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History Music / BeethovensLastNight

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ZCE comment-outs.


* RockOpera

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* %%* RockOpera



* {{Satan}}: Yup.

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* %%* {{Satan}}: Yup.



* TwistEnding

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* %%* TwistEnding
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* DealWithTheDevil

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* DealWithTheDevilDealWithTheDevil: Mephistopheles kicks off the main plot by claiming that Beethoven's soul is going to Hell, but he'll let him off the hook if Beethoven hands over his unpublished Tenth Symphony. When Beethoven eventually declines, Mephistopheles proposes a rather more direct deal: hand over the Tenth Symphony or he'll torture a nearby street urchin to death. After trying and failing to rationalize to himself that the fate of a random orphan isn't his concern, Beethoven takes this deal, which is then written up by Fate's son, Twist. However, Twist writes the contract such that Mephistopheles doesn't actually get anything, as he is promised the Tenth Symphony of Ludwig von Beethoven, firstborn son of Johann and Maria von Beethoven, while the famous composer is actually the ''second''born son of his parents and shares his name with their firstborn who died as an infant.
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The album can be found [[https://www.youtube.com/playlist?list=OLAK5uy_mMIT8VuwLx42rkzcS7xeOFyzUI7fGcOEQ here]].

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Renamed trope


* AltumVidetur: At the end of "A Last Illusion", a choir of ghosts {{exposit|ion}}s, in Latin, the whole point of the opera.


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* GratuitousLatin: At the end of "A Last Illusion", a choir of ghosts {{exposit|ion}}s, in Latin, the whole point of the opera.
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* EvilIsHammy: Mephistopheles certainly hams it up whenever he's around (the fact that he sounds a lot like Creator/MarkHamill's version of SelfDemonstrating/TheJoker certainly helps.)

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* EvilIsHammy: Mephistopheles certainly hams it up whenever he's around (the fact that he sounds a lot like Creator/MarkHamill's version of SelfDemonstrating/TheJoker ComicBook/TheJoker certainly helps.)
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* UncommonTime: Mephistopheles' songs tend to be in 6/8 time, and many verses have one or two bars in 9/8, apparently for no reason other than to make him sound even more off-kilter.
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* AltumVidetur: At the end of "A Last Illusion", a choir of ghosts {{exposit|ion}}s, in Latin, the whole point of the opera.
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* InspiredBy: The hypothetical 10th symphony assembled by Barry Cooper based on Beethoven's last musical sketches. It is widely known that Beethoven intended to write another symphony, but most historians doubt he was anywhere near completing a manuscript for such a work when he died.
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A RockOpera by the Music/TransSiberianOrchestra, detailing the final hours of the life of composer Ludwig van {{Beethoven}}, released in 2000.

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A RockOpera by the Music/TransSiberianOrchestra, detailing the final hours of the life of composer Ludwig van {{Beethoven}}, Music/LudwigVanBeethoven, released in 2000.
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** "The Dreams of Candlelight" quote from Music/FryderikChopin 's "Opus 68, Mazurka No.3"

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** "The Dreams of Candlelight" quote from Music/FryderikChopin Music/FryderykChopin 's "Opus 68, Mazurka No.3"
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''''
!! Tracklist:
# "Overture"
# "Midnight"
# "Fate"
# "What Good This Deafness"
# "Mephistopheles"
# "What Is Eternal"
# "The Moment"
# "Vienna"
# "Mozart/Figaro"
# "The Dreams of Candlelight"
# "Requiem" (The Fifth)
# "I'll Keep Your Secrets"
# "The Dark"
# "Für Elise"
# "After the Fall"
# "A Last Illusion"
# "This Is Who You Are"
# "Beethoven"
# "Mephitopheles' Return"
# "Misery"
# "Who Is This Child?"
# "A Final Dream"
----


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* ShoutOut: Several tracks quote from famous classical compositions:
** "Overture" takes from Music/LudwigVanBeethoven's "Moonlight Sonata", "Sonata Pathétique" and the fourth movement of his Ninth Symphony, followed by the 5th Symphony. It also quotes from Music/WolfgangAmadeusMozart's "Requiem".
** "Mozart/Figaro" quotes from Music/WolfgangAmadeusMozart's "Le Nozze d Figaro".
** "The Dreams of Candlelight" quote from Music/FryderikChopin 's "Opus 68, Mazurka No.3"
** "Requiem (The Fifth)" quotes from Music/WolfgangAmadeusMozart's "5th Symphony".
** "Für Elise" quotes from Music/LudwigVanBeethoven's "Für Elise".
** "A Last Illusion" quotes from Music/WolfgangAmadeusMozart's "Sonata facile", the "Ode to Joy" from Music/LudwigVanBeethoven's "Ninth Symphony" and Nikolai Rimsky-Korsakov's "Flight of the Bumblebee".
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A RockOpera by the Music/{{Trans-Siberian Orchestra}}, detailing the final hours of the life of composer Ludwig van {{Beethoven}}, released in 2000.

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A RockOpera by the Music/{{Trans-Siberian Orchestra}}, Music/TransSiberianOrchestra, detailing the final hours of the life of composer Ludwig van {{Beethoven}}, released in 2000.
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A RockOpera by the Music/{{Trans-Siberian Orchestra}}, detailing the final hours of the life of composer Ludwig van {{Beethoven}}.

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A RockOpera by the Music/{{Trans-Siberian Orchestra}}, detailing the final hours of the life of composer Ludwig van {{Beethoven}}.
{{Beethoven}}, released in 2000.
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* EvilSoundsRaspy: Mephistopheles, particularly in "Misery".
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* EvilIsHammy: Mephistopheles certainly hams it up whenever he's around (the fact that he sounds a lot like MarkHammil's version of [[{{Batman}} The Joker]] certainly helps.)

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* EvilIsHammy: Mephistopheles certainly hams it up whenever he's around (the fact that he sounds a lot like MarkHammil's Creator/MarkHamill's version of [[{{Batman}} The Joker]] SelfDemonstrating/TheJoker certainly helps.)
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* KickTheDog: Mephistopheles takes great glee in describing all the ways he'll torture the poor homeless orphan girl if Beethoven doesn't give him what he wants.
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* EvilIsHammy: Mephistopheles certainly hams it up whenever he's around.

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* EvilIsHammy: Mephistopheles certainly hams it up whenever he's around.around (the fact that he sounds a lot like MarkHammil's version of [[{{Batman}} The Joker]] certainly helps.)
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* EvilIsHammy: Mephistopheles certainly hams it up whenever he's around.
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* EvilIsHammy: Mephistopheles certainly hams it up whenever he's around.
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* SadisticChoice: Mephistopheles eventually forces Beethoven to give up the 10th Symphony, or else he'll torture a random orphan girl sleeping outside his house for all eternity.

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* SadisticChoice: Mephistopheles eventually forces Beethoven to give up the 10th Symphony, or else he'll torture and kill a random orphan girl sleeping outside his house for all eternity.house.
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* SadisticChoice: Mephistopheles eventually forces Beethoven to give up the 10th Symphony, or else he'll torture a random orphan girl sleeping outside his house for all eternity.
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* EvilIsHammy: Mephistopheles certainly hams it up whenever he's around.

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* ForegoneConclusion: Beethoven's 10th Symphony has never been found. [[spoiler: Except it doesn't happen the way you'd think.]]



* TheVillainSucksSong: ''Mephistopheles' Return''.

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* TheVillainSucksSong: ''Mephistopheles' Return''. Although it would be more accurate to call it a "The Villain Is Terrifying Song".
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* TwistEnding: [[IncrediblyLamePun heehee]]

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* TwistEnding: [[IncrediblyLamePun heehee]]TwistEnding

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[[quoteright:300:http://static.tvtropes.org/pmwiki/pub/images/Beethovens_Last_Night_3872.jpg]]



!!This work provides examples of:

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!!This work provides examples of:
!!Tropes:

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Changing trope name per TRS


* MeaninglessVillainVictory: Mephistopheles eventually contracts for the 10th Symphony as written by Ludwig van Beethoven, firstborn of Johann and Maria van Beethoven. However, it turns out that [[spoiler: the composer is actually the second-born (with the same name), and that the firstborn Ludwig died at birth, so the contract does not apply to the composer Beethoven]].



* PoundOfFleshTwist: Mephistopheles eventually contracts for the 10th Symphony as written by Ludwig van Beethoven, firstborn of Johann and Maria van Beethoven. However, it turns out that [[spoiler: the composer is actually the second-born (with the same name), and that the firstborn Ludwig died at birth, so the contract does not apply to the composer Beethoven]].

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* ItsAWonderfulPlot: In an unusual variation, it is not Beethoven's impact on others that is the focus of this trope, but rather the impact of deafness, pain and hardship upon ''him'' and his music. Though there is a brief bit where the muse reveals to Beethoven that his music would go on to inspire generations of musicians after him.



* WonderfulLife: In an unusual variation, it is not Beethoven's impact on others that is the focus of this trope, but rather the impact of deafness, pain and hardship upon ''him'' and his music. Though there is a brief bit where the muse reveals to Beethoven that his music would go on to inspire generations of musicians after him.

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