History Manga / TaishoKitanMajo

''Taisho Kitan Majo'' (''大正忌憚魔女'' ''The Feared Witch of Taisho'') is a supernatural Main/{{Fantasy}} manga created by Creator/MikiUsami as their second series, following ''Manga/FlowerGirlInDystopia (Taihai no Hanauri)'' from 2017. The manga is serialized through Magazine/ComicCune, first debuting in July 2022. The manga is notably recommended by Creator/{{Tsukumizu}}, the creator behind ''Manga/GirlsLastTour'' and ''Manga/ShimejiSimulation'', the latter of which also runs in Comic Cune alongside it monthly.

** On the other hand, ''Taisho Kitan Majo'' is the complete opposite, which is a {{Period Piece}} story that takes place in the past during Japan's Taisho period (1912-1926), as the title suggests. Humans are the dominant species and non-humans like witches are discriminated especially to the cultures of the Western and Japanese. It centres on the witch girl who arrived in Tokyo to practice magic, but both cultures hate witches, making her the target of their discrimination, and so she plans to co-mingle both cultures altogether. But while FantasticRacism is also the CentralTheme like its predecessor, it is much more {{Deconstructed}} than played straight in ''Taisho'', as it turns out that most of humanity's racism and fear against witches are heavily skewed due to them being mistakenly construed as ones from story books that only depicted them as VillainByDefault. Unlike the flower girl who is simply a human living locally in the [=7th=] District, the witch girl is a foreigner from another country who arrived to Tokyo, Japan. Likewise, ''Taisho's'' setting is much more vibrant and diverse than ''Flower Girl's'' own, with the latter simply surrounded by abandoned buildings and ruins of war with natural environment being a thing in the past.

** On the other hand, ''Taisho Kitan Majo'' is the complete opposite, which is a {{Period Piece}} story that takes place in the past during Japan's Taisho period (1912-1926), as the title suggests. Humans are the dominant species and non-humans like witches are discriminated especially to the cultures of the Western and Japanese. It centres on the witch girl who arrived in Tokyo to practice magic, but both cultures hate witches, making her the target of their discrimination, and so she plans to co-mingle both cultures altogether. But while FantasticRacism is also the CentralTheme like its predecessor, it is much more {{Deconstructed}} than played straight in ''Taisho'', as it turns out that most of humanity's racism and fear against witches are heavily skewed and likewise through story books that only depicted them as VillainByDefault. Unlike the flower girl who is simply a human living locally in the [=7th=] District, the witch girl is a foreigner from another country who arrived to Tokyo, Japan. Likewise, ''Taisho's'' setting is much more vibrant and diverse than ''Flower Girl's'' own, with the latter simply surrounded by abandoned buildings and ruins of war with natural environment being a thing in the past.

** On the other hand, ''Taisho Kitan Majo'' is the complete opposite, which is a {{Period Piece}} story that takes place in the past during Japan's Taisho period (1912-1926), as the title suggests. Humans are the dominant species and non-humans like witches are discriminated especially to the cultures of the Western and Japanese. But while FantasticRacism is also the CentralTheme like its predecessor, it is much more {{Deconstructed}} than played straight in ''Taisho'', as it turns out that most of humanity's racism and fear against witches are heavily skewed and likewise through story books that only depicted them as VillainByDefault. Unlike the flower girl who is simply a human living locally in the [=7th=] District, the witch girl is a foreigner from another country who arrived to Tokyo, Japan. Likewise, ''Taisho's'' setting is much more vibrant and diverse than ''Flower Girl's'' own, with the latter simply surrounded by abandoned buildings and ruins of war with natural environment being a thing in the past.

** On the other hand, ''Taisho Kitan Majo'' is the complete opposite, which is a {{Period Piece}} story that takes place in the past during Japan's Taisho period (1912-1926), as the title suggests. Humans are the dominant species and non-humans like witches are discriminated especially to the cultures of the Western and Japanese. But while FantasticRacism is also the CentralTheme like its predecessor, it is much more {{Deconstructed}} than played straight in ''Taisho'', as it turns out that most of humanity's racism and fear against witches are heavily skewed and likewise through story books that only depicted them as VillainByDefault. Unlike the flower girl who is simply a human living locally in the [=7th=] District, the witch girl is a foreigner from another country who arrived to Tokyo, Japan. Likewise, ''Taisho's'' setting is much more vibrant and diverse than ''Flower Girl's'' own which was simply surrounded by abandoned buildings with natural environment being a thing in the past.

** On the other hand, ''Taisho Kitan Majo'' is the complete opposite, which is a {{Period Piece}} story that takes place in the past during Japan's Taisho period (1912-1926), as the title suggests. Humans are the dominant species and non-humans like witches are discriminated especially to the cultures of the Western and Japanese. But while FantasticRacism is also the CentralTheme like its predecessor, it is much more {{Deconstructed}} than played straight in ''Taisho'', as it turns out that most of humanity's racism and fear against witches are heavily skewed and likewise through story books that only depicted them as VillainsByDefault. Unlike the flower girl who is simply a human living locally in the [=7th=] District, the witch girl is a foreigner from another country who arrived to Tokyo, Japan. Likewise, ''Taisho's'' setting is much more vibrant and diverse than ''Flower Girl's'' own which was simply surrounded by abandoned buildings with natural environment being a thing in the past.

''Taisho Kitan Majo'' (''大正忌憚魔女'' ''The Feared Witch of Taisho'') is a supernatural Main/{{Fantasy}} manga created by Creator/MikiUsami as their second series, following ''Manga/FlowerGirlInDystopia (Taihai no Hanauri)'' from 2017. The manga is serialized through Magazine/ComicCune, first debuting in July 2022. So far, one volume has been released. The manga is notably recommended by Creator/{{Tsukumizu}}, the creator behind ''Manga/GirlsLastTour'' and ''Manga/ShimejiSimulation'', the latter of which also runs in Comic Cune alongside it monthly.

* ContrastingSequelMainCharacter: The witch girl is this to the flower girl in the author's previous work ''Manga/FlowerGirlInDystopia''. Both are wide-eyed optimists who are hated due to their differences and suffer from FantasticRacism all the time, though their characterisation is wildly different. First of all, they live in very different periods of time; the flower girl lives in future Earth situated AfterTheEnd where HumansAreNotTheDominantSpecies and non-humans dominate the ruined planet. The witch girl is the reverse, who lives in past Earth during early 20th Century, where humans are the dominant species and she's the only witch amongst humans. The flower girl is simply an average human with no powers, while the witch girl is a witch who has magical powers.

* ContrastingSequelMainCharacter: The witch girl is this to the flower girl in the author's previous work ''Manga/FlowerGirlInDystopia''. Both are wide-eyed optimists who are hated due to their differences and suffer from FantasticRacism all the time, though their characterisation is wildly different. First of all, they live in very different periods of time; the flower girl lives in future Earth situated AfterTheEnd where HumansAreNotTheDominantSpecies and non-humans dominate the ruined planet. The witch girl is the complete inverse, who lives in past Earth during early 20th Century, where humans are the dominant species and she's the only witch amongst humans. The flower girl is simply an average human with no powers, while the witch girl is a witch who has magical powers.

* FantasticRacism: Primarily {{Deconstructed}}. Humans on both cultures treat witches disparagingly that their first reaction of seeing one is simply disgust. The reasons, on the other hand, is complicated. As it turns out, most of them are wildly ImproperlyParanoid as it was revealed by Gahou that their fear towards them come from story books (a completely opposite depiction of a witch where they are treated as obligatory villains), depicting them [[MakeAWish making wishes for people's misery]], hence their fear towards the protagonist. In short, their "fear" towards witches is because of being believed through stories about witches that only show the more ''villainous'' ones and not the ones who are actually harmless and beneficial to society.

* VillainByDefault: InUniverse. At the very least how the witches in a multitude of story books are portrayed. But humanity's hate to them becomes ''extremely'' nebulous when the witch girl, who is careless with magic but is ''actually'' harmless, shows up in Tokyo, where people of the Western and Japanese see her as a witch. The bulk of the story's conflict centres around the witch girl trying to end said prejudices against witches.

* BirdsOfAFeather: Gahou easily befriends the witch girl, who easily knows her plight of being discriminated by others due to her being a witch. For the record, Gahou also knows the fact that not ''all'' witches are not mischievous tricksters.