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Boards of Canada ([=BoC=] for short) are an electronic music duo formed of Scottish brothers[[note]]For a while they pulled a move akin to Music/TheWhiteStripes and pretended they were just friends; when asked why, they explained that they didn't want to attract needless comparisons to Music/{{Orbital}}, another SiblingTeam electronic band[[/note]] Mike Sandison and Marcus Eoin, known for their psychedelic, trippy style of downtempo-type music as well as the unique pastoral aesthetic that helped differentiate them from the more synthetic contemporaries of their time.
to:
Boards of Canada ([=BoC=] for short) are an electronic music duo formed of Scottish brothers[[note]]For a while while, they pulled a move akin to Music/TheWhiteStripes and pretended they were just friends; when asked why, they explained that they didn't want to attract needless comparisons to Music/{{Orbital}}, another SiblingTeam electronic band[[/note]] Mike Sandison and Marcus Eoin, known for their psychedelic, trippy style of downtempo-type music as well as the unique pastoral aesthetic that helped differentiate them from the more synthetic contemporaries of their time.
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* NonappearingTitle: Few of their albums or [=EPs=] feature the album title in a song, ''In a Beautiful Place Out in the Country'', ''Twoism'', and ''Boc Maxima'' being exceptions.
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* NonappearingTitle: NonAppearingTitle: Few of their albums or [=EPs=] feature the album title in a song, ''In a Beautiful Place Out in the Country'', ''Twoism'', and ''Boc Maxima'' being exceptions.
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* ElectronicMusic '
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* ElectronicMusic 'ElectronicMusic: But of course.
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** Though they have never been heard publicly, some of the songs on their earliest albums could be quite long."Tends Towards" from "Closes Vol. 1", was 8 minutes long, "Infinite Lines Of Colourful Sevens", from "Play By Numbers", was 9 minutes and 18 seconds long, and "Line Two" and "Visual Drone 12", both from "Catalog 3", were ''10 minutes'' and ''13 minutes long'', respectively.
to:
** Though they have never been heard publicly, some of the songs on their earliest albums could be quite long. "Tends Towards" from "Closes Vol. 1", was 8 minutes long, "Infinite Lines Of Colourful Sevens", from "Play By Numbers", was 9 minutes and 18 seconds long, and "Line Two" and "Visual Drone 12", both from "Catalog 3", were ''10 minutes'' and ''13 minutes long'', respectively.
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Plenty of their unreleased songs and remixes are pretty long. I'll add more soon
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* ElectronicMusic
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* ElectronicMusic '
* EpicRocking: While several of the songs on their main albums qualify, some of their other songs/remixes can get quite long.
** "Seven Forty Seven", an unreleased song which appeared on [=Warp20=] (Unheard), clocks in at 6:44.
** The version of "Chinook" which appears on the "Aquarius" EP is just over 7 minutes long.
** "XYZ", from their radio session with Creator/JohnPeel, is ''8 minutes long''.
** Though they have never been heard publicly, some of the songs on their earliest albums could be quite long."Tends Towards" from "Closes Vol. 1", was 8 minutes long, "Infinite Lines Of Colourful Sevens", from "Play By Numbers", was 9 minutes and 18 seconds long, and "Line Two" and "Visual Drone 12", both from "Catalog 3", were ''10 minutes'' and ''13 minutes long'', respectively.
* EpicRocking: While several of the songs on their main albums qualify, some of their other songs/remixes can get quite long.
** "Seven Forty Seven", an unreleased song which appeared on [=Warp20=] (Unheard), clocks in at 6:44.
** The version of "Chinook" which appears on the "Aquarius" EP is just over 7 minutes long.
** "XYZ", from their radio session with Creator/JohnPeel, is ''8 minutes long''.
** Though they have never been heard publicly, some of the songs on their earliest albums could be quite long."Tends Towards" from "Closes Vol. 1", was 8 minutes long, "Infinite Lines Of Colourful Sevens", from "Play By Numbers", was 9 minutes and 18 seconds long, and "Line Two" and "Visual Drone 12", both from "Catalog 3", were ''10 minutes'' and ''13 minutes long'', respectively.
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* ArcNumber: 70. "Sixtyten" is based on how "70" is said in French. ''Geogaddi'' features a song called "The Smallest Weird Number," which happens to be 70. Before being signed to Warp, they were on their own independent label called [=Music70=], which is still co-credited as the label on BOC albums.
to:
* ArcNumber: 70. "Sixtyten" is based on how "70" is said in French. ''Geogaddi'' features a song called "The Smallest Weird Number," which happens to be 70. Before being signed to Warp, they were on their own independent label called [=Music70=], which is still co-credited as the label on BOC [=BoC=] albums.
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* RefrainFromAssuming: "Sunshine Recorder" contains the LoopedLyrics "an eagle in your mind... a beautiful place." The band seems to have been deliberately [[{{Troll}} trolling]] here, because this makes the song very easy to confuse with the previous BOC songs "An Eagle in Your Mind" and "In a Beautiful Place Out in the Country".
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* RefrainFromAssuming: "Sunshine Recorder" contains the LoopedLyrics "an eagle in your mind... a beautiful place." The band seems to have been deliberately [[{{Troll}} trolling]] here, because this makes the song very easy to confuse with the previous BOC [=BoC=] songs "An Eagle in Your Mind" and "In a Beautiful Place Out in the Country".
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Added Hi Scores to the releases section, and clarified some facts about magic window
* 1996 - ''Hi Scores'' EP
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* NumberOfTheBeast: ''Geogaddi'''s last track "Magic Window" is 1:46 minutes of silence, and was added in order to make the final album length add up to 66:06. WordOfGod claims this was done ForTheLulz after a suggestion from Warp Records president Steve Beckett, to troll the stupid listeners who were scared off by their [[SubliminalSeduction reversing]] and sample manipulation. This joke doesn't work on the Japanese version of the album, whose bonus track "From One Source All Things Depend" pushes the length to 68:14.
to:
* NumberOfTheBeast: ''Geogaddi'''s last track "Magic Window" is 1:46 minutes of silence, and was added in order to make making the final album length add up to 66:06. WordOfGod claims this that [[https://bocpages.org/wiki/Stirred_Up_The_Ashes a silent track was done ForTheLulz after always intended to be at the end of the album]], but the length was a suggestion from Warp Records president Steve Beckett, Beckett ForTheLulz, to troll the stupid listeners who were scared off by their [[SubliminalSeduction reversing]] and sample manipulation. This joke doesn't work isn't present on the Japanese version of the album, whose bonus track "From One Source All Things Depend" pushes the length to 68:14.68:14; or the vinyl release, which has a blank Side F with an image of a nuclear family to represent Magic Window.
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Their music often uses a combination of electronic and traditional instrumentation, heavy analogue sound manipulation and processing, trip hop-influenced beats, and frequent {{sampling}}, usually taken from field recordings and old [[TheSeventies seventies]] media. (Their name is actually a nod to such media through the documentaries produced by the Creator/NationalFilmBoardOfCanada, which they were heavily influenced by as their family moved to Canada during their childhood.) While the mood evoked by [=BoC=] music is usually sunny, optimistic, soothing, and vaguely nostalgic, the brothers have been known to dip into [[NightmareFuel darker territories]] well every now and then, especially on ''Geogaddi'' and ''Tomorrow's Harvest.''
to:
Their music often uses a combination of electronic and traditional instrumentation, heavy analogue sound manipulation and processing, trip hop-influenced beats, and frequent {{sampling}}, usually taken from field recordings and old [[TheSeventies seventies]] media. (Their name is actually a nod to such media through the documentaries produced by the Creator/NationalFilmBoardOfCanada, which they were heavily influenced by as their family moved to Canada during their childhood.) )
While the mood evoked by[=BoC=] [=BoC=]'s music is usually sunny, optimistic, soothing, and vaguely nostalgic, the brothers have been known to dip into [[NightmareFuel darker territories]] well every now and then, especially on ''Geogaddi'' and ''Tomorrow's Harvest.''
While the mood evoked by
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Creator/DavidFirth]] loves them. [[Music/{{Autechre}} Sean Booth]] is also a fan, as he signed them to his label Skam Records and had them open for a few Autechre shows.
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[[WebAnimation/SaladFingers David Firth]] loves them. [[Music/{{Autechre}} Sean Booth]] is also a fan, as he signed them to his label Skam Records and had them open for a few Autechre shows.
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[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/boc.jpg]]
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[[caption-width-right:350:Creating "the last sounds of a dying machine from TheSeventies that just got recently excavated" since TheEighties.]]
[floatboxright:Influences:
+The Incredible String Band, Music/JoniMitchell, Music/TheBeatles, Music/MyBloodyValentine, Music/{{Radiohead}}]
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Boards of Canada are an electronic music duo formed of Scottish brothers Mike Sandison and Marcus Eoin. [[note]] For a while they pulled a move akin to Music/TheWhiteStripes and pretended they were just friends; when asked why they explained that they didn't want to attract needless comparisons to Music/{{Orbital}}, another SiblingTeam electronic band. [[/note]] They are known for their psychedelic, trippy sound constructed by a combination of electronic and traditional instrumentation, heavy sound manipulation and processing, achieved mainly with analogue equipment, trip hop-influenced beats, and frequent [[{{Sampling}} samples,]] usually drawn from old [[TheSeventies seventies]] media (their name is a nod to the documentaries produced by the Creator/NationalFilmBoardOfCanada, which they were heavily influenced by as their family moved to Canada during their childhood) and field recordings. This gives their music a more pastoral and human character compared to other purely synthetic electronic artists. A frequent metaphor / comparison among reviewers is that their music sounds like "the last sounds of a dying machine from TheSeventies that just got recently excavated," or something along those lines.
Despite the generally sunny, optimistic and vaguely nostalgic character of their music, the brothers have been known to dip into the NightmareFuel well every now and then, especially on ''Geogaddi'' and ''Tomorrow's Harvest.''
Boards of Canada has existed since 1986, when Marcus joined Mike's band, but ever since 1989 the band consists solely of the Sandison brothers. Their early songs were released through self-financed cassette releases on their [=Music70=] label, but since 1998, their albums have appeared through Warp Records. Among their influences, the brothers have cited The Incredible String Band (claiming shared pastoral sensibilities), Music/JoniMitchell, Music/TheBeatles and Music/MyBloodyValentine. They are also professed fans of Music/{{Radiohead}}.
Despite the generally sunny, optimistic and vaguely nostalgic character of their music, the brothers have been known to dip into the NightmareFuel well every now and then, especially on ''Geogaddi'' and ''Tomorrow's Harvest.''
Boards of Canada has existed since 1986, when Marcus joined Mike's band, but ever since 1989 the band consists solely of the Sandison brothers. Their early songs were released through self-financed cassette releases on their [=Music70=] label, but since 1998, their albums have appeared through Warp Records. Among their influences, the brothers have cited The Incredible String Band (claiming shared pastoral sensibilities), Music/JoniMitchell, Music/TheBeatles and Music/MyBloodyValentine. They are also professed fans of Music/{{Radiohead}}.
to:
Boards of Canada ([=BoC=] for short) are an electronic music duo formed of Scottish brothers Mike Sandison and Marcus Eoin. [[note]] For brothers[[note]]For a while they pulled a move akin to Music/TheWhiteStripes and pretended they were just friends; when asked why why, they explained that they didn't want to attract needless comparisons to Music/{{Orbital}}, another SiblingTeam electronic band. [[/note]] They are band[[/note]] Mike Sandison and Marcus Eoin, known for their psychedelic, trippy sound constructed by style of downtempo-type music as well as the unique pastoral aesthetic that helped differentiate them from the more synthetic contemporaries of their time.
Their music often uses a combination of electronic and traditional instrumentation, heavy analogue sound manipulation and processing,achieved mainly with analogue equipment, trip hop-influenced beats, and frequent [[{{Sampling}} samples,]] {{sampling}}, usually drawn taken from field recordings and old [[TheSeventies seventies]] media (their media. (Their name is actually a nod to such media through the documentaries produced by the Creator/NationalFilmBoardOfCanada, which they were heavily influenced by as their family moved to Canada during their childhood) and field recordings. This gives their childhood.) While the mood evoked by [=BoC=] music a more pastoral and human character compared to other purely synthetic electronic artists. A frequent metaphor / comparison among reviewers is that their music sounds like "the last sounds of a dying machine from TheSeventies that just got recently excavated," or something along those lines.
Despite the generallyusually sunny, optimistic optimistic, soothing, and vaguely nostalgic character of their music, nostalgic, the brothers have been known to dip into the NightmareFuel [[NightmareFuel darker territories]] well every now and then, especially on ''Geogaddi'' and ''Tomorrow's Harvest.''
Boards of Canada [=BoC=] has existed since 1986, when Marcus joined Mike's band, but ever since 1989 the band consists has consisted solely of the Sandison brothers. Their early songs were released through self-financed cassette releases on their [=Music70=] label, but since 1998, their albums have appeared through Warp Records. Among their influences, the brothers have cited The Incredible String Band (claiming shared pastoral sensibilities), Music/JoniMitchell, Music/TheBeatles and Music/MyBloodyValentine. They are also professed fans of Music/{{Radiohead}}.
Records.
Their music often uses a combination of electronic and traditional instrumentation, heavy analogue sound manipulation and processing,
Despite the generally
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Moving some album-exclusive tropes
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* AfterTheEnd: [[spoiler: Tomorrow's Harvest]] is (probably) about this and the events directly preceding it.
* AlternateRealityGame: Sums up their mysterious trail of clues leading up to the announcement of their most recent album ''Tomorrow's Harvest''.
* AlternateRealityGame: Sums up their mysterious trail of clues leading up to the announcement of their most recent album ''Tomorrow's Harvest''.
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* DownerEnding: "Semena Mertvykh" gives vibes of this in ''Tomorrow's Harvest.'' [[note]]The track's name is Russian for "Seeds of Dead Ones", which rather cruelly reverses the optimism of the earlier song title "New Seeds".[[/note]]
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* InTheStyleOf / {{Pastiche}}: Much of ''Tomorrow's Harvest'' is an homage to 1970s electronic horror film scores such as those by Creator/JohnCarpenter, Music/{{Goblin}}, Music/WendyCarlos, and [[Film/Zombi2 Fabio Frizzi]].
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* 1998 - ''Music/{{Music Has the Right to Children}}''
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* 1998 - ''Music/{{Music Has the Right to Children}}''''Music/MusicHasTheRightToChildren''
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* 2013 - ''Tomorrow's Harvest''
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* 2013 - ''Tomorrow's Harvest''''Music/TomorrowsHarvest''
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** Likewise, ''Tomorrow's Harvest'' tones down the band's trademark warbly synths for a much colder palette akin to the soundtrack work of Creator/JohnCarpenter and Music/{{Vangelis}}.
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** Likewise, ''Tomorrow's Harvest'' tones down the band's trademark warbly synths for a much colder colder, darker palette akin to the soundtrack work of Creator/JohnCarpenter Creator/JohnCarpenter, John Harrison and Music/{{Vangelis}}.
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** Likewise, ''Tomorrow's Harvest'' tones down the band's trademark warbly synths for a much colder palette akin to the film soundtracks of Creator/JohnCarpenter and Music/Vangelis.
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** Likewise, ''Tomorrow's Harvest'' tones down the band's trademark warbly synths for a much colder palette akin to the film soundtracks soundtrack work of Creator/JohnCarpenter and Music/Vangelis.Music/{{Vangelis}}.
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** Likewise, ''Tomorrow's Harvest'' tones down the trippy, warbly synth sounds of old for a much colder palette reminiscent of 1970s film soundtracks, akin to the work Creator/JohnCarpenter and Creatror/Vangelis.
to:
** Likewise, ''Tomorrow's Harvest'' tones down the trippy, band's trademark warbly synth sounds of old synths for a much colder palette reminiscent of 1970s film soundtracks, akin to the work film soundtracks of Creator/JohnCarpenter and Creatror/Vangelis.Music/Vangelis.
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* NewSoundAlbum: ''The Campfire Headphase'' shifted Boards of Canada's sound into a more guitar, pastoral sound driven direction, mainly to avoid pigeonholing. Fans and critics are divided on whether or not this is for the better.
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* NewSoundAlbum: ''The Campfire Headphase'' shifted Boards of Canada's sound into a more guitar, pastoral sound driven guitar-driven, pastoral direction, mainly to avoid pigeonholing. Fans and critics are divided on whether or not this is for the better.better.
** Likewise, ''Tomorrow's Harvest'' tones down the trippy, warbly synth sounds of old for a much colder palette reminiscent of 1970s film soundtracks, akin to the work Creator/JohnCarpenter and Creatror/Vangelis.
** Likewise, ''Tomorrow's Harvest'' tones down the trippy, warbly synth sounds of old for a much colder palette reminiscent of 1970s film soundtracks, akin to the work Creator/JohnCarpenter and Creatror/Vangelis.
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** Most tracks on Geogaddi either "work" equally well reversed, or were clearly written to be reversed in the first place (like "Dandelion" and "I Saw Drones").
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** Most tracks on Geogaddi either "work" equally well reversed, or were clearly written to be reversed in the first place (like "Dandelion" and "I Saw Drones"). "Corsair" appears to have been reversed *and* slowed down.
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** Most tracks on Geogaddi either "work" equally well reversed, or were clearly written to be reversed in the first place (like "Dandelion" and "I Saw Drones").
** The other albums are not as reverse-friendly, but reversed vocal samples are common. In addition, at least three songs ("Rue the Whirl", "Satellite Anthem Icarus", and "New Seeds") have a bonus mini-song jammed at the end of the track and reversed.
** The other albums are not as reverse-friendly, but reversed vocal samples are common. In addition, at least three songs ("Rue the Whirl", "Satellite Anthem Icarus", and "New Seeds") have a bonus mini-song jammed at the end of the track and reversed.
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Pre-Warp releases (generally unavailable unless you really dig after them; the last two are somewhat easier to get a hold of):
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Pre-Warp releases (generally unavailable unless you really dig after them; the last two are somewhat easier to get a hold of):
releases:
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The first five have more or less only been heard by the band and their friends; the last four were never released but all tracks are easily found on the Internet. Twoism is the only one that was officially released, though several Boc Maxima tracks made it onto Music Has The Right To Children.
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** "Kaini Industries" is a misspelling of Kainai Industries, a Canadian company set up in July 1971 (the month Mike was born) to provide employment for a Kainai (Blood Nation) reserve.
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** "Kaini Industries" is a misspelling of Kainai Industries, a Canadian company set up in July 1971 (the month Mike Marcus was born) to provide employment for a Kainai (Blood Nation) reserve.
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* InTheStyleOf / {{Pastiche}}: Much of ''Tomorrow's Harvest'' is an homage to 1970s electronic horror film scores such as those by Creator/JohnCarpenter, Music/{{Goblin}}, Music/WendyCarlos, and [[Film/Zombi2 Fabio Frizzi]].
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* {{Pastiche}}: Much of ''Tomorrow's Harvest'' is an homage to 1970s electronic horror film scores such as those by Creator/JohnCarpenter, Music/{{Goblin}}, Music/WendyCarlos, and [[Film/Zombi2 Fabio Frizzi]].
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Boards of Canada are an electronic music duo formed of Scottish brothers Mike Sandison and Marcus Eoin. [[note]] For a while they pulled a move akin to Music/TheWhiteStripes and pretended they were just friends; when asked why they explained that they didn't want to attract needless comparisons to Music/{{Orbital}}, another SiblingTeam electronic band. [[/note]] They are known for their psychedelic, trippy sound constructed by a combination of electronic and normal instrumentation, heavy sound manipulation and processing, trip hop-influenced beats, and frequent [[{{Sampling}} samples,]] usually drawn from old [[TheSeventies seventies]] media (their name is a nod to the documentaries produced by the Creator/NationalFilmBoardOfCanada, which they were heavily influenced by as their family moved to Canada during their childhood) and field recordings. This gives their music a more pastoral and human character compared to other purely synthetic electronic bands. A frequent metaphor / comparison among reviewers is that their music sounds like "the last sounds of a dying machine from TheSeventies that just got recently excavated," or something along those lines.
to:
Boards of Canada are an electronic music duo formed of Scottish brothers Mike Sandison and Marcus Eoin. [[note]] For a while they pulled a move akin to Music/TheWhiteStripes and pretended they were just friends; when asked why they explained that they didn't want to attract needless comparisons to Music/{{Orbital}}, another SiblingTeam electronic band. [[/note]] They are known for their psychedelic, trippy sound constructed by a combination of electronic and normal traditional instrumentation, heavy sound manipulation and processing, achieved mainly with analogue equipment, trip hop-influenced beats, and frequent [[{{Sampling}} samples,]] usually drawn from old [[TheSeventies seventies]] media (their name is a nod to the documentaries produced by the Creator/NationalFilmBoardOfCanada, which they were heavily influenced by as their family moved to Canada during their childhood) and field recordings. This gives their music a more pastoral and human character compared to other purely synthetic electronic bands.artists. A frequent metaphor / comparison among reviewers is that their music sounds like "the last sounds of a dying machine from TheSeventies that just got recently excavated," or something along those lines.
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* ElectronicMusic
to:
*EasterEgg: "Farewell Fire" seems to gradually fade out and end ''The Campfire Headphase'' with 4 minutes of silence. Turning up the volume at this point reveals the song just keeps going at barely audible volume.
*ElectronicMusicElectronicMusic
*
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Moved an entry from "Shout Out" to "Homage," as that seemed more fitting.
* {{Homage}}: While not an explicit homage, "White Cyclosa" is highly reminiscent of John Harrison's score for ''[[Film/DayOfTheDead1985 Day of the Dead]]''.
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** While not an explicit shout-out, "White Cyclosa" is highly reminiscent of John Harrison's score for ''Film/DayOfTheDead''.
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** While not an explicit shout-out, "White Cyclosa" is highly reminiscent of John Harrison's score for ''Film/DayOfTheDead''.
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* DownerEnding: "Semena Mertvykh" gives vibes of this in ''Tomorrow's Harvest.'' [[note]]The track's name is Russian for "Seeds of Death", which rather cruelly reverses the optimism of the earlier song title "New Seeds".[[/note]]
to:
* DownerEnding: "Semena Mertvykh" gives vibes of this in ''Tomorrow's Harvest.'' [[note]]The track's name is Russian for "Seeds of Death", Dead Ones", which rather cruelly reverses the optimism of the earlier song title "New Seeds".[[/note]]
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* {{Pastiche}}: Much of ''Tomorrow's Harvest'' is an homage to 1970s electronic horror scores such as those by Creator/JohnCarpenter, Music/{{Goblin}}, Music/WendyCarlos, and [[Film/Zombi2 Fabio Frizzi]].
to:
* {{Pastiche}}: Much of ''Tomorrow's Harvest'' is an homage to 1970s electronic horror film scores such as those by Creator/JohnCarpenter, Music/{{Goblin}}, Music/WendyCarlos, and [[Film/Zombi2 Fabio Frizzi]].
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Added DiffLines:
* {{Pastiche}}: Much of ''Tomorrow's Harvest'' is an homage to 1970s electronic horror scores such as those by Creator/JohnCarpenter, Music/{{Goblin}}, Music/WendyCarlos, and [[Film/Zombi2 Fabio Frizzi]].
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** The title of ''Tomorrow's Harvest'' is often suspected to be a reference to ''Deadly Harvest'', an obscure 1977 Canadian film starring a young Creator/KimCattrall about a catastrophic climate change that results in widespread crop failures across North America. This is seemingly reflected further by many of the song titles on the album, such as "Cold Earth", "Sick Times", and "New Seeds".
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** "Bocuma" into "Roygbiv".
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* NonIndicativeName: They are from Scotland, not Canada. However they did move to Canada at a young age.
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* NonIndicativeName: They are from Scotland, not Canada. However However, they did move to Canada at a young age.age and spent much of their childhood there.
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** "Kaini Industries" is a misspelling of Kainai Industries, a Canadian company set up in July 1971 (the month Mike was born) to provide emplyoment for a Kainai (Blood Nation) reserve.
to:
** "Kaini Industries" is a misspelling of Kainai Industries, a Canadian company set up in July 1971 (the month Mike was born) to provide emplyoment employment for a Kainai (Blood Nation) reserve.