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Correcting alphabetical order of examples.
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Correcting alphabetical order of examples.
* LighterAndSofter: Many fans would say that after Chris Barnes' departure from the band, the lyrics became less sexual and were just straight-up violent by ''Gore Obsessed''.
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* LighterAndSofter: Many fans would say that after Chris Barnes' departure from the band, the lyrics became less sexual and were just straight-up violent by ''Gore Obsessed''.
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** The closing track of ''Kill'', "Infinite Misery", is the only one that's longer than 4 minutes, at the very close length of 4:01.
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* SignatureStyle: All of their songwriters from ''Vile'' (when they moved towards an individual contributor rather than collaborative setup) have distinct styles:
** Alex Webster tends to write the most straightforward songs, and is generally the grooviest writer and tends to be particularly fond of technical pedalpoint riffing.
** Rob Barrett tends to write fast, riff-oriented death/thrash songs with anthemic choruses.
** Alex Webster tends to write the most straightforward songs, and is generally the grooviest writer and tends to be particularly fond of technical pedalpoint riffing.
** Rob Barrett tends to write fast, riff-oriented death/thrash songs with anthemic choruses.
to:
* SignatureStyle: All of their songwriters from ''Vile'' onwards (when they moved towards an individual contributor per song rather than collaborative setup) have distinct styles:
** Alex Webster tends to write the most straightforward songs,and is generally the grooviest writer writer, and tends to be is particularly fond of technical pedalpoint riffing.
** Rob Barretttends to write usually writes fast, riff-oriented death/thrash songs with anthemic choruses.
** Alex Webster tends to write the most straightforward songs,
** Rob Barrett
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** Pat O'Brien wrote their most technical and demanding material, and particularly enjoyed dissonant arpeggios in his riffs.
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** Pat O'Brien wrote their most technical and demanding material, and particularly enjoyed using dissonant arpeggios in his riffs.
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* LongestSongGoesFirst: Inverted with ''Kill'', which opens with its shortest song, "The Time to Kill Is Now" (2:03).
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* SignatureStyle: All of their songwriters from ''Vile'' (when they moved towards an individual contributor rather than collaborative setup) have distinct styles:
** Alex Webster tends to write the most straightforward songs, and is generally the grooviest writer and tends to be particularly fond of technical pedalpoint riffing.
** Rob Barrett tends to write fast, riff-oriented death/thrash songs with anthemic choruses.
** Erik Rutan writes their heaviest and most dissonant material, often featuring major tempo changes.
** Jack Owen wrote their quirkiest and most experimental songs, with lots of unconventional approaches to riffing and song structure.
** Pat O'Brien wrote their most technical and demanding material, and particularly enjoyed dissonant arpeggios in his riffs.
** Alex Webster tends to write the most straightforward songs, and is generally the grooviest writer and tends to be particularly fond of technical pedalpoint riffing.
** Rob Barrett tends to write fast, riff-oriented death/thrash songs with anthemic choruses.
** Erik Rutan writes their heaviest and most dissonant material, often featuring major tempo changes.
** Jack Owen wrote their quirkiest and most experimental songs, with lots of unconventional approaches to riffing and song structure.
** Pat O'Brien wrote their most technical and demanding material, and particularly enjoyed dissonant arpeggios in his riffs.
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** The cover art of ''Chaos Horrific'' also depicts this.
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** The cover art arts of ''Gore Obsessed'' and ''Chaos Horrific'' also depicts depict this.
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* MinimalisticCoverArt: ''Kill'' and ''Evisceration Plague'', with ''Red Before Black'' also being a downplayed example. ''Kill'' was that way largely by accident; the original piece they got back from Vincent Locke was apparently excellent, but wasn't really suitable as a cover piece, so they did the best that they could with what little time was available.
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* MinimalisticCoverArt: ''Kill'' and ''Evisceration Plague'', with ''Red Before Black'' also being a downplayed example. ''Kill'' was that way largely by accident; the original piece they got back from Vincent Locke was apparently excellent, but wasn't really suitable as a cover piece, so it was relegated to the album's internal packaging and they did the best that they could with what little time was available.
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* LongestSongGoesLast: ''Vile'' ends with the 4:24 "Monolith", which is only four seconds longer than the second-longest track, the 4:20 "Bloodlands".
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* LongestSongGoesLast: LongestSongGoesLast:
** ''Tomb of the Mutilated'' closes with the 4:53 "Beyond the Cemetery", the album's only track to surpass the length of four minutes and a half.
** ''Vile'' ends with the 4:24 "Monolith", which is only four seconds longer than the second-longest track, the 4:20 "Bloodlands".
** ''Tomb of the Mutilated'' closes with the 4:53 "Beyond the Cemetery", the album's only track to surpass the length of four minutes and a half.
** ''Vile'' ends with the 4:24 "Monolith", which is only four seconds longer than the second-longest track, the 4:20 "Bloodlands".
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* TheXOfY: "Gallery of Suicide," "Disposal of the Body," "Centuries of Torment," "Chambers of Blood," "Mutation of the Cadaver," "Pit of Zombies," "The Discipline of Revenge," "Priests of Sodom," "A Cauldron of Hate," "Scourge of Iron," and "Vector of Cruelty."
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* TheXOfY: "Gallery TheXOfY:
** For albums, ''Tomb ofSuicide," the Mutilated'', ''Gallery of Suicide'', ''Monolith of Death'' and ''Centuries of Torment: The First 20 Years''.
** For songs, "Disposal of the Body," "Gallery of Suicide," "Chambers of Blood," "Centuries of Torment,""Chambers "Pit of Blood," Zombies," "Mutation of the Cadaver," "Pit of Zombies," "The Discipline of Revenge," "Priests of Sodom," "A Cauldron of Hate," "Scourge of Iron," and "Vector of Cruelty.Cruelty," "Code of the Slashers," "Cerements of the Flayed," and "Overlords of Violence."
** For albums, ''Tomb of
** For songs, "Disposal of the Body," "Gallery of Suicide," "Chambers of Blood," "Centuries of Torment,"
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* VocalEvolution: Chris Barnes's vocals on ''Eaten Back to Life'' were already deep and inhuman-sounding for their time. He would go even deeper on subsequent works, to the point of practically being subsonic on ''Tomb of the Mutilated''. His vocals became a little higher-pitched on ''The Bleeding'', presaging the further changes his voice would experience in Music/SixFeetUnder albums.
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* VocalEvolution: Chris Barnes's vocals on ''Eaten Back to Life'' were already deep and inhuman-sounding for their time. He would go even deeper on subsequent works, to the point of practically being subsonic on ''Tomb of the Mutilated''. His vocals became a little higher-pitched on ''The Bleeding'', presaging the further changes his voice would experience in Music/SixFeetUnder albums.Music/SixFeetUnder's discography.
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* {{Instrumentals}}: "Relentless Beating", "From Skin to Liquid" and "Infinite Misery"
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* {{Instrumentals}}: "Relentless Beating", "From Skin to Liquid" and "Infinite Misery"Misery".
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** While their artwork isn't as graphic as most, ''A Skeletal Domain'', ''Red Before Black'' and ''Violence Unimagined'' are considerably heavier than all their other albums, in addition to using dreadful high-pitch notes more frequently. ''Red Before Black'' is also more lyrically gruesome than usual for the Corpsegrinder-era albums (with "Remaimed" sticking out the most), though it's nowhere near the Barnes era's level.
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** While their artwork isn't as graphic as most, ''A Skeletal Domain'', ''Red Before Black'' and Black'', ''Violence Unimagined'' and ''Chaos Horrific'' are considerably heavier than all their other albums, in addition to using dreadful high-pitch notes more frequently. ''Red Before Black'' is also more lyrically gruesome than usual for the Corpsegrinder-era albums (with "Remaimed" sticking out the most), though it's nowhere near the Barnes era's level.
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Changed line(s) 172,173 (click to see context) from:
* GraveRobbing: "Coffinfeeder" is about zombies that dig up graves to eat the corpses inside them.
* GroinAttack: "Orgasm Through Torture" and "Blunt Force Castration" are about groin attacks on men. "Addicted to Vaginal Skin" and the horrifying "Fucked With a Knife" are about groin attacks on women.
* GroinAttack: "Orgasm Through Torture" and "Blunt Force Castration" are about groin attacks on men. "Addicted to Vaginal Skin" and the horrifying "Fucked With a Knife" are about groin attacks on women.
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* GraveRobbing: "Coffinfeeder" "Coffin Feeder" is about zombies that dig up graves to eat the corpses inside them.
*GroinAttack: GroinAttack:
** "Orgasm Through Torture" and "Blunt Force Castration" are about groin attacks onmen. men.
** "Addicted to Vaginal Skin" and the horrifying "Fucked With a Knife" are about groin attacks on women.
*
** "Orgasm Through Torture" and "Blunt Force Castration" are about groin attacks on
** "Addicted to Vaginal Skin" and the horrifying "Fucked With a Knife" are about groin attacks on women.
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->''Facedown, dead on the ground''
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** In terms of songs, there's the TitleTrack of ''Butchered at Birth'', "The Spine Splitter", "Bent Backwards and Broken", "Barbaric Bludgeonings", "Beheading and Burning," "Caged... Contorted," and "Condemnation Contagion".
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** In terms of songs, there's Song titles include the TitleTrack of ''Butchered at Birth'', "The Spine Splitter", "Bent Backwards and Broken", "Barbaric Bludgeonings", "Beheading and Burning," "Caged... Contorted," and "Condemnation Contagion".
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* GoryDeadlyOverkillTitleOfFatalDeath: To choose from just the most extreme examples in songs, we have "Necropedophile", "Entrails Ripped From A Virgin's Cunt" and "Meat Hook Sodomy". Of course, the band's name and most of the album titles are also examples.
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* GoryDeadlyOverkillTitleOfFatalDeath: GoryDeadlyOverkillTitleOfFatalDeath:
** To choose from just the most extreme examples in songs, we have "Meat Hook Sodomy", "Necropedophile", and "Entrails Ripped FromA a Virgin's Cunt" and "Meat Hook Sodomy". Cunt".
** Of course, the band's name and most of the album titles are also examples.
** To choose from just the most extreme examples in songs, we have "Meat Hook Sodomy", "Necropedophile", and "Entrails Ripped From
** Of course, the band's name and most of the album titles are also examples.
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* AlliterativeTitle: The band's name itself, as well as the songs "The Spine Splitter", "Bent Backwards and Broken", "Barbaric Bludgeonings", "Beheading and Burning," "Caged... Contorted," and "Condemnation Contagion".
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* AlliterativeTitle: AlliterativeTitle:
** The band's name itself, as well as thesongs album ''Butchered at Birth''.
** In terms of songs, there's the TitleTrack of ''Butchered at Birth'', "The Spine Splitter", "Bent Backwards and Broken", "Barbaric Bludgeonings", "Beheading and Burning," "Caged... Contorted," and "Condemnation Contagion".
** The band's name itself, as well as the
** In terms of songs, there's the TitleTrack of ''Butchered at Birth'', "The Spine Splitter", "Bent Backwards and Broken", "Barbaric Bludgeonings", "Beheading and Burning," "Caged... Contorted," and "Condemnation Contagion".
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Chaos Horrific has already been released.
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* ''Chaos Horrific'' (2023; upcoming)
to:
* ''Chaos Horrific'' (2023; upcoming)
(2023)
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* ThirteenIsUnlucky: A couple songs use this symbolically in relation to the people who are dead or killed.
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* ThirteenIsUnlucky: A couple of their songs use this symbolically in relation to the people who are dead or killed.
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Changed line(s) 87,88 (click to see context) from:
** "Hollowed Bodies" is about the discovery of numerous dead body stacks, each of which has exactly thirteen corpses.
** In "Summoned for Sacrifice", a group of thirteen torturers progressively mutilate a victim to death, under the order of "the elders" according to the lyrics.
** In "Summoned for Sacrifice", a group of thirteen torturers progressively mutilate a victim to death, under the order of "the elders" according to the lyrics.
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** "Hollowed Bodies" is about the discovery of numerous dead body stacks, each of which has exactly thirteen 13 corpses.
** In "Summoned for Sacrifice", a group ofthirteen 13 torturers progressively mutilate a victim to death, under the order of "the elders" according to the lyrics.
** In "Summoned for Sacrifice", a group of
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Changed line(s) 86,87 (click to see context) from:
* ThirteenIsUnlucky:
** "Hollowed Bodies"
** "Hollowed Bodies"
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* ThirteenIsUnlucky:
ThirteenIsUnlucky: A couple songs use this symbolically in relation to the people who are dead or killed.
** "Hollowed Bodies" is about the discovery of numerous dead body stacks, each of which has exactly thirteen corpses.
** In "Summoned for Sacrifice", a group of thirteen torturers progressively mutilate a victim to death, under the order of "the elders" according to the lyrics.
** "Hollowed Bodies" is about the discovery of numerous dead body stacks, each of which has exactly thirteen corpses.
** In "Summoned for Sacrifice", a group of thirteen torturers progressively mutilate a victim to death, under the order of "the elders" according to the lyrics.
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* ThirteenIsUnlucky:
** "Hollowed Bodies"
** "Hollowed Bodies"
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-->''Violence unimagined'', lasted for days
to:
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* ThrashMetal: ''Eaten Back to Life'' was as much thrash as it was death metal, and thrash overtones are pretty common in their work as a whole; ''Red Before Black'', in particular, was noted as being a bit of a return to their death/thrash roots. The songs that Rob Barrett writes tend to cleave particularly close to thrash.
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* ThrashMetal: ThrashMetal:
** ''Eaten Back to Life'' was as much thrash as it was death metal, and thrash overtones are pretty common in their work as a whole; ''Red Before Black'', in particular, was noted as being a bit of a return to their death/thrashroots. The roots.
** In terms of songwriting, the songs that Rob Barrett writes tend to cleaveparticularly close to thrash.
** ''Eaten Back to Life'' was as much thrash as it was death metal, and thrash overtones are pretty common in their work as a whole; ''Red Before Black'', in particular, was noted as being a bit of a return to their death/thrash
** In terms of songwriting, the songs that Rob Barrett writes tend to cleave
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Changed line(s) 269 (click to see context) from:
* ThrashMetal: ''Eaten Back to Life'' was as much thrash as it was death metal, and thrash overtones are pretty common in their work as a whole; ''Red Before Black'', in particular, was noted as being a bit of a return to their death/thrash roots. The songs that Rob Barrett writes tend to cleave particularly close to this as well.
to:
* ThrashMetal: ''Eaten Back to Life'' was as much thrash as it was death metal, and thrash overtones are pretty common in their work as a whole; ''Red Before Black'', in particular, was noted as being a bit of a return to their death/thrash roots. The songs that Rob Barrett writes tend to cleave particularly close to this as well.thrash.
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Changed line(s) 230 (click to see context) from:
* OlderThanTheyLook: Corpsegrinder looks like he's in his mid or ''maybe'' late 30's. He's actually 51 as of 2021, making him less than two years younger than former vocalist Chris Barnes (who still looks good for being in his early 50s but is visibly middle-aged). This also holds true for most of the band; Rob is the only one who is starting to show his age (he recently reached the age of 50) by way of an ever-growing bald spot.
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* OlderThanTheyLook: Corpsegrinder looks like he's in his mid or ''maybe'' late 30's. He's actually 51 as of 2021, making him less than two years younger than former vocalist Chris Barnes (who still looks good for being in his early 50s mid-50s but is visibly middle-aged). This also holds true for most of the band; Rob is the only one who is starting to show his age (he recently reached the age of 50) by way of an ever-growing bald spot.
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* TheStoner: Chris Barnes. If the band's account of his departure is to be believed, he apparently wasn't careful with it and ruined his throat, rendering him unable to pull off his gutturals consistently. As of his time in Six Feet Under, he is now infamous for being a very inconsistent vocalist both live and in studio thanks to this.
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* TheStoner: Chris Barnes. If the band's account of his departure is to be believed, he apparently wasn't careful with it and ruined his throat, rendering him unable to pull off his gutturals consistently. As of his time in Six Feet Under, he is now infamous for being a very inconsistent vocalist both live and in studio thanks to this. However, he allegedly quit smoking weed in 2022 for unknown reasons.
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The trope only applies to the title track, not the whole album.
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* HatePlague: The theme of their 2009 album, ''Evisceration Plague''.
to:
* HatePlague: The theme of their 2009 album, ''Evisceration Plague''.Plague''[='s=] TitleTrack.
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Changed line(s) 178 (click to see context) from:
--->'''''Knife in stomach''', he's not dead yet\\
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Chop off his arms, '''pull out his guts'''''
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Chop off his arms, '''pull out his guts'''''guts''' ''
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* GuttedLikeAFish: "Frantic Disembowelment" describes this in explicit detail:
-->''Intestines exposed by violent thrusts''\\
''The innards removed, dissecting the guts''\\
''To rip through the skin, tissue, and muscle''\\
''Cartilage shredding, draining blood vessels''
-->''Intestines exposed by violent thrusts''\\
''The innards removed, dissecting the guts''\\
''To rip through the skin, tissue, and muscle''\\
''Cartilage shredding, draining blood vessels''
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* GuttedLikeAFish: GuttedLikeAFish:
** "Frantic Disembowelment" describes this in explicit detail:
-->''Intestines --->''Intestines exposed by violent thrusts''\\
''Thethrusts\\
The innards removed, dissecting theguts''\\
''Toguts\\
To rip through the skin, tissue, andmuscle''\\
''Cartilagemuscle\\
Cartilage shredding, draining bloodvessels''vessels''
** Also mentioned in "Puncture Wound Massacre":
--->'''''Knife in stomach''', he's not dead yet\\
Carving up his body, gouge his fucking head\\
Chop off his arms, '''pull out his guts'''''
** "Frantic Disembowelment" describes this in explicit detail:
''The
The innards removed, dissecting the
''To
To rip through the skin, tissue, and
''Cartilage
Cartilage shredding, draining blood
** Also mentioned in "Puncture Wound Massacre":
--->'''''Knife in stomach''', he's not dead yet\\
Carving up his body, gouge his fucking head\\
Chop off his arms, '''pull out his guts'''''
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-->''Fire up the chainsaaaw!''\\
''Hack all their heads oooff!''\\
''Fire up the chainsaaaw!''\\
''Hack their fucking heads off!''
''Hack all their heads oooff!''\\
''Fire up the chainsaaaw!''\\
''Hack their fucking heads off!''
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-->''Fire up the chainsaaaw!''\\
''Hackchainsaaaw!\\
Hack all their headsoooff!''\\
''Fireoooff!\\
Fire up thechainsaaaw!''\\
''Hackchainsaaaw!\\
Hack their fucking heads off!''
''Hack
Hack all their heads
''Fire
Fire up the
''Hack
Hack their fucking heads off!''
* CruelAndUnusualDeath: Many of them, but special mention goes to the protagonist's last victim from "Puncture Wound Massacre".
-->''My job is almost finished, only one remains\\
I'll take my time on this last scumbag\\
Knife in stomach, he's not dead yet\\
Carving up his body, gouge his fucking head\\
Chop off his arms, pull out his guts\\
No remorse for what I have done''
-->''My job is almost finished, only one remains\\
I'll take my time on this last scumbag\\
Knife in stomach, he's not dead yet\\
Carving up his body, gouge his fucking head\\
Chop off his arms, pull out his guts\\
No remorse for what I have done''
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* MinisculeRocking: There are quite a few songs under two minutes: "Put Them to Death," "Bloody Chunks," "Puncture Wound Massacre," "Disposal of the Body", "Dismembered and Molested", "Crushing the Despised," "Savage Butchery," "Severed Head Stoning." and "Scalding Hail."
to:
* MinisculeRocking: There are They have quite a few songs with a length of under two minutes: "Put Them to Death," "Bloody Chunks," "Puncture Wound Massacre," "Disposal of the Body", "Dismembered and Molested", "Crushing the Despised," "Savage Butchery," "Severed Head Stoning." and "Scalding Hail."