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* FourIsDeath: The earliest version of "Fight Fire with Fire" has a chorus consisting of James shouting the title four times.

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The one, the only. Formed in the early '80s when aspiring Danish tennis player/drummer Lars Ulrich placed an ad in a UsefulNotes/LosAngeles newspaper, which, in one of those moments of synchronicity, was answered by singer/guitarist James Hetfield. With lead guitarist Dave Mustaine and bassist Ron [=McGovney=] (soon to be replaced by virtuoso Cliff Burton), Metallica was one of the pioneering bands of ThrashMetal, and is considered one of the "Big Four" of thrash, along with Music/{{Anthrax}}, Music/{{Slayer}}, and Music/{{Megadeth}} (the last formed after guitarist Mustaine was kicked out of the band and replaced by Kirk Hammett, late of [[Music/ExodusBand Exodus]]).

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The one, the only. only.

Formed in the early '80s when aspiring Danish tennis player/drummer Lars Ulrich placed an ad in a UsefulNotes/LosAngeles newspaper, which, in one of those moments of synchronicity, was answered by singer/guitarist James Hetfield. With lead guitarist Dave Mustaine and bassist Ron [=McGovney=] (soon to be replaced by virtuoso Cliff Burton), Metallica was one of the pioneering bands of ThrashMetal, and is considered one of the "Big Four" of thrash, along with Music/{{Anthrax}}, Music/{{Slayer}}, and Music/{{Megadeth}} (the last formed after guitarist Mustaine was kicked out of the band and replaced by Kirk Hammett, late of [[Music/ExodusBand Exodus]]).
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Badass Mustache and Badass Beard are being merged into Manly Facial Hair. Examples that don't fit or are zero-context are removed. To qualify for Manly Facial Hair, the facial hair must be associated with masculinity in some way. Please read the trope description before readding to make sure the example qualifies.


* BadassBeard / BadassMoustache: Hetfield has gone for this look to one degree or another since the ''Justice'' days. As his hair has thinned out on top, his beards have gradually gotten bigger.
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"unwiling" -> "unwilling"


* ProBonoBarter: Basically how James and Lars got Cliff to quit Trauma (his old band) and come to them. He was unwiling to move to L.A. and made their relocating to San Francisco his only condition for joining.

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* ProBonoBarter: Basically how James and Lars got Cliff to quit Trauma (his old band) and come to them. He was unwiling unwilling to move to L.A. and made their relocating to San Francisco his only condition for joining.
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** Ray Burton, Cliff Burton's father. He appeared in various media related to the band up until his death in January 2020 at the age of 94, and appeared remarkably cheery despite his often depressing life (he outlived his two sons and his wife).

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** Ray Burton, Cliff Burton's father. He appeared in various media related to the band up until his death in January 2020 at the age of 94, and appeared remarkably cheery despite his often depressing life (he ([[OutlivingOnesOffspring he outlived his two sons and his wife).wife]]).
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* GeneralRipper: “Disposable Heroes” is sung from the perspective of one. He urges his troops to die by the thousands and calls them cowards when they try to fall back.

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* TheSandman: "Enter Sandman" is a song about to deal with the concept of a child's nightmares and as the name says, plays with the mythical figure of Sandman. The videoclip goes further with a young boy being chased in nightmares by various dangers and in one scene where he's praying, an old man appears being Sandman himself as TheMan behind the nightmares (ported by R. G. Armstrong).



* TheSandman: "Enter Sandman" is a song about to deal with the concept of a child's nightmares and as the name says, plays with the mythical figure of Sandman. The videoclip goes further with a young boy being chased in nightmares by various dangers and in one scene where he's praying, an old man appears being Sandman himself as TheMan behind the nightmares (ported by R. G. Armstrong).

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* TheSandman: "Enter Sandman" is a song about to deal with the concept of a child's nightmares and as the name says, plays with the mythical figure of Sandman. The videoclip music video goes further with a young boy being chased in nightmares by various dangers and in one scene where he's praying, an old man appears being Sandman himself as TheMan behind the nightmares (ported by R. G. Armstrong).
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* TheSandman: "Enter Sandman" is a song about to deal with the concept of a child's nightmares and as the name says, plays with the mythical figure of Sandman. The videoclip goes further with a young boy being chased in nightmares by various dangers and in one scene where he's praying, an old man appears being Sandman himself as TheMan behind the nightmares (ported by R. G. Armstrong).

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* {{Flanderization}}: James' [[MemeticMutation memetic]] "Something-AHHH" VerbalTic became ''much'' more pronounced after the "Black Album".



* EveryEpisodeEnding: When you hear the first notes of "Enter Sandman", start heading for the doors.

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* EveryEpisodeEnding: When you hear the first notes of "Enter Sandman", "Seek & Destroy", start heading for the doors.doors. (or if it's a shortened concert, "Enter Sandman")
* {{Flanderization}}: James' [[MemeticMutation memetic]] "Something-AHHH" VerbalTic became ''much'' more pronounced after the "Black Album".



* GuestStarPartyMember: After James got burned on stage, he couldn't play guitar in his recovery, so guitar technician John Marshall performed as James only sung. And along with a few guest singers in three 2000 concerts where James was injured (see StepUpToTheMicrophone below), Lars' absence during Download Festival in 2004 forced the drums to be filled in by [[Music/{{Slayer}} Dave Lombardo]], [[Music/{{Slipknot}} Joey Jordison]], and Lars' drum technician Flemming Larsen.



* LockedOutOfTheLoop: James, during the late 1990's. During the band's post-Black Album hiatus, Lars and Kirk had developed interests (art, drugs) that he wanted no part of. During the ''Load'' period, they had been the primary forces behind the band's "new image." He had more in common with Jason Newsted, but the hazing that the band had given Jason effectively scorched that bridge to a crisp. As a result, being isolated from the rest of the band, he developed the "Doctor No" personality that led to Jason's departure and almost led to the band's breakup.

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* LockedOutOfTheLoop: James, during the late 1990's. During the band's post-Black Album hiatus, Lars and Kirk had developed interests (art, drugs) that he wanted no part of. (him taking up hunting also kept him physically away from both during off-hours) During the ''Load'' period, they had been the primary forces behind the band's "new image." He had more in common with Jason Newsted, but the hazing that the band had given Jason effectively scorched that bridge to a crisp. As a result, being isolated from the rest of the band, he developed the "Doctor No" personality that led to Jason's departure and almost led to the band's breakup.



* TextlessAlbumCover: ''St. Anger''[='s=] cover is solely an artwork by Pushead mainly consisting of a clenched fist with no other information.

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* TextlessAlbumCover: ''St. Anger''[='s=] cover is solely an artwork by Pushead mainly consisting of a clenched fist with no other information. (the back cover shows it's a [[https://en.wikipedia.org/wiki/Fig_sign fig]] necklace)



* AffectionateParody: The laughing at the end of the song "Master Of Puppets" was meant to parody Iron Maiden.

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* AffectionateParody: The laughing EvilLaugh at the end of the song "Master Of Puppets" was meant to parody Iron Maiden.



* ArcWords: 17 years apart, but they're there: "Fuck it all and fucking no regrets" from "Damage Inc." (1986) and ''St. Anger''[='=]s title track (2003).



** 17 years apart, "Fuck it all and fucking no regrets" appeared in both "Damage Inc." (1986) and ''St. Anger''[='=]s title track (2003).
* CorruptChurch: "Leper Messiah" is an attack upon televangelism.



** [[https://www.youtube.com/watch?v=pDLZix8NVjg The verb "die" and the word "death"]]. "Fire" and "[[https://www.youtube.com/watch?v=LA-NiS2sGO4 kill]]" also appear often.

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** [[https://www.youtube.com/watch?v=pDLZix8NVjg com/watch?v=T1wKXXthHv0 The verb "die" and the word "death"]]. "Fire" and "[[https://www.youtube.com/watch?v=LA-NiS2sGO4 kill]]" also appear often.



** For an interjection case, [[https://www.youtube.com/watch?v=uHJCVlymVUs YEAH]]-[[https://www.youtube.com/watch?v=1yEMWTIqqBY YEEEEEAAAAAAH!]]



** The title "Leper Messiah" is possibly borrowed from a line in Music/DavidBowie's "Ziggy Stardust".



* TakeThat: "Leper Messiah" is an attack upon televangelism.
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This trope is In-Universe Examples Only.


* {{Mondegreen}}: It's inevitable the way they stretch their syllables on.
** In "No Leaf Clover" it sounds like they're saying "And I'm constipated" when really they're just repeating "And it comes to be that".
** "Don't Tread on Me": A lot of people mishear the line "So be it, threaten no more" as "[[DirtyCommunists Soviets]] threaten [[UsefulNotes/TheNewRussia no more]]," which is understandable as the album was released during the implosion of the USSR. Others mishear it as "So be it, tread no more", due to the song's title.
** "AND OF [[{{Eagleland}} BAKED APPLE PIES]]!" ("and of things that will bite" from "Enter Sandman").
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* ChangingChorus: "Enter Sandman" changes up the chorus slightly towards the end of the song. The chorus is normally "Exit light, Enter night, Take my hand, We're off to Never Never Land." The final iteration is "Exit light, Enter night, Grain of sand, Exit light, Enter night, Take my hand, We're off to Never Never Land."
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* CulturedBadass: Metallica's lyrics often deal with deep concepts in a highly poetic style, complete with high literature references and honest philosophical contemplation -- [[SophisticatedAsHell interlaced with profanity]] and {{Metal Scream}}s. Additionally, even some of the most vocal members of metal and thrash's {{Hatedom}} acknowledge Metallica as [[TheOneThingIDontHateAboutYou possibly not an insult to music]]. The band's music often features rich, complex composition, and precise, skilled musicianship side by side with raw, passionate improvisation and pioneering experimentation. If some of their work may occasionally sound like something you've heard before, it's because [[SeinfeldIsUnfunny there are few artists in metal today who don't acknowledge them as a major influence]], and fewer still who aren't just unwilling to admit it.
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** To a lesser extent, "Metal up your ass!", which was supposed to be the title of ''Kill 'Em All''. It has notably been used as one of James' phrases in the [[Pinball/{{Metallica}} pinball game]].
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* RapRock: "We Did It Again", a collaboration with rapper Ja Rule and hip hop producer Swizz Beatz, released on the soundtrack to the movie ''Biker Boyz'' - essentially they let Swizz Beatz come into the studio and rework a few unfinished riffs into a rap-rock beat on protools, with additional contributions then made by Kirk and James.
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** ''Hardwired'' has the song "Murder One", named after Lemmy's amplifier, and [[SongOfSongTitles filled with references to]] Music/{{Motorhead}} to honor the recently departed frontman.

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** ''Hardwired'' has the song "Murder One", named after Lemmy's amplifier, and [[SongOfSongTitles filled with references to]] Music/{{Motorhead}} to honor the recently departed frontman. Also, "Spit Out the Bone" takes its title from GBH's "Passenger on the Menu".
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* RousingLullaby: ''Enter Sandman'' is about falling asleep and having an apocalyptic nightmare.
-->''"Dreams of war!''
-->''Dreams of liars!''
-->''Dreams of dragon's fire!''
-->''And of things that will bite!"''
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* CallingTheOldManOut: "Dyer's Eve" is an angry call-out to both parents of a sheltered religious household.


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** The cover of Music/DiamondHead's "Am I Evil"
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* {{Adorkable}}: James Hetfield in the early days, far from the badass he would become live, was, true to their origins - a zitty, awkward teenager trying to rile up crowd who had literally no idea who the hell Metallica were.
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* LighterAndSofter: A large factor behind ''Music/{{Metallica|Album}}'''s massive success, as the band downplayed their aggressive ThrashMetal sound in favor of more poppy and accessible material, especially the power ballads "The Unforgiven" and "Nothing Else Matters". ''[[Music/LoadAndReLoad Load]]'' and ''[[Music/LoadAndReLoad [=ReLoad=]]]'' fall under this as well, incorporating more influences from BluesRock, AlternativeRock, and even CountryMusic.
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* WildHair: During the '80s and early '90s, everyone. Since the ''Load'' era, only Kirk. And Robert, once he joined.

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* WildHair: During the '80s and early '90s, everyone. Since the ''Load'' era, only Kirk. And Robert, once he joined.joined (though he often has it braided into pigtails, either for convenience or as a ShoutOut to his Mexican/Amerindian roots).
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* BigGuyLittleGuy: James is tall, Lars and Kirk are short, and (in a contrast to Cliff, who was even taller than James) the bassists are average. Photos such as the one in our page image or the cover of ''[[https://upload.wikimedia.org/wikipedia/en/7/7b/Metallica_-_The_%245.98_E.P.-Garage_Days_Re-Revisited_cover.jpg Garage Days Revisited]]'' try to disguise it.

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* BigGuyLittleGuy: James is tall, Lars and Kirk are short, and (in a contrast to (apart from Cliff, who was even taller than James) the bassists are average. Photos such as the one in our page image or the cover of ''[[https://upload.wikimedia.org/wikipedia/en/7/7b/Metallica_-_The_%245.98_E.P.-Garage_Days_Re-Revisited_cover.jpg Garage Days Revisited]]'' try to disguise it.
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** “Atlas, Rise!” was initially “N.W.O.B.H.M. A.T.M”, which is presumably “New Wave of British Heavy Metal at This Moment”, putting its roots on display.

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* 2020 - ''S & M 2'' (to be released August 28, 2020)

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* 2020 - ''S & M 2'' (to be released August 28, 2020)
2''



** The phrase “suffer unto” crops up in a few songs (notably “Harvester of Sorrow” and “My Apocalypse”), but is fundamentally meaningless. Even if it did mean something, it would likely be closer to “put up with” than “suffer from”, which kind of robs the lyrics of their impact. It’s probably [[MST3KMantra best not to think about it too hard]].



** The phrase “suffer unto” crops up in a few songs (notably “Harvester of Sorrow” and “My Apocalypse”), but is fundamentally meaningless. Even if it did mean something, it would likely be closer to “put up with” than “suffer from”, which kind of robs the lyrics of their impact. It’s probably [[MST3KMantra best not to think about it too hard]].
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** The phrase “suffer unto” crops up in a few songs (notably “Harvester of Sorrow” and “My Apocalypse”), but is fundamentally meaningless. Even if it did mean something, it would likely be closer to “put up with” than “suffer from”, which kind of robs the lyrics of their impact. It’s probably [[MST3KMantra best not to think about it too hard]].

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** “The Four Horsemen”, like most of the unsubtle lyrics in the first album, is about the four HorsemenOfTheApocalypse (the song even provides the page quote). It’s also a bit of HeavyMeta, likening themselves to said Horsemen, and it’s since become a nickname for the band.



** "Blackened" foresees [[GaiasLament environmental catastrophe]], as well as an indifferent populace who’d rather live it up than do anything to stop a slow-motion disaster that will eventually kill even them.

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** "Blackened" foresees [[GaiasLament environmental catastrophe]], as well as an indifferent populace who’d rather live it up than do anything to stop a slow-motion the unfolding disaster that will eventually kill even them.
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** “Fight Fire With Fire”, written at the height of 1980s Cold War tensions, is about how nuclear warfare leads to the complete destruction of both sides (and everyone else).
** "Blackened" foresees environmental catastrophe, as well as an indifferent populace who’d rather live it up than do anything to stop a slow-motion disaster that will eventually kill even them.

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** “Fight Fire With Fire”, written at the height of 1980s Cold War tensions, is about how [[NukeEm nuclear warfare leads warfare]] will inevitably lead to the complete destruction of both sides (and everyone else).
** "Blackened" foresees [[GaiasLament environmental catastrophe, catastrophe]], as well as an indifferent populace who’d rather live it up than do anything to stop a slow-motion disaster that will eventually kill even them.
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** "Blackened" foresees environmental catastrophe, as well as an indifferent populace who’d rather live it up than do anything to stop something that will eventually kill even them.

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** "Blackened" foresees environmental catastrophe, as well as an indifferent populace who’d rather live it up than do anything to stop something a slow-motion disaster that will eventually kill even them.

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* AfterTheEnd: "Blackened", about some kind of apparently fire-based catastrophe.


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* ApocalypseHow:
** “Fight Fire With Fire”, written at the height of 1980s Cold War tensions, is about how nuclear warfare leads to the complete destruction of both sides (and everyone else).
** "Blackened" foresees environmental catastrophe, as well as an indifferent populace who’d rather live it up than do anything to stop something that will eventually kill even them.
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** Their albums in TheNineties don’t feature instrumentals, although “My Friend of Misery” on the Black Album (with its prominent bass riff by Jason) was originally intended to be one. Load and Re-Load also feature album-closers with long jam sections (“The Outlaw Torn” and “Fixxxer”, respectively), which fulfill much the same purpose.

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* ShellShockedVeteran: “Confusion” is sung from the perspective of a military veteran (which the video portrays as having served in the Middle East during UsefulNotes/TheWarOnTerror) afflicted with [=PTSD=].

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* ShellShockedVeteran: “Confusion” is sung from the perspective of a military veteran (which former soldier (whom the video portrays as having served in the Middle East during UsefulNotes/TheWarOnTerror) afflicted with [=PTSD=].[=PTSD=].
** “Hero of the Day” also portrays a veteran, but from a distance of years and reflecting on their physical wounds as much as the mental ones.

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