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* DwindlingParty: The group's lineup frequently changed, with Kris and Matt being the only members who were there from the start until the end. The group's split ultimately came because Kris wanted to leave to pursue other projects, and they did not feel there was much point in continuing as a group with no original members, especially as Matt had lost interest in the music industry.


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* PuttingTheBandBackTogether: The group has reformed with several older members, to play a handful of comeback gigs in aid of a friend's hospital bills. They have made it clear that this isn't a full reunion as they feel the group had nothing more to achieve.
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* OneOfUs: Matt has described himself as a nerd on many occasions. This fact is made even more emphatic by his Twitter, in which his tweets have focused on such subjects as record collecting, movies, videogames and tabletop gaming.

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Funeral For A Friend is a PostHardcore band from Bridgend, Wales. Formed in 2001, they have released five studio albums. Unlike most bands in the genre, Funeral For A Friend are influenced by NWOBHM and ThrashMetal. They are sometimes called emo or screamo, and acknowledge its influence on them. However, they consider themselves to play a unique style of music influenced by many genres, and for this reason, prefer to be called a hard rock or metal band. In addition, their sound features interplay between dual vocalists and guitarists.

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Funeral For A Friend is was a PostHardcore band from Bridgend, Wales. Formed in 2001, they have released five studio albums. Unlike most bands in the genre, Funeral For A Friend are influenced by NWOBHM and ThrashMetal. They are sometimes called emo or screamo, and acknowledge its influence on them. However, they consider themselves to play a unique style of music influenced by many genres, and for this reason, prefer to be called a hard rock or metal band. In addition, their sound features interplay between dual vocalists and guitarists.
guitarists.

The group changed lineup several times over their 15 year history. By their last two albums, the only two remaining original members were vocalist Matt Davies-Kreye and guitarist Kris Coombs-Roberts. The group split up after Kris left to pursue other projects and Matt retired from the limelight.



* RevolvingDoorBand: The group had a few lineups prior to establishing their 'classic' one from their second EP "Four Ways To Scream Your Name" (in 2003) to their fourth album "Memory And Humanity" (in 2008) after which the lineup changing with every release thereafter. A fair amount of fans feel the group lost their way after Gareth Davies left and even more so after Ryan Richards did so.



** In the period after Matthew Evans left until about somewhere during the Hours album cycle Matt screamed on some of the band's output such as 'You Want Romance?', '10 Scene Points To The Winner' and various songs live and a few demos on Hours such as 'Roses For The Dead' and 'Tghe End of Nothing'.

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** In the period after Matthew Evans left until about somewhere during the Hours album cycle Matt screamed on some of the band's output such as 'You Want Romance?', '10 Scene Points To The Winner' and various songs live and a few demos on Hours such as 'Roses For The Dead' and 'Tghe 'The End of Nothing'.



** However, unlike Best, he left of his own accord to study art, and became an artist known as Snowskull. The band notably contacted him to draw the cover art for their album Conduit.

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** However, unlike Best, he left of his own accord to study art, and became an artist known as Snowskull. The band notably contacted him to sing backing vocals on "Rules And Games", and a few years later to sing them on "Spine" as well as draw the cover art for their album Conduit.
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** It's worth mentioning that "The Miracle Of Christmas" (from the Taste Of Christmas compilation) and "Damage Inc" (from Kerrang ReMastered) are on now out of print various artist compilations, even though they are on CD.

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** It's worth mentioning that "The Miracle Of Christmas" (from the Taste Of Christmas compilation) and "Damage Inc" (from Kerrang ReMastered) are on now out of print various artist compilations, even though they are on CD. Similarly, "Owls Are Watching [Demo]" only appears on the promo single of Sixteen - which was limited to music journalists and did not receive a digital release.
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Not to be confused with the storyline following ''ComicBook/TheDeathOfSuperman''.
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* TheyAlsoDid - Matt has an acoustic solo project called "The Secret Show" who released an album "Impressionist Road Map To The West" in 2007 and a follow up EP in 2015. He gave these releases very little promotion so that fans would discover them in their own time.
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* ImportantHaircut - around the time the band had released 'History' Matt had shaved his then iconic emo fringe off, opting for a buzzcut, around the same period the band's output strayed away from the emo/post hardcore sound and moved to more melodic rock such as the 'Tales Don't Tell Themselves' album.
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** In the period after Matthew Evans left until about somewhere during the Hours album cycle Matt screamed on some of the band's output such as 'You Want Romance?', '10 Scene Points To The Winner' and various songs live and a few demos on Hours such as 'Roses For The Dead' and 'Tghe End of Nothing'.


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* WhatCouldHaveBeen - Hours was originally planned to be heavier with Matt using his MetalScream on 'The End of Nothing' alongside Ryan's screamed vocals and the outro to 'Roses For The Dead'.
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** In their early years, the members of IronMaiden became fans of the band, and invited them to tour with them. Magazines put two and two together and claimed Maiden were FFAF's idols, which was intended to give them more credibility amongst metal fans, who were notoriously hostile to emo bands at the time. FFAF certainly got treated badly when supporting them, and vowed never to do so again. In fact, Matt noted in a 2015 interview for the Holy Roar Podcast that he wasn't a fan of Maiden at all, and actually got in trouble with their manager Rod Smallwood for announcing that FFAF's songs were about orcs and goblins (thus making fun of Maiden, and showing a [presumably intentional] lack of understanding of their lyrics).

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** In their early years, the members of IronMaiden Music/IronMaiden became fans of the band, and invited them to tour with them. Magazines put two and two together and claimed Maiden were FFAF's idols, which was intended to give them more credibility amongst metal fans, who were notoriously hostile to emo bands at the time. FFAF certainly got treated badly when supporting them, and vowed never to do so again. In fact, Matt noted in a 2015 interview for the Holy Roar Podcast that he wasn't a fan of Maiden at all, and actually got in trouble with their manager Rod Smallwood for announcing that FFAF's songs were about orcs and goblins (thus making fun of Maiden, and showing a [presumably intentional] lack of understanding of their lyrics).
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* LyricalDissonance - The first half of the song "Welcome Home Armageddon" is probably the most upbeat-sounding song about the apocalypse this side of {{REM}} The second part is [[SubduedSection much more somber]].

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* LyricalDissonance - The first half of the song "Welcome Home Armageddon" is probably the most upbeat-sounding song about the apocalypse this side of {{REM}} Music/{{REM}} The second part is [[SubduedSection much more somber]].
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* Chapter And Verse (2015)
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** In their early years, the members of IronMaiden became fans of the band, and invited them to tour with them. Magazines put two and two together and claimed Maiden were FFAF's idols, which was intended to give them more credibility amongst metal fans, who were notoriously hostile to emo bands at the time. FFAF certainly got treated badly when supporting them, and vowed never to do so again. In fact, Matt noted in a 2015 interview for the Holy Roar Podcast that he wasn't a fan of Maiden at all, and actually got in trouble with their manager Rod Smallwood for announcing that FFAF's songs were abut orcs and goblins (thus making fun of Maiden).

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** In their early years, the members of IronMaiden became fans of the band, and invited them to tour with them. Magazines put two and two together and claimed Maiden were FFAF's idols, which was intended to give them more credibility amongst metal fans, who were notoriously hostile to emo bands at the time. FFAF certainly got treated badly when supporting them, and vowed never to do so again. In fact, Matt noted in a 2015 interview for the Holy Roar Podcast that he wasn't a fan of Maiden at all, and actually got in trouble with their manager Rod Smallwood for announcing that FFAF's songs were abut about orcs and goblins (thus making fun of Maiden).Maiden, and showing a [presumably intentional] lack of understanding of their lyrics).
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** In their early years, the members of IronMaiden became fans of the band, and invited them to tour with them. Magazines put two and two together and claimed Maiden were FFAF's idols, which was intended to give them more credibility amongst metal fans, who were notoriously hostile to emo bands at the time. FFAF certainly got treated badly when supporting them, and vowed never to do so again. In fact, Matt noted in a 2015 interview for the Holy Roar Podcast that he wasn't a fan of Maiden at all, and actually got in trouble with their manager Rod Smallwood for announcing that FFAF's songs were abut orcs and goblins (thus making fun of Maiden).
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**** The band have done acoustic versions of at least 16 songs across various sessions and releases. When the song requires screaming, it is usually sung instead. Of particular note is The Art Of American Football (Tiscali Acoustic Session), which was rearranged so differently as an acoustic that it could almost be a different song. This version can most easily be found on the second disc of Your History Is Mine.
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* RefrainFromAssuming - On Casually Dressed, the only songs that actually feature the song titles in the lyrics are 'Moments Forever Faded' and 'Your Revolution Is A Joke'. On later albums the titles are more often used but there are still many examples of this trope.
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* OneOfUs: Matt has described himself as a nerd on many occasions.

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* OneOfUs: Matt has described himself as a nerd on many occasions. This fact is made even more emphatic by his Twitter, in which his tweets have focused on such subjects as record collecting, movies, videogames and tabletop gaming.
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* NeverLiveItDown - Despite making consistently great music, the band have played on the nostalgia of their first two EPs and first two albums during pretty much every album cycle they've done. The band even did a song about it, "Old Hymns", in which they lament their early popularity and the fact that older fans don't view their new work in the same way - 'I used to mean something to you, but now I'm tired and alone'.
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** "Juno"/"Juneau" is also one - the band have been known to stop playing whilst the crowd sings "And I'm nothing more than a line in your book". Amazingly, they were doing this as early as late 2002 when Between Order And Model was their only release (early video footage on Youtube proves this).

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** "Juno"/"Juneau" is also one - the band have been known to stop playing whilst the crowd sings "And I'm nothing more than a line in your book". Amazingly, they were doing this as early as late 2002 when Between Order And Model was their only release (early video footage on Youtube proves this). Audience members will sometimes scream along to the verse screaming as well.

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**** The band always felt a bit reluctant about removing the screaming when remaking "Juno" as "Juneau". They have always played the "Juno" version live, even when doing radio sessions.



* ExecutiveMeddling - Likely to be the reason for the removal of the screaming in Juneau, as it was going to be released as a single. The band have always played it live in its Juno arrangement (IE with screaming) thus indicating they always intended it to have it. The demo and 2002 live version of She Drove Me To Daytime Television has the line "on and on and on" sung only once at the end, whereas the EP / album version has it repeated. The demos of Storytelling and Moments Forever Faded have more screaming in them.

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* ExecutiveMeddling - Likely to be the The reason for the removal of the screaming in Juneau, as Juneau so it was going to could be released as a single. The band mentioned they thought of this as selling out, but compromised by changing the title to the feminine "Juneau". They have always played it live in its Juno arrangement (IE with screaming) thus indicating they always intended it to have it. The demo and 2002 live version of She Drove Me To Daytime Television has the line "on and on and on" sung only once at the end, whereas the EP / album version has it repeated. The demos of Storytelling and Moments Forever Faded have more screaming in them. "Summer's Dead And Buried" was rewritten as the decidedly more commercial "Waking Up In My Own Paralysis", whose name was shortened to "Waking Up" by the label.



* RearrangeTheSong - "Juno", from their first EP, was re-recorded as "Juneau" on their debut album. The second version was a bit less screamy and intense and more catchy.
** "This Letter" was originally recorded in a heavy arrangement to being a very sedate acoustic arrangement for its release on the "Streetcar" single. For years, this acoustic version was the only one available to the public, but the heavy version has appeared on the digital only third disc of Your History Is Mine (it also appeared on a promo acetate CD, years before).

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* RearrangeTheSong - "Juno", from their first EP, was re-recorded as "Juneau" on their debut album. The second version was a bit less screamy removes most of the screaming and intense and adds more catchy.
singing and vocal harmonies. When playing the song live, the band reinstates the screaming.
** "This Letter" was originally first recorded in as an acoustic song "Grand Central Station", just after Between Order And Model was made. In the Hours sessions, it was re-arranged into a heavy arrangement to being a very sedate arrangement, then the original acoustic arrangement was re-recorded with some modifications for its release on the "Streetcar" single. For years, this acoustic version was the only one available to the public, but the heavy version has appeared on the digital only third disc of Your History Is Mine (it also appeared on a promo acetate CD, years before). The band noted that whilst they liked the song, they didn't think either arrangement quite worked well enough for it to be an album track.
*** The band rearranged "Summer's Dead And Buried" as "Waking Up In My Own Paralysis" (shortened to "Waking Up" by the label). "Waking Up..." has different lyrics, removes the 'kill you' chorus and adds a melodic 'in my hands' one. However, the song still retains the 'dead and buried' section towards the end.
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Funeral For A Friend is a PostHardcore band from Bridgend, Wales. Formed in 2001, they have released five studio albums. Unlike most bands in the genre, FuneralForAFriend are influenced by NWOBHM and ThrashMetal. They are sometimes called emo or screamo, and acknowledge its influence on them. However, they consider themselves to play a unique style of music influenced by many genres, and for this reason, prefer to be called a hard rock or metal band. In addition, their sound features interplay between dual vocalists and guitarists.

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Funeral For A Friend is a PostHardcore band from Bridgend, Wales. Formed in 2001, they have released five studio albums. Unlike most bands in the genre, FuneralForAFriend Funeral For A Friend are influenced by NWOBHM and ThrashMetal. They are sometimes called emo or screamo, and acknowledge its influence on them. However, they consider themselves to play a unique style of music influenced by many genres, and for this reason, prefer to be called a hard rock or metal band. In addition, their sound features interplay between dual vocalists and guitarists.
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* FollowTheLeader - The band were very inspired by American post-hardcore bands like Deftones, Boysetsfire, Far and Hum. In turn, their popularity in the UK was a big catalyst for the expansion of the whole emo scene over there and the switching of Kerrang! magazine to being mostly about the genre (they were regularly featured). Such bands as {{Fightstar}}, BulletForMyValentine and BringMeTheHorizon formed out of wanting to make music like FFAF, although went off in different directions. The band had a far more American sound than British indie rock did, and had an impact because of it. The band are thought of as legends in the genre even though they have long past peaked in popularity.

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* FollowTheLeader - The band were very inspired by American post-hardcore bands like Deftones, Music/{{Deftones}}, Boysetsfire, Far and Hum. In turn, their popularity in the UK was a big catalyst for the expansion of the whole emo scene over there and the switching of Kerrang! magazine to being mostly about the genre (they were regularly featured). Such bands as {{Fightstar}}, BulletForMyValentine Fightstar, Music/BulletForMyValentine and BringMeTheHorizon Music/BringMeTheHorizon formed out of wanting to make music like FFAF, although went off in different directions. The band had a far more American sound than British indie rock did, and had an impact because of it. The band are thought of as legends in the genre even though they have long past peaked in popularity.
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** Also the three part song "All Hands On Deck" which features "Raise The Sail", "Open Water" and "Out Of Reach". The first two are titled Part 1 and Part 2, and segue into each other. Although they didn't title Out Of Reach as part of the trilogy, it reuses themes from Open Water and obviously was meant to be. The trilogy lasts 10:47 in total and is the most ambitious thing FFAF ever did.
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**** Chapter And Verse is by far the worst affected of all their albums - for some reason they went for a really harsh sound. It's surprising, as Conduit wasn't that bad in comparison.
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** They performed Far's "The System" live with the song's original composer/vocalist Jonah Matranga, who happened to be in the area. Far were a big influence on them, and the band noted on a few occasions that Far's album "Water And Solutions" was a regular listen on their tour bus.
** Also, they became good friends with the band BoySetsFire, who were an early influence, and who quickly became fans of FFAF as well. They even did a single covering each other's songs - FFAF covering Rookie and BSF covering 10:45 Amsterdam Conversations respectively.
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Funeral For A Friend is a {{Post-Hardcore}} band from Bridgend, Wales. Formed in 2001, they have released five studio albums. Unlike most bands in the genre, FuneralForAFriend are influenced by NWOBHM and ThrashMetal. They are sometimes called emo or screamo, and acknowledge its influence on them. However, they consider themselves to play a unique style of music influenced by many genres, and for this reason, prefer to be called a hard rock or metal band. In addition, their sound features interplay between dual vocalists and guitarists.

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Funeral For A Friend is a {{Post-Hardcore}} PostHardcore band from Bridgend, Wales. Formed in 2001, they have released five studio albums. Unlike most bands in the genre, FuneralForAFriend are influenced by NWOBHM and ThrashMetal. They are sometimes called emo or screamo, and acknowledge its influence on them. However, they consider themselves to play a unique style of music influenced by many genres, and for this reason, prefer to be called a hard rock or metal band. In addition, their sound features interplay between dual vocalists and guitarists.
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* LighterAndSofter - ''Hours'' and ''Tales Don't Tell Themselves'' were more melodic and less aggressive than their debut. However, the band followed these with ''Memory and Humanity'', which included some heavier songs, and then ''Welcome Home Armageddon'' and ''Conduit'' where they went even further in that direction than they had on previous albums.

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* LighterAndSofter - ''Hours'' and ''Tales Don't Tell Themselves'' were more melodic and less aggressive than their debut. However, the band followed these with ''Memory and Humanity'', which included some heavier songs, and then ''Welcome Home Armageddon'' and ''Conduit'' where they went even further in that direction than they had on all of their previous albums.
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* LighterAndSofter - ''Hours'' and ''Tales Don't Tell Themselves'' were more melodic and less aggressive than their debut. ''Memory and Humanity'' included some heavier songs, and with ''Welcome Home Armageddon'' and ''Conduit'' the band went even further in that direction than they had on previous albums.

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* LighterAndSofter - ''Hours'' and ''Tales Don't Tell Themselves'' were more melodic and less aggressive than their debut. However, the band followed these with ''Memory and Humanity'' Humanity'', which included some heavier songs, and with then ''Welcome Home Armageddon'' and ''Conduit'' the band where they went even further in that direction than they had on previous albums.
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* LighterAndSofter - ''Hours'' and ''Tales Don't Tell Themselves'' were more melodic and less heavy than their debut. They got back to the old sound on ''Memory and Humanity'', and got even heavier on ''Welcome Home Armageddon''.

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* LighterAndSofter - ''Hours'' and ''Tales Don't Tell Themselves'' were more melodic and less heavy aggressive than their debut. They got back to the old sound on ''Memory and Humanity'', and got even Humanity'' included some heavier on songs, and with ''Welcome Home Armageddon''.Armageddon'' and ''Conduit'' the band went even further in that direction than they had on previous albums.
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* {{Emo}} - They've been lumped in with the scene, although they're more Melodic Hardcore with Music/HeavyMetal influences.

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* {{Emo}} - They've been lumped in with the scene, although they're more Melodic Hardcore with Music/HeavyMetal HeavyMetal influences.
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* FollowTheLeader - The band were very inspired by American post-hardcore bands like Deftones, Boysetsfire, Far and Hum. In turn, their popularity in the UK was a big catalyst for the expansion of the whole emo scene over there and the switching of Kerrang! magazine to being mostly about the genre (they were regularly featured). Such bands as {{Fightstar}}, BulletForMyValentine and BringMeTheHorizon formed out of wanting to make music like FFAF, although went off in different directions. The band had a far more American sound than British indie rock did, and had an impact because of it. The band are thought of as legends in the genre even though they have long past peaked in popularity.

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