know"). Former PereUbu keyboardist Eric Drew Feldman contributes keyboards and went on to collaborate with Francis and PJHarvey.
* ''Bossanova'' (1990): Recorded after the band and Norton moved to LosAngeles, this is the album where Francis took complete control of the band and marginalised Deal. A much shinier, heavily SurfRock-influenced effort ("Cecilia Ann") whose lyrical obsession with space and [=UFOs=] complements its PsychedelicRock sound. Contains the successful single "Dig for Fire", "Velouria" (famous for its slapdash, slow-motion abusing video) and some of their mellower material ("Ana", "Havalina"). It got their best chart performance in the UK (#3), while Elektra's resources meant that they started getting extra attention back home.
* ''Trompe le Monde'' (1991): Maintaining the shiny spacey sound of the previous effort but much more Music/HeavyMetal-influenced (Francis attributed this to recording next door to Music/OzzyOsbourne), showcases the band at their most {{Badass}} (the furiously fast "Planet of Sound", the [[TheJesusAndMaryChain "Head On"]] cover, the cowbell-featuring TakeThat "U-Mass"), while making enough room for melodic ("Bird Dream of the Olympus Mons") and mellow material ("The Navajo Know"). Former PereUbu keyboardist Eric Drew Feldman contributes keyboards and went on to collaborate with Francis and PJHarvey.
to:
* ''Doolittle'' (1989): Where they hooked up with Gil Norton, who stuck with them for the remainder of their career. Has a more polished production, slightly more nightmarish in spots especially when Francis showcases his awesome lungpower ("Debaser"), contains their BlackSheepHit "Here Comes Your Man" and the offbeat ballad about pollution "Monkey Gone to Heaven", which provides the page quote. This was their first album after a deal with signed with Elektra Records, who would distribute their albums in the USA while 4AD handled the UK.
UK. Deal doesn't get a tune for herself, but she sings lead alongside Francis on "I Bleed", provides plenty of backing ones ("Silver", "There Goes My Gun", "Monkey Gone to Heaven", "Hey"), and Lovering got [[StepUpToTheMicrophone prodded into taking a turn on the mic]] for "La La Love You".
* ''Bossanova'' (1990): Recorded after the band and Norton moved to LosAngeles, this is the album where Francis took complete control of the band and marginalisedDeal.Deal (no cowrites or lead vocals; she's largely relegated to backing vocals on the choruses of "Is She Weird", "Ana" and "Havalina"). A much shinier, heavily SurfRock-influenced effort ("Cecilia Ann") whose lyrical obsession with space and [=UFOs=] complements its PsychedelicRock sound. Contains the successful single "Dig for Fire", "Velouria" (famous for its slapdash, slow-motion abusing video) and some of their mellower material ("Ana", "Havalina"). It got their best chart performance in the UK (#3), while Elektra's resources meant that they started getting extra attention back home.
* ''Trompe le Monde'' (1991): Maintaining the shiny spacey sound of the previous effort but much more Music/HeavyMetal-influenced (Francis attributed this to recording next door to Music/OzzyOsbourne), showcases the band at their most {{Badass}} (the furiously fast "Planet of Sound", the [[TheJesusAndMaryChain "Head On"]] cover, thecowbell-featuring cowbell-fortified TakeThat "U-Mass"), while making enough room for melodic ("Bird Dream of the Olympus Mons") and mellow material ("The Navajo Know"). Former PereUbu Music/PereUbu keyboardist Eric Drew Feldman contributes keyboards and went on to collaborate with Francis and PJHarvey.
* ''Bossanova'' (1990): Recorded after the band and Norton moved to LosAngeles, this is the album where Francis took complete control of the band and marginalised
* ''Trompe le Monde'' (1991): Maintaining the shiny spacey sound of the previous effort but much more Music/HeavyMetal-influenced (Francis attributed this to recording next door to Music/OzzyOsbourne), showcases the band at their most {{Badass}} (the furiously fast "Planet of Sound", the [[TheJesusAndMaryChain "Head On"]] cover, the
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* ''Surfer Rosa'' (1988): Their raw {{Grunge}} album, produced by Steve Albini, with probably the largest predominance of more "comedic"/light-hearted tunes in their catalogue, like the goofy "Tony's Theme", the BilingualBonus "Oh My Golly!" or the comic malevolence of "Something Against You". Source of the band's first single, "Gigantic", notable for being written and sung mainly by Kim Deal, and the word salady meditation on fish behaviour "Where Is My Mind?", which somehow became [[FightClub very]] [[SuckerPunch popular]] for movie soundtracks.
to:
* ''Surfer Rosa'' (1988): Their raw {{Grunge}} album, produced by Steve Albini, with probably the largest predominance of more "comedic"/light-hearted tunes in their catalogue, like the goofy "Tony's Theme", the BilingualBonus "Oh My Golly!" or the comic malevolence of "Something Against You". Source of the band's first single, "Gigantic", notable for being written and sung mainly by Kim Deal, Deal (before Francis' ego kicked in), and the [[WordSaladLyrics word salady salady]] meditation on fish behaviour "Where Is My Mind?", which somehow became [[FightClub very]] [[SuckerPunch popular]] for movie soundtracks.
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Changed line(s) 49 (click to see context) from:
* EpicSong - "Motorway to Roswell", much more epic than any song about an alien's vacation gone wrong has the right to be. Shame it's not the last song on ''Trompe le Monde''.
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* EpicSong EpicRocking - "Motorway to Roswell", much more epic than any song about an alien's vacation gone wrong has the right to be. Shame it's not the last song on ''Trompe le Monde''.
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Changed line(s) 1,7 (click to see context) from:
http://static.tvtropes.org/pmwiki/pub/images/pixies-2.jpg
[[caption-width:450:These are the underwater guys who control the sea. (L to R: Santiago, Francis, Deal, Lovering)]]
-->''"If man is five''
-->''Then the devil is six''
-->''And if the devil is six''
-->''Then GOD IS SEVEN!"''
[[caption-width:450:These are the underwater guys who control the sea. (L to R: Santiago, Francis, Deal, Lovering)]]
-->''"If man is five''
-->''Then the devil is six''
-->''And if the devil is six''
-->''Then GOD IS SEVEN!"''
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[[caption-width:450:These
[[caption-width-right:350:These are the underwater guys who control the sea. (L to R: Santiago, Francis, Deal, Lovering)]]
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-->''"We can play loud or quiet - that's it."''
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Pixies' recording career started in 1987 with the release of the ''Come on Pilgrim'' EP on British label FourADRecords. They released four more albums on the same label (with Elektra Records handling them in the US) until officially disbanding in 1993 due to exhaustion after supporting {{U2}} on the Zoo TV tour and intra-band tension, mostly over Francis [[IAmTheBand marginalizing the others' contributions]] (especially Deal's). Francis changed his name to Frank Black and started a solo career, Deal found success with TheBreeders, Santiago worked in soundtracks and his band The Martinis and Lovering alternated drumming with a hobby as a magician. The band reunited in 2004, took a hiatus in 2007, re-reunited in 2009 and is still touring today.
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Pixies' recording career started in 1987 with the release of the ''Come on Pilgrim'' EP on British label FourADRecords. Creator/FourADRecords. They released four more albums on the same label (with Elektra Records handling them in the US) US, starting with ''Doolittle'') until officially disbanding in 1993 due to exhaustion after supporting {{U2}} Music/{{U2}} on the Zoo TV tour and intra-band tension, mostly over Francis [[IAmTheBand marginalizing the others' contributions]] (especially Deal's). Francis changed his name to Frank Black and started a solo career, Deal found success with TheBreeders, Music/TheBreeders, Santiago worked in soundtracks and his band The Martinis and Lovering alternated drumming with a hobby as a magician. The band reunited in 2004, took a hiatus in 2007, re-reunited in 2009 and is still touring today.
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Changed line(s) 11,12 (click to see context) from:
-->'''Black Francis''', quoted in the article [[http://aleceiffel.free.fr/gods.html "The Pixies: Gods of Almost Pop"]]
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-->''We can play loud or quiet - that's it.''
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Another highly influential 1980s AlternativeRock band that reached a moderate level of popularity but enjoyed widespread critical acclaim. Famous fans include: [[ModestMouse Isaac Brock]], [[{{Nirvana}} Kurt Cobain]], DavidBowie, {{Radiohead}}, PJHarvey, {{Weezer}}, and [[{{U2}} Bono]], among others.
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Another highly influential 1980s AlternativeRock band that reached a moderate level of popularity but enjoyed widespread critical acclaim. Famous fans include: [[ModestMouse [[Music/ModestMouse Isaac Brock]], [[{{Nirvana}} [[Music/{{Nirvana}} Kurt Cobain]], DavidBowie, {{Radiohead}}, PJHarvey, {{Weezer}}, Music/DavidBowie, Music/{{Radiohead}}, Music/PJHarvey, Music/{{Weezer}}, and [[{{U2}} [[Music/{{U2}} Bono]], among others.
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Pixies' recording career started in 1987 with the release of the ''Come on Pilgrim'' EP on [[{{Four AD Records}} 4AD Records]]. They released four more albums on the same label (with Elektra Records handling them in the US) until officially disbanding in 1993 due to exhaustion after supporting {{U2}} on the Zoo TV tour and intra-band tension, mostly over Francis [[IAmTheBand marginalizing the others' contributions]] (especially Deal's). Francis changed his name to Frank Black and started a solo career, Deal found success with TheBreeders, Santiago worked in soundtracks and his band The Martinis and Lovering alternated drumming with a hobby as a magician. The band reunited in 2004, took a hiatus in 2007, re-reunited in 2009 and is still touring today.
to:
Pixies' recording career started in 1987 with the release of the ''Come on Pilgrim'' EP on [[{{Four AD Records}} 4AD Records]].British label FourADRecords. They released four more albums on the same label (with Elektra Records handling them in the US) until officially disbanding in 1993 due to exhaustion after supporting {{U2}} on the Zoo TV tour and intra-band tension, mostly over Francis [[IAmTheBand marginalizing the others' contributions]] (especially Deal's). Francis changed his name to Frank Black and started a solo career, Deal found success with TheBreeders, Santiago worked in soundtracks and his band The Martinis and Lovering alternated drumming with a hobby as a magician. The band reunited in 2004, took a hiatus in 2007, re-reunited in 2009 and is still touring today.
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* ''Trompe le Monde'' (1991): Maintaining the shiny spacey sound of the previous effort but much more HeavyMetal-influenced (Francis attributed this to recording next door to Music/OzzyOsbourne), showcases the band at their most {{Badass}} (the furiously fast "Planet of Sound", the [[TheJesusAndMaryChain "Head On"]] cover, the cowbell-featuring TakeThat "U-Mass"), while making enough room for melodic ("Bird Dream of the Olympus Mons") and mellow material ("The Navajo Know"). Former PereUbu keyboardist Eric Drew Feldman contributes keyboards and went on to collaborate with Francis and PJHarvey.
to:
* ''Trompe le Monde'' (1991): Maintaining the shiny spacey sound of the previous effort but much more HeavyMetal-influenced Music/HeavyMetal-influenced (Francis attributed this to recording next door to Music/OzzyOsbourne), showcases the band at their most {{Badass}} (the furiously fast "Planet of Sound", the [[TheJesusAndMaryChain "Head On"]] cover, the cowbell-featuring TakeThat "U-Mass"), while making enough room for melodic ("Bird Dream of the Olympus Mons") and mellow material ("The Navajo Know"). Former PereUbu keyboardist Eric Drew Feldman contributes keyboards and went on to collaborate with Francis and PJHarvey.
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Deleted line(s) 49 (click to see context) :
* EpicRiff
Changed line(s) 72 (click to see context) from:
* StageNames - Francis' real name is Charles Thompson. For ''Come On Pilgrim'' and ''Surfer Rosa'', Deal was credited as "Mrs. John Murphy" as a feminist joke at the expense of a woman who told her [[TheMaidenNameDebate she wanted to be known as "Mrs. <her husband's name>"]][[hottip:*:John Murphy was her husband at the time]].
to:
* StageNames - Francis' real name is Charles Thompson. For ''Come On Pilgrim'' and ''Surfer Rosa'', Deal was credited as "Mrs. John Murphy" as a feminist joke at the expense of a woman who told her [[TheMaidenNameDebate she wanted to be known as "Mrs. <her husband's name>"]][[hottip:*:John Murphy was her Deal's husband at the time]].
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* BookEnds - "Doolittle" begins and ends with a song about EyeScream.
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* BookEnds - "Doolittle" ''Doolittle'' begins and ends with a song about EyeScream.
** The title of ''Come On Pilgrim'' is a lyric by ChristianRock pioneer Larry Norman, whose music Francis was a fan of.
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* StageNames - Francis' real name is Charles Thompson.
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* StageNames - Francis' real name is Charles Thompson. For ''Come On Pilgrim'' and ''Surfer Rosa'', Deal was credited as "Mrs. John Murphy" as a feminist joke at the expense of a woman who told her [[TheMaidenNameDebate she wanted to be known as "Mrs. <her husband's name>"]][[hottip:*:John Murphy was her husband at the time]].
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* WhereDaWhiteWomenAt: The subject of "Gigantic".
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* WhereDaWhiteWomenAt: The subject of "Gigantic". The lyrics were inspired by a movie with this subject named ''CrimesOfTheHeart''.
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* WhereDaWhiteWomenAt: The subject of "Gigantic".
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** The cover for the "Gigantic" single takes it up a level, with a naked baby.
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Changed line(s) 19,20 (click to see context) from:
Despite the name, there is no ManicPixieDreamGirl in the band, despite what Kim Deal's fans think.
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Despite the name, there is no ManicPixieDreamGirl in the band, despite what though Kim Deal's fans think.
may beg to differ.
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Changed line(s) 19,20 (click to see context) from:
Despite the name, there is no ManicPixieDreamGirl in the band.
to:
Despite the name, there is no ManicPixieDreamGirl in the band.
band, despite what Kim Deal's fans think.
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Changed line(s) 75,78 (click to see context) from:
--->They'll come and play
--->Their friends will say
--->Your daddy's rich
--->Your mama's a [[LastSecondWordSwap pretty thing]]
--->Their friends will say
--->Your daddy's rich
--->Your mama's a [[LastSecondWordSwap pretty thing]]
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* SubvertedRhymeEveryOccasion: "Vamos" gives us this stanza
--->They'll come and play
--->Their friends will say
--->Your daddy's rich
--->Your mama's a [[LastSecondWordSwap pretty thing]]
--->They'll come and play
--->Their friends will say
--->Your daddy's rich
--->Your mama's a [[LastSecondWordSwap pretty thing]]
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Changed line(s) 65 (click to see context) from:
* RecordProducer - Gary Smith, SteveAlbini and Gil Norton.
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* RecordProducer - Gary Smith, SteveAlbini Music/SteveAlbini and Gil Norton.
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Changed line(s) 26 (click to see context) from:
* ''Trompe le Monde'' (1991): Maintaining the shiny spacey sound of the previous effort but much more HeavyMetal-influenced (Francis attributed this to recording next door to OzzyOsbourne), showcases the band at their most {{Badass}} (the furiously fast "Planet of Sound", the [[TheJesusAndMaryChain "Head On"]] cover, the cowbell-featuring TakeThat "U-Mass"), while making enough room for melodic ("Bird Dream of the Olympus Mons") and mellow material ("The Navajo Know"). Former PereUbu keyboardist Eric Drew Feldman contributes keyboards and went on to collaborate with Francis and PJHarvey.
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* ''Trompe le Monde'' (1991): Maintaining the shiny spacey sound of the previous effort but much more HeavyMetal-influenced (Francis attributed this to recording next door to OzzyOsbourne), Music/OzzyOsbourne), showcases the band at their most {{Badass}} (the furiously fast "Planet of Sound", the [[TheJesusAndMaryChain "Head On"]] cover, the cowbell-featuring TakeThat "U-Mass"), while making enough room for melodic ("Bird Dream of the Olympus Mons") and mellow material ("The Navajo Know"). Former PereUbu keyboardist Eric Drew Feldman contributes keyboards and went on to collaborate with Francis and PJHarvey.