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* BeatTheCurseOutOfHim: In order to release the demonic energy possessing the gunman from the first chapter, Ao...just headbutts him.
* BloodFromTheMouth: Over the course of several skirmishes with Shinozuka and the fallen lizards, Akina and Kyousuke are beaten down so severely that this happens.
Changed line(s) 44 (click to see context) from:
* BumblingDad: Shidou is this to his foster kids, Mina and Kana. It's a JustifiedTrope, as [[spoiler: they became his responsibility after he failed to protect their parents, and his taking them in so abruptly wouldn't give him much time to prepare for parenthood.]]
to:
* BrickJoke: Hime kicks a shotgun into the air to prevent the gunman from using it halfway through the chapter. It later lands on Akina's head at the end of the chapter.
* BumblingDad: Shidou is this to his foster kids, Mina andKana. Kana, in spite of his best efforts. It's a JustifiedTrope, as [[spoiler: they became his responsibility after he failed to protect their parents, and his taking them in so abruptly wouldn't give left him much time to prepare inadequately prepared for parenthood.]]
* BumblingDad: Shidou is this to his foster kids, Mina and
* Foreshadowing:
** Hime's vehement attachment to her scarf.
** Juri making the observation that the sign that Zakuro kicked down was unusually rotted. The ''Hoshi no Umi'' OVA changes this to crushing a stone shrine for a similar effect.
** Hime's vehement attachment to her scarf.
** Juri making the observation that the sign that Zakuro kicked down was unusually rotted. The ''Hoshi no Umi'' OVA changes this to crushing a stone shrine for a similar effect.
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* HypocriticalHumor: In Volume 5, Hime and Juri are examining a broken sign. Juri deducts it as the result of someone going on a drunken rampage, with Hime getting a little antsy about it. It even gets a lampshade hanging by a nearby Rin.
-->'''Hime:''' "People should be more responsible when they drink!"
-->'''Rin:''' "How easily you forget..."
-->'''Hime:''' "People should be more responsible when they drink!"
-->'''Rin:''' "How easily you forget..."
to:
* HypocriticalHumor: In HypocriticalHumor:
**In Volume 5, Hime and Juri are examining a broken sign. Juri deducts it as the result of someone going on a drunken rampage, with Hime getting a little antsy about it. It even gets a lampshade hanging by a nearby Rin.
-->'''Hime:''' --->'''Hime:''' "People should be more responsible when they drink!"
-->'''Rin:''' --->'''Rin:''' "How easily you forget..."
**In Volume 5, Hime and Juri are examining a broken sign. Juri deducts it as the result of someone going on a drunken rampage, with Hime getting a little antsy about it. It even gets a lampshade hanging by a nearby Rin.
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* BookEnds: Both the first and last episodes of ''Hana no Uta'' feature the cast having fun at a festival.
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* BadGuysDoTheDirtyWork: Averted so hard in regards to the very role the Oyakume is supposed to take. Makiharu essentially sums up what the job entails by asking a young Akina, "Are you prepared to kill people?"
to:
* BadGuysDoTheDirtyWork: Averted so hard Verily inverted in regards to the very role the Oyakume is supposed to take. Makiharu essentially sums up what the job entails by asking a young Akina, "Are you Akina if he's prepared to kill people?"others in order to fulfill this position.
Changed line(s) 44 (click to see context) from:
* BumblingDad: Shidou seems like one to Mina and Kana even though they aren't his kids. Probably adopted.
to:
* BumblingDad: Shidou seems like one is this to his foster kids, Mina and Kana even though Kana. It's a JustifiedTrope, as [[spoiler: they aren't became his kids. Probably adopted.responsibility after he failed to protect their parents, and his taking them in so abruptly wouldn't give him much time to prepare for parenthood.]]
* CallBack:
**Hime being trapped in a box conjured up by Lila reminds her of the time when she was wrapped up in her scarf during the battle with Zakuro.
**Hime being trapped in a box conjured up by Lila reminds her of the time when she was wrapped up in her scarf during the battle with Zakuro.
* CatFight: Despite the ImprobablyFemaleCast, this is a refreshingly AvertedTrope. Most of the fights between girls lack the pettiness of the trope, but the match that comes closest would have to be Hime's later, [[spoiler: offscreen]] fight against Zakuro, at which point both are heavily bruised and injured, and are only continuing the fight because they're that pissed off at each other.
* FiveSecondForeshadowing: When Enjin [[spoiler: attempts to kill Akina, he takes out his boxcutter and sees that there's no blood on the blade]], which would hint at [[spoiler: Akina being completely fine.]]
* IgnoreTheFanservice: In an attempt to get Kyousuke to pay more attention to their fight instead of get distracted with his concern for Touka, Iruka opens up her shirt to reveal more of her swimsuit. With [[BigBrotherInstinct Kyousuke being Kyousuke]], he doesn't notice.
* ImprobablyFemaleCast
* ImprobablyFemaleCast
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* InfantImmortality: It's normally averted, which is the case for [[spoiler: Kohime's abduction]] and [[spoiler: Mina's and Kana's kidnappings at the hands of Rokkaku]]. But it's shockingly averted when [[spoiler: one of Enyou's family members that were forcibly tuned to the Otherworld is clearly a child.]]
to:
* InfantImmortality: It's normally averted, played straight, which is the case for [[spoiler: Kohime's abduction]] and [[spoiler: Mina's and Kana's kidnappings at the hands of Rokkaku]]. snapped necks]] and [[spoiler: Kohime's abduction]]. But it's shockingly averted [[spoiler: averted]] when [[spoiler: one of Enyou's family members that were forcibly tuned to the Otherworld is clearly a child.]]
Deleted line(s) 101 (click to see context) :
* JerkWithAHeartOfGold: Hime. A big heart of gold, just... tends to go to far and forget why she did something in the first place. In Volume 3, Kyousuke is asked why he protects Hime, but he only remembers her complaints and cries of hunger, which causes Akina to remind him to remember the good things. That heart of gold is buried VERY deep.
* MyFistForgivesYou: [[VitriolicBestBuds How Akina makes up with Kyousuke.]]
* NeckSnap: [[spoiler: Touka accidentally does this to Mina and Kana in a bungled attempt to save them from being run over by Shidou's out of control car.]] Thankfully, with them being demons, it doesn't stick.
* NeckSnap: [[spoiler: Touka accidentally does this to Mina and Kana in a bungled attempt to save them from being run over by Shidou's out of control car.]] Thankfully, with them being demons, it doesn't stick.
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--> "Are you prepared to kill people?"
to:
* StrayShotsStrikeNothing: Averted in Hime and Kotoha's sparring match. When Kotoha's bullets miss Hime, they instead threaten to hit Kyousuke, Akina, and Ao, with the latter only being saved thanks to Kyousuke's intervention. Averted further in the same fight, when Kotoha upgrades to her 88mm, as she also comes close to hitting two children paying nearby when Hime narrowly dodges the blasts.
Changed line(s) 159 (click to see context) from:
* [[TranquilFury Tranquil]] [[RoaringRampageOfRevenge Rampage of Revenge]]: Everyone goes very quietly, very intensely violent on Enjin when [[spoiler:they think he's killed Akina]].
to:
* TranquilFury: Hime becomes that much more motivated to beat down Morinozuka's lackeys when she sees how badly they hurt Akina and Kyousuke.
** [[TranquilFury Tranquil]] [[RoaringRampageOfRevenge Rampage of Revenge]]: Everyone goes very quietly, very intensely violent on Enjin when [[spoiler:they think he's killed Akina]].
** [[TranquilFury Tranquil]] [[RoaringRampageOfRevenge Rampage of Revenge]]: Everyone goes very quietly, very intensely violent on Enjin when [[spoiler:they think he's killed Akina]].
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* {{Tsurime Eyes}}: Hime.
Changed line(s) 207 (click to see context) from:
*** Before Kotoha disables the anti-youkai barrier i ''Hana no Uta'', Shinozuka is seen pursuing the van Shidou is driving and exclaims that Kotoha won't make the shot, but in the scene right after, he's waiting with Morino and the nameless old man for Akina, who was with Shidou up until that point, to arrive. The manga had Shinozuka making the observation about Kotoha's kotodama from afar and didn't have this problem.
to:
*** Before Kotoha disables the anti-youkai barrier i in ''Hana no Uta'', Shinozuka is seen pursuing the van Shidou is driving and exclaims that Kotoha won't make the shot, but in the scene right after, he's waiting with Morino and the nameless old man for Akina, who was with Shidou up until that point, to arrive. The manga had Shinozuka making the observation about Kotoha's kotodama from afar and didn't have this problem.
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* ColossusClimb: Kotoha's fight scene with Zakuro's larger golem turns into this.
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Deleted line(s) 19 (click to see context) :
* AlliterativeName: Kyousuke Kishi.
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* BarrierMaiden: Although being a land goddess makes you powerful, it also makes sure that you're tied down to the area of land you're supposed to be guarding. This becomes a problem for Yae when she wants to kill Enjin.
to:
* BarrierMaiden: Although being a land goddess makes you powerful, it also makes sure that you're tied down to the area of land you're supposed to be guarding. This becomes a problem for Yae when she wants to kill Enjin.pursue Enjin. Despite also being a goddess, Tomoe doesn't seem to suffer from the same problem, as she takes the time to visit the cast in Sakura-shin with no ill effects.
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* BlandNameProduct: Hidagyu from [[''Franchise/Pokemon'' Rocket Monsters]] is a frequent recurring mascot in the series.
to:
* BlandNameProduct: Hidagyu from [[''Franchise/Pokemon'' [[{{Pokemon}} Rocket Monsters]] is a frequent recurring mascot in the series.
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* CherryBlossoms: Let's see... There are seven cherry blossom trees in Sakura-Shinmachi, "sakura" is in the town's name, and Yozakura means cherry blossoms in the night!
to:
* CherryBlossoms: Let's see... There are seven cherry blossom trees in Sakura-Shinmachi, "sakura" is in Though the town's name, and Yozakura means manga as a whole employs flower motifs often, cherry blossoms are appropriately given the most spotlight, what with the presence of the Nana-gou, which are explicitly called cherry blossom trees, and the kanji for cherry blossom being used in Hime's last name as well as in the night!name of the town. Not to mention that "Yozakura" refers to viewing cherry blosoms at night.
** The ''Hana no Uta'' anime bumps this up several levels, with almost everyone displaying a certain level of perversion with other members of the cast.
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* DarkAndTroubledPast: Hime, Kotoha, and surprisingly, Rin.
* DeadlyFireworksDisplay: Although it's not a real fireworks show, Great Fireworks is the name for the final formation of Hime's Dragon Spear techniques.
* DeadlyFireworksDisplay: Although it's not a real fireworks show, Great Fireworks is the name for the final formation of Hime's Dragon Spear techniques.
to:
* DarkAndTroubledPast: Hime, Kotoha, and surprisingly, Rin.
Most members of the cast have issues in their pasts that are later brought to light by the various conflicts forced upon them.
* DeadlyFireworksDisplay: Although it's not a real fireworks show, it's invoked when Great Fireworks is the name for the final formation of Hime's Dragon Spear techniques.
* DeadlyFireworksDisplay: Although it's not a real fireworks show, it's invoked when Great Fireworks is the name for the final formation of Hime's Dragon Spear techniques.
Deleted line(s) 68 (click to see context) :
* ElegantGothicLolita: One of Mariabelle's cosplays.
** FantasticGhetto: Averted within Sakura-shin itself, but it's implied that demons are segregated everywhere else.
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* FirstEpisodeSpoiler: [[spoiler: Hime is a dragon, not a human]]. Literally a first-episode spoiler as the first episode of the 2008 anime reveals it off-hand, when it was a major revelation more than a dozen chapters into the manga. Akina's Tuning gets the same treatment between the anime and the manga.
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* FlowerMotifs: Lila in particular and the "Hana no Uta" (Song of Flowers) arc in general, where Lila serves as the arc's antagonist. To a lesser extent, Juri and her hairpin [[spoiler:which Lila copied the shape of to brand on her face when they were younger, trying to "be more like" her beloved older sister]].
to:
* FlowerMotifs: Lila The entire manga displays various flower motifs, whether with symbolism or within characters' names.
**Lila in particular and the "Hana no Uta" (Song of Flowers) arc in general, where Lila serves as the arc's antagonist. To a lesser extent, Juri and her hairpin [[spoiler:which Lila copied the shape of to brand on her face when they were younger, trying to "be more like" her beloved older sister]].
**Lila in particular and the "Hana no Uta" (Song of Flowers) arc in general, where Lila serves as the arc's antagonist. To a lesser extent, Juri and her hairpin [[spoiler:which Lila copied the shape of to brand on her face when they were younger, trying to "be more like" her beloved older sister]].
* InfantImmortality: It's normally averted, which is the case for [[spoiler: Kohime's abduction]] and [[spoiler: Mina's and Kana's kidnappings at the hands of Rokkaku]]. But it's shockingly averted when [[spoiler: one of Enyou's family members that were forcibly tuned to the Otherworld is clearly a child.]]
* ParadoxPerson: Technically speaking, every single demon is this, with PowerIncontinence occurring because they're still not completely in line with the natural laws of the current dimension.
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* SpoiledSweet: Hime.
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* StoicSpectacles: Kyousuke.
* SquishyWizard: Ao more or less acts like one.
* SquishyWizard: Ao more or less acts like one.
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* TwelveEpisodeAnime: The first anime adaptation.
* UnexplainedRecovery: Played straight by Hime in Volume 3. [[spoiler:Eventually explained because she's a dragon. Part of her all-around physical prowess includes excellent stamina and recovery time.]]
* UnexplainedRecovery: Played straight by Hime in Volume 3. [[spoiler:Eventually explained because she's a dragon. Part of her all-around physical prowess includes excellent stamina and recovery time.]]
to:
* TwelveEpisodeAnime: The first Both anime adaptation.
adaptations.
* UnexplainedRecovery:Played straight Subverted by Hime in Volume 3. [[spoiler:Eventually Her quick healing time is eventually explained because she's a dragon. Part of her all-around physical prowess includes excellent stamina and recovery time.]]
* UnexplainedRecovery:
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* FantasticGhetto: On the whole, it's averted, but the lack of segregation between humans and demons in other places in this adaptation led to Rin's severe bullying at the hands of her human classmates in the past, which left both physical and mental scars, and her own fear and hatred of humans.
* FirstEpisodeSpoiler: [[spoiler: Hime is a dragon, not a human]]. Literally a first-episode spoiler as the first episode reveals it off-hand, when it was a major revelation more than a dozen chapters into the manga. Akina's Tuning gets the same treatment.
* FirstEpisodeSpoiler: [[spoiler: Hime is a dragon, not a human]]. Literally a first-episode spoiler as the first episode reveals it off-hand, when it was a major revelation more than a dozen chapters into the manga. Akina's Tuning gets the same treatment.
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* BombDisposal: During her round of training with Kotoha, Hime wisely decides to fling the grenade skyward before it detonates.
* DirtForcefield: Averted in the manga, but played straight in all adaptations.
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* VomitDiscretionShot / RelaxOVision: An odd combination of both happens. After a noodle-eating challenge shown in a flashback, we cut to Hime, Akina, and [[spoiler: Gin]] prancing around in a field filled with flowers, laughing while being covered in BishieSparkle. Amidst all the happy images and music, the aftermath of the vomitting is heard in the background.
to:
* VomitDiscretionShot / RelaxOVision: An odd combination of both happens. After a noodle-eating challenge shown in a flashback, we cut to Hime, Akina, and [[spoiler: Gin]] prancing around in a field filled with flowers, laughing while being covered in BishieSparkle. Amidst all the happy images and music, the aftermath of the vomitting vomiting is heard in the background.
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* AdaptationExplanationExtrication: Akina suffers from this trope in regards to characterization in the 2013 anime. In the 2013 adaptation, most of the events of the first volume of the manga are either left out entirely or took enough creative liberties to be different from what was already adapted in the 2008 anime. While not centered directly around Akina, most of these chapters showed how fundamental Akina is to the main group and how he stabilizes it without even establishing his importance as the Oyakume. The absence of these events can make Akina seem insensitive or even outright ignorant of the conflict of human-demon coexistence when viewing the first few episodes of the 2013 anime, even when the actions themselves are consistent with manga canon and/or its context, which includes:
** His blatantly overlooking Shidare and Shiina's insistence of human life being more important than that of demon kind.
** His near-tuning of Touka. In the manga, it is shown that he takes different approaches when trying to help others with their issues. (i.e. he's calmer when dealing with Ao, and definitely more vocal when dealing with Kotoha.) It's implied threatening Touka was most likely the only way for Akina to get Kyousuke's attention and try to get through to him. In the 2013 anime, this is the first time viewers will see Akina's approach to the human-youkai conflict, which would make Akina's position of being a ''life counseling office director'' rather dubious.
* AdaptationInducedPlotHole: ''Hana no Uta'' and ''Tsuki ni Naku'' suffer from this at times.
** His blatantly overlooking Shidare and Shiina's insistence of human life being more important than that of demon kind.
** His near-tuning of Touka. In the manga, it is shown that he takes different approaches when trying to help others with their issues. (i.e. he's calmer when dealing with Ao, and definitely more vocal when dealing with Kotoha.) It's implied threatening Touka was most likely the only way for Akina to get Kyousuke's attention and try to get through to him. In the 2013 anime, this is the first time viewers will see Akina's approach to the human-youkai conflict, which would make Akina's position of being a ''life counseling office director'' rather dubious.
* AdaptationInducedPlotHole: ''Hana no Uta'' and ''Tsuki ni Naku'' suffer from this at times.
to:
* AdaptationExplanationExtrication: AdaptationExplanationExtrication:
** Akina suffers from this trope in regards to characterization in the2013 anime. In the 2013 this adaptation, most of the events of the first volume of the manga are either left out entirely or took enough creative liberties to be different from what was already adapted in the 2008 anime. While not centered directly around Akina, most of these chapters showed how fundamental Akina is to the main group and how he stabilizes it without even establishing his importance as the Oyakume. The absence of these events can make Akina seem insensitive or even outright ignorant of the conflict of human-demon coexistence when viewing the first few episodes of the 2013 anime, even when the actions themselves are consistent with manga canon and/or its context, which includes:
** *** His blatantly overlooking Shidare and Shiina's insistence of human life being more important than that of demon kind.
** *** His near-tuning of Touka. In the manga, it is shown that he takes different approaches when trying to help others with their issues. (i.e. he's calmer when dealing with Ao, and definitely more vocal when dealing with Kotoha.) It's implied threatening Touka was most likely the only way for Akina to [[ScareEmStraight get Kyousuke's attention and try to get through to him.him]]. In the 2013 anime, this is the first time viewers will see Akina's approach to the human-youkai conflict, which would make Akina's position of being a ''life counseling office director'' rather dubious.
** After a psychotically-fallen Zakuro kidnaps Rin for the second time, the main cast pursue them in Juri's ambulance. During the chase, Hime tries calling out to Rin, but is constantly battered and visibly injured by the trees Zakuro commands to stop them. As a result, Rin tries to convince Hime that she hates her so she would stop going after them and getting hurt even more. In ''Hoshi no Umi'', Rin immediately shouts at Hime after being captured by Zakuro without any prompting.
* AdaptationInducedPlotHole:''Hana no Uta'' and ''Tsuki ni Naku'' suffer This set of adaptations suffers from this at times.times.
** ''Hoshi no Umi'' instances:
*** Not as severe as the examples listed below, but in the first OVA, during a conversation with Akina, Rin stares rather gloomily at a nearby Nana-gou and wonders if she should "get a check up" before dismissing it. Yet in the third OVA, Akina states that Rin never once considered going to the Otherworld.
** Akina suffers from this trope in regards to characterization in the
** After a psychotically-fallen Zakuro kidnaps Rin for the second time, the main cast pursue them in Juri's ambulance. During the chase, Hime tries calling out to Rin, but is constantly battered and visibly injured by the trees Zakuro commands to stop them. As a result, Rin tries to convince Hime that she hates her so she would stop going after them and getting hurt even more. In ''Hoshi no Umi'', Rin immediately shouts at Hime after being captured by Zakuro without any prompting.
* AdaptationInducedPlotHole:
** ''Hoshi no Umi'' instances:
*** Not as severe as the examples listed below, but in the first OVA, during a conversation with Akina, Rin stares rather gloomily at a nearby Nana-gou and wonders if she should "get a check up" before dismissing it. Yet in the third OVA, Akina states that Rin never once considered going to the Otherworld.
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*** After Enjin [[spoiler: fakes killing Akina]] in Episode 7, Hime turns the Dragon Spear into what amounts to a flamethrower and a large knife when it's clearly established that night is the first time she's used it at all and most likely wouldn't know how to change it. Hime doesn't change the Dragon Spear at all in manga version of the fight.
to:
*** After Enjin [[spoiler: fakes killing Akina]] in Episode episode 7, Hime turns the Dragon Spear into what amounts to a flamethrower and a large knife when it's clearly established that night is the first time she's used it at all and most likely wouldn't know how to change it. Hime doesn't change the Dragon Spear at all in manga version of the fight.
Changed line(s) 205 (click to see context) from:
* CallBack / MythologyGag: The 2013 anime opening is full of call backs to earlier manga plot arcs that took place before ''Hoshi no Umi'' or ''Hana no Uta'' and weren't exactly faithfully dealt with in the 2008 adaptation (if at all).
to:
* AnimationBump: Compare the quality of the OVA animation to that of the anime and you'll see that the latter has much more detail.
* ArtShift: The first episode of ''Hana no Uta'' features a quick example. Right before Hime delivers the final blow to one of the fallen goldfish, the lines get sketchier as the camera closes up on her.
* CallBack / MythologyGag: The2013 anime opening is full of call backs to earlier manga plot arcs that took place before ''Hoshi no Umi'' or ''Hana no Uta'' and weren't exactly faithfully dealt with in the 2008 adaptation (if at all).
* ArtShift: The first episode of ''Hana no Uta'' features a quick example. Right before Hime delivers the final blow to one of the fallen goldfish, the lines get sketchier as the camera closes up on her.
* CallBack / MythologyGag: The
Changed line(s) 207 (click to see context) from:
* PuniPlush: The 2013 anime, as opposed to the more angular character designs in the manga and 2008 anime.
to:
* MirroredConfrontationShot: Used in the ''Hana no Uta'' opening, with the six main protagonists facing Lila, Zakuro, Morino, Shinozuka, Enjin, and...[[TheLastOfTheseIsNotLikeTheOthers Kohime]].
* PitTrap: While Kotoha and Hime are training, a fleeing Kotoha lures a pursuing Hime into one of these.
* PuniPlush:The 2013 This anime, as opposed to the more angular character designs in the manga and 2008 anime.anime.
* {{Rewrite}}: ''Hana no Uta'' changes Kotoha's flashback of first being fallen from her motivation to have better control over her powers into her trigger than makes her lose it instead.
* ShoutOut: While Hime's recovering from her injuries in Episode 6, she eats rice balls as she's sobbing, just like [[SpiritedAway Chihiro]].
* WeaponTwirling: In most of her combat scenes in ''Hana no Uta'', Hime twirls her weapon several times before striking a pose or attacking. [[AnimationBump Thanks to the increased budget,]] [[TropesAreNotBad it looks amazing]].
* PitTrap: While Kotoha and Hime are training, a fleeing Kotoha lures a pursuing Hime into one of these.
* PuniPlush:
* {{Rewrite}}: ''Hana no Uta'' changes Kotoha's flashback of first being fallen from her motivation to have better control over her powers into her trigger than makes her lose it instead.
* ShoutOut: While Hime's recovering from her injuries in Episode 6, she eats rice balls as she's sobbing, just like [[SpiritedAway Chihiro]].
* WeaponTwirling: In most of her combat scenes in ''Hana no Uta'', Hime twirls her weapon several times before striking a pose or attacking. [[AnimationBump Thanks to the increased budget,]] [[TropesAreNotBad it looks amazing]].
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Changed line(s) 10,11 (click to see context) from:
!! Provides examples of:
to:
!! Provides The series as a whole provides examples of:
Deleted line(s) 14,23 (click to see context) :
* AdaptationExplanationExtrication: Akina suffers from this trope in regards to characterization in the 2013 anime. In the 2013 adaptation, most of the events of the first volume of the manga are either left out entirely or took enough creative liberties to be different from what was already adapted in the 2008 anime. While not centered directly around Akina, most of these chapters showed how fundamental Akina is to the main group and how he stabilizes it without even establishing his importance as the Oyakume. The absence of these events can make Akina seem insensitive or even outright ignorant of the conflict of human-demon coexistence when viewing the first few episodes of the 2013 anime, even when the actions themselves are consistent with manga canon and/or its context, which includes:
** His blatantly overlooking Shidare and Shiina's insistence of human life being more important than that of demon kind.
** His near-tuning of Touka. In the manga, it is shown that he takes different approaches when trying to help others with their issues. (i.e. he's calmer when dealing with Ao, and definitely more vocal when dealing with Kotoha.) It's implied threatening Touka was most likely the only way for Akina to get Kyousuke's attention and try to get through to him. In the 2013 anime, this is the first time viewers will see Akina's approach to the human-youkai conflict, which would make Akina's position of being a ''life counseling office director'' rather dubious.
* AdaptationInducedPlotHole: ''Hana no Uta'' and ''Tsuki ni Naku'' suffer from this at times.
** ''Hana no Uta'' instances:
*** After Enjin [[spoiler: fakes killing Akina]] in Episode 7, Hime turns the Dragon Spear into what amounts to a flamethrower and a large knife when it's clearly established that night is the first time she's used it at all and most likely wouldn't know how to change it. Hime doesn't change the Dragon Spear at all in manga version of the fight.
*** Before Kotoha disables the anti-youkai barrier i ''Hana no Uta'', Shinozuka is seen pursuing the van Shidou is driving and exclaims that Kotoha won't make the shot, but in the scene right after, he's waiting with Morino and the nameless old man for Akina, who was with Shidou up until that point, to arrive. The manga had Shinozuka making the observation about Kotoha's kotodama from afar and didn't have this problem.
** ''Tsuki ni Naku'' instances:
*** In the manga, Kotoha is initially concerned about regular humans finding out about Tomoe's otherworldly qualities by seeing her dog ears, but Tomoe says she just covers them. In ''Tsuki in Naku,'' she has a very fluffy tail that is ''far'' more noticeable than her manga counterpart's, and yet Tomoe is similarly unconcerned about the idea of humans finding out.
*** Touka is the one who made the vacation spot booklet in the manga, and even states she made it for the sake of going places with Kyousuke. In ''Tsuki ni Naku'', however, Kyousuke is the one who made it, despite the fact that he can't even relax on the trip and was discussing how to fit the vacation into Hime's schedule before they left.
** His blatantly overlooking Shidare and Shiina's insistence of human life being more important than that of demon kind.
** His near-tuning of Touka. In the manga, it is shown that he takes different approaches when trying to help others with their issues. (i.e. he's calmer when dealing with Ao, and definitely more vocal when dealing with Kotoha.) It's implied threatening Touka was most likely the only way for Akina to get Kyousuke's attention and try to get through to him. In the 2013 anime, this is the first time viewers will see Akina's approach to the human-youkai conflict, which would make Akina's position of being a ''life counseling office director'' rather dubious.
* AdaptationInducedPlotHole: ''Hana no Uta'' and ''Tsuki ni Naku'' suffer from this at times.
** ''Hana no Uta'' instances:
*** After Enjin [[spoiler: fakes killing Akina]] in Episode 7, Hime turns the Dragon Spear into what amounts to a flamethrower and a large knife when it's clearly established that night is the first time she's used it at all and most likely wouldn't know how to change it. Hime doesn't change the Dragon Spear at all in manga version of the fight.
*** Before Kotoha disables the anti-youkai barrier i ''Hana no Uta'', Shinozuka is seen pursuing the van Shidou is driving and exclaims that Kotoha won't make the shot, but in the scene right after, he's waiting with Morino and the nameless old man for Akina, who was with Shidou up until that point, to arrive. The manga had Shinozuka making the observation about Kotoha's kotodama from afar and didn't have this problem.
** ''Tsuki ni Naku'' instances:
*** In the manga, Kotoha is initially concerned about regular humans finding out about Tomoe's otherworldly qualities by seeing her dog ears, but Tomoe says she just covers them. In ''Tsuki in Naku,'' she has a very fluffy tail that is ''far'' more noticeable than her manga counterpart's, and yet Tomoe is similarly unconcerned about the idea of humans finding out.
*** Touka is the one who made the vacation spot booklet in the manga, and even states she made it for the sake of going places with Kyousuke. In ''Tsuki ni Naku'', however, Kyousuke is the one who made it, despite the fact that he can't even relax on the trip and was discussing how to fit the vacation into Hime's schedule before they left.
Deleted line(s) 29 (click to see context) :
* AlertnessBlink: Right there in the OVA opening.
Deleted line(s) 53 (click to see context) :
* BladeOnAStick: Hime's weapon of choice in the 2008 anime.
Deleted line(s) 58 (click to see context) :
* CallBack: The 2013 anime opening is full of call backs to earlier manga plot arcs that took place before ''Hoshi no Umi'' or ''Hana no Uta'' and weren't exactly faithfully dealt with in the 2008 adaptation (if at all).
Deleted line(s) 69 (click to see context) :
* CompressedAdaptation: Some of the characters that are deeply developed in the manga barely get introduced in the 2008 anime. The anime also takes the plot of Volumes 3 and 4 of the manga and chops it up into Frankenstein pieces, leaving out important things like character motivation and coherency.
** Actually, this would be an inversion. The manga started serialization in 2006, whereas Mari's appearance in the first Rebuild Film dates back to 2007.
Changed line(s) 85,86 (click to see context) from:
** Or the Land Gods. Holy crap, Yae.
* EvilSoundsDeep: In the "Hoshi no Umi" OVA, when [[spoiler: Zakuro]] was shown to be a perfectly amiable person, her voice is actually rather high pitched. However, after her FaceHeelTurn, her voice noticeably sounds sinister, and deeper, as a result.
* EvilSoundsDeep: In the "Hoshi no Umi" OVA, when [[spoiler: Zakuro]] was shown to be a perfectly amiable person, her voice is actually rather high pitched. However, after her FaceHeelTurn, her voice noticeably sounds sinister, and deeper, as a result.
to:
** Or the Land Gods. Gods easily qualify. Holy crap, Yae.
* EvilSoundsDeep: In the "Hoshi no Umi" OVA, when [[spoiler: Zakuro]] was shown to be a perfectly amiable person, her voice is actually rather high pitched. However, after her FaceHeelTurn, her voice noticeably sounds sinister, and deeper, as a result.Yae.
* EvilSoundsDeep: In the "Hoshi no Umi" OVA, when [[spoiler: Zakuro]] was shown to be a perfectly amiable person, her voice is actually rather high pitched. However, after her FaceHeelTurn, her voice noticeably sounds sinister, and deeper, as a result.
Deleted line(s) 96 (click to see context) :
* {{Foreshadowing}}: At first, there seem to be no real reason why Hime and Akina always sit one seat apart at the restaurant, until we find out that [[spoiler: the middle seat used to be occupied by Gin]].
Deleted line(s) 144 (click to see context) :
* PuniPlush: The 2013 anime, as opposed to the more angular character designs in the manga and 2008 anime.
Changed line(s) 173 (click to see context) from:
* TorchesAndPitchforks: In Rin's flashback [[spoiler:of meeting Zakuro Kurumaki,]] she is seen running away from people with lit torches. No pitchforks though.
to:
* TorchesAndPitchforks: In Rin's flashback [[spoiler:of meeting Zakuro Kurumaki,]] Zakuro,]] she is seen running away from people with lit torches. No pitchforks though.
Deleted line(s) 186 (click to see context) :
* VomitDiscretionShot / RelaxOVision: An odd combination of both happens in the 2008 anime. After a ramen eating challenge shown in a flashback, we cut to Hime, Akina, and [[spoiler: Gin]] prancing around in a field filled with flowers, laughing while being covered in BishieSparkle. Amidst all the happy images and music, the aftermath of the vomitting is heard in the background.
Added DiffLines:
----
!! The 2008 adaptation provides examples of:
* BladeOnAStick: Hime's weapon of choice.
* CompressedAdaptation: Some of the characters that are deeply developed in the manga barely get introduced in the 2008 anime. The anime also takes the plot of Volumes 3 and 4 of the manga and chops it up into Frankenstein pieces, leaving out important things like character motivation and coherency. Somewhat justified by the fact that the anime went into production only after the release of Volume 2, and elements from Volumes 3 and 4 were added in later.
* {{Foreshadowing}}: At first, there seem to be no real reason why Hime and Akina always sit one seat apart at the restaurant, until we find out that [[spoiler: the middle seat used to be occupied by Gin]].
* VomitDiscretionShot / RelaxOVision: An odd combination of both happens. After a noodle-eating challenge shown in a flashback, we cut to Hime, Akina, and [[spoiler: Gin]] prancing around in a field filled with flowers, laughing while being covered in BishieSparkle. Amidst all the happy images and music, the aftermath of the vomitting is heard in the background.
----
!! The [[Creator/TatsunokoProduction Tatsunoko]] adaptations provide examples of:
* AdaptationExplanationExtrication: Akina suffers from this trope in regards to characterization in the 2013 anime. In the 2013 adaptation, most of the events of the first volume of the manga are either left out entirely or took enough creative liberties to be different from what was already adapted in the 2008 anime. While not centered directly around Akina, most of these chapters showed how fundamental Akina is to the main group and how he stabilizes it without even establishing his importance as the Oyakume. The absence of these events can make Akina seem insensitive or even outright ignorant of the conflict of human-demon coexistence when viewing the first few episodes of the 2013 anime, even when the actions themselves are consistent with manga canon and/or its context, which includes:
** His blatantly overlooking Shidare and Shiina's insistence of human life being more important than that of demon kind.
** His near-tuning of Touka. In the manga, it is shown that he takes different approaches when trying to help others with their issues. (i.e. he's calmer when dealing with Ao, and definitely more vocal when dealing with Kotoha.) It's implied threatening Touka was most likely the only way for Akina to get Kyousuke's attention and try to get through to him. In the 2013 anime, this is the first time viewers will see Akina's approach to the human-youkai conflict, which would make Akina's position of being a ''life counseling office director'' rather dubious.
* AdaptationInducedPlotHole: ''Hana no Uta'' and ''Tsuki ni Naku'' suffer from this at times.
** ''Hana no Uta'' instances:
*** After Enjin [[spoiler: fakes killing Akina]] in Episode 7, Hime turns the Dragon Spear into what amounts to a flamethrower and a large knife when it's clearly established that night is the first time she's used it at all and most likely wouldn't know how to change it. Hime doesn't change the Dragon Spear at all in manga version of the fight.
*** Before Kotoha disables the anti-youkai barrier i ''Hana no Uta'', Shinozuka is seen pursuing the van Shidou is driving and exclaims that Kotoha won't make the shot, but in the scene right after, he's waiting with Morino and the nameless old man for Akina, who was with Shidou up until that point, to arrive. The manga had Shinozuka making the observation about Kotoha's kotodama from afar and didn't have this problem.
** ''Tsuki ni Naku'' instances:
*** In the manga, Kotoha is initially concerned about regular humans finding out about Tomoe's otherworldly qualities by seeing her dog ears, but Tomoe says she just covers them. In ''Tsuki in Naku,'' she has a very fluffy tail that is ''far'' more noticeable than her manga counterpart's, and yet Tomoe is similarly unconcerned about the idea of humans finding out.
*** Touka is the one who made the vacation spot booklet in the manga, and even states she made it for the sake of going places with Kyousuke. In ''Tsuki ni Naku'', however, Kyousuke is the one who made it, despite the fact that he can't even relax on the trip and was discussing how to fit the vacation into Hime's schedule before they left.
* AlertnessBlink: In the ''Hoshi no Umi'' opening.
* CallBack / MythologyGag: The 2013 anime opening is full of call backs to earlier manga plot arcs that took place before ''Hoshi no Umi'' or ''Hana no Uta'' and weren't exactly faithfully dealt with in the 2008 adaptation (if at all).
* EvilSoundsDeep: In the "Hoshi no Umi" when [[spoiler: Zakuro]] was shown to be a perfectly amiable person, her voice is actually rather high pitched. However, after her FaceHeelTurn, her voice noticeably sounds sinister, and deeper, as a result.
* PuniPlush: The 2013 anime, as opposed to the more angular character designs in the manga and 2008 anime.
!! The 2008 adaptation provides examples of:
* BladeOnAStick: Hime's weapon of choice.
* CompressedAdaptation: Some of the characters that are deeply developed in the manga barely get introduced in the 2008 anime. The anime also takes the plot of Volumes 3 and 4 of the manga and chops it up into Frankenstein pieces, leaving out important things like character motivation and coherency. Somewhat justified by the fact that the anime went into production only after the release of Volume 2, and elements from Volumes 3 and 4 were added in later.
* {{Foreshadowing}}: At first, there seem to be no real reason why Hime and Akina always sit one seat apart at the restaurant, until we find out that [[spoiler: the middle seat used to be occupied by Gin]].
* VomitDiscretionShot / RelaxOVision: An odd combination of both happens. After a noodle-eating challenge shown in a flashback, we cut to Hime, Akina, and [[spoiler: Gin]] prancing around in a field filled with flowers, laughing while being covered in BishieSparkle. Amidst all the happy images and music, the aftermath of the vomitting is heard in the background.
----
!! The [[Creator/TatsunokoProduction Tatsunoko]] adaptations provide examples of:
* AdaptationExplanationExtrication: Akina suffers from this trope in regards to characterization in the 2013 anime. In the 2013 adaptation, most of the events of the first volume of the manga are either left out entirely or took enough creative liberties to be different from what was already adapted in the 2008 anime. While not centered directly around Akina, most of these chapters showed how fundamental Akina is to the main group and how he stabilizes it without even establishing his importance as the Oyakume. The absence of these events can make Akina seem insensitive or even outright ignorant of the conflict of human-demon coexistence when viewing the first few episodes of the 2013 anime, even when the actions themselves are consistent with manga canon and/or its context, which includes:
** His blatantly overlooking Shidare and Shiina's insistence of human life being more important than that of demon kind.
** His near-tuning of Touka. In the manga, it is shown that he takes different approaches when trying to help others with their issues. (i.e. he's calmer when dealing with Ao, and definitely more vocal when dealing with Kotoha.) It's implied threatening Touka was most likely the only way for Akina to get Kyousuke's attention and try to get through to him. In the 2013 anime, this is the first time viewers will see Akina's approach to the human-youkai conflict, which would make Akina's position of being a ''life counseling office director'' rather dubious.
* AdaptationInducedPlotHole: ''Hana no Uta'' and ''Tsuki ni Naku'' suffer from this at times.
** ''Hana no Uta'' instances:
*** After Enjin [[spoiler: fakes killing Akina]] in Episode 7, Hime turns the Dragon Spear into what amounts to a flamethrower and a large knife when it's clearly established that night is the first time she's used it at all and most likely wouldn't know how to change it. Hime doesn't change the Dragon Spear at all in manga version of the fight.
*** Before Kotoha disables the anti-youkai barrier i ''Hana no Uta'', Shinozuka is seen pursuing the van Shidou is driving and exclaims that Kotoha won't make the shot, but in the scene right after, he's waiting with Morino and the nameless old man for Akina, who was with Shidou up until that point, to arrive. The manga had Shinozuka making the observation about Kotoha's kotodama from afar and didn't have this problem.
** ''Tsuki ni Naku'' instances:
*** In the manga, Kotoha is initially concerned about regular humans finding out about Tomoe's otherworldly qualities by seeing her dog ears, but Tomoe says she just covers them. In ''Tsuki in Naku,'' she has a very fluffy tail that is ''far'' more noticeable than her manga counterpart's, and yet Tomoe is similarly unconcerned about the idea of humans finding out.
*** Touka is the one who made the vacation spot booklet in the manga, and even states she made it for the sake of going places with Kyousuke. In ''Tsuki ni Naku'', however, Kyousuke is the one who made it, despite the fact that he can't even relax on the trip and was discussing how to fit the vacation into Hime's schedule before they left.
* AlertnessBlink: In the ''Hoshi no Umi'' opening.
* CallBack / MythologyGag: The 2013 anime opening is full of call backs to earlier manga plot arcs that took place before ''Hoshi no Umi'' or ''Hana no Uta'' and weren't exactly faithfully dealt with in the 2008 adaptation (if at all).
* EvilSoundsDeep: In the "Hoshi no Umi" when [[spoiler: Zakuro]] was shown to be a perfectly amiable person, her voice is actually rather high pitched. However, after her FaceHeelTurn, her voice noticeably sounds sinister, and deeper, as a result.
* PuniPlush: The 2013 anime, as opposed to the more angular character designs in the manga and 2008 anime.
Is there an issue? Send a MessageReason:
Spoiler-y Badass Normal
Changed line(s) 40 (click to see context) from:
** BadassNormal: '''JURI'''. No demonic powers such as super strength, the power to conjure emphasized words, or reading minds. Just control of her bones and muscles allows her to overpower Hime and Touka ''at the same time'' and stop ''speeding cars''.
to:
** BadassNormal: '''JURI'''.BadassNormal:
***'''JURI'''. No demonic powers such as super strength, the power to conjure emphasized words, or reading minds. Just control of her bones and muscles allows her to overpower Hime and Touka ''at the same time'' and stop ''speedingcars''.cars''.
***[[spoiler:Lila, even more than her sister. She can shapeshift, levitate, make formerly solid buildings fall apart like paper, and conjure objects from nowhere — including a [[ImpossiblyCoolWeapon freaking skyscraper-sized sword]]. She would outdo Kotoha for sheer reality warping, were it not all just human skill and ingenuity.]]
***'''JURI'''. No demonic powers such as super strength, the power to conjure emphasized words, or reading minds. Just control of her bones and muscles allows her to overpower Hime and Touka ''at the same time'' and stop ''speeding
***[[spoiler:Lila, even more than her sister. She can shapeshift, levitate, make formerly solid buildings fall apart like paper, and conjure objects from nowhere — including a [[ImpossiblyCoolWeapon freaking skyscraper-sized sword]]. She would outdo Kotoha for sheer reality warping, were it not all just human skill and ingenuity.]]
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* MotivationalLie: [[spoiler: Akina's "death" at the hands of Enjin in the resolution of the "Thorny Path" arc.]]
Added DiffLines:
* NeverSayDie: Despite how opposed the cast is to killing, this trope is averted often. In the first chapter, the gunman even threatens to kill everyone he had scared before. In a flashback shown in a chapter not too long after, Makiharu even outlines Akina's role as the Oyakume with a single question.
--> "Are you prepared to kill people?"
--> "Are you prepared to kill people?"
Added DiffLines:
* NonHumanSidekick: Hime was planning on making Silver one. [[spoiler: Too bad Enjin had [[ShootTheDog other plans]].]]
Added DiffLines:
* PlotTriggeringDeath: [[spoiler: Though it's been established early on that the fusion of dimensions happens every few decades, Enjin's decision to speed it up and/or do it himself by acting through various other parties in the name of the Hiizumi branch family's forced tuning to the Otherworld centuries ago is what begins the plot.]]
Added DiffLines:
* {{Revenge}}: What fuels Enjin's goal of combining the two dimensions.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* AdaptationInducedPlotHole: ''Hana no Uta'' and ''Tsuki ni Naku'' suffer from this at times.
** ''Hana no Uta'' instances:
*** After Enjin [[spoiler: fakes killing Akina]] in Episode 7, Hime turns the Dragon Spear into what amounts to a flamethrower and a large knife when it's clearly established that night is the first time she's used it at all and most likely wouldn't know how to change it. Hime doesn't change the Dragon Spear at all in manga version of the fight.
*** Before Kotoha disables the anti-youkai barrier i ''Hana no Uta'', Shinozuka is seen pursuing the van Shidou is driving and exclaims that Kotoha won't make the shot, but in the scene right after, he's waiting with Morino and the nameless old man for Akina, who was with Shidou up until that point, to arrive. The manga had Shinozuka making the observation about Kotoha's kotodama from afar and didn't have this problem.
** ''Tsuki ni Naku'' instances:
*** In the manga, Kotoha is initially concerned about regular humans finding out about Tomoe's otherworldly qualities by seeing her dog ears, but Tomoe says she just covers them. In ''Tsuki in Naku,'' she has a very fluffy tail that is ''far'' more noticeable than her manga counterpart's, and yet Tomoe is similarly unconcerned about the idea of humans finding out.
*** Touka is the one who made the vacation spot booklet in the manga, and even states she made it for the sake of going places with Kyousuke. In ''Tsuki ni Naku'', however, Kyousuke is the one who made it, despite the fact that he can't even relax on the trip and was discussing how to fit the vacation into Hime's schedule before they left.
** ''Hana no Uta'' instances:
*** After Enjin [[spoiler: fakes killing Akina]] in Episode 7, Hime turns the Dragon Spear into what amounts to a flamethrower and a large knife when it's clearly established that night is the first time she's used it at all and most likely wouldn't know how to change it. Hime doesn't change the Dragon Spear at all in manga version of the fight.
*** Before Kotoha disables the anti-youkai barrier i ''Hana no Uta'', Shinozuka is seen pursuing the van Shidou is driving and exclaims that Kotoha won't make the shot, but in the scene right after, he's waiting with Morino and the nameless old man for Akina, who was with Shidou up until that point, to arrive. The manga had Shinozuka making the observation about Kotoha's kotodama from afar and didn't have this problem.
** ''Tsuki ni Naku'' instances:
*** In the manga, Kotoha is initially concerned about regular humans finding out about Tomoe's otherworldly qualities by seeing her dog ears, but Tomoe says she just covers them. In ''Tsuki in Naku,'' she has a very fluffy tail that is ''far'' more noticeable than her manga counterpart's, and yet Tomoe is similarly unconcerned about the idea of humans finding out.
*** Touka is the one who made the vacation spot booklet in the manga, and even states she made it for the sake of going places with Kyousuke. In ''Tsuki ni Naku'', however, Kyousuke is the one who made it, despite the fact that he can't even relax on the trip and was discussing how to fit the vacation into Hime's schedule before they left.
Is there an issue? Send a MessageReason:
None
Changed line(s) 35 (click to see context) from:
** Inverted with Enjin. Whenever a youkai hunter is on the verge of defeat, he either fells them one more time with the intent of making the situation work or just leaves, and never finishes the job on his own.
to:
** Inverted with Enjin. Whenever a youkai hunter is on the verge of defeat, he either fells them one more time with the intent of making the situation work worse for those involved or just leaves, leaves when dissatisfied at how it turned out, and never finishes the job on his own.hardly bothers with what happens afterwards.
Changed line(s) 87 (click to see context) from:
* {{Foreshadowing}}: At first, there seem to be no real reason why Hime and Akina always sit one seat apart at the restaurant, until we find out that [[spoiler: the middle seat used to be occupied by Gin]].
to:
* {{Foreshadowing}}: At first, there seem to be no real reason why Hime and Akina always sit one seat apart at the restaurant, until we find out that [[spoiler: the middle seat used to be occupied by Gin]]. Gin]].
* ForegoneConclusion: In the "Hoshi no Umi" arc, Juri states that Makiharu is the first Oyakume to be able to safely exorcise excess demonic power from a fallen being and avoid sending it to the Otherworld. Therefore, this makes it impossible for Chiaki, the Oyakume from 200 years ago, to [[spoiler: save Akane and get around his fear of killing for the sake of protecting Sakura-shin.]] [[spoiler: However, this is actually narrowly averted by Yuuhi's ability to ''purify'' a fallen creature of most, if not all demonic power.]]
* ForegoneConclusion: In the "Hoshi no Umi" arc, Juri states that Makiharu is the first Oyakume to be able to safely exorcise excess demonic power from a fallen being and avoid sending it to the Otherworld. Therefore, this makes it impossible for Chiaki, the Oyakume from 200 years ago, to [[spoiler: save Akane and get around his fear of killing for the sake of protecting Sakura-shin.]] [[spoiler: However, this is actually narrowly averted by Yuuhi's ability to ''purify'' a fallen creature of most, if not all demonic power.]]
Added DiffLines:
* OffscreenMomentOfAwesome: Despite his status as the ButtMonkey and usually going down in most of his fights, a [[spoiler: Zakuro-controlled]] Kyousuke quickly defeats Hime, even with his [[PowerLimiter shackle on]]. It's a shame we didn't get to see it.
Is there an issue? Send a MessageReason:
None
* AnachronicOrder: Several arcs are told in this fashion, mostly for the sake of covering different characters' angles on the same events.
* BadGuysDoTheDirtyWork: Averted so hard in regards to the very role the Oyakume is supposed to take. Makiharu essentially sums up what the job entails by asking a young Akina, "Are you prepared to kill people?"
** Inverted with Enjin. Whenever a youkai hunter is on the verge of defeat, he either fells them one more time with the intent of making the situation work or just leaves, and never finishes the job on his own.
** Inverted with Enjin. Whenever a youkai hunter is on the verge of defeat, he either fells them one more time with the intent of making the situation work or just leaves, and never finishes the job on his own.
* BlandNameProduct: Hidagyu from [[''Franchise/Pokemon'' Rocket Monsters]] is a frequent recurring mascot in the series.
Changed line(s) 75 (click to see context) from:
* {{Fanservice}}: Happens to every female character and often goes to ridiculous extremes.
to:
* FacelessGoons: Several are commanded by Akane in the "Walking Pilgrimage" arc.
* {{Fanservice}}: Happens to every female character and often goes to ridiculous extremes. [[UpToEleven The 2013 anime goes out of its way to shoehorn in as much of it as they can at any given opportunity.]]
* {{Fanservice}}: Happens to every female character and often goes to ridiculous extremes. [[UpToEleven The 2013 anime goes out of its way to shoehorn in as much of it as they can at any given opportunity.]]
Added DiffLines:
* PowerGlows: Most instances of seeing otherworldly powers at work are accompanied by blinding flashes of light.
Is there an issue? Send a MessageReason:
None
Changed line(s) 14,16 (click to see context) from:
* AdaptationExplanationExtrication: Akina suffers from this trope in terms of characterization in the 2013 anime. In the 2013 adaptation, most of the events of the first volume of the manga are either left out entirely or took enough creative liberties to be different from what was already adapted in the 2008 anime. While not centered directly around Akina, most of these chapters showed how fundamental Akina is to the main group and how he stabilizes it without even establishing his importance as the Oyakume. The absence of these events can make Akina seem insensitive or even outright ignorant of the conflict of human-demon coexistence when viewing the first few episodes of the 2013 anime, even when the actions themselves are consistent with manga canon and/or its context, which includes:
** His blatantly overlooking the insistence of human life being more important than that of demon kind.
** His near-tuning of Touka. In the manga, it is shown that he takes different approaches when trying to help others with their issues. (i.e. he's calmer when dealing with Ao, and definitely more vocal when dealing with Kotoha.) With this in mind, it's implied threatening Touka was most likely the only way for Akina to get Kyousuke's attention.
** His blatantly overlooking the insistence of human life being more important than that of demon kind.
** His near-tuning of Touka. In the manga, it is shown that he takes different approaches when trying to help others with their issues. (i.e. he's calmer when dealing with Ao, and definitely more vocal when dealing with Kotoha.) With this in mind, it's implied threatening Touka was most likely the only way for Akina to get Kyousuke's attention.
to:
* AdaptationExplanationExtrication: Akina suffers from this trope in terms of regards to characterization in the 2013 anime. In the 2013 adaptation, most of the events of the first volume of the manga are either left out entirely or took enough creative liberties to be different from what was already adapted in the 2008 anime. While not centered directly around Akina, most of these chapters showed how fundamental Akina is to the main group and how he stabilizes it without even establishing his importance as the Oyakume. The absence of these events can make Akina seem insensitive or even outright ignorant of the conflict of human-demon coexistence when viewing the first few episodes of the 2013 anime, even when the actions themselves are consistent with manga canon and/or its context, which includes:
** His blatantly overlookingthe Shidare and Shiina's insistence of human life being more important than that of demon kind.
kind.
** His near-tuning of Touka. In the manga, it is shown that he takes different approaches when trying to help others with their issues. (i.e. he's calmer when dealing with Ao, and definitely more vocal when dealing with Kotoha.)With this in mind, it's It's implied threatening Touka was most likely the only way for Akina to get Kyousuke's attention.attention and try to get through to him. In the 2013 anime, this is the first time viewers will see Akina's approach to the human-youkai conflict, which would make Akina's position of being a ''life counseling office director'' rather dubious.
** His blatantly overlooking
** His near-tuning of Touka. In the manga, it is shown that he takes different approaches when trying to help others with their issues. (i.e. he's calmer when dealing with Ao, and definitely more vocal when dealing with Kotoha.)
Changed line(s) 80,81 (click to see context) from:
* FirstNameBasis: Kyousuke to Hime.
* FlowerMotifs: Lila in particular and the "Hana no Uta" (Song of Flowers) arc in general, where Lila serves as the arc's antagonist. To a lesser extent, Juri and her hairpin [[spoiler:which Lila copied the shape of to brand on her face when they were younger, trying to "be more like" her beloved older sister. Yikes]].
* FlowerMotifs: Lila in particular and the "Hana no Uta" (Song of Flowers) arc in general, where Lila serves as the arc's antagonist. To a lesser extent, Juri and her hairpin [[spoiler:which Lila copied the shape of to brand on her face when they were younger, trying to "be more like" her beloved older sister. Yikes]].
to:
* FirstNameBasis: Kyousuke to Hime.
Hime, but only when they're alone and "on break."
* FlowerMotifs: Lila in particular and the "Hana no Uta" (Song of Flowers) arc in general, where Lila serves as the arc's antagonist. To a lesser extent, Juri and her hairpin [[spoiler:which Lila copied the shape of to brand on her face when they were younger, trying to "be more like" her beloved oldersister. Yikes]].sister]].
* FlowerMotifs: Lila in particular and the "Hana no Uta" (Song of Flowers) arc in general, where Lila serves as the arc's antagonist. To a lesser extent, Juri and her hairpin [[spoiler:which Lila copied the shape of to brand on her face when they were younger, trying to "be more like" her beloved older
Changed line(s) 88 (click to see context) from:
* HopeSpot: Hime rushes off to get the [[spoiler: fake]] Dragon Spear, and is almost assured victory, [[spoiler: until she messes up the last move in a special technique, and gets the fake Dragon Spear broken in two]].
to:
* HopeSpot: Hime rushes off to get the [[spoiler: fake]] Dragon Spear, and is almost assured victory, [[spoiler: until she messes up the last move in a special technique, and gets the fake Dragon Spear broken in two]].
Changed line(s) 137,138 (click to see context) from:
* TheSmurfettePrinciple: Inverted. Akina's the only boy in the Quartet.
* {{Soaperizing}}: Not just the focus on character development and relationships and the softer, slice-of-life feel, but also... Evil twins! Love triangles! Dead parents! However, these things are generally played well in terms of story and character development.
* {{Soaperizing}}: Not just the focus on character development and relationships and the softer, slice-of-life feel, but also... Evil twins! Love triangles! Dead parents! However, these things are generally played well in terms of story and character development.
to:
* TheSmurfettePrinciple: Inverted. Akina's the only boy in the Quartet.
Quartet. [[spoiler: Played straight with Makiharu's group, with Machi being the only female combatant.]]
* {{Soaperizing}}: Not just the focus on character development and relationships and the softer, slice-of-life feel, but also... Evil twins! Love triangles! Dead parents! [[TropesAreNotBad However, these things are generally played well in terms of story and character development.]]
* {{Soaperizing}}: Not just the focus on character development and relationships and the softer, slice-of-life feel, but also... Evil twins! Love triangles! Dead parents! [[TropesAreNotBad However, these things are generally played well in terms of story and character development.]]
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Changed line(s) 13 (click to see context) from:
* ActionGirl: Hime, Kotoha, Touka, Yae, Juri.
to:
* ActionGirl: Hime, Kotoha, Touka, Yae, Juri.Juri.
* AdaptationExplanationExtrication: Akina suffers from this trope in terms of characterization in the 2013 anime. In the 2013 adaptation, most of the events of the first volume of the manga are either left out entirely or took enough creative liberties to be different from what was already adapted in the 2008 anime. While not centered directly around Akina, most of these chapters showed how fundamental Akina is to the main group and how he stabilizes it without even establishing his importance as the Oyakume. The absence of these events can make Akina seem insensitive or even outright ignorant of the conflict of human-demon coexistence when viewing the first few episodes of the 2013 anime, even when the actions themselves are consistent with manga canon and/or its context, which includes:
** His blatantly overlooking the insistence of human life being more important than that of demon kind.
** His near-tuning of Touka. In the manga, it is shown that he takes different approaches when trying to help others with their issues. (i.e. he's calmer when dealing with Ao, and definitely more vocal when dealing with Kotoha.) With this in mind, it's implied threatening Touka was most likely the only way for Akina to get Kyousuke's attention.
* AdaptationExplanationExtrication: Akina suffers from this trope in terms of characterization in the 2013 anime. In the 2013 adaptation, most of the events of the first volume of the manga are either left out entirely or took enough creative liberties to be different from what was already adapted in the 2008 anime. While not centered directly around Akina, most of these chapters showed how fundamental Akina is to the main group and how he stabilizes it without even establishing his importance as the Oyakume. The absence of these events can make Akina seem insensitive or even outright ignorant of the conflict of human-demon coexistence when viewing the first few episodes of the 2013 anime, even when the actions themselves are consistent with manga canon and/or its context, which includes:
** His blatantly overlooking the insistence of human life being more important than that of demon kind.
** His near-tuning of Touka. In the manga, it is shown that he takes different approaches when trying to help others with their issues. (i.e. he's calmer when dealing with Ao, and definitely more vocal when dealing with Kotoha.) With this in mind, it's implied threatening Touka was most likely the only way for Akina to get Kyousuke's attention.
Changed line(s) 38 (click to see context) from:
* BladeOnAStick: Hime's weapon of choice in the anime.
to:
* BladeOnAStick: Hime's weapon of choice in the 2008 anime.
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* CompressedAdaptation: Some of the characters that are deeply developed in the manga barely get introduced in the anime. The anime also takes the plot of Volumes 3 and 4 of the manga and chops it up into Frankenstein pieces, leaving out important things like character motivation and coherency.
* ConvenientlyAnOrphan: All of the main characters are conveniently orphans, and many side characters. [[spoiler:This is later explained by there being a "gap" generation. It is hinted that the generation the kids' parents belong to was sacrificed or sent to the Otherworld in order to stop the blooming of the Nana-gou. There seems to be no one between the ages of thirty and sixty left in Sakura-Shinmachi, at least no native Sakura-Shinmachi-ians]].
* ConvenientlyAnOrphan: All of the main characters are conveniently orphans, and many side characters. [[spoiler:This is later explained by there being a "gap" generation. It is hinted that the generation the kids' parents belong to was sacrificed or sent to the Otherworld in order to stop the blooming of the Nana-gou. There seems to be no one between the ages of thirty and sixty left in Sakura-Shinmachi, at least no native Sakura-Shinmachi-ians]].
to:
* CompressedAdaptation: Some of the characters that are deeply developed in the manga barely get introduced in the 2008 anime. The anime also takes the plot of Volumes 3 and 4 of the manga and chops it up into Frankenstein pieces, leaving out important things like character motivation and coherency.
* ConvenientlyAnOrphan: All of the main characters are conveniently orphans, and many side characters. [[spoiler:This is later explained by there being a "gap" generation. It is hinted that the generation the kids' parents belong to was sacrificed or sent to the Otherworld in order to stop the blooming of the Nana-gou. There seems to be no one between the ages of thirty and sixty left in Sakura-Shinmachi, at least no nativeSakura-Shinmachi-ians]].Sakura-Shinmachi citizens]].
* ConvenientlyAnOrphan: All of the main characters are conveniently orphans, and many side characters. [[spoiler:This is later explained by there being a "gap" generation. It is hinted that the generation the kids' parents belong to was sacrificed or sent to the Otherworld in order to stop the blooming of the Nana-gou. There seems to be no one between the ages of thirty and sixty left in Sakura-Shinmachi, at least no native
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* FirstEpisodeSpoiler: [[spoiler: Hime is a dragon, not a human]]. Literally a first-episode spoiler as the first episode of the anime reveals it off-hand, when it was a major revelation more than a dozen chapters into the manga. Akina's Tuning gets the same treatment between the anime and the manga.
to:
* FirstEpisodeSpoiler: [[spoiler: Hime is a dragon, not a human]]. Literally a first-episode spoiler as the first episode of the 2008 anime reveals it off-hand, when it was a major revelation more than a dozen chapters into the manga. Akina's Tuning gets the same treatment between the anime and the manga.
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* ImprobableWeaponUser: Hime likes to use a lacrosse racket in the manga. Averted in the anime due to her using a spear. Interestingly, when Kotoha conjures one up for her, she chews her out for giving her something dangerous.
to:
* ImprobableWeaponUser: Hime likes to use a lacrosse racket in the manga. Averted in the 2008 anime due to her using a spear. Interestingly, when Kotoha conjures one up for her, she chews her out for giving her something dangerous.
Changed line(s) 132 (click to see context) from:
** Tuning is actually more or less this trope. It varies between the anime and manga whether it's actually killing someone's physical body and sending their "youkai spirit" back (anime) or just banishing them (manga), but the Hiizumi family in both cases has always considered it murder, since the person is no longer to be found on Earth and there's no way at all to communicate with the Otherworld, meaning the actual effect of Tuning as well as its destination are under some doubt due to a lack of empirical evidence.
to:
** Tuning is actually more or less this trope. It varies between the anime and manga whether it's actually killing someone's physical body and sending their "youkai spirit" back (anime) (2008 anime) or just banishing them (manga), but the Hiizumi family in both cases has always considered it murder, since the person is no longer to be found on Earth and there's no way at all to communicate with the Otherworld, meaning the actual effect of Tuning as well as its destination are under some doubt due to a lack of empirical evidence.
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* VomitDiscretionShot / RelaxOVision: An odd combination of both happens in the anime. After a ramen eating challenge, we cut to Hime, Akina, and [[spoiler: Gin (since it's a flashback)]] prancing around in a field filled with flowers, laughing while being covered in BishieSparkle. Amidst all the happy images and music, the aftermath of the vomitting is heard in the background.
to:
* VomitDiscretionShot / RelaxOVision: An odd combination of both happens in the 2008 anime. After a ramen eating challenge, challenge shown in a flashback, we cut to Hime, Akina, and [[spoiler: Gin (since it's a flashback)]] Gin]] prancing around in a field filled with flowers, laughing while being covered in BishieSparkle. Amidst all the happy images and music, the aftermath of the vomitting is heard in the background.
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Changed line(s) 7,8 (click to see context) from:
The series has also since had an OVA that disregarded the 2008 anime's departures and adapted the manga's "Hoshi no Umi" (Sea of Stars) story arc much more faithfully, and a second series in the Fall2013Anime season called ''Yozakura Quartet: Hana no Uta'' (Song of Flowers). Note that ''Hana no Uta'' skips the ''Hoshi no Umi'' arc without summarizing it, making the OVA required viewing between episodes 8 and 9.
to:
The series has also since had an OVA that disregarded the 2008 anime's departures and adapted the manga's "Hoshi no Umi" (Sea of Stars) story arc much more faithfully, and a second series in the Fall2013Anime season called ''Yozakura Quartet: Hana no Uta'' (Song of Flowers). Note that ''Hana no Uta'' skips the ''Hoshi no Umi'' arc without summarizing it, it beyond vague clips used during a SpecialEditionTitle, making the OVA required viewing between episodes 8 and 9.
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Changed line(s) 7,8 (click to see context) from:
The series has also since had an OVA that disregarded the 2008 anime's departures and adapted the manga's "Hoshi no Umi" (Sea of Stars) story arc much more faithfully, and a second series in the Fall2013Anime season called ''Yozakura Quartet: Hana no Uta'' (Song of Flowers). Note that ''Hana no Uta'' skips the ''Hoshi no Umi'' arc, making the OVA required viewing.
to:
The series has also since had an OVA that disregarded the 2008 anime's departures and adapted the manga's "Hoshi no Umi" (Sea of Stars) story arc much more faithfully, and a second series in the Fall2013Anime season called ''Yozakura Quartet: Hana no Uta'' (Song of Flowers). Note that ''Hana no Uta'' skips the ''Hoshi no Umi'' arc, arc without summarizing it, making the OVA required viewing.
viewing between episodes 8 and 9.
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Changed line(s) 7,8 (click to see context) from:
The series has also since had an OVA that disregarded the 2008 anime's departures and adapted the manga's "Hoshi no Umi" (Sea of Stars) story arc much more faithfully, and a second series in the Fall2013Anime season called ''Yozakura Quartet -Hana no Uta-'' (Song of Flowers).
to:
The series has also since had an OVA that disregarded the 2008 anime's departures and adapted the manga's "Hoshi no Umi" (Sea of Stars) story arc much more faithfully, and a second series in the Fall2013Anime season called ''Yozakura Quartet -Hana Quartet: Hana no Uta-'' Uta'' (Song of Flowers).
Flowers). Note that ''Hana no Uta'' skips the ''Hoshi no Umi'' arc, making the OVA required viewing.
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Changed line(s) 132 (click to see context) from:
** Tuning is actually more or less this trope. It varies between the anime and manga whether it's actually killing someone's physical body and sending their "youkai spirit" back (anime) or just banishing them (manga), but the Hiizumi family in both cases has always considered it murder, since the person is no longer to be found on Earth, there's no way at all to communicate with the Otherworld, meaning the actual effect of Tuning as well as its destination are under some doubt due to a lack of empirical evidence.
to:
** Tuning is actually more or less this trope. It varies between the anime and manga whether it's actually killing someone's physical body and sending their "youkai spirit" back (anime) or just banishing them (manga), but the Hiizumi family in both cases has always considered it murder, since the person is no longer to be found on Earth, Earth and there's no way at all to communicate with the Otherworld, meaning the actual effect of Tuning as well as its destination are under some doubt due to a lack of empirical evidence.
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Changed line(s) 130,131 (click to see context) from:
* ShootTheDog: [[spoiler:Fourth chapter. The dog is a literal example]].
** Tuning is actually more or less this trope. It varies between the anime and manga whether it's actually killing someone's physical body and sending their "youkai spirit" back (anime) or just banishing them (manga), but the Hiizumi family in both cases has always considered it murder, since the person is no longer to be found on Earth either way.
** Tuning is actually more or less this trope. It varies between the anime and manga whether it's actually killing someone's physical body and sending their "youkai spirit" back (anime) or just banishing them (manga), but the Hiizumi family in both cases has always considered it murder, since the person is no longer to be found on Earth either way.
to:
* ShootTheDog: ShootTheDog:
** [[spoiler:Fourth chapter. The dog is a literal example]].
** Tuning is actually more or less this trope. It varies between the anime and manga whether it's actually killing someone's physical body and sending their "youkai spirit" back (anime) or just banishing them (manga), but the Hiizumi family in both cases has always considered it murder, since the person is no longer to be found onEarth either way.Earth, there's no way at all to communicate with the Otherworld, meaning the actual effect of Tuning as well as its destination are under some doubt due to a lack of empirical evidence.
** [[spoiler:Fourth chapter. The dog is a literal example]].
** Tuning is actually more or less this trope. It varies between the anime and manga whether it's actually killing someone's physical body and sending their "youkai spirit" back (anime) or just banishing them (manga), but the Hiizumi family in both cases has always considered it murder, since the person is no longer to be found on
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2nd anime more round in the face.
Added DiffLines:
* PuniPlush: The 2013 anime, as opposed to the more angular character designs in the manga and 2008 anime.
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Changed line(s) 7,8 (click to see context) from:
The series has also since had an OVA that disregarded the 2008 anime's departures and adapted the manga's "Hoshi no Umi" (Sea of Stars) story arc much more faithfully, and a second series in the Fall2013Anime season called ''Yozakura Quartet -Hana no Uta-" (Song of Flowers).
to:
The series has also since had an OVA that disregarded the 2008 anime's departures and adapted the manga's "Hoshi no Umi" (Sea of Stars) story arc much more faithfully, and a second series in the Fall2013Anime season called ''Yozakura Quartet -Hana no Uta-" Uta-'' (Song of Flowers).
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Changed line(s) 5,6 (click to see context) from:
Debut manga of Yasuda Suzuhito, character designer of ''KamisamaKazoku'', ''VideoGame/DevilSurvivor'' and ''LightNovel/{{Durarara}}''. Serialized in ''Monthly Shounen Sirius'' since 2006. Received an anime adaption in 2008. The anime went into production when the manga was on its second volume, making in the anime and manga different enough that Suzuhito encouraged people to think of them as separate and enjoy them both on their own merits.
to:
Debut manga of Yasuda Suzuhito, character designer of ''KamisamaKazoku'', ''VideoGame/DevilSurvivor'' and ''LightNovel/{{Durarara}}''. Serialized in ''Monthly Shounen Sirius'' since 2006. Received an anime adaption in 2008. The anime went into production when the manga was on its second volume, making in the anime and manga different enough that Suzuhito encouraged people to think of them as separate and enjoy them both on their own merits.
merits.
The series has also since had an OVA that disregarded the 2008 anime's departures and adapted the manga's "Hoshi no Umi" (Sea of Stars) story arc much more faithfully, and a second series in the Fall2013Anime season called ''Yozakura Quartet -Hana no Uta-" (Song of Flowers).
The series has also since had an OVA that disregarded the 2008 anime's departures and adapted the manga's "Hoshi no Umi" (Sea of Stars) story arc much more faithfully, and a second series in the Fall2013Anime season called ''Yozakura Quartet -Hana no Uta-" (Song of Flowers).
* CallBack: The 2013 anime opening is full of call backs to earlier manga plot arcs that took place before ''Hoshi no Umi'' or ''Hana no Uta'' and weren't exactly faithfully dealt with in the 2008 adaptation (if at all).
* CityOfWeirdos: The citizens have SeenItAll for centuries now. They're completely confident in the mayor and the Hiizumi family's ability to take care of things.
** Demonstrated in its ideal state in the 2013 anime's first episode, where a giant, fallen goldfish is bouncing around in the middle of a festival and in danger of crushing everything, and only Touka is freaking out. One random bystander just tells Touka to say hi to Hime and the others.
** Demonstrated in its ideal state in the 2013 anime's first episode, where a giant, fallen goldfish is bouncing around in the middle of a festival and in danger of crushing everything, and only Touka is freaking out. One random bystander just tells Touka to say hi to Hime and the others.
Changed line(s) 149 (click to see context) from:
* UnexplainedRecovery: Played straight by Hime in Volume 3.
to:
* UnexplainedRecovery: Played straight by Hime in Volume 3. [[spoiler:Eventually explained because she's a dragon. Part of her all-around physical prowess includes excellent stamina and recovery time.]]
* TheUnmasquedWorld: People worldwide know that youkai exist, but few outside of Sakura-Shinmachi seem to have ever met one - mostly because youkai are so widely persecuted they congregate in the town as soon as possible.
* TheUnmasquedWorld: People worldwide know that youkai exist, but few outside of Sakura-Shinmachi seem to have ever met one - mostly because youkai are so widely persecuted they congregate in the town as soon as possible.
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Changed line(s) 39 (click to see context) from:
* ButtMonkey: Most of the male cast seems to suffer from this, but special mention goes to Kyousuke, whose [[powers MadeOfIron]] make him ideal for it.
to:
* ButtMonkey: Most of the male cast seems to suffer from this, but special mention goes to Kyousuke, whose [[powers MadeOfIron]] [[MadeOfIron powers]] make him ideal for it.
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Changed line(s) 39 (click to see context) from:
* ButtMonkey: Akina constantly takes blows from everyone, friend or otherwise.
to:
* ButtMonkey: Akina constantly takes blows Most of the male cast seems to suffer from everyone, friend or otherwise.this, but special mention goes to Kyousuke, whose [[powers MadeOfIron]] make him ideal for it.
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Changed line(s) 113 (click to see context) from:
* PsychoRangers: Sakurashin-machi meet [[spoiler: the Demon Hunters]].
to:
* PsychoRangers: Sakurashin-machi meet [[spoiler: the The Demon Hunters]].Hunters]] are specifically noted by Enjin to each be a certain kind of Youkai's weakness.
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Deleted line(s) 19 (click to see context) :
* AmbiguouslyBrown: Zakuro in the OVA.
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* KindaBusyHere: In Volume 3, Kotoha calls Akina while he and Kyousuke are busy trying to survive getting cars thrown at them by Shinozuka.
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* MissionBriefing: When Kotoha sums up the plan that will save Kohime.
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* ThemeNaming: The Hiizumi family names each heir to the head of the family with the characters for the seasons somewhere in their names, rotating with each generation. Akina is the latest "autumn" name.
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Deleted line(s) 160,161 (click to see context) :
* WhiteHairedPrettyBoy: Gin and Shinozuka.
* WhiteHairedPrettyGirl: Ao, being Gin's sister.
* WhiteHairedPrettyGirl: Ao, being Gin's sister.
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Deleted line(s) 52,60 (click to see context) :
* CrowningMomentOfAwesome: Here and there.
-->'''Akina:''' "Heh heh heh. Don't do anything crazy, they said."
-->'''Kyousuke:''' "Yeah."
-->'''Akina:''' "They don't get it, do they... ''Now's the time to do something crazy, right?''"
-->'''Kyousuke:''' "''Agreed.''"
** From the end of the first anime sequence, Kotoha begins using her power to describe something. When you realize that Kotoha is an artillery otaku, that she's right next to several sets of train tracks, and what the dimensions of a [[http://en.wikipedia.org/wiki/Krupp_K5 Krupp K5]] are...
* CrowningMomentOfHeartwarming: The manga is chock-full of them.
** Such as the reaction of Rin's human employers/foster parents upon learning that someone who harmed Rin might be in town. It's sweet when the huge, burly, bearlike man puts an arm protectively around Rin, saying that the town's humans will protect the youkai. It's downright awesome when the kind older lady drives a cleaver entirely through a chopping block and embeds it into the counter below while calmly smiling and saying she'd like a long talk with the abuser.
* CrowningMusicOfAwesome: [[http://www.youtube.com/watch?v=tBFRHxaBxPA JUST TUNE]], the opening for the anime could count.
-->'''Akina:''' "Heh heh heh. Don't do anything crazy, they said."
-->'''Kyousuke:''' "Yeah."
-->'''Akina:''' "They don't get it, do they... ''Now's the time to do something crazy, right?''"
-->'''Kyousuke:''' "''Agreed.''"
** From the end of the first anime sequence, Kotoha begins using her power to describe something. When you realize that Kotoha is an artillery otaku, that she's right next to several sets of train tracks, and what the dimensions of a [[http://en.wikipedia.org/wiki/Krupp_K5 Krupp K5]] are...
* CrowningMomentOfHeartwarming: The manga is chock-full of them.
** Such as the reaction of Rin's human employers/foster parents upon learning that someone who harmed Rin might be in town. It's sweet when the huge, burly, bearlike man puts an arm protectively around Rin, saying that the town's humans will protect the youkai. It's downright awesome when the kind older lady drives a cleaver entirely through a chopping block and embeds it into the counter below while calmly smiling and saying she'd like a long talk with the abuser.
* CrowningMusicOfAwesome: [[http://www.youtube.com/watch?v=tBFRHxaBxPA JUST TUNE]], the opening for the anime could count.
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Changed line(s) 3,4 (click to see context) from:
Sakura-Shinmachi, Setagaya Ward, Tokyo, Japan. The one town where humans and {{youkai}} can coexist. The gateway between this world and the Otherworld, the dimension from which youkai originally came. Protecting the town are Hime, Sakura-Shinmachi's superpowered high school girl mayor, and Akina, an "ordinary human" who holds the power to send youkai back to the other dimension and runs the Hiizumi Life Counselling Office to help keep them in this one. Along with their friends -- the employees of the Life Counselling Office, mind-reading satori Ao and the embodier of words, Kotoha; Kyousuke, Hime's oni assistant, and Touka, Kyousuke's little sister -- they protect the town from threats both external and much closer to home. In between hanging out like normal teenagers and eating copious amounts of ramen. Helping out are Yae, the nun-outfitted katana-wielding Land Goddess of Sakura-Shinmachi; her older brother Yuuhi, the dirty old man in a young boy's body Land God/Mayor of Setagaya Ward; his cosplaying immortal assistant, Mariabelle, and Juri, the nurse-outfitted youkai doctor idol of Sakura-Shinmachi. ''Yozakura Quartet'' is full of deep characterization, puzzle-piece plots, slice-of-life comedy, and more heartwarming moments than you can shake a stick at.
to:
Sakura-Shinmachi, Setagaya Ward, Tokyo, Japan. The one town where humans and {{youkai}} can coexist. The gateway between this world and the Otherworld, the dimension from which youkai originally came. Protecting the town are Hime, Sakura-Shinmachi's superpowered high school girl mayor, and Akina, an "ordinary human" who holds the power to send youkai back to the other dimension and runs the Hiizumi Life Counselling Office to help keep them in this one. Along with their friends -- the friends--the employees of the Life Counselling Office, mind-reading satori Ao and the embodier of words, Kotoha; Kyousuke, Hime's oni assistant, and Touka, Kyousuke's little sister -- they sister--they protect the town from threats both external and much closer to home. In between hanging out like normal teenagers and eating copious amounts of ramen. Helping out are Yae, the nun-outfitted katana-wielding Land Goddess of Sakura-Shinmachi; her older brother Yuuhi, the dirty old man in a young boy's body Land God/Mayor of Setagaya Ward; his cosplaying immortal assistant, Mariabelle, and Juri, the nurse-outfitted youkai doctor idol of Sakura-Shinmachi. ''Yozakura Quartet'' is full of deep characterization, puzzle-piece plots, slice-of-life comedy, and more heartwarming moments than you can shake a stick at.
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* AdventureTowns: Sakura-shinmachi.
to:
* AdventureTowns: Sakura-shinmachi.Sakura-Shinmachi.
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* AlliterativeName: Kyosuke Kishi
to:
* AlliterativeName: Kyosuke KishiKyousuke Kishi.
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* AnotherDimension: The Otherworld, the dimension from which the youkai came and where Akina's power send them back to. [[spoiler:And which Enjin's power of "dropping" can draw things from.]]
to:
* AnotherDimension: The Otherworld, the dimension from which the youkai came and where Akina's power send them back to. [[spoiler:And which Enjin's power of "dropping" can draw things from.]]from]].
Changed line(s) 22 (click to see context) from:
* Badass
to:
* Badass{{Badass}}
Changed line(s) 28,30 (click to see context) from:
** BadassNormal: JURI. No demonic powers such as super strength, the power to conjure emphasized words, or reading minds. Just control of her bones and muscles allows her to overpower Hime and Touka ''at the same time'' and stop ''speeding cars''.
* BagOfHolding: As a sidegag, Kyosuke's shirt pocket contains at least three handkerchiefs and ''a rice dumpling''.
--->'''Akina''': "What's the deal with that pocket?"
* BagOfHolding: As a sidegag, Kyosuke's shirt pocket contains at least three handkerchiefs and ''a rice dumpling''.
--->'''Akina''': "What's the deal with that pocket?"
to:
** BadassNormal: JURI.'''JURI'''. No demonic powers such as super strength, the power to conjure emphasized words, or reading minds. Just control of her bones and muscles allows her to overpower Hime and Touka ''at the same time'' and stop ''speeding cars''.
* BagOfHolding: As a sidegag,Kyosuke's Kyousuke's shirt pocket contains at least three handkerchiefs and ''a rice dumpling''.
--->'''Akina''': -->'''Akina:''' "What's the deal with that pocket?"
* BagOfHolding: As a sidegag,
Changed line(s) 36 (click to see context) from:
* BigFancyHouse: Hime's house is huge. In a flashback, [[spoiler: she tells little Kyousuke and Touka to move in with her and her grandmother, because there's too much room for just the two of them. And this is the middle of Tokyo.]]
to:
* BigFancyHouse: Hime's house is huge. In a flashback, [[spoiler: she tells little Kyousuke and Touka to move in with her and her grandmother, because there's too much room for just the two of them. And this is the middle of Tokyo.]]Tokyo]].
Changed line(s) 39 (click to see context) from:
* BumblingDad: Shidou seems like one to Mina and Kana even though they aren't his kids. Prolly adopted.
to:
* BumblingDad: Shidou seems like one to Mina and Kana even though they aren't his kids. Prolly Probably adopted.
Changed line(s) 42 (click to see context) from:
* CarFu: Touka is fond of this, [[spoiler: chucking a car at Enjin when they think he's killed Akina.]] Shinozuka gets in on the CarFu earlier in the same fight.
to:
* CarFu: Touka is fond of this, [[spoiler: chucking a car at Enjin when they think he's killed Akina.]] Akina]]. Shinozuka gets in on the CarFu earlier in the same fight.
Changed line(s) 45,46 (click to see context) from:
* CherryBlossoms: Let's see... There are seven cherry blossom trees in Sakura-shinmachi, "sakura" is in the town's name, and Yozakura means cherry blossoms in the night!
* ChivalrousPervert: Yuhi, oh so much...
* ChivalrousPervert: Yuhi, oh so much...
to:
* CherryBlossoms: Let's see... There are seven cherry blossom trees in Sakura-shinmachi, Sakura-Shinmachi, "sakura" is in the town's name, and Yozakura means cherry blossoms in the night!
* ChivalrousPervert:Yuhi, Yuuhi, oh so much...
* ChivalrousPervert:
Changed line(s) 49,50 (click to see context) from:
* CompressedAdaptation: Some of the characters that are deeply developed in the manga barely get introduced in the anime. The anime also takes the plot of volumes 3 and 4 of the manga and chops it up into Frankenstein pieces, leaving out important things like character motivation and coherency.
* ConvenientlyAnOrphan: All of the main characters are conveniently orphans, and many side characters. [[spoiler:This is later explained by there being a "gap" generation. It is hinted that the generation the kids' parents belong to was sacrificed or sent to the Otherworld in order to stop the blooming of the Nana-gou. There seems to be no one between the ages of thirty and sixty left in Sakura-Shinmachi, at least no native Sakura-Shinmachi-ians.]]
* ConvenientlyAnOrphan: All of the main characters are conveniently orphans, and many side characters. [[spoiler:This is later explained by there being a "gap" generation. It is hinted that the generation the kids' parents belong to was sacrificed or sent to the Otherworld in order to stop the blooming of the Nana-gou. There seems to be no one between the ages of thirty and sixty left in Sakura-Shinmachi, at least no native Sakura-Shinmachi-ians.]]
to:
* CompressedAdaptation: Some of the characters that are deeply developed in the manga barely get introduced in the anime. The anime also takes the plot of volumes Volumes 3 and 4 of the manga and chops it up into Frankenstein pieces, leaving out important things like character motivation and coherency.
* ConvenientlyAnOrphan: All of the main characters are conveniently orphans, and many side characters. [[spoiler:This is later explained by there being a "gap" generation. It is hinted that the generation the kids' parents belong to was sacrificed or sent to the Otherworld in order to stop the blooming of the Nana-gou. There seems to be no one between the ages of thirty and sixty left in Sakura-Shinmachi, at least no nativeSakura-Shinmachi-ians.]]Sakura-Shinmachi-ians]].
* ConvenientlyAnOrphan: All of the main characters are conveniently orphans, and many side characters. [[spoiler:This is later explained by there being a "gap" generation. It is hinted that the generation the kids' parents belong to was sacrificed or sent to the Otherworld in order to stop the blooming of the Nana-gou. There seems to be no one between the ages of thirty and sixty left in Sakura-Shinmachi, at least no native
Changed line(s) 52,56 (click to see context) from:
* [[CrowningMomentofAwesome Crowning Moment of Awesome]]: Here and there.
--->'''Akina''': "Heh heh heh. Don't do anything crazy, they said."
--->'''Kyousuke''': "Yeah."
--->'''Akina''': "They don't get it, do they... ''Now's the time to do something crazy, right?''"
--->'''Kyousuke''': "''Agreed.''"
--->'''Akina''': "Heh heh heh. Don't do anything crazy, they said."
--->'''Kyousuke''': "Yeah."
--->'''Akina''': "They don't get it, do they... ''Now's the time to do something crazy, right?''"
--->'''Kyousuke''': "''Agreed.''"
to:
* [[CrowningMomentofAwesome Crowning Moment of Awesome]]: CrowningMomentOfAwesome: Here and there.
--->'''Akina''': -->'''Akina:''' "Heh heh heh. Don't do anything crazy, they said."
--->'''Kyousuke''': -->'''Kyousuke:''' "Yeah."
--->'''Akina''': -->'''Akina:''' "They don't get it, do they... ''Now's the time to do something crazy, right?''"
--->'''Kyousuke''': -->'''Kyousuke:''' "''Agreed.''"
Changed line(s) 58 (click to see context) from:
* [[CrowningMomentofHeartwarming Crowning Moment of Heartwarming]]: The manga is chock-full of them.
to:
* [[CrowningMomentofHeartwarming Crowning Moment of Heartwarming]]: CrowningMomentOfHeartwarming: The manga is chock-full of them.
Changed line(s) 60 (click to see context) from:
* CrowningMusicofAwesome: Just Tune, the opening for the anime could count.
to:
* CrowningMusicofAwesome: Just Tune, CrowningMusicOfAwesome: [[http://www.youtube.com/watch?v=tBFRHxaBxPA JUST TUNE]], the opening for the anime could count.
Changed line(s) 67,68 (click to see context) from:
---> '''Akina''': ''We look forward to it. [[SincerityMode We'll make sure that they'll be happy in this town.]]''
* EasilyForgiven: Mayor Morino, who resorts to kidnapping, coercion, and threats to try to force Kohime - a 9 year old child - out of the mayoral race. Pushed by Enjin somewhat, but wanted it and went along with it willingly almost to the end, including having Shinozuka fight to kill.
* EasilyForgiven: Mayor Morino, who resorts to kidnapping, coercion, and threats to try to force Kohime - a 9 year old child - out of the mayoral race. Pushed by Enjin somewhat, but wanted it and went along with it willingly almost to the end, including having Shinozuka fight to kill.
to:
---> '''Akina''': ''We '''Akina:''' "We look forward to it. [[SincerityMode We'll make sure that they'll be happy in this town.]]''
]]"
* EasilyForgiven: Mayor Morino, who resorts to kidnapping, coercion, and threats to try to forceKohime - a Kohime--a 9 year old child - out child--out of the mayoral race. Pushed by Enjin somewhat, but wanted it and went along with it willingly almost to the end, including having Shinozuka fight to kill.
* EasilyForgiven: Mayor Morino, who resorts to kidnapping, coercion, and threats to try to force
Changed line(s) 71,73 (click to see context) from:
--> '''Hime's Grandmother:''' ''Be beloved by the people. Be beloved by the town. Be beloved by the Dragon.''
* {{Expy}}: Kotoha bears more than a passing resemblance to [[RebuildOfEvangelion Mari Illustrious Makinami]]
* ExtraordinarilyEmpoweredGirl: Hime, who [[spoiler:even with the vast majority of her power sealed, is still much more powerful than anyone else in the manga.]]
* {{Expy}}: Kotoha bears more than a passing resemblance to [[RebuildOfEvangelion Mari Illustrious Makinami]]
* ExtraordinarilyEmpoweredGirl: Hime, who [[spoiler:even with the vast majority of her power sealed, is still much more powerful than anyone else in the manga.]]
to:
--> '''Hime's Grandmother:''' ''Be ''"Be beloved by the people. Be beloved by the town. Be beloved by the Dragon.''
"''
* {{Expy}}: Kotoha bears more than a passing resemblance to [[RebuildOfEvangelion Mari IllustriousMakinami]]
Makinami]].
* ExtraordinarilyEmpoweredGirl: Hime, who [[spoiler:even with the vast majority of her power sealed, is still much more powerful than anyone else in themanga.]]manga]].
* {{Expy}}: Kotoha bears more than a passing resemblance to [[RebuildOfEvangelion Mari Illustrious
* ExtraordinarilyEmpoweredGirl: Hime, who [[spoiler:even with the vast majority of her power sealed, is still much more powerful than anyone else in the
Changed line(s) 75,76 (click to see context) from:
* EvilSoundsDeep: In the OVA, when [[spoiler: Zakuro]] was shown to be a perfectly amiable person, her voice is actually rather high pitched. However, after her FaceHeelTurn, her voice noticeably sounds sinister, and deeper, as a result.
* EvilOldFolks: [[spoiler: One of Enjin's disguises.]]
* EvilOldFolks: [[spoiler: One of Enjin's disguises.]]
to:
* EvilSoundsDeep: In the "Hoshi no Umi" OVA, when [[spoiler: Zakuro]] was shown to be a perfectly amiable person, her voice is actually rather high pitched. However, after her FaceHeelTurn, her voice noticeably sounds sinister, and deeper, as a result.
* EvilOldFolks: [[spoiler: One of Enjin'sdisguises.]]disguises]].
* EvilOldFolks: [[spoiler: One of Enjin's
Changed line(s) 83 (click to see context) from:
* FlowerMotifs: Lila in particular and the "Hana no Uta" (Song of Flowers) arc in general, where Lila serves as the arc's antagonist. To a lesser extent, Juri and her hairpin [[spoiler:which Lila copied the shape of to brand on her face when they were younger, trying to "be more like" her beloved older sister. Yikes.]]
to:
* FlowerMotifs: Lila in particular and the "Hana no Uta" (Song of Flowers) arc in general, where Lila serves as the arc's antagonist. To a lesser extent, Juri and her hairpin [[spoiler:which Lila copied the shape of to brand on her face when they were younger, trying to "be more like" her beloved older sister. Yikes.]]Yikes]].
Changed line(s) 86 (click to see context) from:
* GrandTheftMe: [[spoiler: Gin's body is taken over by Enjin after going into the Otherworld]]
to:
* GrandTheftMe: [[spoiler: Gin's body is taken over by Enjin after going into the Otherworld]]Otherworld]].
Changed line(s) 88 (click to see context) from:
* HeelFaceTurn: [[spoiler: All of the Youkai Hunters so far, upon defeat.]]
to:
* HeelFaceTurn: [[spoiler: All of the Youkai Hunters so far, upon defeat.]]defeat]].
Changed line(s) 90 (click to see context) from:
* HopeSpot: Hime rushes off to get the [[spoiler: fake]] Dragon Spear, and is almost assured victory, [[spoiler: until she messes up the last move in a special technique, and gets the fake Dragon Spear broken in two.]]
to:
* HopeSpot: Hime rushes off to get the [[spoiler: fake]] Dragon Spear, and is almost assured victory, [[spoiler: until she messes up the last move in a special technique, and gets the fake Dragon Spear broken in two.]]two]].
Changed line(s) 92,95 (click to see context) from:
--->'''Hime''': "People should be more responsible when they drink!"
--->'''Rin''': "How easily you forget..."
* IdeaBulb: One appears above Touka's head at the beginning of chapter 40 - and then [[LeaningOnTheFourthWall balances precariously on her head afterward]] until she snatches it off and holds it out to Kyousuke, as something fragile for him to grab to test his control of his unrestrained strength.
* IdiosyncraticEpisodeNaming: Each chapter is called a "Night" (so chapter 1 is "1st Night: Cherry Blossoms Bloom," for example). As well, each chapter of a longer story arc has the name of the arc followed by a number, with the final chapter bearing the arc name alone (so numberless chapter titles indicate either a stand-alone chapter or the conclusion of a story arc).
--->'''Rin''': "How easily you forget..."
* IdeaBulb: One appears above Touka's head at the beginning of chapter 40 - and then [[LeaningOnTheFourthWall balances precariously on her head afterward]] until she snatches it off and holds it out to Kyousuke, as something fragile for him to grab to test his control of his unrestrained strength.
* IdiosyncraticEpisodeNaming: Each chapter is called a "Night" (so chapter 1 is "1st Night: Cherry Blossoms Bloom," for example). As well, each chapter of a longer story arc has the name of the arc followed by a number, with the final chapter bearing the arc name alone (so numberless chapter titles indicate either a stand-alone chapter or the conclusion of a story arc).
to:
* IdeaBulb: One appears above Touka's head at the beginning of
* IdiosyncraticEpisodeNaming: Each chapter is called a "Night" (so
Changed line(s) 99,100 (click to see context) from:
* IsThatWhatHeToldYou: Remember Akina's ancestors who wanted to be sent to the demon world in order to stop the merging of worlds? [[spoiler: As it turns out, they were forcibly tuned and sent to a world they knew little to nothing about. As a result, the ancestors sent the Nana-gou in order to merge the human and demon worlds together anyway.]]
* JerkWithAHeartOfGold: Hime. A big heart of gold, just... tends to go to far and forget why she did something in the first place. In Volume 3, Kyosuke is asked why he protects Hime, but he only remembers her complaints and cries of hunger, which causes Akina to remind him to remember the good things. That heart of gold is buried VERY deep.
* JerkWithAHeartOfGold: Hime. A big heart of gold, just... tends to go to far and forget why she did something in the first place. In Volume 3, Kyosuke is asked why he protects Hime, but he only remembers her complaints and cries of hunger, which causes Akina to remind him to remember the good things. That heart of gold is buried VERY deep.
to:
* IsThatWhatHeToldYou: Remember Akina's ancestors who wanted to be sent to the demon world in order to stop the merging of worlds? [[spoiler: As it turns out, they were forcibly tuned and sent to a world they knew little to nothing about. As a result, the ancestors sent the Nana-gou in order to merge the human and demon worlds together anyway.]]
anyway]].
* JerkWithAHeartOfGold: Hime. A big heart of gold, just... tends to go to far and forget why she did something in the first place. In Volume 3,Kyosuke Kyousuke is asked why he protects Hime, but he only remembers her complaints and cries of hunger, which causes Akina to remind him to remember the good things. That heart of gold is buried VERY deep.
* JerkWithAHeartOfGold: Hime. A big heart of gold, just... tends to go to far and forget why she did something in the first place. In Volume 3,
Changed line(s) 103 (click to see context) from:
* LateArrivalSpoiler: Tuning. The first few chapters of the manga keep it out of direct sight of the reader when it's employed, leaving it something of a mystery as to how they dealt with the gun nut and the felled dog. It's not until Kyosuke challenges Akina over his apparent inability to tune that it's fully revealed.
to:
* LateArrivalSpoiler: Tuning. The first few chapters of the manga keep it out of direct sight of the reader when it's employed, leaving it something of a mystery as to how they dealt with the gun nut and the felled dog. It's not until Kyosuke Kyousuke challenges Akina over his apparent inability to tune that it's fully revealed.
Changed line(s) 105 (click to see context) from:
* LivingForeverIsAwesome: It applies to both Yae and Yuhi. However, Yuhi goes for the more obscure side of the spectrum, with the best part of the last 200 years is observing how shorter the skirts get and having more stuff for Mariabelle to cosplay.
to:
* LivingForeverIsAwesome: It applies to both Yae and Yuhi. Yuuhi. However, Yuhi Yuuhi goes for the more obscure side of the spectrum, with the best part of the last 200 years is observing how shorter the skirts get and having more stuff for Mariabelle to cosplay.
Changed line(s) 108 (click to see context) from:
* MasterOfIllusion: [[spoiler:Gin, and Enjin because he took over the former's body.]] Ao's getting there.
to:
* MasterOfIllusion: [[spoiler:Gin, and Enjin because he took over the former's body.]] body]]. Ao's getting there.
Changed line(s) 114,115 (click to see context) from:
* NoOntologicalInertia: Averted with the Nana-gou. [[spoiler:Even if they were physically destroyed on Earth, their "presence" would remain and the fusion of the worlds would continue.]]
* OneWingedAngel: "Felling." [[spoiler: Enjin forces this upon Zakuro in order to get the upper hand.]] Crosses over with SuperPoweredEvilSide since felling makes even a perfectly nice person (or normal animal) violent and sociopathic.
* OneWingedAngel: "Felling." [[spoiler: Enjin forces this upon Zakuro in order to get the upper hand.]] Crosses over with SuperPoweredEvilSide since felling makes even a perfectly nice person (or normal animal) violent and sociopathic.
to:
* NoOntologicalInertia: Averted with the Nana-gou. [[spoiler:Even if they were physically destroyed on Earth, their "presence" would remain and the fusion of the worlds would continue.]]
continue]].
* OneWingedAngel: "Felling." [[spoiler: Enjin forces this upon Zakuro in order to get the upperhand.]] hand]]. Crosses over with SuperPoweredEvilSide since felling makes even a perfectly nice person (or normal animal) violent and sociopathic.
* OneWingedAngel: "Felling." [[spoiler: Enjin forces this upon Zakuro in order to get the upper
Changed line(s) 122 (click to see context) from:
* {{Ojou}}: Hime. Kyousuke even calls her "Ojou-sama." (Or M'Lady, translated.)
to:
* {{Ojou}}: Hime. Kyousuke even calls her "Ojou-sama." (Or M'Lady, translated.)translated).
Changed line(s) 124,127 (click to see context) from:
* RealityWarper: Kotoha - Whatever she says happens, but if she uses it to much, she'll lose her voice for a while.
--->'''Kotoha''': "I am called a 'Kotodama user'! When I say it will "hit"... it definitely will!"
** The land gods are another type of reality warper. Though so far it is unclear how strong their ability is.
--->'''Yuuhi''' "If a god says so, a black dog can turn white... well a weak dog, might turn little better."
--->'''Kotoha''': "I am called a 'Kotodama user'! When I say it will "hit"... it definitely will!"
** The land gods are another type of reality warper. Though so far it is unclear how strong their ability is.
--->'''Yuuhi''' "If a god says so, a black dog can turn white... well a weak dog, might turn little better."
to:
* RealityWarper: Kotoha - Kotoha. Whatever she says happens, but if she uses it to much, she'll lose her voice for a while.
--->'''Kotoha''': -->'''Kotoha:''' "I am called a 'Kotodama user'! When I say it will "hit"... it definitely will!"
** Theland gods Land Gods are another type of reality warper. Though so far it is unclear how strong their ability is.
--->'''Yuuhi''' --->'''Yuuhi:''' "If a god says so, a black dog can turn white... well a weak dog, might turn little better."
** The
Changed line(s) 131,132 (click to see context) from:
* ShaggyDogStory: To an extent, the "Thorny Path" story arc. Hime's cousin Kohime intends on following in Hime's footsteps by becoming a mayor at 9 years old, and that means running against the mayor of the neighboring town in the upcoming election. After a lengthy conflict involving a kidnapping and hostage situation, a lengthy fight, and some property destruction, Yuuhi reveals that [[spoiler:Kohime couldn't even have run in the election because she was too young. Hime was a special case.]] However, the arc also sets up [[ChekhovsArmory a number of important plot elements and conflicts for later in the series]].
* ShootTheDog: [[spoiler:Fourth chapter. The dog is a literal example.]]
* ShootTheDog: [[spoiler:Fourth chapter. The dog is a literal example.]]
to:
* ShaggyDogStory: To an extent, the "Thorny Path" story arc. Hime's cousin Kohime intends on following in Hime's footsteps by becoming a mayor at 9 years old, and that means running against the mayor of the neighboring town in the upcoming election. After a lengthy conflict involving a kidnapping and hostage situation, a lengthy fight, and some property destruction, Yuuhi reveals that [[spoiler:Kohime couldn't even have run in the election because she was too young. Hime was a special case.]] case]]. However, the arc also sets up [[ChekhovsArmory a number of important plot elements and conflicts for later in the series]].
* ShootTheDog: [[spoiler:Fourth chapter. The dog is a literalexample.]]example]].
* ShootTheDog: [[spoiler:Fourth chapter. The dog is a literal
Changed line(s) 134 (click to see context) from:
* ShonenHair: When Akina starts tuning, his hair becomes very spiky and messy. Justified because he seems to emit static electricity when tuning.
to:
* ShonenHair: When Akina starts tuning, Tuning, his hair becomes very spiky and messy. Justified because he seems to emit static electricity when tuning.Tuning.
Changed line(s) 136,137 (click to see context) from:
* {{Soaperizing}}: Not just the focus on character development and relationships and the softer, slice-of-life feel, but also... Evil twins! Love triangles! Dead parents! However, these things are generally played well in terms of story and character development.
* SpoiledSweet: Hime
* SpoiledSweet: Hime
to:
* {{Soaperizing}}: Not just the focus on character development and relationships and the softer, slice-of-life feel, but also... Evil twins! Love triangles! Dead parents! However, these things are generally played well in terms of story and character development.
development.
* SpoiledSweet:HimeHime.
* SpoiledSweet:
Changed line(s) 141 (click to see context) from:
* SuperPoweredEvilSide: "Felling" (or "falling") brings this out of a being, humans and animals. Naturally happens because of an imbalance between the Otherworld and this world, since tuning sends matter and energy over but can't draw it back, so energy from the Otherworld spontaneously crosses back over and drives non-youkai life (humans and natural animals) power-mad.
to:
* SuperPoweredEvilSide: "Felling" (or "falling") brings this out of a being, humans and animals. Naturally happens because of an imbalance between the Otherworld and this world, since tuning Tuning sends matter and energy over but can't draw it back, so energy from the Otherworld spontaneously crosses back over and drives non-youkai life (humans and natural animals) power-mad.
Changed line(s) 149 (click to see context) from:
* TrueCompanions: The main characters, plus...pretty much everyone. They even refer to themselves as a "nakama" in the manga. [[spoiler:For instance, when Kotoha tells Zakuro to "join the gang," the word nakama is used in the original Japanese.]]
to:
* TrueCompanions: The main characters, plus... pretty much everyone. They even refer to themselves as a "nakama" in the manga. [[spoiler:For instance, when Kotoha tells Zakuro to "join the gang," the word nakama is used in the original Japanese.]]Japanese]].
Changed line(s) 152,153 (click to see context) from:
--->'''Hime''': Don't take it the wrong way! I didn't fall asleep because of you!!
--->'''Kyousuke''': What's with that cheap tsundere reaction? What have you been reading?
--->'''Kyousuke''': What's with that cheap tsundere reaction? What have you been reading?
to:
--->'''Kyousuke''': What's
--->'''Kyousuke:''' "What's with that cheap tsundere reaction? What have you been
Changed line(s) 163 (click to see context) from:
* WhamLine: The end of chapter 62. [[spoiler:"...Hey. Isn't there one more Nana-gou than usual?"]]
to:
* WhamLine: The end of chapter Chapter 62. [[spoiler:"...Hey. Isn't there one more Nana-gou than usual?"]]usual?"]].
Changed line(s) 166,167 (click to see context) from:
** Yuhi looking more like a cute kid.
** Touka looking more like a female Kyosuke without the glasses.
** Touka looking more like a female Kyosuke without the glasses.
to:
** Yuhi Yuuhi looking more like a cute kid.
** Touka looking more like a femaleKyosuke Kyousuke without the glasses.
** Touka looking more like a female
Changed line(s) 174 (click to see context) from:
* [[HumanSacrifice Youkai Sacrifice]]: [[spoiler:The Senate's plan for dealing with the blooming of the Nana-gou.]] Implied by Enjin that it would really be a SenselessSacrifice because [[spoiler:the use of tuning is bringing the worlds closer together anyway and this would just speed it up]].
to:
* [[HumanSacrifice Youkai Sacrifice]]: [[spoiler:The Senate's plan for dealing with the blooming of the Nana-gou.]] Implied by Enjin that it would really be a SenselessSacrifice because [[spoiler:the use of tuning Tuning is bringing the worlds closer together anyway and this would just speed it up]].