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some stuff
Changed line(s) 15 (click to see context) from:
* ''Rifts'' (2009)
to:
* ''Rifts'' (2009)(2009; reissue of first three albums with selections from previously released [=EPs=])
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* ''Good Time'' (2017)
to:
* ''Good Time'' (2017)(2017; soundtrack)
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* ArcNumber: Several phone numbers with the area code 617 (which used to be his) show up in ''Garden Of Delete''.
to:
* ArcNumber: Several phone numbers with the area code 617 (which used to be his) show up in ''Garden Of Delete''.\
* BlackComedy: OPN's is some of the bleakest out there.
** The idea for "Toys 2" came when Lopatin learned that Robin Williams' will explicitly states that he is not to be resurrected via CGI or hologram; thus, this song is about Williams literally and figuratively being revived by CGI against his will to star in a sequel to his 1992 film ''Toys''.
** "Love in the Time of Lexapro" is a cheeky title for a song shining attention on the fact that [=SSRIs=], a form of antidepressant, are responsible for declining sex lives.
* BlackComedy: OPN's is some of the bleakest out there.
** The idea for "Toys 2" came when Lopatin learned that Robin Williams' will explicitly states that he is not to be resurrected via CGI or hologram; thus, this song is about Williams literally and figuratively being revived by CGI against his will to star in a sequel to his 1992 film ''Toys''.
** "Love in the Time of Lexapro" is a cheeky title for a song shining attention on the fact that [=SSRIs=], a form of antidepressant, are responsible for declining sex lives.
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** ''Garden of Delete'' is about the angst of being a HormoneAddledTeenager, with TeensAreMonsters and BodyHorror bits in it.
** ''Age Of'' is about an inverted AscendToAHigherPlaneOfExistence event in the future, with AIs left on Earth who want to be like [[HumansAreMorons dumb humans]].
* DarkerAndEdgier: ''Garden of Delete'', which is far less ambient/drone-based than Lopatin's previous works, instead incorporating a more abrasive sound influenced by grunge and metal, and with a sound drawing from glitch and industrial music (albeit still melodic).
** ''Age Of'' is about an inverted AscendToAHigherPlaneOfExistence event in the future, with AIs left on Earth who want to be like [[HumansAreMorons dumb humans]].
* DarkerAndEdgier: ''Garden of Delete'', which is far less ambient/drone-based than Lopatin's previous works, instead incorporating a more abrasive sound influenced by grunge and metal, and with a sound drawing from glitch and industrial music (albeit still melodic).
to:
** ''Garden of Delete'' is about (and designed to sound like) the angst of being a HormoneAddledTeenager, with TeensAreMonsters and BodyHorror bits in it.
** ''Age Of'' is about an inverted AscendToAHigherPlaneOfExistence event in the future, with AIs left on Earth who want to be like [[HumansAreMorons dumbhumans]].
humans]]. The accompanying live show, ''MYRIAD'', follows a character named Puppet and his rat friends as they are led through an entire cycle of ages by one such AI.
* DarkerAndEdgier: ''Garden of Delete'', whichis far less ambient/drone-based than Lopatin's previous works, instead incorporating a more eschews the ambient/New Age-inspired sound for an abrasive sound influenced tone inspired by grunge and grunge, metal, and with a sound drawing from glitch and industrial music (albeit still melodic).music.
** ''Age Of'' is about an inverted AscendToAHigherPlaneOfExistence event in the future, with AIs left on Earth who want to be like [[HumansAreMorons dumb
* DarkerAndEdgier: ''Garden of Delete'', which
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* FutureImperfect: His take for ''Eccojams'' is that a civilization from 10,000 years into the future would try to recreate Top 40 hits of today and some decades before, but get it all wrong.
to:
* FutureImperfect: FutureImperfect:
** His take for ''Eccojams'' is that a civilization from 10,000 years into the future would try to recreate Top 40 hits of today and some decades before, but get it allwrong.wrong.
** ''Age Of'' also looks at a future civilization: this time, it's the AIs still alive after humanity is long dead, alternatively trying to recreate the past to become humans themselves and praying for death.
** His take for ''Eccojams'' is that a civilization from 10,000 years into the future would try to recreate Top 40 hits of today and some decades before, but get it all
** ''Age Of'' also looks at a future civilization: this time, it's the AIs still alive after humanity is long dead, alternatively trying to recreate the past to become humans themselves and praying for death.
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* IdiosyncraticEpisodeNaming: Has albums that start with the letter "R"; ''Russian Mind'', ''Rifts'', ''Returnal'', ''Replica'', ''R Plus Seven.'' Lampshaded during his Website/{{Reddit}} AMA. This tradition was eventually broken by ''Garden of Delete''.
to:
* IdiosyncraticEpisodeNaming: Has Four albums that (and one compilation) start with the letter "R"; ''Russian Mind'', ''Rifts'', ''Returnal'', ''Replica'', ''R Plus Seven.'' Lampshaded during his Website/{{Reddit}} AMA. This tradition was eventually broken by ''Garden of Delete''.
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* MindScrew: The promotional campaign for ''Garden of Delete'', which consisted of an elaborate AlternateRealityGame featuring a fictional 'hypergrunge' band and a teenage alien suffering from 'perpetual puberty' as an influence over the album. Yeah.
to:
* MindScrew: MindScrew:
** The promotional campaign for ''Garden of Delete'', which consisted of an elaborate AlternateRealityGame featuring a fictional 'hypergrunge' band and a teenage alien suffering from 'perpetual puberty' as an influence over the album. Yeah.
** The promotional campaign for ''Garden of Delete'', which consisted of an elaborate AlternateRealityGame featuring a fictional 'hypergrunge' band and a teenage alien suffering from 'perpetual puberty' as an influence over the album. Yeah.
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** ''Age Of'' combined numerous discrete influences from several separate eras, along with extensive guest appearances from numerous musicians Lopatin shared a background with.
to:
** ''Age Of'' combined numerous discrete influences from several separate eras, eras (including Lopatin's entire back catalogue), along with extensive guest appearances from numerous musicians Lopatin shared a background with.
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** A variant of the OPN logo uses the same typeface as the Music/{{Korn}} logo.
** The cover of "[[http://f1.bcbits.com/img/a0321128520_10.jpg Drawn and Quartered]]" is a copy of the cover to an album named "[[http://2.bp.blogspot.com/-F2YWIYLjLYQ/UcjpxEgrIsI/AAAAAAAAAmM/S7yDlMFzJx8/s1600/BRI+01.jpeg Terrestrial Journey]]"
** The cover of "[[http://f1.bcbits.com/img/a0321128520_10.jpg Drawn and Quartered]]" is a copy of the cover to an album named "[[http://2.bp.blogspot.com/-F2YWIYLjLYQ/UcjpxEgrIsI/AAAAAAAAAmM/S7yDlMFzJx8/s1600/BRI+01.jpeg Terrestrial Journey]]"
to:
** A For the "oceangrunge" album ''Garden of Delete'', Lopatin issued a variant of the OPN logo uses the same typeface as the Music/{{Korn}} logo.
logo, sans the K and with the R flipped and turned into a P, so that [[https://static.stereogum.com/uploads/2014/07/opn-korn.jpg it spelled OPN instead]].
** The cover of "[[http://f1.bcbits.com/img/a0321128520_10.jpg Drawn and Quartered]]" is a copy of the cover to an album named "[[http://2.bp.blogspot.com/-F2YWIYLjLYQ/UcjpxEgrIsI/AAAAAAAAAmM/S7yDlMFzJx8/s1600/BRI+01.jpeg TerrestrialJourney]]"Journey]]".
** The cover of "[[http://f1.bcbits.com/img/a0321128520_10.jpg Drawn and Quartered]]" is a copy of the cover to an album named "[[http://2.bp.blogspot.com/-F2YWIYLjLYQ/UcjpxEgrIsI/AAAAAAAAAmM/S7yDlMFzJx8/s1600/BRI+01.jpeg Terrestrial
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** "Toys 2" off ''Age Of'', scores an imagined sequel to ''Film/{{Toys}}''
*** The music video for "Black Snow" alludes to, among other things, a performance piece done at the Fukushima Daiichi plant site following the disaster. The lyrics themselves are adapted from a Cybernetic Culture Research Unit essay.
*** "The Station" appears to share a setting with ''Literature/WhoGoesThere'' by way of John Carpenter's ''Film/{{The Thing|1982}}.''
*** The music video for "Black Snow" alludes to, among other things, a performance piece done at the Fukushima Daiichi plant site following the disaster. The lyrics themselves are adapted from a Cybernetic Culture Research Unit essay.
*** "The Station" appears to share a setting with ''Literature/WhoGoesThere'' by way of John Carpenter's ''Film/{{The Thing|1982}}.''
to:
** "Toys 2" off ''Age Of'', scores an imagined sequel to ''Film/{{Toys}}''
***''Film/{{Toys}}''.
** The music video for "Black Snow" alludes to, among other things, a performance piece done at the Fukushima Daiichi plant site following the disaster. The lyrics themselves are adapted from a Cybernetic Culture Research Unit essay.
*** ** "The Station" appears to share a setting with ''Literature/WhoGoesThere'' by way of John Carpenter's ''Film/{{The Thing|1982}}.''
***
** The music video for "Black Snow" alludes to, among other things, a performance piece done at the Fukushima Daiichi plant site following the disaster. The lyrics themselves are adapted from a Cybernetic Culture Research Unit essay.
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* {{Vaporwave}}: If not the {{Trope Maker|s}}, certainly the TropeCodifier.
to:
* {{Vaporwave}}: If not the {{Trope Maker|s}}, Maker}}, certainly the TropeCodifier.
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why can't I tag?????
Changed line(s) 67 (click to see context) from:
* SyntheticVoiceActor: [[Music/Chipspeech Dee Klatt]] is the primary vocalist on ''Garden of Delete'', joined by Dandy 704 on "Animals".
to:
* SyntheticVoiceActor: [[Music/Chipspeech Dee Klatt]] Klatt of Chipspeech is the primary vocalist on ''Garden of Delete'', joined by Dandy 704 on "Animals".
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I know these voices when I hear em
Added DiffLines:
* SyntheticVoiceActor: [[Music/Chipspeech Dee Klatt]] is the primary vocalist on ''Garden of Delete'', joined by Dandy 704 on "Animals".
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This is how it is officially stylized
Changed line(s) 23 (click to see context) from:
* ''Age of'' (2018)
to:
* ''Age of'' Of'' (2018)
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** ''Age of'' is about an inverted AscendToAHigherPlaneOfExistence event in the future, with AIs left on Earth who want to be like [[HumansAreMorons dumb humans]].
to:
** ''Age of'' Of'' is about an inverted AscendToAHigherPlaneOfExistence event in the future, with AIs left on Earth who want to be like [[HumansAreMorons dumb humans]].
Changed line(s) 38 (click to see context) from:
* IdiosyncraticEpisodeNaming: Has albums that start with the letter "R"; ''Russian Mind'', ''Rifts'', ''Returnal'', ''Replica'', ''R Plus Seven.'' Lampshaded during his Website/{{Reddit}} AMA. This tradition was recently broken by ''Garden of Delete''.
to:
* IdiosyncraticEpisodeNaming: Has albums that start with the letter "R"; ''Russian Mind'', ''Rifts'', ''Returnal'', ''Replica'', ''R Plus Seven.'' Lampshaded during his Website/{{Reddit}} AMA. This tradition was recently eventually broken by ''Garden of Delete''.
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None
Changed line(s) 66 (click to see context) from:
*** "The Station" appears to share a setting with ''Film/{{The Thing|1982}}.''
to:
*** "The Station" appears to share a setting with ''Literature/WhoGoesThere'' by way of John Carpenter's ''Film/{{The Thing|1982}}.''
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None
Changed line(s) 66 (click to see context) from:
*** "The Station" appears to share a setting with ''[[Film/TheThing|1982]].''
to:
*** "The Station" appears to share a setting with ''[[Film/TheThing|1982]].''Film/{{The Thing|1982}}.''
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Added DiffLines:
** "Toys 2" off ''Age Of'', scores an imagined sequel to ''Film/{{Toys}}''
*** The music video for "Black Snow" alludes to, among other things, a performance piece done at the Fukushima Daiichi plant site following the disaster. The lyrics themselves are adapted from a Cybernetic Culture Research Unit essay.
*** "The Station" appears to share a setting with ''[[Film/TheThing|1982]].''
*** The music video for "Black Snow" alludes to, among other things, a performance piece done at the Fukushima Daiichi plant site following the disaster. The lyrics themselves are adapted from a Cybernetic Culture Research Unit essay.
*** "The Station" appears to share a setting with ''[[Film/TheThing|1982]].''
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Added DiffLines:
** ''Age Of'' combined numerous discrete influences from several separate eras, along with extensive guest appearances from numerous musicians Lopatin shared a background with.
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None
* ''Age of'' (2018)
* ConceptAlbum:
** ''Garden of Delete'' is about the angst of being a HormoneAddledTeenager, with TeensAreMonsters and BodyHorror bits in it.
** ''Age of'' is about an inverted AscendToAHigherPlaneOfExistence event in the future, with AIs left on Earth who want to be like [[HumansAreMorons dumb humans]].
** ''Garden of Delete'' is about the angst of being a HormoneAddledTeenager, with TeensAreMonsters and BodyHorror bits in it.
** ''Age of'' is about an inverted AscendToAHigherPlaneOfExistence event in the future, with AIs left on Earth who want to be like [[HumansAreMorons dumb humans]].
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* NiceHat: Sometimes seen with a Boston Celtics hat.
to:
* NiceHat: Sometimes seen with a Boston Celtics hat.hat, other times with a [[Creator/RogerCorman New World Pictures]] one.
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* PopStarComposer: Did the soundtracks to ''Film/TheBlingRing'' and ''Film/{{Partisan}}''.
to:
* PopStarComposer: Did the soundtracks to ''Film/TheBlingRing'' ''Film/TheBlingRing'', ''Film/{{Partisan}}'' and ''Film/{{Partisan}}''.''Film/GoodTime''.
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* SelfBackingVocalist / VoiceOfTheLegion: At several points in ''Garden of Delete'', most prominently "Animals" and "Sticky Drama."
to:
* SelfBackingVocalist / VoiceOfTheLegion: At several points in ''Garden of Delete'', most prominently "Animals" and "Sticky Drama."" Invoked on ''Age of''.
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** A logo for OPN uses the same typeface as the Music/{{Korn}} logo.
to:
** A variant of the OPN logo for OPN uses the same typeface as the Music/{{Korn}} logo.
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** His designer T-shirt "[[http://pointnever.bigcartel.com/product/runaway-horse-tee-white Runaway Horse]]" has WesternAnimation/FelixTheCat and the Music/GratefulDead skull as EyelessFaces, as a reference to found artist [[https://en.wikipedia.org/wiki/Mark_Leckey Mark Leckey]].
to:
** His designer T-shirt "[[http://pointnever.bigcartel.com/product/runaway-horse-tee-white Runaway Horse]]" has WesternAnimation/FelixTheCat and the Music/GratefulDead skull as EyelessFaces, as a reference to which also references found artist [[https://en.wikipedia.org/wiki/Mark_Leckey Mark Leckey]].
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** This is referenced in ''Garden of Delete'' with a track called "ECCOJAMC1".
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None
Changed line(s) 3,4 (click to see context) from:
+ Music/EduardArtemyev, Music/AphexTwin, Music/{{Autechre}}, Music/BrianEno, Chick Corea, Music/DrDre, Fennesz, Music/GangStarr, Music/HerbieHancock, Music/{{Kraftwerk}}, Paul Lansky, Legowelt, Music/MyBloodyValentine, Tom Recchion, Return to Forever, Terry Riley, Music/StevieWonder, Music/{{Soundgarden}}, Isao Tomita, Music/{{Vangelis}}, Music/WuTangClan, Music/YellowMagicOrchestra
]
]
to:
+ Music/EduardArtemyev, Music/AphexTwin, Music/{{Autechre}}, Music/BrianEno, Chick Corea, Music/DrDre, Fennesz, Music/GangStarr, Music/HerbieHancock, Music/{{Kraftwerk}}, Paul Lansky, Legowelt, Music/MyBloodyValentine, Tom Recchion, Return to Forever, Terry Riley, Music/StevieWonder, Music/{{Soundgarden}}, Isao Tomita, Music/{{Vangelis}}, Music/WuTangClan, Music/YellowMagicOrchestra
]Music/YellowMagicOrchestra]
]
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His earlier work, composed largely of harmonic and glacial drone compositions, reminiscent of the works of Music/{{Vangelis}} or Music/BoardsOfCanada's more ambient moments, has given way in recent releases to a more obtuse, sample-based style, revolving heavily around microsecond-based vocal edits, ''musique concrete'' techniques and manipulation of pop structures. He replaced Music/DeathGrips as the opening act for the Music/NineInchNails / Music/{{Soundgarden}} summer 2014 tour.
to:
His earlier work, composed largely of harmonic and glacial drone compositions, reminiscent of the works of Music/{{Vangelis}} or Music/BoardsOfCanada's more ambient moments, has given way in recent releases to a more obtuse, sample-based style, revolving heavily around microsecond-based vocal edits, ''musique concrete'' techniques and manipulation of pop structures. He replaced Music/DeathGrips as the opening act for the Music/NineInchNails / Music/{{Soundgarden}} summer 2014 tour.
tour. In 2017, he composed the soundtrack for ''Film/GoodTime''.
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Albums:
to:
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Oneohtrix Point Never is the recording alias of Brooklyn-based experimental musician Daniel Lopatin, also one half of synth-pop duo Ford & Lopatin.
to:
Oneohtrix Point Never is the recording alias of Brooklyn-based experimental musician Daniel Lopatin, Lopatin (born 25 July 1982), also one half of synth-pop duo Ford & Lopatin.
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Changed line(s) 3 (click to see context) from:
+ Music/EduardArtemyev, Music/AphexTwin, Music/{{Autechre}}, Music/BrianEno, Chick Corea, Dr. Dre, Fennesz, Music/GangStarr, Music/HerbieHancock, Music/{{Kraftwerk}}, Paul Lansky, Legowelt, Music/MyBloodyValentine, Tom Recchion, Return to Forever, Terry Riley, Music/StevieWonder, Music/{{Soundgarden}}, Isao Tomita, Music/{{Vangelis}}, Music/WuTangClan, Music/YellowMagicOrchestra
to:
+ Music/EduardArtemyev, Music/AphexTwin, Music/{{Autechre}}, Music/BrianEno, Chick Corea, Dr. Dre, Music/DrDre, Fennesz, Music/GangStarr, Music/HerbieHancock, Music/{{Kraftwerk}}, Paul Lansky, Legowelt, Music/MyBloodyValentine, Tom Recchion, Return to Forever, Terry Riley, Music/StevieWonder, Music/{{Soundgarden}}, Isao Tomita, Music/{{Vangelis}}, Music/WuTangClan, Music/YellowMagicOrchestra
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None
Changed line(s) 58 (click to see context) from:
* {{Title 1}}: ''Eccojams Vol. 1''. There's no volume 2, but he ambiguously said he has "multiple volumes of eccojams in the cryotank set to defrost in the distant future".
to:
* {{Title 1}}: ''Eccojams Vol. 1''. There's no volume 2, but he ambiguously said he has "multiple volumes of eccojams in the cryotank set to defrost in the distant future".[[note]]He later said on Twitter that he has no intention of making a volume 2, telling fans to make their own instead.[[/note]]
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Added DiffLines:
* NewSoundAlbum:
** ''Replica'' is a complete 180 from OPN's early work, with the album entirely composed by 80s commercial samples.
** ''R Plus Seven'' is another 180, but this time sounding like 90s computer music.
** ''Garden of Delete'' is self-described hyper-grunge, influenced by the likes of 90s alternative metal like Music/AliceInChains, and Music/{{Soundgarden}}.
** ''Replica'' is a complete 180 from OPN's early work, with the album entirely composed by 80s commercial samples.
** ''R Plus Seven'' is another 180, but this time sounding like 90s computer music.
** ''Garden of Delete'' is self-described hyper-grunge, influenced by the likes of 90s alternative metal like Music/AliceInChains, and Music/{{Soundgarden}}.
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None
Changed line(s) 7,8 (click to see context) from:
His earlier work, composed largely of glacial drone compositions, reminiscent of the works of Music/{{Vangelis}} or Music/BoardsOfCanada's more ambient moments, has given way in recent releases to a more obtuse, sample-based style, revolving heavily around minute vocal edits and ''musique concrete'' techniques. He replaced Music/DeathGrips as the opening act for the Music/NineInchNails / Music/{{Soundgarden}} summer 2014 tour.
to:
His earlier work, composed largely of harmonic and glacial drone compositions, reminiscent of the works of Music/{{Vangelis}} or Music/BoardsOfCanada's more ambient moments, has given way in recent releases to a more obtuse, sample-based style, revolving heavily around minute microsecond-based vocal edits and edits, ''musique concrete'' techniques.techniques and manipulation of pop structures. He replaced Music/DeathGrips as the opening act for the Music/NineInchNails / Music/{{Soundgarden}} summer 2014 tour.
Changed line(s) 25 (click to see context) from:
* DarkerAndEdgier: ''Garden Of Delete'', which is far less ambient/drone-based than Lopatin's previous work, instead incorporating a more abrasive sound influenced by glitch and industrial music.
to:
* DarkerAndEdgier: ''Garden Of of Delete'', which is far less ambient/drone-based than Lopatin's previous work, works, instead incorporating a more abrasive sound influenced by grunge and metal, and with a sound drawing from glitch and industrial music.music (albeit still melodic).
Changed line(s) 28,29 (click to see context) from:
* FutureImperfect: His take for ''Eccojams'' is that a civilization from 10,000 years would try to recreate today's music, but get it all wrong.
* GratuitousPanning: The introduction of "Format & Journey North" oscillate between left and right channels.
* GratuitousPanning: The introduction of "Format & Journey North" oscillate between left and right channels.
to:
* FutureImperfect: His take for ''Eccojams'' is that a civilization from 10,000 years into the future would try to recreate today's music, Top 40 hits of today and some decades before, but get it all wrong.
* GratuitousPanning: The introduction of "Format & Journey North"oscillate oscillates between left and right channels.
* GratuitousPanning: The introduction of "Format & Journey North"
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* MindScrew: The promo campaign for ''Garden of Delete'', which consisted of an elaborate AlternateRealityGame featuring fictional bands and aliens as an influence over the album.
** ''Garden of Delete'' itself is pretty weird too. A lot of tracks have random interludes,Which range from samples of other songs to acoustic guitars,[[MoodWhiplash drastically change tempo a lot]], and one song is just RepetitiveAudioGlitch taken UpToEleven.
** ''Garden of Delete'' itself is pretty weird too. A lot of tracks have random interludes,Which range from samples of other songs to acoustic guitars,[[MoodWhiplash drastically change tempo a lot]], and one song is just RepetitiveAudioGlitch taken UpToEleven.
to:
* MindScrew: The promo promotional campaign for ''Garden of Delete'', which consisted of an elaborate AlternateRealityGame featuring a fictional bands 'hypergrunge' band and aliens a teenage alien suffering from 'perpetual puberty' as an influence over the album.
album. Yeah.
** ''Garden of Delete'' itself is pretty weird too. A lot of tracks haverandom interludes,Which short pauses, which range from samples of other songs songs, electroacoustic guitars to acoustic guitars,[[MoodWhiplash distorted synths, [[MoodWhiplash drastically change tempo key a lot]], and one song is just RepetitiveAudioGlitch taken UpToEleven.
UpToEleven to an almost djent-like timbre.
** ''Garden of Delete'' itself is pretty weird too. A lot of tracks have
Changed line(s) 44 (click to see context) from:
* PopStarComposer: Did the soundtrack to ''Film/TheBlingRing'' and the upcoming film ''Film/{{Partisan}}''.
to:
* PopStarComposer: Did the soundtrack soundtracks to ''Film/TheBlingRing'' and the upcoming film ''Film/{{Partisan}}''.
Changed line(s) 54,55 (click to see context) from:
** His hit "[[http://pointnever.bigcartel.com/product/runaway-horse-tee-white Runaway Horse]]" has WesternAnimation/FelixTheCat and the Music/GratefulDead skull as EyelessFaces, also a reference to found artist [[https://en.wikipedia.org/wiki/Mark_Leckey Mark Leckey]].
* {{Title 1}}: ''Eccojams Vol. 1''. There's no volume 2, but he says he has "multiple volumes of eccojams in the cryotank set to defrost in the distant future".
* {{Title 1}}: ''Eccojams Vol. 1''. There's no volume 2, but he says he has "multiple volumes of eccojams in the cryotank set to defrost in the distant future".
to:
** His hit designer T-shirt "[[http://pointnever.bigcartel.com/product/runaway-horse-tee-white Runaway Horse]]" has WesternAnimation/FelixTheCat and the Music/GratefulDead skull as EyelessFaces, also as a reference to found artist [[https://en.wikipedia.org/wiki/Mark_Leckey Mark Leckey]].
* {{Title 1}}: ''Eccojams Vol. 1''. There's no volume 2, but hesays ambiguously said he has "multiple volumes of eccojams in the cryotank set to defrost in the distant future".
* {{Title 1}}: ''Eccojams Vol. 1''. There's no volume 2, but he
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Changed line(s) 39,42 (click to see context) from:
** ''Garden of Delete'' itself is pretty weird too. A lot of tracks have random interludes,
Which range from samples of other songs to acoustic guitars,
[[MoodWhiplash drastically change tempo a lot]], and one song is just RepetitiveAudioGlitch taken UpToEleven.
Which range from samples of other songs to acoustic guitars,
[[MoodWhiplash drastically change tempo a lot]], and one song is just RepetitiveAudioGlitch taken UpToEleven.
to:
** ''Garden of Delete'' itself is pretty weird too. A lot of tracks have random interludes,
Whichinterludes,Which range from samples of other songs to acoustic guitars,
[[MoodWhiplashguitars,[[MoodWhiplash drastically change tempo a lot]], and one song is just RepetitiveAudioGlitch taken UpToEleven.
Which
[[MoodWhiplash
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Elaborating on example
Added DiffLines:
** ''Garden of Delete'' itself is pretty weird too. A lot of tracks have random interludes,
Which range from samples of other songs to acoustic guitars,
[[MoodWhiplash drastically change tempo a lot]], and one song is just RepetitiveAudioGlitch taken UpToEleven.
Which range from samples of other songs to acoustic guitars,
[[MoodWhiplash drastically change tempo a lot]], and one song is just RepetitiveAudioGlitch taken UpToEleven.
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None
Changed line(s) 3 (click to see context) from:
+ Music/EduardArtemyev, Music/AphexTwin, Music/{{Autechre}}, Music/BrianEno, Chick Corea, Dr. Dre, Fennesz, Music/GangStarr, Music/HerbieHancock, Music/{{Kraftwerk}}, Paul Lansky, Legowelt, Music/MyBloodyValentine, Tom Recchion, Return to Forever, Terry Riley, Music/StevieWonder, Music/{{Soundgarden}}, Isao Tomita, Vangelis, Music/WuTangClan, Music/YellowMagicOrchestra
to:
+ Music/EduardArtemyev, Music/AphexTwin, Music/{{Autechre}}, Music/BrianEno, Chick Corea, Dr. Dre, Fennesz, Music/GangStarr, Music/HerbieHancock, Music/{{Kraftwerk}}, Paul Lansky, Legowelt, Music/MyBloodyValentine, Tom Recchion, Return to Forever, Terry Riley, Music/StevieWonder, Music/{{Soundgarden}}, Isao Tomita, Vangelis, Music/{{Vangelis}}, Music/WuTangClan, Music/YellowMagicOrchestra
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His earlier work, composed largely of glacial drone compositions, reminiscent of the works of ''Vangelis'' or Music/BoardsOfCanada's more ambient moments, has given way in recent releases to a more obtuse, sample-based style, revolving heavily around minute vocal edits and ''musique concrete'' techniques. He replaced Music/DeathGrips as the opening act for the Music/NineInchNails[=/=]Music/{{Soundgarden}} summer 2014 tour.
to:
His earlier work, composed largely of glacial drone compositions, reminiscent of the works of ''Vangelis'' Music/{{Vangelis}} or Music/BoardsOfCanada's more ambient moments, has given way in recent releases to a more obtuse, sample-based style, revolving heavily around minute vocal edits and ''musique concrete'' techniques. He replaced Music/DeathGrips as the opening act for the Music/NineInchNails[=/=]Music/{{Soundgarden}} Music/NineInchNails / Music/{{Soundgarden}} summer 2014 tour.
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* ''Garden Of Delete'' (2015)
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* ''Garden Of of Delete'' (2015)
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* ArcNumber: Several phone numbers with the area code 617 (which used to be his) show up in ''Garden Of Delete''
* DarkerAndEdgier: ''Garden Of Delete'', which is far less ambient/drone-based than Lopatin's previous work, instead incorporating a more abrasive sound influenced by glitch and industrial music.
* DarkerAndEdgier: ''Garden Of Delete'', which is far less ambient/drone-based than Lopatin's previous work, instead incorporating a more abrasive sound influenced by glitch and industrial music.
to:
* ArcNumber: Several phone numbers with the area code 617 (which used to be his) show up in ''Garden Of Delete''
Delete''.
* DarkerAndEdgier: ''Garden Of Delete'', which is far less ambient/drone-based than Lopatin's previous work, instead incorporating a more abrasive sound influenced by glitch and industrial music.
* DarkerAndEdgier: ''Garden Of Delete'', which is far less ambient/drone-based than Lopatin's previous work, instead incorporating a more abrasive sound influenced by glitch and industrial music.
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* FutureImperfect: His take for eccojams is that a civilization from 10,000 years would try to recreate today's music, but get it all wrong.
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* FutureImperfect: His take for eccojams ''Eccojams'' is that a civilization from 10,000 years would try to recreate today's music, but get it all wrong.
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* IdiosyncraticEpisodeNaming: Has albums that start with the letter "R"; ''Russian Mind'', ''Rifts'', ''Returnal'', ''Replica'', ''R Plus Seven.'' Lampshaded during his {{reddit}} AMA. This tradition was recently broken by ''Garden of Delete''
* JumpScare: End Of Life Entertainment Scenario #1's music video has occasional flashes of decaying bodies taken from VideoGame/{{Manhunter}}
* JumpScare: End Of Life Entertainment Scenario #1's music video has occasional flashes of decaying bodies taken from VideoGame/{{Manhunter}}
to:
* IdiosyncraticEpisodeNaming: Has albums that start with the letter "R"; ''Russian Mind'', ''Rifts'', ''Returnal'', ''Replica'', ''R Plus Seven.'' Lampshaded during his {{reddit}} Website/{{Reddit}} AMA. This tradition was recently broken by ''Garden of Delete''
Delete''.
* JumpScare: End Of Life Entertainment Scenario #1's music video has occasional flashes of decaying bodies taken fromVideoGame/{{Manhunter}}VideoGame/{{Manhunter}}.
* JumpScare: End Of Life Entertainment Scenario #1's music video has occasional flashes of decaying bodies taken from
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* SelfBackingVocalist[=/=]VoiceOfTheLegion: At several points in ''Garden Of Delete'', most prominently "Animals" and "Sticky Drama."
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* SelfBackingVocalist[=/=]VoiceOfTheLegion: SelfBackingVocalist / VoiceOfTheLegion: At several points in ''Garden Of of Delete'', most prominently "Animals" and "Sticky Drama."
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* UpdatedRerelease: His 2 CD compilation album, "Rifts", was rereleased as a 3 CD / 5 LP album, and new tracks listed.
* {{Vaporwave}}: If not the TropeMaker, certainly the TropeCodifier.
* {{Vaporwave}}: If not the TropeMaker, certainly the TropeCodifier.
to:
* UpdatedRerelease: His 2 CD compilation album, "Rifts", was rereleased re-released as a 3 CD / 5 LP album, and new tracks listed.
* {{Vaporwave}}: If not theTropeMaker, {{Trope Maker|s}}, certainly the TropeCodifier.
* {{Vaporwave}}: If not the
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* SelfBackingVocalist[=/=]VoiceOfTheLegion: At several points in ''Garden Of Delete'', most prominently "Animals" and "Sticky Drama."
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* VoiceOfTheLegion: At certain points on "Animals."
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His earlier work, composed largely of glacial drone compositions, reminiscent of the works of Music/{{Vangelis}} or Music/BoardsOfCanada's more ambient moments, has given way in recent releases to a more obtuse, sample-based style, revolving heavily around minute vocal edits and ''musique concrete'' techniques. He replaced Music/DeathGrips as the opening act for the Music/NineInchNails[=/=]Music/{{Soundgarden}} summer 2014 tour.
to:
His earlier work, composed largely of glacial drone compositions, reminiscent of the works of Music/{{Vangelis}} ''Vangelis'' or Music/BoardsOfCanada's more ambient moments, has given way in recent releases to a more obtuse, sample-based style, revolving heavily around minute vocal edits and ''musique concrete'' techniques. He replaced Music/DeathGrips as the opening act for the Music/NineInchNails[=/=]Music/{{Soundgarden}} summer 2014 tour.
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* ArcNumber: Several phone numbers with the area code 617 (which used to be his) show up in ''Garden Of Delete''
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* VoiceOfTheLegion: At certain points on "Animals."
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+ Music/EduardArtemyev, Music/AphexTwin, Music/{{Autechre}}, Music/BrianEno, Chick Corea, Dr. Dre, Fennesz, Music/GangStarr, Music/HerbieHancock, Music/{{Kraftwerk}}, Paul Lansky, Legowelt, Music/MyBloodyValentine, Tom Recchion, Return to Forever, Terry Riley, Music/StevieWonder, Isao Tomita, Vangelis, Music/WuTangClan, Music/YellowMagicOrchestra
to:
+ Music/EduardArtemyev, Music/AphexTwin, Music/{{Autechre}}, Music/BrianEno, Chick Corea, Dr. Dre, Fennesz, Music/GangStarr, Music/HerbieHancock, Music/{{Kraftwerk}}, Paul Lansky, Legowelt, Music/MyBloodyValentine, Tom Recchion, Return to Forever, Terry Riley, Music/StevieWonder, Music/{{Soundgarden}}, Isao Tomita, Vangelis, Music/WuTangClan, Music/YellowMagicOrchestra
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None
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* IdiosyncraticEpisodeNaming: Has albums that start with the letter "R"; ''Russian Mind'', ''Rifts'', ''Returnal'', ''Replica'', ''R Plus Seven.'' Lampshaded during his {{reddit}} AMA.
to:
* IdiosyncraticEpisodeNaming: Has albums that start with the letter "R"; ''Russian Mind'', ''Rifts'', ''Returnal'', ''Replica'', ''R Plus Seven.'' Lampshaded during his {{reddit}} AMA. This tradition was recently broken by ''Garden of Delete''
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None
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* DarkerAndEdgier: ''Garden Of Delete'' is far less ambient/drone-based than Lopatin's previous work, instead incorporating a more abrasive sound influenced by glitch and industrial music.
to:
* DarkerAndEdgier: ''Garden Of Delete'' Delete'', which is far less ambient/drone-based than Lopatin's previous work, instead incorporating a more abrasive sound influenced by glitch and industrial music.
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None
Changed line(s) 24 (click to see context) from:
* DarkerAndEdgier: ''Garden Of Delete'' is far less ambient/drone-based than Lopatin's previous work, instead incorporating a heavier glitch/industrial-influenced sound.
to:
* DarkerAndEdgier: ''Garden Of Delete'' is far less ambient/drone-based than Lopatin's previous work, instead incorporating a heavier glitch/industrial-influenced sound.more abrasive sound influenced by glitch and industrial music.
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None
Changed line(s) 24 (click to see context) from:
* DarkerAndEdgier: ''Garden Of Delete'' is far less ambient than Lopatin's previous work, instead incorporated a heavier glitch/industrial-influenced sound.
to:
* DarkerAndEdgier: ''Garden Of Delete'' is far less ambient ambient/drone-based than Lopatin's previous work, instead incorporated incorporating a heavier glitch/industrial-influenced sound.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* DarkerAndEdgier: ''Garden Of Delete'' is far less ambient than Lopatin's previous work, instead incorporated a heavier glitch/industrial-influenced sound.
Is there an issue? Send a MessageReason:
None
** Many tracks on ''Eccojams'' have echo effects that alternate between the left and right speakers.
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* JumpScare:End Of Life Entertainment Scenario #1's music video has occasional flashes of decaying bodies taken from VideoGame/{{Manhunter}}
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* JumpScare:End JumpScare: End Of Life Entertainment Scenario #1's music video has occasional flashes of decaying bodies taken from VideoGame/{{Manhunter}}
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** His shit "[[http://pointnever.bigcartel.com/product/runaway-horse-tee-white Runaway Horse]]" has WesternAnimation/FelixTheCat and the Music/GratefulDead skull as EyelessFaces, also a reference to found artist [[https://en.wikipedia.org/wiki/Mark_Leckey Mark Leckey]].
to:
** His shit hit "[[http://pointnever.bigcartel.com/product/runaway-horse-tee-white Runaway Horse]]" has WesternAnimation/FelixTheCat and the Music/GratefulDead skull as EyelessFaces, also a reference to found artist [[https://en.wikipedia.org/wiki/Mark_Leckey Mark Leckey]].
