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** The narrator in "the lakes" wants to escape with her muse from the business of the world to a quiet nature retreat.
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** The narrator in "the lakes" wants to escape with her muse from the business of the world to a quiet nature retreat.retreat (more specifically, the Lake Country of England).
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* SwitchingPOV: In the "teenage love triangle" trilogy, every character gets their turn in telling the story: "cardigan" is narrated by Betty, "betty" is James groveling to her, and "august" is James' unnamed mistress reminiscing about their past romance.
to:
* SwitchingPOV: In the "teenage love triangle" trilogy, every character gets their turn in telling the story: "cardigan" is narrated by Betty, Betty many years after she's reconciled with James, "betty" is James groveling to her, her after his summer of infidelity, and "august" is James' unnamed mistress reminiscing about their past romance.
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'''Tracklist[[labelnote:*]]singles italicized[[/labelnote]]:'''
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* ShoutOut: "cardigan" references the ending of ''Literature/PeterPan''.
to:
* ShoutOut: ShoutOut:
** "cardigan" references the ending of ''Literature/PeterPan''.
** "cardigan" references the ending of ''Literature/PeterPan''.
Added DiffLines:
** In "invisible string", the repeated use of the phrase ''[X] is the [Y] of'' ("Green was the color of the grass", "Cold was the steel of my axe", "Gold was the color of the leaves") is almost certainly one to the most famous and often-covered Appalachian folk songs, "Black is the Color (Of My True Love's Hair)".
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Removing some decidedly melancholy songs
Changed line(s) 258,264 (click to see context) from:
** "cardigan" is about a relationship where the narrator (who is later revealed to named Betty) is very upset that her love interest (later revealed to named James) cheated and left her, but she recounted all the positive emotions they evoked in her as well as knowing that they will eventually came back to her.
** "illicit affair" subverted this hard by revealing that the love in question is an affair and the narrator is tired of all the secrecy.
** "invisible string" plays this the most straight, with the narrator recount all the events that brought her and her love interest together by the string of fate starting from their teenage years. This is the song most explicitly based on Swift and Alwyn's life without name dropping them.
** "betty", per WordOfGod, is from the other perspective of "cardigan" and "august", where the love interest James recount his action that led to his cheating and try to apologize to the titular Betty for his action.
** "peace" is about the narrator recounting all the things that threaten their relationship but also all the things she is willing to give him. Finally, the narrator asking her love interest if all the things she offered be enough "if [she] could never give [them] peace?".
** The narrator in "the lakes" wants to get away from the "hunter with cellphones" by going to the lakes with her muse.
* SongOfManyEmotions: "peace" is a song that had Swift first lamenting her journey to her maturity, then lamenting [[CelebrityIsOverrated the downside]] of being a celebrity, then state her love for her significant other before asking would that make up for "never give you peace?" in the chorus. She then states her significant other's good qualities while lamenting her bad ones but insist that she is still heavily devoted to them. And then lamenting the above chorus again.
** "illicit affair" subverted this hard by revealing that the love in question is an affair and the narrator is tired of all the secrecy.
** "invisible string" plays this the most straight, with the narrator recount all the events that brought her and her love interest together by the string of fate starting from their teenage years. This is the song most explicitly based on Swift and Alwyn's life without name dropping them.
** "betty", per WordOfGod, is from the other perspective of "cardigan" and "august", where the love interest James recount his action that led to his cheating and try to apologize to the titular Betty for his action.
** "peace" is about the narrator recounting all the things that threaten their relationship but also all the things she is willing to give him. Finally, the narrator asking her love interest if all the things she offered be enough "if [she] could never give [them] peace?".
** The narrator in "the lakes" wants to get away from the "hunter with cellphones" by going to the lakes with her muse.
* SongOfManyEmotions: "peace" is a song that had Swift first lamenting her journey to her maturity, then lamenting [[CelebrityIsOverrated the downside]] of being a celebrity, then state her love for her significant other before asking would that make up for "never give you peace?" in the chorus. She then states her significant other's good qualities while lamenting her bad ones but insist that she is still heavily devoted to them. And then lamenting the above chorus again.
to:
** "illicit affair" subverted this hard by revealing that the love in question is an affair and the narrator is tired of all the secrecy.
** "betty", per WordOfGod, is
** "peace" is about the narrator recounting all the things that threaten their relationship but also all the things she is willing to give him. Finally, the narrator asking her love interest if all the things she
** The narrator in "the lakes" wants to
* SongOfManyEmotions: "peace"
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* SillyLoveSongs:
** "cardigan" is about a relationship where the narrator (who is later revealed to named Betty) is very upset that her love interest (later revealed to named James) cheated and left her, but she recounted all the positive emotions they evoked in her as well as knowing that they will eventually came back to her.
** "illicit affair" subverted this hard by revealing that the love in question is an affair and the narrator is tired of all the secrecy.
** "invisible string" plays this the most straight, with the narrator recount all the events that brought her and her love interest together by the string of fate starting from their teenage years. This is the song most explicitly based on Swift and Alwyn's life without name dropping them.
** "betty", per WordOfGod, is from the other perspective of "cardigan" and "august", where the love interest James recount his action that led to his cheating and try to apologize to the titular Betty for his action.
** "peace" is about the narrator recounting all the things that threaten their relationship but also all the things she is willing to give him. Finally, the narrator asking her love interest if all the things she offered be enough "if [she] could never give [them] peace?".
** The narrator in "the lakes" wants to get away from the "hunter with cellphones" by going to the lakes with her muse.
** "cardigan" is about a relationship where the narrator (who is later revealed to named Betty) is very upset that her love interest (later revealed to named James) cheated and left her, but she recounted all the positive emotions they evoked in her as well as knowing that they will eventually came back to her.
** "illicit affair" subverted this hard by revealing that the love in question is an affair and the narrator is tired of all the secrecy.
** "invisible string" plays this the most straight, with the narrator recount all the events that brought her and her love interest together by the string of fate starting from their teenage years. This is the song most explicitly based on Swift and Alwyn's life without name dropping them.
** "betty", per WordOfGod, is from the other perspective of "cardigan" and "august", where the love interest James recount his action that led to his cheating and try to apologize to the titular Betty for his action.
** "peace" is about the narrator recounting all the things that threaten their relationship but also all the things she is willing to give him. Finally, the narrator asking her love interest if all the things she offered be enough "if [she] could never give [them] peace?".
** The narrator in "the lakes" wants to get away from the "hunter with cellphones" by going to the lakes with her muse.
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Changed line(s) 11,12 (click to see context) from:
The project carved a new path for Swift's discography. It has a [[NewSoundAlbum folksy, alternative sound]], as contrasted with her earlier country work and more recent SynthPop. It likewise marked a shift in her lyrical content, focusing more on fictional storytelling and worldbuilding rather than the personal narratives that Swift had previously been known for. Swift continued to work with her frequent collaborator and producer Jack Antonoff, but brought some new faces to her team, including Music/BonIver as her only feature and brothers Bryce and Aaron Dessner from Music/TheNational as writers and producers. The album also feature prominent writing credit of William Bowery, who was later revealed by Taylor to be her boyfriend at the time Creator/JoeAlwyn.
to:
The project carved a new path for Swift's discography. It has a [[NewSoundAlbum folksy, alternative sound]], as contrasted with her earlier country work and more recent SynthPop. It likewise marked a shift in her lyrical content, focusing more on fictional storytelling and worldbuilding rather than the personal narratives that Swift had previously been known for. Swift continued to work with her frequent collaborator and producer Jack Antonoff, but brought some new faces to her team, including Music/BonIver as her only feature and brothers Bryce and Aaron Dessner from Music/TheNational as writers and producers. The album also feature prominent writing (and production) credit of William Bowery, who was later revealed by Taylor to be her boyfriend at the time Creator/JoeAlwyn.
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The project carved a new path for Swift's discography. It has a [[NewSoundAlbum folksy, alternative sound]], as contrasted with her earlier country work and more recent SynthPop. It likewise marked a shift in her lyrical content, focusing more on fictional storytelling and worldbuilding rather than the personal narratives that Swift had previously been known for. Swift continued to work with her frequent collaborator and producer Jack Antonoff, but brought some new faces to her team, including Music/BonIver as her only feature and brothers Bryce and Aaron Dessner from Music/TheNational as writers and producers.
to:
The project carved a new path for Swift's discography. It has a [[NewSoundAlbum folksy, alternative sound]], as contrasted with her earlier country work and more recent SynthPop. It likewise marked a shift in her lyrical content, focusing more on fictional storytelling and worldbuilding rather than the personal narratives that Swift had previously been known for. Swift continued to work with her frequent collaborator and producer Jack Antonoff, but brought some new faces to her team, including Music/BonIver as her only feature and brothers Bryce and Aaron Dessner from Music/TheNational as writers and producers. \n The album also feature prominent writing credit of William Bowery, who was later revealed by Taylor to be her boyfriend at the time Creator/JoeAlwyn.
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The project is unlike anything Swift had ever put out. It has a [[NewSoundAlbum folksy, alternative sound]], as contrasted with her earlier country work and more recent SynthPop. Swift worked with her frequent collaborator and producer Jack Antonoff, but brought some new faces to her team, including Music/BonIver as her only feature and brothers Bryce and Aaron Dessner from Music/TheNational as writers and producers.
Less than five months later, Swift once again announced a surprise midnight album: ''folklore'''s "sister record," ''Music/{{evermore|2020}}'', which she described as a continuation of the same project and which shares many lyrical and technical similarities with its predecessor.
''folklore'' was named Album of the Year at the 63rd UsefulNotes/{{Grammy Award}}s, making Swift the first female artist to win the award three times.
Less than five months later, Swift once again announced a surprise midnight album: ''folklore'''s "sister record," ''Music/{{evermore|2020}}'', which she described as a continuation of the same project and which shares many lyrical and technical similarities with its predecessor.
''folklore'' was named Album of the Year at the 63rd UsefulNotes/{{Grammy Award}}s, making Swift the first female artist to win the award three times.
to:
The project is unlike anything Swift had ever put out.carved a new path for Swift's discography. It has a [[NewSoundAlbum folksy, alternative sound]], as contrasted with her earlier country work and more recent SynthPop. It likewise marked a shift in her lyrical content, focusing more on fictional storytelling and worldbuilding rather than the personal narratives that Swift worked had previously been known for. Swift continued to work with her frequent collaborator and producer Jack Antonoff, but brought some new faces to her team, including Music/BonIver as her only feature and brothers Bryce and Aaron Dessner from Music/TheNational as writers and producers.
While ''folklore'' lacked the pop radio appeal of her earlier works, it was still an immense commercial and critical success and demonstrated her continued commitment to exploring new artistic avenues. This new path exposed Swift to a host of new fans and led to a general reevaluation of her entire oeuvre. ''folklore'' was named Album of the Year at the 63rd UsefulNotes/{{Grammy Award}}s, making Swift the first female artist to win the award three times.
Less than five monthslater, after its release, Swift once again announced a surprise midnight album: ''folklore'''s "sister record," ''Music/{{evermore|2020}}'', which she described as a continuation of the same project and which shares many lyrical and technical similarities with its predecessor.
''folklore'' was named Album of the Year at the 63rd UsefulNotes/{{Grammy Award}}s, making Swift the first female artist to win the award three times.
predecessor.
While ''folklore'' lacked the pop radio appeal of her earlier works, it was still an immense commercial and critical success and demonstrated her continued commitment to exploring new artistic avenues. This new path exposed Swift to a host of new fans and led to a general reevaluation of her entire oeuvre. ''folklore'' was named Album of the Year at the 63rd UsefulNotes/{{Grammy Award}}s, making Swift the first female artist to win the award three times.
Less than five months
''folklore'' was named Album of the Year at the 63rd UsefulNotes/{{Grammy Award}}s, making Swift the first female artist to win the award three times.
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'''Tracklist:'''
# "the 1" (3:30)
# "cardigan" (3:59)
# "the 1" (3:30)
# "cardigan" (3:59)
to:
#
#
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# "exile" (ft. Bon Iver) (4:45)
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# "exile" ''"exile"'' (ft. Bon Iver) Music/BonIver) (4:45)
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# "betty" (4:49)
to:
# "betty" ''"betty"'' (4:49)
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# "the lakes" (Bonus Track) (3:31)
to:
# "the lakes" ''"the lakes"'' (Bonus Track) (3:31)
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* PatriotInExile: The duet song "exile", comparing two ex lovers relationship to this trope:
--->(Music/BonIver) You're not my homeland anymore
--->So what am I defending now?
--->You were my town
--->Now I'm in exile seein' you out
--->...
--->(Taylor) You were my crown
--->Now I'm in exile, seein' you out
--->(Music/BonIver) You're not my homeland anymore
--->So what am I defending now?
--->You were my town
--->Now I'm in exile seein' you out
--->...
--->(Taylor) You were my crown
--->Now I'm in exile, seein' you out
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''folklore'' was named Album of the Year at the 63rd UsefulNotes/{{Grammy Award}}s.
to:
''folklore'' was named Album of the Year at the 63rd UsefulNotes/{{Grammy Award}}s.
Award}}s, making Swift the first female artist to win the award three times.
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Changed line(s) 131 (click to see context) from:
Rosé flowing with your chosen family\\
to:
Rosé flowing with your chosen family\\
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* FamilyOfChoice: "the 1" states that the subject of the narrator has one and the narrator reminiscing about celebrating with her subject chosen family and wish she could have been a part of that family:
--->We were something, don't you think so?\\
Rosé flowing with your chosen family\\
And it would've been sweet\\
If it could've been me
--->We were something, don't you think so?\\
Rosé flowing with your chosen family\\
And it would've been sweet\\
If it could've been me
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Changed line(s) 11,12 (click to see context) from:
The project is unlike anything Swift had ever put out. It has a folksy, alternative sound, as contrasted with her earlier country work and more recent SynthPop. Swift worked with her frequent collaborator and producer Jack Antonoff, but brought some new faces to her team, including Music/BonIver as her only feature and brothers Bryce and Aaron Dessner from Music/TheNational as writers and producers.
to:
The project is unlike anything Swift had ever put out. It has a [[NewSoundAlbum folksy, alternative sound, sound]], as contrasted with her earlier country work and more recent SynthPop. Swift worked with her frequent collaborator and producer Jack Antonoff, but brought some new faces to her team, including Music/BonIver as her only feature and brothers Bryce and Aaron Dessner from Music/TheNational as writers and producers.
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* BittersweetSeventeen: The main characters in the “teenage love triangle” plot are 17 years old and experiencing heartbreak for the first time.
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* BittersweetSeventeen: Bittersweet17: The main characters in the “teenage love triangle” plot are 17 years old and experiencing heartbreak for the first time.
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Trope has been disambiguated per TRS
Deleted line(s) 277 (click to see context) :
* WidowWoman: "the last great american dynasty" is about eccentric Standard Oil heiress [[https://en.wikipedia.org/wiki/Rebekah_Harkness Rebekah Harkness]], who became one of the richest women in America after being widowed by her husband Bill. She previously owned Swift's beach house in Rhode Island.
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Up To Eleven is a defunct trope
Changed line(s) 62 (click to see context) from:
** "august" took this UpToEleven, with every verses and chorus started by expressing the singer's longing for the guy... Only to subverted at the end of verse by concluding that "You aren't mine to lose".
to:
** "august" took this UpToEleven, up to eleven, with every verses and chorus started by expressing the singer's longing for the guy... Only to subverted at the end of verse by concluding that "You aren't mine to lose".
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added to tracklist
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to:
# "the lakes" (Bonus Track) (3:31)
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** "mad woman" particularly, as it's the only one that uses it degradingly and almost viciously.
-->Do you see my face in your neighbor's lawn?\\
-->Do you see my face in your neighbor's lawn?\\
to:
** "mad woman" particularly, as it's particularly is the only one that uses it degradingly and almost viciously.
-->Do --->Do you see my face in your neighbor's lawn?\\
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* BackToCameraPose: The inner artwork is a monochrome photograph of Swift's back while she looks out at a grassy field. It is appropriate for the melancholy, self-reflective tone of the album's songs.
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Changed line(s) 90 (click to see context) from:
* DarkerAndEdgier: Undoubtedly the darkest album she had ever done. The album has multiple songs with PrecisionFStrike, exploration of heavy themes like death, abuse, and sexism, and a lack of definitive happy endings for the characters involved.
to:
* DarkerAndEdgier: Undoubtedly the darkest album she had ever done. The album has multiple songs with PrecisionFStrike, exploration of heavy themes like death, abuse, alcoholism and sexism, and a lack of definitive happy endings for the characters involved.
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Changed line(s) 55 (click to see context) from:
* AmbiguousEnding: Does Betty takes James back? [[spoiler:"betty" implies yes but "cardigan" implies they fell apart again.]]
to:
* AmbiguousEnding: Does Betty takes James back? [[spoiler:"betty" implies yes but [[spoiler:Accordig to Word of God, [[https://www.billboard.com/music/pop/folklore-the-long-pond-studio-sessions-taylor-swift-things-learned-taylor-swift-9490082/ yes]]. Despite being the first of the three songs to appear, the storytelling of "cardigan" implies they fell apart again.happens 20 or 30 years later, as Betty recalls the separation and enduring optimism of her relationship with James.]]
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Changed line(s) 204 (click to see context) from:
-->Do you see my face in your neighbor's lawn\\
to:
-->Do you see my face in your neighbor's lawn\\lawn?\\
Changed line(s) 206 (click to see context) from:
or does she mouth 'Fuck you forever'.
to:
or does she mouth 'Fuck you forever'.forever'?
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** "mad woman" particularly, as it's the only one that uses it degradingly and almost viciously.
-->Do you see my face in your neighbor's lawn\\
Does she smile\\
or does she mouth 'Fuck you forever'.
-->Do you see my face in your neighbor's lawn\\
Does she smile\\
or does she mouth 'Fuck you forever'.
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Added DiffLines:
*** "exile" has the line, "I think I've seen this film before and I didn't like the ending."