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Trope was cut/disambiguated due to cleanup


* VocalEvolution: On the band's early releases, most noticeably on ''Filth'', Gira's vocals were delivered in a gruff GutturalGrowler style before gradually shifting into a deep bass-baritone style.

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* VocalEvolution: On the band's early releases, most noticeably on ''Filth'', Gira's vocals were delivered in a gruff GutturalGrowler style before gradually shifting into a deep bass-baritone style.

Added: 221

Changed: 104

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* NightmareFace: The cover of ''The Seer'', which features a grinning, beady-eyed fox/wolf thing surrounded by darkness.

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* NightmareFace: NightmareFace:
** The cover of "Filth", a set of grinning teeth surrounded by rotten gangrening gums and a pitch-black background.
**
The cover of ''The Seer'', which features a grinning, beady-eyed fox/wolf thing surrounded by darkness.
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* IAmTheBand: Gira, to an extent.

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* IAmTheBand: Gira, to an extent.Michael Gira is the principal songwriter and only constant member.
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Real Life troping; Cool Old Guy is a narrative trope and deemed NRLEP because of that


* CoolOldGuy: Pretty much the whole band as of 2012. In particular, Gira is in his late 60s and not only remains creatively vital, but is enjoying the best sales of his career.
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* ReCut: The vinyl release of ''The Beggar'' omits "The Beggar Lover (Three)" due to space constraints; as the track is a whopping [[EpicRocking 44 minutes long]], it would be impossible to fit it onto an LP without making serious compromises. The remaining tracklist is also drastically rearranged to compensate.

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* ReCut: The vinyl release of ''The Beggar'' omits "The Beggar Lover (Three)" due to space constraints; as instead, a download code for a digital edition of the song is packaged with the album. As the track is a whopping [[EpicRocking 44 minutes long]], it would be impossible to fit it onto an LP without making serious compromises. The remaining tracklist is also drastically rearranged to compensate.

Added: 313

Changed: 101

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*** ''The Beggar'' only has three out of eleven tracks over the 10 minute mark, but those three take up over ''half'' of the album's runtime: "The Beggar" (10:15), "Ebbing" (11:04), and "The Beggar Lover" ('''43:51''').

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*** ''The Beggar'' only has three out of eleven tracks over the 10 minute mark, but those three take up over ''half'' of the album's runtime: "The Beggar" (10:15), "Ebbing" (11:04), and "The Beggar Lover" ('''43:51''').Lover (Three)" ('''43:51'''). The last track is so long that the vinyl release outright drops it due to space constraints.


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* ReCut: The vinyl release of ''The Beggar'' omits "The Beggar Lover (Three)" due to space constraints; as the track is a whopping [[EpicRocking 44 minutes long]], it would be impossible to fit it onto an LP without making serious compromises. The remaining tracklist is also drastically rearranged to compensate.
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None


* CoolOldGuy: Pretty much the whole band as of 2012. In particular, Gira is in his mid-60s and not only remains creatively vital, but is enjoying the best sales of his career.

to:

* CoolOldGuy: Pretty much the whole band as of 2012. In particular, Gira is in his mid-60s late 60s and not only remains creatively vital, but is enjoying the best sales of his career.
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None


* '''''The Beggar''''' (2023) - Picks right up where ''Leaving Meaning'' left off, only this time with a scaled-down band of musicians and a focus on atmospheric, drone-based compositions, whilst its tracklist marks a return to the lengthy 2 hour format.

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* '''''The Beggar''''' (2023) - Picks right up where ''Leaving Meaning'' left off, only this time with a scaled-down band of musicians and a focus on atmospheric, drone-based compositions, whilst its tracklist marks a return to the lengthy 2 hour format.
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* '''''The Beggar''''' (2023) - Picks right up where ''Leaving Meaning'' left off, only this time with a smaller band of musicians and a focus on atmospheric, drone-based compositions, whilst its tracklist marks a return to the lengthy 2 hour format.

to:

* '''''The Beggar''''' (2023) - Picks right up where ''Leaving Meaning'' left off, only this time with a smaller scaled-down band of musicians and a focus on atmospheric, drone-based compositions, whilst its tracklist marks a return to the lengthy 2 hour format.
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None


The band's fourteenth studio album, ''The Glowing Man'', was released on June 17, 2016. Gira followed it up by announcing that the current version of the group is coming to an end, but he will continue to make music under the name Swans, with a revolving cast of musicians he feels are appropriate for each project.

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The band's fourteenth studio album, ''The Glowing Man'', was released on June 17, 2016. Gira followed it up by announcing that the current version of the group is coming to an end, but he will continue to make music under the name Swans, working with a revolving cast of musicians he feels are appropriate for each project.



* ''''Is There Really a Mind?'''' (2022) - Another fundraiser for the next Swans release, comprised of new demos by Gira.
* '''''The Beggar''''' (2023) - Album number 16, which picks right up where ''Leaving Meaning'' left off, only this time focused on atmospheric, drone-based compositions, whilst its tracklist marks a return to the lengthy 2 hour format.

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* ''''Is '''''Is There Really a Mind?'''' Mind?''''' (2022) - Another fundraiser for the next Swans release, comprised of new demos of each track by Gira.
* '''''The Beggar''''' (2023) - Album number 16, which picks Picks right up where ''Leaving Meaning'' left off, only this time focused with a smaller band of musicians and a focus on atmospheric, drone-based compositions, whilst its tracklist marks a return to the lengthy 2 hour format.

Added: 236

Changed: 194

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* '''''The Beggar''''' (2023) - Picks right up where ''Leaving Meaning'' left off, only this time focused on drone-based compositions, and marks a return to the lengthy 2 hour format.

to:

* ''''Is There Really a Mind?'''' (2022) - Another fundraiser for the next Swans release, comprised of new demos by Gira.
* '''''The Beggar''''' (2023) - Picks Album number 16, which picks right up where ''Leaving Meaning'' left off, only this time focused on atmospheric, drone-based compositions, and whilst its tracklist marks a return to the lengthy 2 hour format.
Is there an issue? Send a MessageReason:
None


The band's fourteenth studio album, ''The Glowing Man'', was released on June 17, 2016. Gira followed it up by announcing that the current version of the group is coming to an end, but he will continue to make music under the name Swans.

to:

The band's fourteenth studio album, ''The Glowing Man'', was released on June 17, 2016. Gira followed it up by announcing that the current version of the group is coming to an end, but he will continue to make music under the name Swans.
Swans, with a revolving cast of musicians he feels are appropriate for each project.
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None


* '''''The Beggar''''' (2023) - Picks right up where ''Leaving Meaning'' left off, only this time with a much greater focus on drones, and marks a return to the lengthy 2 hour format.

to:

* '''''The Beggar''''' (2023) - Picks right up where ''Leaving Meaning'' left off, only this time with a much greater focus focused on drones, drone-based compositions, and marks a return to the lengthy 2 hour format.
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None


* '''''The Beggar''''' (2023)

to:

* '''''The Beggar''''' (2023)(2023) - Picks right up where ''Leaving Meaning'' left off, only this time with a much greater focus on drones, and marks a return to the lengthy 2 hour format.
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Long Title is a disambig.


* LongTitle: ''My Father Will Guide Me Up a Rope to the Sky''.
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*** ''The Beggar'' only has three out of eleven tracks over the 10 minute mark, but those three take up over ''half'' of the album: "The Beggar" (10:15), "Ebbing" (11:04), and "The Beggar Lover" ('''43:51''').

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*** ''The Beggar'' only has three out of eleven tracks over the 10 minute mark, but those three take up over ''half'' of the album: album's runtime: "The Beggar" (10:15), "Ebbing" (11:04), and "The Beggar Lover" ('''43:51''').
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None

Added DiffLines:

*** ''The Beggar'' only has three out of eleven tracks over the 10 minute mark, but those three take up over ''half'' of the album: "The Beggar" (10:15), "Ebbing" (11:04), and "The Beggar Lover" ('''43:51''').
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Added DiffLines:

* '''''The Beggar''''' (2023)
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* EpicInstrumentalOpener: "A Piece of the Sky", "Apostate" and "Frankie M" all have over 10 minutes of music before any actual singing.

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* EpicInstrumentalOpener: "A Piece of the Sky", "Apostate" and "Apostate", "Frankie M" M", and "Feel Happiness" all have over 10 minutes of music before any actual singing.singing.
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IUEO now


* AwesomeMcCoolname: ''Thor'' Harris. Almost counts as a MeaningfulName, as he's a burly red-haired dude whose role as a percussionist often has him hitting things with hammers.
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* '''''Music/TheSeer''''' (2012) - The first album in an informal trilogy of epic full-lengths. Clocking in at 1:59:13, it's one of the band's longest albums and also one of their darkest. Its sound can best be described as a mixture of post-rock, drone, folk, and noise. Collaborators include [[Music/{{Low}} Alan and Mimi Sparhawk]], Karen O, Ben Frost, and Jarboe in her only appearance post-reformation. Met with critical acclaim.

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* '''''Music/TheSeer''''' '''''Music/{{The Seer|Album}}''''' (2012) - The first album in an informal trilogy of epic full-lengths. Clocking in at 1:59:13, it's one of the band's longest albums and also one of their darkest. Its sound can best be described as a mixture of post-rock, drone, folk, and noise. Collaborators include [[Music/{{Low}} Alan and Mimi Sparhawk]], Karen O, Ben Frost, and Jarboe in her only appearance post-reformation. Met with critical acclaim.
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--> '''Michael Gira'''

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--> -->-- '''Michael Gira'''
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Up To Eleven is a defunct trope


* EpicRocking: [[UpToEleven Taken to the extreme]] on their 2012 tours. "The Seer," in particular, seems to [[SerialEscalation expand exponentially]] with each new incarnation; the latest version, which forms a medley with two other songs, stretches to a remarkable ''hour and a half''. Their 2014 tour has featured the song "Frankie M," which goes on for nearly an hour each performance. The same goes for "The Knot", which was debuted live on their 2016 tour. On both of these tours, the audience was lucky if seven songs appeared over the course of two-and-a-half hours.

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* EpicRocking: [[UpToEleven Taken to the extreme]] extreme on their 2012 tours. "The Seer," in particular, seems to [[SerialEscalation expand exponentially]] with each new incarnation; the latest version, which forms a medley with two other songs, stretches to a remarkable ''hour and a half''. Their 2014 tour has featured the song "Frankie M," which goes on for nearly an hour each performance. The same goes for "The Knot", which was debuted live on their 2016 tour. On both of these tours, the audience was lucky if seven songs appeared over the course of two-and-a-half hours.
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TRS cleanup


* AndNowForSomethingCompletelyDifferent: Repeatedly on ''Soundtracks for the Blind'', most notably with "Volcano", an EDM track about stalking and cannibalism, and "Yum Yab Killers", a live HardcorePunk track.
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No longer tropes.


* MohsScaleOfRockAndMetalHardness: They bounce all around the scale; their acoustic stuff (such as "Love Will Tear Us Apart" or "Failure") probably counts as a 1 or 2, whereas most of ''Cop'' comes in at a hard 9 or higher, and live material from the same era (featured on ''Public Castration is a Good Idea'' amongst other recordings) often hits 10 or even 11. And then there's stuff like ''Love of Life'' in between at about 4, and other stuff like ''Soundtracks for the Blind'' or "Look at Me Go" that [[MindScrew just sits outside of the scale entirely]].
* MohsScaleOfLyricalHardness: In spite of the above, this one more or less stays at a fixed 7+.

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