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With this recognition, Kendrick signed to both Interscope and Aftermath and in 2012 released his second full-length album, ''Music/GoodKidMAADCity'', an album about his teenage years and experiences with drugs, alcohol and gang violence. It was highly regarded as one of the best albums of 2012, and mass controversy was elicited when [[AwardSnub it lost all of its]] UsefulNotes/GrammyAward [[AwardSnub nominations]]; some of the awards went to Music/{{Macklemore}}, who even admitted himself that Kendrick should've won.

to:

With this recognition, Kendrick signed to both Interscope and Aftermath and in 2012 released his second full-length album, ''Music/GoodKidMAADCity'', an album about his teenage years and experiences with drugs, alcohol and gang violence. It was highly regarded as one of the best albums of 2012, and mass controversy was elicited when [[AwardSnub it lost all of its]] UsefulNotes/GrammyAward [[AwardSnub nominations]]; some nominations]]. Most of the controversy came from the fact that several of the awards that the album was up for (including Best Rap Album) went to Music/{{Macklemore}}, who even admitted would later state that he himself believed that Kendrick should've won.
was robbed.
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** "Worldwide Steppers" and "Mr. Morale" are tracks about parenthood and generational trauma, the former depicting him as uncertain and at times unfaithful as a newly-christened patriarch, the latter being more honest, faithful, and hopeful towards everyone's future.

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** "Worldwide Steppers" and "Mr. Morale" are tracks about parenthood and generational trauma, GenerationalTrauma, the former depicting him as uncertain and at times unfaithful as a newly-christened patriarch, the latter being more honest, faithful, and hopeful towards everyone's future.
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Kendrick Lamar (full name Kendrick Lamar Duckworth, born June 17, 1987) is an American rapper and songwriter born and raised in Compton, California. Known for his progressive musical influences and socially conscious, story-driven lyrics, he is regarded by many fans and publications as one of the greatest rappers of his generation if not all time.

to:

Kendrick Lamar (full name Kendrick Lamar Duckworth, born June 17, 1987) is an American rapper and songwriter born and raised in Compton, California. Known for his progressive musical influences and socially conscious, story-driven lyrics, he is regarded by many fans and publications as one of the greatest rappers of his generation if not of all time.



With this recognition, Kendrick signed to both Interscope and Aftermath and in 2012 released his second full-length album, ''Music/GoodKidMAADCity'', an album about his teenage years and experiences with drugs, alcohol and gang violence. It was highly regarded as one of the best albums of 2012, and caused mass controversy when [[AwardSnub it lost all of its]] UsefulNotes/GrammyAward [[AwardSnub nominations]] with some of the awards going to Music/{{Macklemore}} (who even admitted himself that Kendrick should've won).

In August of 2013, Kendrick featured on the Music/BigSean song "Control". His verse, in which he managed to call out the entirety of the rap game's current artists while simultaneously claiming that he is the best in the game and urging the others to catch up, was widely considered to be the year's best display of raw lyricism. Kendrick's verse became so popular that some are [[SpotlightStealingSquad surprised to learn that there are two other artists on the song]]. That verse can be heard [[https://www.youtube.com/watch?v=B2z4YSqcmus here.]]

On March 15, 2015, Kendrick's third full-length album, ''Music/ToPimpAButterfly'', was unexpectedly released[[note]]due to an error on Interscope Records' behalf which caused the album to be released a week earlier than scheduled[[/note]] to widespread critical acclaim. Similarly to ''GKMC'', the album was infamously snubbed for an Album of the Year Grammy that went to Music/TaylorSwift, although it did win a number of other Grammys. A compilation of demos that were created during the production of ''TPAB'' was eventually released in March 2016 under the name ''untitled unmastered.''

Kendrick began hinting towards a fourth album in late March of 2017, with the release of promotional single "The Heart Part IV" signaling an upcoming return and notably ending with the line, "Y'all got 'til April the 7th to get your shit together." Following the release of lead single "HUMBLE.", the album, titled ''DAMN.'', was released on April 14[[note]]The album was simply made available for pre-order on the 7th and not released, much to the dismay of fans[[/note]] to widespread critical acclaim, becoming the best-selling rap album of the year with 600,000 units sold. On April 17, 2018, ''DAMN.'' also became the first non-classical or jazz album to win the Pulitzer Prize for Music.

to:

With this recognition, Kendrick signed to both Interscope and Aftermath and in 2012 released his second full-length album, ''Music/GoodKidMAADCity'', an album about his teenage years and experiences with drugs, alcohol and gang violence. It was highly regarded as one of the best albums of 2012, and caused mass controversy was elicited when [[AwardSnub it lost all of its]] UsefulNotes/GrammyAward [[AwardSnub nominations]] with nominations]]; some of the awards going went to Music/{{Macklemore}} (who Music/{{Macklemore}}, who even admitted himself that Kendrick should've won).

won.

In August of 2013, Kendrick featured on the Music/BigSean song "Control". His verse, in which he managed to call out the entirety of the rap game's current artists while simultaneously claiming that he is the best in the game and urging the others to catch up, was widely considered to be the year's best display of raw lyricism. Kendrick's verse became so popular that some are [[SpotlightStealingSquad surprised to learn that there are two other artists on the song]]. That verse can be heard [[https://www.youtube.com/watch?v=B2z4YSqcmus here.]]

here]].

On March 15, 2015, Kendrick's third full-length album, ''Music/ToPimpAButterfly'', was unexpectedly released[[note]]due to an error on Interscope Records' behalf which caused the album to be released a week earlier than scheduled[[/note]] to widespread critical acclaim. Similarly to ''GKMC'', the album was infamously snubbed for an saw controversial loss at the Grammys, losing Album of the Year Grammy that went to Music/TaylorSwift, Music/TaylorSwift's ''Music/NineteenEightyNine'', although it did win a number of other Grammys.awards. A compilation of demos that were created during the production of ''TPAB'' was eventually released in March 2016 under the name ''untitled unmastered.''

Kendrick began hinting towards a fourth album in late March of 2017, with the release of promotional single "The Heart Part IV" signaling an upcoming return and notably ending with the line, "Y'all got 'til April the 7th to get your shit together." "[[note]]The album was simply made available for pre-order on the 7th and not released, much to the dismay of fans.[[/note]] Following the release of lead single "HUMBLE.", the album, titled ''DAMN.'', was released on April 14[[note]]The album was simply made available for pre-order on the 7th and not released, much to the dismay of fans[[/note]] 14 to widespread critical acclaim, becoming the best-selling rap album of the year with 600,000 units sold. On April 17, 2018, ''DAMN.'' also became the first non-classical or jazz album to win the Pulitzer Prize for Music.
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* DreamTeam: Really, Kendrick and pretty much anyone, but some noteworthy ones include
** Kendrick and Music/DrDre on "The Recipe" and "Compton"
** Kendrick and Music/JayZ on the "Bitch Don't Kill My Vibe" remix.
** Kendrick and Music/LadyGaga on the original version of "Bitch Don't Kill My Vibe".
** Kendrick, Big KRIT and Music/JCole on Music/DJKhaled's "They Ready".
** Kendrick and Music/JCole in general.
** Kendrick and Pusha T on "Nosetalgia".
** Kendrick and Music/{{Eminem}} on "Love Game".
** Kendrick and Music/KanyeWest on "No More Parties In L.A.".
** Kendrick, Music/DannyBrown, Ab-Soul, ''and'' Music/EarlSweatshirt on "Really Doe".
** Kendrick and Music/TravisScott on "goosebumps".
** Kendrick and Music/{{Rihanna}} on "LOYALTY."
** Kendrick and Music/{{U2}} on "XXX."
** Kendrick and Music/TheWeeknd on "Sidewalks" and "Pray For Me
** Kendrick and Music/LilWayne on "Mona Lisa".

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One of the great young talents in rap music, Kendrick Lamar (full name Kendrick Lamar Duckworth, born June 17, 1987) is an American rapper born and raised in Compton, California. He is known for delivering politically charged, story-driven, and often nostalgic lyrics, drawing on his experiences growing up in a bad neighborhood.

He released his first mixtape at the tender age of sixteen. Having signed to Top Dawg Entertainment, Kendrick continued to pump out acclaimed mixtapes and finally released his debut album in 2011, titled ''Section.80''. The album won him great critical acclaim and revealed to the public the great potential the young MC had, including Music/DrDre and Music/SnoopDogg, who crowned him the "New King of the West Coast" at a concert.

With this recognition, Kendrick signed to both Interscope and Aftermath and in 2012 released his second full length album, ''Music/GoodKidMAADCity'', an album all about his teenage years and experiences with drugs, alcohol and gang violence. It has been highly regarded as one of the best albums of 2012 and caused mass controversy when [[AwardSnub it lost all of its]] UsefulNotes/GrammyAward [[AwardSnub nominations]] and some of the awards went to Music/{{Macklemore}} (who even admitted that Kendrick should've won).

In August of 2013, Kendrick featured on the Music/BigSean song "Control". His verse, in which he managed to call out the entirety of the rap game's current artists while simultaneously claiming that he is the best in the game and urging the others to catch up, was widely considered to be the year's best display of raw lyricism. Kendrick's verse is so popular, that some are [[SpotlightStealingSquad surprised to learn that there are two other artists on the song.]] That verse can be heard [[https://www.youtube.com/watch?v=B2z4YSqcmus here.]]

On March 15, 2015, Kendrick's third full length album, ''Music/ToPimpAButterfly'' was unexpectedly released (due to an error on Interscope Records' behalf which caused the album to be released a week earlier than scheduled) to widespread critical acclaim. Similarly to ''GKMC'', the album was infamously snubbed for an Album of the Year Grammy that went to Music/TaylorSwift, although it did win a number of other Grammys. A compilation of demos that were created during the production of ''TPAB'' was eventually released in March 2016 under the name ''untitled unmastered.''

Kendrick began hinting towards a fourth album on March 22, 2017, where he deleted all of his pictures on Instagram and uploaded a since-deleted picture with nothing but the word "IV". The following day, "The Heart Part IV" was released as a promotional single, signaling an upcoming return of Kendrick, supposedly taking shots at Music/BigSean and Drake, and hinting the date of his fourth album with the line "Y'all got April the 7th to get your shit together."

A week later, the album's lead single, "HUMBLE.", was released ahead of schedule due to the cover art being leaked online. On the announced date of April 7, 2017, the new album was not released but merely made available for pre-order, to the dismay of fans. On April 14, 2017, Kendrick's fourth studio album, ''DAMN.'' was released to widespread critical acclaim, beating out Drake's ''More Life'' for best selling hip-hop album of the year with 600,000 units sold. On April 17, 2018, ''DAMN.'' also became the first non-classical or jazz album to win the Pulitzer Prize for Music.

After a performance at Coachella, Lamar finally announced he would be releasing his long awaited fifth album in 2022, with him teasing the album in the beginning of May with the name ''Mr. Morale & the Big Steppers'', with the album dropping on May 12th, 2022. It will also be the last record with Top Dawg Entertainment and the first of Kendrick's label [=pgLang=].

to:

One of the great young talents in rap music, Kendrick Lamar (full name Kendrick Lamar Duckworth, born June 17, 1987) is an American rapper and songwriter born and raised in Compton, California. He is known Known for delivering politically charged, story-driven, his progressive musical influences and often nostalgic socially conscious, story-driven lyrics, drawing on he is regarded by many fans and publications as one of the greatest rappers of his experiences growing up in a bad neighborhood.

He
generation if not all time.

Kendrick
released his first mixtape at the tender age of sixteen. Having signed to Top Dawg Entertainment, Kendrick he continued to pump out acclaimed mixtapes and finally released his debut album in 2011, titled ''Section.80''. The album won him great critical acclaim and revealed to the public the great potential the young MC had, including Music/DrDre and Music/SnoopDogg, who crowned him the "New King of the West Coast" at a concert.

With this recognition, Kendrick signed to both Interscope and Aftermath and in 2012 released his second full length full-length album, ''Music/GoodKidMAADCity'', an album all about his teenage years and experiences with drugs, alcohol and gang violence. It has been was highly regarded as one of the best albums of 2012 2012, and caused mass controversy when [[AwardSnub it lost all of its]] UsefulNotes/GrammyAward [[AwardSnub nominations]] and with some of the awards went going to Music/{{Macklemore}} (who even admitted himself that Kendrick should've won).

In August of 2013, Kendrick featured on the Music/BigSean song "Control". His verse, in which he managed to call out the entirety of the rap game's current artists while simultaneously claiming that he is the best in the game and urging the others to catch up, was widely considered to be the year's best display of raw lyricism. Kendrick's verse is became so popular, popular that some are [[SpotlightStealingSquad surprised to learn that there are two other artists on the song.]] song]]. That verse can be heard [[https://www.youtube.com/watch?v=B2z4YSqcmus here.]]

On March 15, 2015, Kendrick's third full length full-length album, ''Music/ToPimpAButterfly'' ''Music/ToPimpAButterfly'', was unexpectedly released (due released[[note]]due to an error on Interscope Records' behalf which caused the album to be released a week earlier than scheduled) scheduled[[/note]] to widespread critical acclaim. Similarly to ''GKMC'', the album was infamously snubbed for an Album of the Year Grammy that went to Music/TaylorSwift, although it did win a number of other Grammys. A compilation of demos that were created during the production of ''TPAB'' was eventually released in March 2016 under the name ''untitled unmastered.''

Kendrick began hinting towards a fourth album on in late March 22, of 2017, where he deleted all of his pictures on Instagram and uploaded a since-deleted picture with nothing but the word "IV". The following day, release of promotional single "The Heart Part IV" was released as a promotional single, signaling an upcoming return of Kendrick, supposedly taking shots at Music/BigSean and Drake, and hinting the date of his fourth album notably ending with the line line, "Y'all got 'til April the 7th to get your shit together."

A week later,
" Following the album's release of lead single, single "HUMBLE.", the album, titled ''DAMN.'', was released ahead of schedule due to the cover art being leaked online. On the announced date of on April 7, 2017, the new 14[[note]]The album was not released but merely simply made available for pre-order, pre-order on the 7th and not released, much to the dismay of fans. On April 14, 2017, Kendrick's fourth studio album, ''DAMN.'' was released fans[[/note]] to widespread critical acclaim, beating out Drake's ''More Life'' for best selling hip-hop becoming the best-selling rap album of the year with 600,000 units sold. On April 17, 2018, ''DAMN.'' also became the first non-classical or jazz album to win the Pulitzer Prize for Music.

After Following the release of the album, Kendrick took a performance at Coachella, Lamar finally five-year hiatus from music, reportedly partially caused by a two-year period of writer's block while also giving him time to executive produce the soundtrack for ''Film/BlackPanther2018'', become a father of two children with his longtime partner Whitney Alford, and found the entertainment company [=pgLang=] with creative partner Dave Free. He announced he would be releasing work on a new album, his long awaited fifth album last under Top Dawg Entertainment and first under [=pgLang=], in 2022, with him teasing the album in the beginning of May with the name August 2021. The album, titled ''Mr. Morale & the Big Steppers'', with the album dropping was released on May 12th, 2022. It will also be the last record with Top Dawg Entertainment and the first of Kendrick's label [=pgLang=].
12, 2022.
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* LoveMartyr: Kendrick unusually applies this philosophy in "The Heart Part 5" not to a person, but ''his whole audience''. The song is Kendrick breaking down the major problems surrounding "the culture" that he's a part of as a symbol of worship, assessing that the modern world is toxic, exploitative, and ready to turn celebrities into pariahs at the flick of a switch, but still genuinely yearning for its love in the hopes that [[AWorldHalfFull whatever impact he brings to it will be for the better]].
-->''I want, I want, I want, I want\\
([[Music/MarvinGaye But I want you to want me too...]])\\
I want the hood...\\
Look what I done for you...\\
Look what I done for you...''
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** A working title for ''To Pimp A Butterfly'' was ''To Pimp A Caterpillar'', because if you [[Letters2Numbers change "to" into "2"]], then FunWithAcronyms initialize the rest, you get [[Music/TupacShakur 2PAC]].

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** A working title for ''To Pimp A Butterfly'' was ''To Pimp A Caterpillar'', because if you [[Letters2Numbers change "to" into "2"]], then FunWithAcronyms initialize the rest, you get [[Music/TupacShakur 2PAC]].
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** A working title for ''To Pimp A Butterfly'' was ''To Pimp A Caterpillar'', because if you [[Letters2Numbers change "to" into "2"]], then [[FunWithAcronyms initialize the rest]], you get [[Music/TupacShakur 2PAC]].

to:

** A working title for ''To Pimp A Butterfly'' was ''To Pimp A Caterpillar'', because if you [[Letters2Numbers change "to" into "2"]], then [[FunWithAcronyms FunWithAcronyms initialize the rest]], rest, you get [[Music/TupacShakur 2PAC]].

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* GratuitousSpanish: On his feature verse on ScHoolboy Q's "Collard Greens", he starts out in English, then transitions seamlessly into Spanish.

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* GratuitousSpanish: On his feature verse on ScHoolboy Schoolboy Q's "Collard Greens", he starts out in English, then transitions seamlessly into Spanish.



* WhatCouldHaveBeen: A song version of this plays out in R.O.T.C. (Right On Time Conscience). Kendrick is weighing out the pros and cons of the fast money a return to the drug-dealer lifestyle would have, since his rap career isn't taking off as fast as he'd like. Right as he's about to go back to it, he has a moment of conscience kicking in and decides against it.
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One of the great young talents in rap music, Kendrick Lamar (full name Kendrick Lamar Duckworth, born June 17, 1987) is a Compton-born rapper known for delivering politically charged, story driven, and often nostalgic lyrics, drawing on his experiences growing up in a bad neighborhood.

to:

One of the great young talents in rap music, Kendrick Lamar (full name Kendrick Lamar Duckworth, born June 17, 1987) is a Compton-born an American rapper born and raised in Compton, California. He is known for delivering politically charged, story driven, story-driven, and often nostalgic lyrics, drawing on his experiences growing up in a bad neighborhood.
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+ Music/TupacShakur, Music/TheNotoriousBIG, Music/{{Eminem}}, Music/JayZ, Music/{{Nas}}, Music/{{DMX}}, [[Music/{{Outkast}} Andre 3000]]]

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+ Music/TupacShakur, Music/TheNotoriousBIG, Music/{{Eminem}}, Music/JayZ, Music/{{Nas}}, Music/LilWayne, Music/{{DMX}}, [[Music/{{Outkast}} Andre 3000]]]
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** At one point during "Hood Politics", Kendrick briefly namedrops [[Music/RunTheJewels KillerMike]].

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** At one point during "Hood Politics", Kendrick briefly namedrops [[Music/RunTheJewels KillerMike]].Killer Mike]].
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** At one point during "Hood Politics", Kendrick briefly namedrops [[Music/RunTheJewels KillerMike]].
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** In an interview, he stated that he could've easily made an album full of hits with Mr. Morale and the Bug Steppers, but he felt compelled to speak as honestly as possible instead.

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** In an interview, he stated that he could've easily made an album full of hits with Mr. Morale and the Bug Big Steppers, but he felt compelled to speak as honestly as possible instead.
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** In an interview, he stated that he could've easily made an album full of hits with Mr. Morale and the Bug Steppers, but he felt compelled to speak as honestly as possible instead.
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** Also with Music/TaylorSwift, who was perceived (by some people) as having robbed him of the Album of the Year Grammy for ''To Pimp A Butterfly'' with her own album ''Music/NineteenEightyNine'': she posted herself on social media lip-syncing to "Backstreet Freestyle", which he found charming, and he made a cameo appearance on the remix of "Bad Blood".
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* QuarrelingSong: "We Cry Together" is an infamously brutal take on the trope, consisting of Kendrick introducing the song as "what the world sounds like," kicking off a loud, messy argument between a couple (played by himself and Taylour Paige). Both of them are so heated and the language so [[ClusterFBomb profane]] and ''angry'' that the only stylisms that keep it a Quarreling ''Song'' is the flow and the fact that it rhymes -- it otherwise plays out like a genuinely toxic domestic dispute set to music.
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Not sure if there was more meant to be written here, just gonna change the punctuation.


** This is deconstructed in ''Mr. Morale and the Big Steppers'', while Kendrick himself understands the idea of him being viewed as a "savior" to some, in regards to the music scene as well as to those struggling, he himself is a human being and can't always save everyone, as much as he wants to. This is exemplified in the final track "Mirror", where he choses himself in the end and apologizes to the listener for not being the "savior" they truly wanted,

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** This is deconstructed in ''Mr. Morale and the Big Steppers'', while Kendrick himself understands the idea of him being viewed as a "savior" to some, in regards to the music scene as well as to those struggling, he himself is a human being and can't always save everyone, as much as he wants to. This is exemplified in the final track "Mirror", where he choses himself in the end and apologizes to the listener for not being the "savior" they truly wanted,wanted.
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** This is deconstructed in ''Mr. Morale and the Big Steppers'', while Kendrick himself understands the idea of him being viewed as a "savior" to some, in regards to the music scene as well as to those struggling, he himself is a human being and can't always save everyone, as much as he wants to. This is exemplified in the final track "Mirror", where he choses himself in the end and apologizes to the listener for not being the "savior" they truly wanted,
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* ParentsAsPeople: Thoroughly discussed in "Father Time", with Kendrick delving into what he freely admits are his "daddy issues". He calls out [[BrokenPedestal the dissonance of looking up to his own father as a paragon despite instilling in him what may have been toxic values]] (i.e. [[RealMenHateAffection "Men should never show feelings, being sensitive never helped"]]). Despite this, Kendrick sympathizes with him and his attitude as a consequence of the environment he himself was raised in, and that his ToughLove was born out of genuinely wanting Kendrick to learn to fight for himself and avoid the same mistakes he made.

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* ParentsAsPeople: Thoroughly discussed in "Father Time", with Kendrick delving into what he freely admits are his "daddy issues". He calls out [[BrokenPedestal the dissonance of looking up to his own father as a paragon despite instilling in him what may have been toxic values]] (i.e. [[RealMenHateAffection "Men should never show feelings, being sensitive never helped"]]). Despite this, Kendrick sympathizes with him and his attitude as a consequence of the environment he himself was raised in, and that he parses his ToughLove was as born out of genuinely wanting Kendrick to learn to fight for himself and avoid the same mistakes he made.
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* ParentsAsPeople: Thoroughly discussed in "Father Time", with Kendrick delving into what he freely admits are his "daddy issues". He calls out [[BrokenPedestal the dissonance of looking up to his own father as a paragon despite instilling in him what may have been toxic values]] (i.e. [[MenHateAffection "Men should never show feelings, being sensitive never helped"]]. Despite this, Kendrick sympathizes with him and his attitude as a consequence of the environment he himself was raised in, and that his ToughLove was born out of genuinely wanting Kendrick to learn to fight for himself and avoid the same mistakes he made.

to:

* ParentsAsPeople: Thoroughly discussed in "Father Time", with Kendrick delving into what he freely admits are his "daddy issues". He calls out [[BrokenPedestal the dissonance of looking up to his own father as a paragon despite instilling in him what may have been toxic values]] (i.e. [[MenHateAffection [[RealMenHateAffection "Men should never show feelings, being sensitive never helped"]].helped"]]). Despite this, Kendrick sympathizes with him and his attitude as a consequence of the environment he himself was raised in, and that his ToughLove was born out of genuinely wanting Kendrick to learn to fight for himself and avoid the same mistakes he made.
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* ParentsAsPeople: Thoroughly discussed in "Father Time", with Kendrick delving into what he freely admits are his "daddy issues". He calls out [[BrokenPedestal the dissonance of looking up to his own father as a paragon despite instilling in him what may have been toxic values]] (i.e. [[MenHateAffection "Men should never show feelings, being sensitive never helped"]]. Despite this, Kendrick sympathizes with him and his attitude as a consequence of the environment he himself was raised in, and that his ToughLove was born out of genuinely wanting Kendrick to learn to fight for himself and avoid the same mistakes he made.
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* CastingGag: A rather audacious example with Florida rapper Kodak Black (Dieuson Octave), who is a recurring feature throughout ''Mr. Morale & The Big Steppers''. Prior to the album's release, Kodak had been caught up in very public scandals and legal troubles (from rape accusations to jail time from multiple firearm-related crimes), even amidst the commercial success and critical favor in his music career. His inclusion is meant to help illustrate the point by Kendrick that he is an imperfect man guilty of his own crimes [[NotSoDifferentRemark not too dissimilar to Kodak as people would like to believe]], tying into Kendrick's exhaustion of [[UnwantedFalseFaith being hailed as a flawless savior expected to save the world]].
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* PlotParallel: ''Mr. Morale & The Big Steppers'' is a DistinctDoubleAlbum structured as a thematic chiasmus (the first track of disc 1 directly parallels the final track of disc 2, the second track parallels the second-last track, etc.), each reflecting on a general topic on Kendrick's mind. While each song approaches their topics in [[SlidingScaleOfIdealismVersusCynicism a respectively cynical or idealistic fashion]] depending on the disc, the main focus is to illustrate Kendrick's whole sense of being regarding complex cultural and moral issues [[DualityMotif that he feels strongly about in both sides]].
** "United in Grief" and "Mirror" [[BookEnds bookend]] the double-album about processing grief and [[CelebrityIsOverrated the stresses of his fame]], but while "United in Grief" details doing so through unhealthy external means (including disassociation through [[RetailTherapy high spending]]), "Mirror" is a vastly more introspective piece about accepting his shortcomings and making the tough decisions in the name of healing and growth.
** "[=N95=]" addresses insecurity strictly through external means (from [[ConspicuousConsumption designer materials]] to engaging with flagrant political discourse like cancel culture), while "Mother I Sober" is a very detailed admission of Kendrick's own personal battles with trauma and the mistakes he's made in life.
** "Worldwide Steppers" and "Mr. Morale" are tracks about parenthood and generational trauma, the former depicting him as uncertain and at times unfaithful as a newly-christened patriarch, the latter being more honest, faithful, and hopeful towards everyone's future.
** "Die Hard" and "Auntie Diaries" revolve around letting go of past traumas to maintain lasting relationships with with family and loved ones, the former being honest with his insecurities and choosing to pursue a loyal lover, the latter about prioritizing love and the family over the prejudices of society and religion.
** "Father Time" and "Savior" are both about [[BrokenPedestal deconstructing the concept of personal idols]], the former as an unsettling reality imposed on him in his youth (learning that [[ParentsAsPeople his father is only human]]), the latter as a crucial personal revelation to the audience (Kendrick explaining that [[UnwantedFalseFaith he himself is only human too]]).
** "Rich" and the "Savior" interlude (both are even categorized as separate interludes in the tracklist) are guest-based passages on the struggles of growing up. "Rich" features Kodak Black dwelling on his dark and fraught checkered past leading up to the wary present, while the "Savior" interlude features Baby Keem reminiscing on his recent personal experiences, overcomings, and hopes for the future.
** "Rich Spirit" and "Silent Hill" are detail different reactions towards dealing with widespread targeted criticisms, the former about [[TakeThatCritics standing up to critics and calling out bad-faith actors]], the latter about silent integrity and the value of rejecting haters to preserve your mental health.
** "We Cry Together" is an uncomfortably extended argument, illustrating the inability for even supposed loved ones to properly communicate with each other. "Crown" conversely illustrates what appears to be a stable life, but through a conflicted psyche unable to accept peace in not being able to please everyone around him.
** "Purple Hearts" contemplates the sacrifices made in the name of love of others, namely family, while "Count Me Out" contextualizes the value of family and loved ones through self-love.
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* DigitalHeadSwap: The music video for "The Heart Part 5" features Kendrick using deepfake software to replace his face with those of Creator/OJSimpson, Music/KanyeWest, Creator/JussieSmollett, Creator/WillSmith, Kobe Bryant, and Nipsey Hussle in that order, corresponding with the lyrics that reflect on each man's experiences.


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* RippedFromTheHeadlines: One verse in "The Heart Part 5" comments on the controversy surrounding Creator/WillSmith's slapping of Creator/ChrisRock at the UsefulNotes/{{Academy Award}}s just six weeks prior.

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* ClusterFBomb: Used to tragic effect in "We Cry Together".

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* ClusterFBomb: Used to tragic effect in "We Cry Together".Together", which is framed as an intense and uncomfortably personal argument, with all the unfettered profanity and sheer ''hatred'' that entails.



* DistinctDoubleAlbum: ''Mr. Morale & the Big Steppers'' broadly covers Kendrick's journey through his various traumas and personal grievances that pass by in his mind, split across two nine-track sections. The first half (''The Big Steppers'') is the more openly volatile of the two, depicting his thoughts in a more destructive, toxic way, but the second half (''Mr. Morale'') is much more guided by his desire to overcome and heal from his demons in the name of peace. Structurally, both playlists are directly meant to mirror each other and reflect on each other's general themes in their respectively cynical or idealistic way -- for one example, "United in Grief" starts the double album on a rumination on processing grief through unhealthy external means, while "Mirror" ends on looking inward and making the hard choices to move on. In a way, the structure carries the frontwards/backwards DualityMotif of ''DAMN.'', but actually processed as a two-part album.

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* DistinctDoubleAlbum: ''Mr. Morale & the Big Steppers'' broadly covers Kendrick's journey through his various traumas and personal grievances that pass by in his mind, split across two nine-track sections. The first half (''The Big Steppers'') is the more openly volatile of the two, depicting his thoughts in a more destructive, toxic way, but the second half (''Mr. Morale'') is much more guided by his desire to overcome and heal from his demons in the name of peace. Structurally, both playlists are directly meant to mirror each other and reflect on each other's general themes in their respectively cynical or idealistic way -- for one example, "United in Grief" starts the double album on a rumination on processing grief through unhealthy external means, while "Mirror" ends on looking inward and making the hard choices to move tough decisions in the name of moving on. In a way, the structure carries the frontwards/backwards DualityMotif of ''DAMN.'', but actually processed as a two-part album.



* DualityMotif: Explored in various forms throughout ''DAMN.'', up to and including the album having an alternate storyline when played in reverse.

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* DualityMotif: DualityMotif:
**
Explored in various forms throughout ''DAMN.'', up to and including the album having an alternate storyline when played in reverse.reverse.
** ''Mr. Morale & the Big Steppers'' has a more straightforward execution of the idea, being [[DistinctDoubleAlbum a double album]] whose playlists directly reflect each others' themes of processing grief, familial conflict, celebrity culture, etc., with one half addressing it in a dark, cynical way, and the other half in a more constructive, affirmative light.


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* ThePerilsOfBeingTheBest: A recurring narrative theme following Kendrick's rise to superstardom and critical adulation has been his struggles in dealing with the idea of being a "savior" to hip-hop as a genre, American race relations, or even black culture in its entirety. ''To Pimp a Butterfly'' repeatedly grazes on his feelings of insecurity and depression keeping up with his reputation ("u" is an extended rant against himself [[SurvivorsGuilt for "failing" to save those he left behind in his ascent]]), and ''Mr. Morale and the Big Steppers'' sees Kendrick fully confessing to his savior complex and accepting that -- [[SamaritanSyndrome as much as he seriously wants to]] -- he is a mortal man who can't carry the responsibility of singlehandedly leading the causes he wants to fight for, and simply can't save everyone.
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It's an exploration of his post-mainstream-success psyche and depression in correlation of themes of black culture and racial inequality, it's not that hard.


* MindScrew: ''To Pimp A Butterfly''. It's definitely about ''something'', but nobody's quite sure what. There's a general message about black violence in there, but it doesn't seem to be the only one.

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No blue links in page quotes!


->''[[HumbleHero "I'm no mortal man; maybe I'm just another nigga."]]''

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->''[[HumbleHero "I'm ->''"I'm no mortal man; maybe I'm just another nigga."]]''"''



* DistinctDoubleAlbum: ''Mr. Morale & the Big Steppers'' broadly covers Kendrick's journey through his various traumas and personal grievances that pass by in his mind, split across two nine-track sections. The first half (''The Big Steppers'') is the more openly volatile of the two, depicting his thoughts in a more destructive, toxic way, but the second half (''Mr. Morale'') is much more guided by his desire to overcome and heal from his demons in the name of peace. Structurally, both playlists are directly meant to mirror each other and reflect on each other's general themes in their respectively cynical or idealistic way -- for one example, "United in Grief" starts the double album on a rumination on processing grief through unhealthy external means, while "Mirror" ends on looking inward and making the hard choices to move on. In a way, the structure carries the frontwards/backwards DualityMotif of ''DAMN.'', but actually processed as a two-part album.



** Kendrick and Music/TheWeeknd on "Sidewalks" and "Pray For Me".

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** Kendrick and Music/TheWeeknd on "Sidewalks" and "Pray For Me".Me
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Not that uncommon a practice.


After a performance at Coachella, Lamar finally announced he would be releasing his long awaited fifth album in 2022, with him teasing the album in the beginning of May with the name ''Mr. Morale & the Big Steppers'', with the album dropping on May 12th, 2022 only a few days ''after showing the album cover''. It will also be the last record with Top Dawg Entertainment and the first of Kendrick's label [=pgLang=].

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After a performance at Coachella, Lamar finally announced he would be releasing his long awaited fifth album in 2022, with him teasing the album in the beginning of May with the name ''Mr. Morale & the Big Steppers'', with the album dropping on May 12th, 2022 only a few days ''after showing the album cover''.2022. It will also be the last record with Top Dawg Entertainment and the first of Kendrick's label [=pgLang=].



* ''Film/{{Black Panther|2018}}: The Album'' (2018)[[note]]The album itself hosts contributions from various artists, most of them from TDE; Lamar was just chosen as the curator.[[/note]]

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* ''Film/{{Black Panther|2018}}: The Album'' (2018)[[note]]The album itself hosts contributions from various artists, most of them from TDE; Lamar was just chosen as the curator.[[/note]]

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* ClusterFBomb: Used to tragic effect in "We Cry Together".



* TextlessAlbumCover: ''To Pimp a Butterfly''.

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* TextlessAlbumCover: ''To Pimp a Butterfly''.Butterfly'' and ''Mr. Morale & the Big Steppers''.

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