Is there an issue? Send a MessageReason:
Trope was cut/disambiguated due to cleanup
Deleted line(s) 25 (click to see context) :
* GutturalGrowler: He switched to this voice to say the title of his gossip segment "Dees Sleaze." His voice otherwise fits more in line with deeper voice. He also used this tone for most of "Disco Duck".
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Per TRS.
Changed line(s) 25 (click to see context) from:
* GutturalGrowler: He switched to this voice to say the title of his gossip segment "Dees Sleaze." His voice otherwise fits more in line with BadassBaritone. He also used this tone for most of "Disco Duck".
to:
* GutturalGrowler: He switched to this voice to say the title of his gossip segment "Dees Sleaze." His voice otherwise fits more in line with BadassBaritone.deeper voice. He also used this tone for most of "Disco Duck".
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None
Changed line(s) 11 (click to see context) from:
fights a never-ending battle for truth, justice, and the pursuit of loose women!''
to:
fights a never-ending battle for truth, justice, and [[BreadEggsMilkSquick the pursuit of loose women!''women]]!''
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None
Changed line(s) 35 (click to see context) from:
* VerbalTic: The "Dees Sleaze" segment of the ''Weekly Top 40'' made much use of a soundclip of a senior-sounding male character, ostensibly the show's "boss", saying "Yes." This clip ended up being convenient whenever Music/{{Yes}} had a hit on the chart.
to:
* VerbalTic: VerbalTic:
** The "Dees Sleaze" segment of the ''Weekly Top 40'' made much use of a soundclip of a senior-sounding male character, ostensibly the show's "boss", saying "Yes." This clip ended up being convenient whenever Music/{{Yes}} had a hit on thechart.chart.
** Similarly, there was "OUTRAGEOUS! News", which made much use of an out-of-context soundclip of Music/LionelRichie exclaiming "OUTRAGEOUS!" from one of his interviews.
** The "Dees Sleaze" segment of the ''Weekly Top 40'' made much use of a soundclip of a senior-sounding male character, ostensibly the show's "boss", saying "Yes." This clip ended up being convenient whenever Music/{{Yes}} had a hit on the
** Similarly, there was "OUTRAGEOUS! News", which made much use of an out-of-context soundclip of Music/LionelRichie exclaiming "OUTRAGEOUS!" from one of his interviews.
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Changed line(s) 26 (click to see context) from:
* {{Jingle}}: Just like ''American Top 40'', ''Weekly Top 40'' would have some these in the form of commercial bumpers and music beds[[note]]which, just like the [=AT40=] package from 1984, were initially produced by JAM Creative Productions with some handled by Dees and crew themselves[[/note]] that Dees and his cast of idiots would talk over. Some cuts in the later 80s to early 90s would also ape some popular singers like Music/MichaelJackson ([[NoCelebritiesWereHarmed who was also a recurring character on the show]]).
to:
* {{Jingle}}: Just like ''American Top 40'', ''Weekly Top 40'' would have some these in the form of commercial bumpers and music beds[[note]]which, just like the [=AT40=] package from 1984, were initially produced by JAM Creative Productions with some handled by Dees and crew themselves[[/note]] themselves; with later packages handled by HLC[=/=]Killer Music and Who Did That Music? (later known as Groove Addicts)[[/note]] that Dees and his cast of idiots would talk over. Some cuts in the later 80s to early 90s would also ape some popular singers like Music/MichaelJackson ([[NoCelebritiesWereHarmed who was also a recurring character on the show]]).
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None
Changed line(s) 17 (click to see context) from:
* AudienceParticipation: Contests were a regular part of ''Weekly Top 40'', and generally involved Rick playing a small snippet of a song, movie or a celebrity interview and asking for the name or title.
to:
* AudienceParticipation: Contests were a regular part of The ''Weekly Top 40'', and 40'' Challenge, which generally involved Rick playing a small snippet of a song, song (usually sped up, slowed down, or even reversed), movie or a celebrity interview and asking for the name or title.title. Nowadays the Challenge mostly involves trivia questions related to the world of music and entertainment. The Challenge can be taken at the show's official website, [[http://www.rick.com Rick.com]].
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None
Changed line(s) 25 (click to see context) from:
* GutturalGrowler: He switched to this voice to say the title of his gossip segment "Dees Sleaze." His voice otherwise fits more in line with BadassBaritone.
to:
* GutturalGrowler: He switched to this voice to say the title of his gossip segment "Dees Sleaze." His voice otherwise fits more in line with BadassBaritone. He also used this tone for most of "Disco Duck".
Changed line(s) 27 (click to see context) from:
* ManOfAThousandVoices: ''Weekly Top 40'' exploits this between both him and Julie with the amount of characters and impressions they pull off.
to:
* ManOfAThousandVoices: ''Weekly Top 40'' exploits this between both him and Julie with the amount number of characters and impressions they pull off.
Changed line(s) 31 (click to see context) from:
* {{Satire}}: "Disco Duck" was this for the {{Disco}} genre. It also served to make him a OneHitWonder as far as his music career was concerned with his second attempt "Discorilla" not hitting high on the charts and later attempts in the 80s barely even charting at all.
to:
* {{Satire}}: "Disco Duck" was this for the {{Disco}} genre. It also served to make him a OneHitWonder as far as his music career was concerned with his second attempt "Discorilla" not hitting high on the charts and later attempts in the 80s 80s, one being about [[NakedPeopleAreFunny people getting naked]], barely even charting making it into the charts at all.
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None
Changed line(s) 19 (click to see context) from:
** "NoBudget"
to:
** "NoBudget"%Invoked%"NoBudget"
Changed line(s) 29 (click to see context) from:
* ParodyCommercial: An "ad" announced the release of a new {{Comedy}} album, ''Hurt Me Baby. Make Me Write Bad Checks.'' On what [[FictionalMedia record label?]] Why, NoBudget of course!
to:
* ParodyCommercial: An "ad" announced the release of a new {{Comedy}} album, ''Hurt Me Baby. Make Me Write Bad Checks.'' On what [[FictionalMedia record label?]] Why, NoBudget %Invoked%NoBudget of course!
Changed line(s) 31 (click to see context) from:
* {{Satire}}: "Disco Duck" was this for the {{Disco}} genre. It also served to make him a OneHitWonder as far as his music career was concerned with his second attempt "Discorilla" not hitting high on the charts and latter attempts in the 80s barely even charting at all.
to:
* {{Satire}}: "Disco Duck" was this for the {{Disco}} genre. It also served to make him a OneHitWonder as far as his music career was concerned with his second attempt "Discorilla" not hitting high on the charts and latter later attempts in the 80s barely even charting at all.
Is there an issue? Send a MessageReason:
None
Changed line(s) 23 (click to see context) from:
* FullNameBasis: ''Weekly Top 40'''s scatterbrained elderly engineer Willard Weisman would always introduce himself like this, to the dismay and annoyance of Rick. His appearances usually ending with HarmlessElectrocution after fiddling with the microphone wires against Rick's wishes.
to:
* FullNameBasis: ''Weekly Top 40'''s scatterbrained elderly engineer Willard Weisman would always introduce himself like this, [[TheFriendNobodyLikes to the dismay and annoyance of Rick. Rick and everyone else]]. His appearances usually ending end with HarmlessElectrocution after fiddling with the microphone wires against Rick's wishes.
Changed line(s) 26 (click to see context) from:
* {{Jingle}}: Just like ''American Top 40'', ''Weekly Top 40'' would have some these in the form of commercial bumpers and music beds[[note]]which, just like the [=AT40=] package from 1984, were initially produced by JAM Creative Productions with some handled by Dees and crew themselves[[/note]] that Dees and his cast of idiots would talk over. Some cuts in the later 80s to early 90s would also ape some popular singers like Music/MichaelJackson (who was also a recurring character on the show).
to:
* {{Jingle}}: Just like ''American Top 40'', ''Weekly Top 40'' would have some these in the form of commercial bumpers and music beds[[note]]which, just like the [=AT40=] package from 1984, were initially produced by JAM Creative Productions with some handled by Dees and crew themselves[[/note]] that Dees and his cast of idiots would talk over. Some cuts in the later 80s to early 90s would also ape some popular singers like Music/MichaelJackson (who ([[NoCelebritiesWereHarmed who was also a recurring character on the show).show]]).
Changed line(s) 28 (click to see context) from:
* OpeningNarration: Quoted above. From the show's debut until sometime in the very early-'90s, ''Weekly Top 40'' began with a {{Parody}}/{{Pastiche}} in which Music/JohnWilliams' score from ''Film/SupermanTheMovie'' underscored a riff on the old serials' opening narration.
to:
* OpeningNarration: Quoted above. From the show's debut until sometime in the very early-'90s, ''Weekly Top 40'' and his morning show on KISS-FM began with a {{Parody}}/{{Pastiche}} in which Music/JohnWilliams' score from ''Film/SupermanTheMovie'' underscored a riff on the old serials' opening narration.
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None
Changed line(s) 35 (click to see context) from:
* VerbalTic: In "Rick Dees Top 40" with the show's boss, a senior-sounding male character only says one word: "Yes." This was convenient when Music/{{Yes}} had a hit on the chart.
to:
* VerbalTic: In "Rick Dees The "Dees Sleaze" segment of the ''Weekly Top 40" with the show's boss, 40'' made much use of a soundclip of a senior-sounding male character only says one word: character, ostensibly the show's "boss", saying "Yes." This was clip ended up being convenient when whenever Music/{{Yes}} had a hit on the chart.
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None
Changed line(s) 2 (click to see context) from:
to:
[[caption-width-right:250:"Try your luck. Don't be a cluck!"]]
Changed line(s) 11,12 (click to see context) from:
--> Original OpeningNarration to ''Rick Dees Weekly Top 40'', set to Music/JohnWilliams' [[Film/SupermanTheMovie Superman]] theme
to:
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None
Changed line(s) 3,4 (click to see context) from:
-> ''"Try your luck. Don't be a cluck!"''
to:
-> ''"Try your luck. Don't be ''And now here he is.\\
Strong enough to bend records with his bare hands.\\
Able to tell tall tales in acluck!"''
single breath.\\
It's Super Dees!\\
Yes, Super Dees, Strange Visitor from another neighborhood,\\
with powers and abilities far below those of mortal male and female people,\\
and who, disguised as Rick Dees, mild-mannered disc jockey,\\
fights a never-ending battle for truth, justice, and the pursuit of loose women!''
--> Original OpeningNarration to ''Rick Dees Weekly Top 40'', set to Music/JohnWilliams' [[Film/SupermanTheMovie Superman]] theme
Strong enough to bend records with his bare hands.\\
Able to tell tall tales in a
It's Super Dees!\\
Yes, Super Dees, Strange Visitor from another neighborhood,\\
with powers and abilities far below those of mortal male and female people,\\
and who, disguised as Rick Dees, mild-mannered disc jockey,\\
fights a never-ending battle for truth, justice, and the pursuit of loose women!''
--> Original OpeningNarration to ''Rick Dees Weekly Top 40'', set to Music/JohnWilliams' [[Film/SupermanTheMovie Superman]] theme
Changed line(s) 19,27 (click to see context) from:
* OpeningNarration: From the show's debut until sometime in the very early-'90s, ''Weekly Top 40'' began with a {{Parody}}/{{Pastiche}} in which Music/JohnWilliams' score from ''Film/SupermanTheMovie'' underscored this riff on the old serials:
--> And now here he is.\\
Strong enough to bend records with his bare hands.\\
Able to tell tall tales in a single breath.\\
It's Super Dees!\\
Yes, Super Dees, Strange Visitor from another neighborhood,\\
with powers and abilities far below those of mortal male and female people,\\
and who, disguised as Rick Dees, mild-mannered disc jockey,\\
fights a never-ending battle for truth, justice, and the pursuit of loose women!
--> And now here he is.\\
Strong enough to bend records with his bare hands.\\
Able to tell tall tales in a single breath.\\
It's Super Dees!\\
Yes, Super Dees, Strange Visitor from another neighborhood,\\
with powers and abilities far below those of mortal male and female people,\\
and who, disguised as Rick Dees, mild-mannered disc jockey,\\
fights a never-ending battle for truth, justice, and the pursuit of loose women!
to:
* OpeningNarration: Quoted above. From the show's debut until sometime in the very early-'90s, ''Weekly Top 40'' began with a {{Parody}}/{{Pastiche}} in which Music/JohnWilliams' score from ''Film/SupermanTheMovie'' underscored this a riff on the old serials:
--> And now here he is.\\
Strong enough to bend records with his bare hands.\\
Able to tell tall tales in a single breath.\\
It's Super Dees!\\
Yes, Super Dees, Strange Visitor from another neighborhood,\\
with powers and abilities far below those of mortal male and female people,\\
and who, disguised as Rick Dees, mild-mannered disc jockey,\\
fights a never-ending battle for truth, justice, and the pursuit of loose women!serials' opening narration.
--> And now here he is.\\
Strong enough to bend records with his bare hands.\\
Able to tell tall tales in a single breath.\\
It's Super Dees!\\
Yes, Super Dees, Strange Visitor from another neighborhood,\\
with powers and abilities far below those of mortal male and female people,\\
and who, disguised as Rick Dees, mild-mannered disc jockey,\\
fights a never-ending battle for truth, justice, and the pursuit of loose women!
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None
Changed line(s) 19 (click to see context) from:
* OpeningNarration: A {{Parody}}/{{Pastiche}} in which Music/JohnWilliams' score from ''Film/SupermanTheMovie'' underscored this riff on the old serials:
to:
* OpeningNarration: A From the show's debut until sometime in the very early-'90s, ''Weekly Top 40'' began with a {{Parody}}/{{Pastiche}} in which Music/JohnWilliams' score from ''Film/SupermanTheMovie'' underscored this riff on the old serials:
Changed line(s) 24 (click to see context) from:
Yes, Super Dees, Strange Visitor from another neighborhood, and who, disguised as Rick Dees, mild-mannered disc jockey, fights a never-ending battle for truth, justice, and the pursuit of loose women.
to:
Yes, Super Dees, Strange Visitor from another neighborhood, neighborhood,\\
with powers and abilities far below those of mortal male and female people,\\
and who, disguised as Rick Dees, mild-mannered discjockey, jockey,\\
fights a never-ending battle for truth, justice, and the pursuit of loosewomen.women!
with powers and abilities far below those of mortal male and female people,\\
and who, disguised as Rick Dees, mild-mannered disc
fights a never-ending battle for truth, justice, and the pursuit of loose
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None
Changed line(s) 13 (click to see context) from:
* DenserAndWackier: Than the more staid ''American Top 40'', which helped it to stand out during its competing years with the Casey Kasem and Shadoe Stevens eras of that program. Akin to his morning show, each episode would feature skits, vocal impressions, and deadpan remarks from Dees and his "Cast of Idiots". The humor aspect (as well as the Cast) would gradually be dropped throughout UsefulNotes/TheNewTens and [[UsefulNotes/TheNewTwenties '20s]] (partially to better match the dueling Ryan Seacrest era of ''[=AT40=]'').
to:
* DenserAndWackier: Than the more staid ''American Top 40'', which helped it to stand out during its competing years with the Casey Kasem and Shadoe Stevens eras of that program. Akin to his morning show, each episode would feature skits, vocal impressions, and deadpan remarks from Dees and his "Cast of Idiots". The humor aspect (as well as the Cast) would gradually be dropped throughout UsefulNotes/TheNewTens and [[UsefulNotes/TheNewTwenties [[TheNewTwenties '20s]] (partially to better match the dueling Ryan Seacrest era of ''[=AT40=]'').
Is there an issue? Send a MessageReason:
None
* DenserAndWackier: Than the more staid ''American Top 40'', which helped it to stand out during its competing years with the Casey Kasem and Shadoe Stevens eras of that program. Akin to his morning show, each episode would feature skits, vocal impressions, and deadpan remarks from Dees and his "Cast of Idiots". The humor aspect (as well as the Cast) would gradually be dropped throughout UsefulNotes/TheNewTens and [[UsefulNotes/TheNewTwenties '20s]] (partially to better match the dueling Ryan Seacrest era of ''[=AT40=]'').
Changed line(s) 19,21 (click to see context) from:
--> Capable of bending records with his bare hands.
--> Able to tell tall tales in a single breath.
--> It's Super Dees! Yes, Super Dees, Strange Visitor from another neighborhood, and who, disguised as Rick Dees, mild-mannered disc jockey, fights a never-ending battle for truth, justice, and the pursuit of loose women.
--> Able to tell tall tales in a single breath.
--> It's Super Dees! Yes, Super Dees, Strange Visitor from another neighborhood, and who, disguised as Rick Dees, mild-mannered disc jockey, fights a never-ending battle for truth, justice, and the pursuit of loose women.
to:
--> Capable of bending And now here he is.\\
Strong enough to bend records with his barehands.
-->hands.\\
Able to tell tall tales in a singlebreath.
-->breath.\\
It's SuperDees! Dees!\\
Yes, Super Dees, Strange Visitor from another neighborhood, and who, disguised as Rick Dees, mild-mannered disc jockey, fights a never-ending battle for truth, justice, and the pursuit of loose women.
Strong enough to bend records with his bare
-->
Able to tell tall tales in a single
-->
It's Super
Yes, Super Dees, Strange Visitor from another neighborhood, and who, disguised as Rick Dees, mild-mannered disc jockey, fights a never-ending battle for truth, justice, and the pursuit of loose women.
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None
Changed line(s) 24 (click to see context) from:
* {{Satire}}: "Disco Duck" was this for the {{Disco}} genre. It also served to make him a OneHitWonder as far as his music career was concerned with his second attempt with "Discorilla" didn't hit high on the charts.
to:
* {{Satire}}: "Disco Duck" was this for the {{Disco}} genre. It also served to make him a OneHitWonder as far as his music career was concerned with his second attempt with "Discorilla" didn't hit not hitting high on the charts.charts and latter attempts in the 80s barely even charting at all.
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None
Added DiffLines:
-> ''"Try your luck. Don't be a cluck!"''
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None
Changed line(s) 13 (click to see context) from:
* GutturalGrowler: He switched to this voice to say the title of his gossip segment "Dees Sleaze."
to:
* GutturalGrowler: He switched to this voice to say the title of his gossip segment "Dees Sleaze."" His voice otherwise fits more in line with BadassBaritone.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* AudienceParticipation: Contests were a regular part of ''Weekly Top 40'', and generally involved Rick playing a small snippet of a song, movie or a celebrity interview and asking for the name or title.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* FullNameBasis: ''Weekly Top 40'''s scatterbrained elderly engineer Willard Weisman would always introduce himself like this, to the dismay and annoyance of Rick. His appearances usually ending with HarmlessElectrocution after fiddling with the microphone wires against Rick's wishes.
Is there an issue? Send a MessageReason:
None
Changed line(s) 22 (click to see context) from:
* SoundEffectBleep: Using the sound "cuckoo." He also got around with announcing George Michael's "I want Your Sex" by using a video game sound effect where "Sex" would be said.
to:
* SoundEffectBleep: Using the sound "cuckoo." He also got around with announcing George Michael's "I want Your Sex" by using a video game VideoGame/PacMan sound effect where "Sex" would be said.
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None
Changed line(s) 9,10 (click to see context) from:
* {{Cloudcuckoolander}}: A good chunk of the regular ''Weekly Top 40'' characters with Dees having to be the [[OnlySaneMan straight man]] among them, hence the "Cast of Idiots" moniker.
* GratuitousJapanese: One clip that popped up on occasion during the early years of the ''Weekly Top 40'' was that of a Japanese woman angrily ranting. Rick somehow was able to understand this.
* GratuitousJapanese: One clip that popped up on occasion during the early years of the ''Weekly Top 40'' was that of a Japanese woman angrily ranting. Rick somehow was able to understand this.
to:
* {{Cloudcuckoolander}}: A good chunk of the regular ''Weekly Top 40'' characters with Dees Dees, himself a self-admitted moron, having to be the [[OnlySaneMan straight man]] among them, hence the "Cast of Idiots" moniker.
* GratuitousJapanese: One clip that popped up on occasion during the early years of the ''Weekly Top 40'' was that of a Japanese woman angrily ranting. Rick somehow was able to understandthis.this a few times.
* GratuitousJapanese: One clip that popped up on occasion during the early years of the ''Weekly Top 40'' was that of a Japanese woman angrily ranting. Rick somehow was able to understand
Changed line(s) 20 (click to see context) from:
* {{Satire}}: "Disco Duck" was this for the {{Disco}} genre. It also served to make him a OneHitWonder as far as his music career was concerned.
to:
* {{Satire}}: "Disco Duck" was this for the {{Disco}} genre. It also served to make him a OneHitWonder as far as his music career was concerned.concerned with his second attempt with "Discorilla" didn't hit high on the charts.
Changed line(s) 22 (click to see context) from:
* SoundEffectBleep: Using the sound "cuckoo."
to:
* SoundEffectBleep: Using the sound "cuckoo."" He also got around with announcing George Michael's "I want Your Sex" by using a video game sound effect where "Sex" would be said.
* SpecialGuest: At least OnceAnEpisode, with the guest either talking about a hit they had on the countdown or coming in to announce the number 1 song at the end of the show that week.
* SpecialGuest: At least OnceAnEpisode, with the guest either talking about a hit they had on the countdown or coming in to announce the number 1 song at the end of the show that week.
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None
Changed line(s) 9 (click to see context) from:
* {{Cloudcuckoolander}}: A good chunk of the regular ''Weekly Top 40'' characters with Dees having to be the [[OneSaneMan straight man]] among them, hence the "Cast of Idiots" moniker.
to:
* {{Cloudcuckoolander}}: A good chunk of the regular ''Weekly Top 40'' characters with Dees having to be the [[OneSaneMan [[OnlySaneMan straight man]] among them, hence the "Cast of Idiots" moniker.
Is there an issue? Send a MessageReason:
None
* {{Cloudcuckoolander}}: A good chunk of the regular ''Weekly Top 40'' characters with Dees having to be the [[OneSaneMan straight man]] among them, hence the "Cast of Idiots" moniker.
* GratuitousJapanese: One clip that popped up on occasion during the early years of the ''Weekly Top 40'' was that of a Japanese woman angrily ranting. Rick somehow was able to understand this.
* GratuitousJapanese: One clip that popped up on occasion during the early years of the ''Weekly Top 40'' was that of a Japanese woman angrily ranting. Rick somehow was able to understand this.
Changed line(s) 10 (click to see context) from:
* {{Jingle}}: Just like ''American Top 40'', ''Weekly Top 40'' would have some these in the form of commercial bumpers and music beds[[note]]which, just like the [=AT40=] package from 1984, were initially produced by JAM Creative Productions with some handled by Dees and crew themselves[[/note]] that Dees and his cast of idiots would talk over. Some cuts in the 90s would also ape some popular singers like Music/MichaelJackson.
to:
* {{Jingle}}: Just like ''American Top 40'', ''Weekly Top 40'' would have some these in the form of commercial bumpers and music beds[[note]]which, just like the [=AT40=] package from 1984, were initially produced by JAM Creative Productions with some handled by Dees and crew themselves[[/note]] that Dees and his cast of idiots would talk over. Some cuts in the later 80s to early 90s would also ape some popular singers like Music/MichaelJackson. Music/MichaelJackson (who was also a recurring character on the show).
Changed line(s) 17 (click to see context) from:
* PunnyName: Recurring characters in TheEighties includes "radio aerobics" instructor Jane Fondle (Creator/JaneFonda) and regular caller John [[ExactlyWhatItSaysOnTheTin Revolting]] (Creator/JohnTravolta).
to:
* PunnyName: Recurring characters in TheEighties TheEighties, most of them falling into NoCelebritiesWereHarmed territory, includes "radio aerobics" instructor Jane Fondle (Creator/JaneFonda) and regular caller John [[ExactlyWhatItSaysOnTheTin Revolting]] (Creator/JohnTravolta).
Changed line(s) 21 (click to see context) from:
* VerbalTic: In "Rick Dees Top 40," senior-sounding male character only says one word: "Yes." This was convenient when Music/{{Yes}} had a hit on the chart.
to:
* VerbalTic: In "Rick Dees Top 40," 40" with the show's boss, a senior-sounding male character only says one word: "Yes." This was convenient when Music/{{Yes}} had a hit on the chart.
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None
* ManOfAThousandVoices: ''Weekly Top 40'' exploits this between both him and Julie with the amount of characters and impressions they pull off.
Changed line(s) 17 (click to see context) from:
* {{Satire}}: "Disco Duck" was this for the {{Disco}} genre.
to:
* {{Satire}}: "Disco Duck" was this for the {{Disco}} genre. It also served to make him a OneHitWonder as far as his music career was concerned.
Is there an issue? Send a MessageReason:
None
Changed line(s) 10 (click to see context) from:
* {{Jingle}}: Just like ''American Top 40'', ''Weekly Top 40'' would have some these in the form of commercial bumpers and music beds[[note]]which, just like the [=AT40=] package from 1984, were initially produced by JAM Creative Productions with some handled by Dees and crew themselves[[/note]] that Dees would talk over. Some cuts in the 90s would also ape some popular singers like Music/MichaelJackson.
to:
* {{Jingle}}: Just like ''American Top 40'', ''Weekly Top 40'' would have some these in the form of commercial bumpers and music beds[[note]]which, just like the [=AT40=] package from 1984, were initially produced by JAM Creative Productions with some handled by Dees and crew themselves[[/note]] that Dees and his cast of idiots would talk over. Some cuts in the 90s would also ape some popular singers like Music/MichaelJackson.
Is there an issue? Send a MessageReason:
None
Changed line(s) 10 (click to see context) from:
* {{Jingle}}: Just like ''American Top 40'', ''Weekly Top 40'' would have some these in the form of commercial bumpers and music beds[[note]]which, just like the [=AT40=] package from 1984, were initially produced by JAM Creative Productions with some handled by Dees and crew themselves[[/note]] that Dees would talk over. Some cuts in the 90s would also pae some popular singers like Music/MichaelJackson.
to:
* {{Jingle}}: Just like ''American Top 40'', ''Weekly Top 40'' would have some these in the form of commercial bumpers and music beds[[note]]which, just like the [=AT40=] package from 1984, were initially produced by JAM Creative Productions with some handled by Dees and crew themselves[[/note]] that Dees would talk over. Some cuts in the 90s would also pae ape some popular singers like Music/MichaelJackson.
Is there an issue? Send a MessageReason:
None
Changed line(s) 10 (click to see context) from:
* {{Jingle}}: Just like ''American Top 40'', ''Weekly Top 40'' would have some these in the form of commercial bumpers and music beds[[note]]which, just like the [[AT40=] package from 1984, were initially produced by JAM Creative Productions with some handled by Dees and crew themselves[[/note=]] that Dees would talk over. Some cuts in the 90s would also pae some popular singers like Creator/MichaelJackson.
to:
* {{Jingle}}: Just like ''American Top 40'', ''Weekly Top 40'' would have some these in the form of commercial bumpers and music beds[[note]]which, just like the [[AT40=] [=AT40=] package from 1984, were initially produced by JAM Creative Productions with some handled by Dees and crew themselves[[/note=]] themselves[[/note]] that Dees would talk over. Some cuts in the 90s would also pae some popular singers like Creator/MichaelJackson.Music/MichaelJackson.
Is there an issue? Send a MessageReason:
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* {{Jingle}}: Just like ''American Top 40'', ''Weekly Top 40'' would have some these in the form of commercial bumpers and music beds[[note]]which, just like the [[AT40=] package from 1984, were initially produced by JAM Creative Productions with some handled by Dees and crew themselves[[/note=]] that Dees would talk over. Some cuts in the 90s would also pae some popular singers like Creator/MichaelJackson.