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* {{Depower}}: Yuu claims to have lost her foreheadpathy (assuming it was anything more than her being [[ColdReader very perceptive]]) in chapter 38, while feeling anguished about the turns in her relationship with Umika.

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* {{Depower}}: Yuu claims to have lost her foreheadpathy (assuming it was anything more than her being [[ColdReader [[ColdReading very perceptive]]) in chapter 38, while feeling anguished about the turns in her relationship with Umika.
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** In chapter 7, during Umika's imaginary conversation with Matataki, [[spoiler: Matataki's hand rises up to her goggles, foreshadowing the main punchline of chapter 10.]]
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* FireWaterJuxtaposition: Umika and Matataki are mirrors of each other -- both emotionally scarred girls who withdrew from society due to mockery from their peers. Beyond their typical RedOniBlueOni dynamic, Umika's family is associated with water (her mom works in an aquarium; she and her sister have water-themed names; Honami loves ocean-themed clothes and goods) and Matataki's family are associated with fire (they use gunpowder to launch model rockets; they have explosive tempers; an alternate reading of their surname has "kaminari", the Japanese word for lightning bolt, in it). Yet, just like how rocket fuel explosively combines to form water, both girls will need to work together to reach the stars.

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* {{Symbolism}}: In chapter 33, as Yuu is stricken by a HeelRealization, the panel focuses on the back of her feet. One foot is neatly tucked into her ''[[UsefulNotes/InsideShoes uwabaki]]'', but her other foot is crushing the heel down and hanging out the back. It symbolizes both her "messy" personality and her divided mental state.

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* {{Symbolism}}: {{Symbolism}}:
**
In chapter 33, as Yuu is stricken by a HeelRealization, the panel focuses on the back of her feet. One foot is neatly tucked into her ''[[UsefulNotes/InsideShoes uwabaki]]'', but her other foot is crushing the heel down and hanging out the back. It symbolizes both her "messy" personality and her divided mental state.state.
** Chapter 22 begins with Umika in SuperDeformed mode, riding on a flying saucer. Then she falls off into shadow, and reverts to her more realistic form, with a more realistic, dramatic look on her face. This symbolizes the manga's ArtEvolution away from typical ''yonkoma'' and towards a more cinematic style, where whole chapters (including this one) can pass with few or no SuperDeformed interludes, and instead they let the drama play out with detailed close-ups and artful "cinematography".

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* BlandNameProduct: The characters use "Universe"-brand notebooks, rather than the real-life brand "Campus".

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* BlandNameProduct: BlandNameProduct:
**
The characters use "Universe"-brand notebooks, rather than the real-life brand "Campus"."Campus".
** In Episode 2, Umika uses a search engine called "Gooo!!". Apparently Website/{{Google}} and Website/{{Yahoo}} Japan have combined in this universe.
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Crunchyroll's sub uses "foreheadpathy" for this, but maybe some instances should be explained...


This self-proclaimed extraterrestrial says she possesses the power of "forehead telepathy", and when she presses her brow to Umika's she tells the frightened wallflower she knows all about her desire to head for the stars. Yuu claims she's been stranded [[IdentityAmnesia without her memories]], and she's looking for a way to return home. As the two girls bond over their mutual desire to leave Earth, they form the Rocketry Research Association with two of their classmates, the [[TeamMom gentle and caring class representative Haruno Takaragi]] and the ''[[SourOutsideSadInside mecha otaku,]]'' [[SourOutsideSadInside mechanical genius, and mega-grump Matataki Raimon]]. Together, the four girls brainstorm ways to reach for the stars. But as they struggle just to get their model rockets off the ground, it's clear they have a long way to go before they hit outer space.

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This self-proclaimed extraterrestrial says she possesses the power of "forehead telepathy", "foreheadpathy", and when she presses her brow to Umika's she tells the frightened wallflower she knows all about her desire to head for the stars. Yuu claims she's been stranded [[IdentityAmnesia without her memories]], and she's looking for a way to return home. As the two girls bond over their mutual desire to leave Earth, they form the Rocketry Research Association with two of their classmates, the [[TeamMom gentle and caring class representative Haruno Takaragi]] and the ''[[SourOutsideSadInside mecha otaku,]]'' [[SourOutsideSadInside mechanical genius, and mega-grump Matataki Raimon]]. Together, the four girls brainstorm ways to reach for the stars. But as they struggle just to get their model rockets off the ground, it's clear they have a long way to go before they hit outer space.



* AmbiguousSituation: As Umika and Yuu sit in the woods hunting for clues in chapter 41, they have a bout of forehead telepathy with their faces strategically positioned just out of frame, so it looks like they ''maybe, might've'' gone in for a kiss.

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* AmbiguousSituation: As Umika and Yuu sit in the woods hunting for clues in chapter 41, they have a bout of forehead telepathy foreheadpathy with their faces strategically positioned just out of frame, so it looks like they ''maybe, might've'' gone in for a kiss.



** In the beginning, Umika is so meek she can't work up the courage to speak to other people, and Yuu breezes into her life to help her break her out of her shell. However, once Umika ''does'' start to improve (post-CerebusSyndrome), Yuu angsts over the fact that she ''wants'' Umika to be totally dependent on her and her forehead telepathy.

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** In the beginning, Umika is so meek she can't work up the courage to speak to other people, and Yuu breezes into her life to help her break her out of her shell. However, once Umika ''does'' start to improve (post-CerebusSyndrome), Yuu angsts over the fact that she ''wants'' Umika to be totally dependent on her and her forehead telepathy.foreheadpathy.



** Later, it's treated much more seriously as [[spoiler: her angst over the fact that Umika might outgrow her and her "forehead telepathy" drive Yuu to think of herself as a "bad alien", culminating in an extremely dramatic moment in chapter 42 where she slips into yandere mode, aggressively pins Umika to the ground, and seems poised to embrace her yandere side before getting ahold of herself and running away in tears.]]

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** Later, it's treated much more seriously as [[spoiler: her angst over the fact that Umika might outgrow her and her "forehead telepathy" "foreheadpathy" drive Yuu to think of herself as a "bad alien", culminating in an extremely dramatic moment in chapter 42 where she slips into yandere mode, aggressively pins Umika to the ground, and seems poised to embrace her yandere side before getting ahold of herself and running away in tears.]]



* {{Depower}}: Yuu claims to have lost her forehead telepathy (assuming it was anything more than her being very perceptive) in chapter 38, while feeling anguished about the turns in her relationship with Umika.

to:

* {{Depower}}: Yuu claims to have lost her forehead telepathy foreheadpathy (assuming it was anything more than her being [[ColdReader very perceptive) perceptive]]) in chapter 38, while feeling anguished about the turns in her relationship with Umika.



* HeadbuttOfLove: Due to Yuu's forehead telepathy, touching foreheads becomes an act of affection between the girls. Later it evolves to the point they all mash their foreheads together and rub them furiously, messing up their hair and leaving giant red marks on their faces, as a kind of group hug.

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* HeadbuttOfLove: Due to Yuu's forehead telepathy, foreheadpathy, touching foreheads becomes an act of affection between the girls. Later it evolves to the point they all mash their foreheads together and rub them furiously, messing up their hair and leaving giant red marks on their faces, as a kind of group hug.



** It's unclear if Yuu is actually an alien or if she's just ''chuunibyou''. There's nothing she says during "forehead telepathy" that can't be deduced purely through people-reading skills or contextual clues, she has no proof of being an alien, and she says she doesn't even remember anything about her life before she was "stranded" on Earth.

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** It's unclear if Yuu is actually an alien or if she's just ''chuunibyou''. There's nothing she says during "forehead telepathy" "foreheadpathy" that can't be deduced purely through people-reading skills or contextual clues, she has no proof of being an alien, and she says she doesn't even remember anything about her life before she was "stranded" on Earth.



* MySkullRunnethOver: When Yuu finds herself dumbfounded by Matataki's explanation about how model rockets work, she tries to take a shortcut and use forehead telepathy to download the knowledge directly. However, it immediately backfires when the dense technical knowledge blows her off her feet.

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* MySkullRunnethOver: When Yuu finds herself dumbfounded by Matataki's explanation about how model rockets work, she tries to take a shortcut and use forehead telepathy foreheadpathy to download the knowledge directly. However, it immediately backfires when the dense technical knowledge blows her off her feet.



** It's a ''Kirara'' manga, so obviously. Umika and Yuu are ''very'' touchy-feely with each other, including constant bouts of "forehead telepathy" backed by shoujo sparkles and one incident where Umika wakes up to find Yuu in her bed in a nightgown.

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** It's a ''Kirara'' manga, so obviously. Umika and Yuu are ''very'' touchy-feely with each other, including constant bouts of "forehead telepathy" "foreheadpathy" backed by shoujo sparkles and one incident where Umika wakes up to find Yuu in her bed in a nightgown.



* TelepathicSpacemen: Umika says her "research" (i.e. sci-fi novels) have shown her this trope is true. Yuu claims to back it up with her "foreheadelepathy", but it's on the fence whether it's true or not.

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* TelepathicSpacemen: Umika says her "research" (i.e. sci-fi novels) have shown her this trope is true. Yuu claims to back it up with her "foreheadelepathy", "foreheadpathy", but it's on the fence whether it's true or not.
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* BlandNameProduct: The characters use "Universe"-brand notebooks, rather than the real-life brand "Campus".
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* {{Tsundere}}: {{Discussed|Trope}}. According to the Cosmic Language, the word "malobeema"[[note]] Actually the Esperanto word for "rebellious"[[/note]] is the translation for ''tsundere''. And apparently, the rules of cosmic etiquette are such SeriousBusiness that being a ''tsundere'' can lead to summary execution among the galactic community.
--> '''Yuu''': So Matataki can absolutely never go alone into space! Or she'll get killed!
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* CommonTongue: It's claimed in the series that the Cosmic Language acts as the ''lingua fraca'' of the wider galaxy, but -- given the questionable nature of Yuu's backstory -- it may just be an Esperanto-based conlang somebody put up for sale on Amazon.
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* ExactWords: At the end of chapter 20, on the eve of the championship qualifiers, Umika declares, "With all our efforts, our rocket will fly into the heavens!" [[spoiler: Unfortunately, the qualifiers test how well you can get a model rocket into the target zone. Their rocket overshoots the target by a huge margin, flying "into the heavens" but instantly disqualifying them from the championship.]]
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* FriendshipTrinket: Yuu and Umika work together to win a stuffed alien and star from a crane game in chapter 18. They each take one, and it quickly becomes emblematic of their friendship.

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* AdaptationalExpansion: The anime's second episode inserts an original scene of the girls discussing music on Yuu's home planet, a topic which will become vitally important later. It also has some original bits in the middle where Umika attempts to talk to Yuu but gets interrupted, including an early debut for class rep. Saya Kagami.

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* AdaptationalExpansion: The anime's second From episode 2, "Sunset Rocket":
** There are some original bits where Umika attempts to talk to Yuu but gets interrupted, including an early debut for class rep. Saya Kagami.
** It depicts Emihara-sensei actually teaching Modern Japanese, something that was alluded to once (as a joke) but never shown in the manga.
** It
inserts an original scene of the girls discussing music on Yuu's home planet, a topic which will become vitally important later. It also has some original bits in the middle where Umika attempts to talk to Yuu but gets interrupted, including an early debut for class rep. Saya Kagami.
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* LeaningOnTheFourthWall: When the CerebusSyndrome first hits and the series veers in some very un-''Manga Time Kirara'' directions, Yuu asks, "Why ... can I not see it anymore ... the sparkling ...?" ''Kirara'' means "to sparkle".
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* RousseauWasRight: Umika, Haruno, and Matataki have all had negative experiences that damaged their psyches, leading two of them to withdraw from the world and the third to develop a psychological complex to lift the whole world's sadness. On the other hand, Yuu (if we classify her as "human enough") has no memories and thus no prior negative experience, and she's a positive, kind, and helpful figure who tries to improve everybody's life purely out of the goodness of her heart. It isn't until she has her own negative experience that her mental state quickly begins to degrade.
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* QuestForIdentity: Yuu wakes up inside the lighthouse with no memory of her past, other than the notion she's an alien. At first, she's none too bothered by her lack of a past. But after certain events, she decides she needs to know more about herself. This quest forms the backbone of volume 4.
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* BeYourself: In chapter 16, Umika declares she's going to be a cool club president, like Kei Akizuki. However, she learns the hard way that she is ''not'' Kei, and that she'll need to learn how to be a club president on her own terms.


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* IdentityBreakdown: Whenever the manga gets into a dramatic spell, it is inevitably fueled by one of the characters having their self-image destroyed, such as Umika's decision to pattern herself after Kei falling apart or Yuu fearing she's not the benevolent alien she believes herself to be.
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* WackyHomeroom: It's subtle, but every other classroom we've seen has been full of conscending students who treat the main characters' dreams with disdain. In contrast, Fujinomisaki 1-A is full of students who play along with Yuu's alien schtick, support the Rocket Research Association, and elect a goofy weirdo like Saya Kagami as their class rep.
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** Yuu has no past, so she doesn't know how much of her identity is a lie -- which is represented by the recurring motif of television static. Her ignorance of her past leads her to some very dark places, and her dream of making it back to her homeworld morphs into a desperation to settle the question of her own identity and how it affects her relationship with Umika.

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** Yuu has no past, so she doesn't know how much of her identity schtick as a quirky "good" alien is a lie -- which is represented by the recurring motif of television static. Her ignorance of her past leads her to some very dark places, and places as she starts to believe her true identity is that of a "bad alien". Her dream of making it back to uncovering her homeworld morphs into origins becomes a desperation to settle the question mystery of her own identity and how it affects past in a way that doesn't affect her relationship with Umika.
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* CentralTheme: The relationship between a character's dreams, and their identity and sense of self.
** Umika's dream is to leave Earth, as a manifestation of her alienation from others. In middle school, Matataki barked at her, "Don't talk to me if you've got nothing to say," which seems to have been the trigger for Umika's ElectiveMute-ness. In feeling like she had nothing to say, she effectively denied herself an identity and withdrew from humanity. But her dream eventually leads her to found the Rocket Research Association. With the help of her friends (and rivals), she slowly rebuilds an identity for herself as the president of the RRA and regains the ability to speak to others.
** Yuu has no past, so she doesn't know how much of her identity is a lie -- which is represented by the recurring motif of television static. Her ignorance of her past leads her to some very dark places, and her dream of making it back to her homeworld morphs into a desperation to settle the question of her own identity and how it affects her relationship with Umika.
** Haruno was emotionally wounded as a girl by her own dreams and her friendships falling apart, so (with her grandfather's encouragement) she created a new identity for herself as a selfless TeamMom who helps everybody else achieve their dreams. But she comes to realize that attitude is wrong and resolves to find an identity and a dream for herself while still helping the RRA, declaring in chapter 30, "So, if there's something I can do, I want to give it my all. And through that, little by little, I'd like to find something only I can do."
** Matataki copied her identity from the protagonist of the ''Ganbarion'' anime. This isolated her from her peers, who thought she was too 'boyish' to get along with and would rather talk about dramas instead. Rather than change herself to become more girly, Matataki doubled down on her ''otaku'' identity and withdrew from society, making her dream into building ''Ganbarion''-style robots. But once Umika seeks her out and expresses approval of her identity by [[spoiler: complimenting the goggles she wears]], Matataki (very, very slowly) comes to accept the RRA as a place where her ''otaku'' nature will be appreciated.
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* EveryoneKnowsMorseCode: Well, ''wabun'' code (the Japanese form of morse code). In the Anime, the wabun code for the words "teya seyo (てや せよ)" repeat 10 times, becoming the backing rhythm of the opening. It translates to either "Let's do it!" or "Give Me a hand."
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* CrashIntoHello: In chapter 15, Umika backs into somebody by accident and profusely apologizes before she realizes it's the girl she met while hunting for plastic bottles in chapter 9.


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* HypocriticalHumor: In chapter 15, Yuu grabs Matataki and says she's not allowed to wander off by herself at the Rocket Festa ... while holding multiple shishkebabs from the food stalls.

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** The codependent undertones in an extrovert glomming onto an introvert ManicPixieDreamGirl-style, and how it can negatively affect the extrovert's mental state when they think the introvert no longer needs them.
** The emotional baggage a person would need to have, to become a selfless TeamMom who puts others' dreams first while having none of their own.
** The psychological toll it takes when [[spoiler: a group of amateurs pin all their hopes and dreams on a contest they have no real chance of winning.]] Contrast that with its sister series ''Manga/AnimaYell'', which played the same situation off as a joke, with the fact that ''[=HoshiTele=]'' spent seven chapters just dealing with the emotional fallout.

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** The Subverting the traditional ''Kirara'' narrative about a shy girl coming out of her shell thanks to encouragement from her friends. Normally, when an introvert suffers setbacks in dealing with others in a ''Kirara iyashikei'', the gentle tone of the story prevents the audience from feeling the blow too harshly, and it's often crouched inside a positive "It'll go better next time" moral. [[spoiler: After Umika's disaster of a speech in chapter 21, the story starts to wallow in the drama and frustration of an introvert struggling to improve in a very iyashikei-unfriendly way.]]
** Examining the
codependent undertones in an extrovert glomming onto an introvert ManicPixieDreamGirl-style, and how it can negatively affect the extrovert's mental state when they think the introvert no longer needs them.
** The Showing the emotional baggage a person would need to have, to become a selfless TeamMom who puts others' dreams first while having none of their own.
** The Demonstrating the psychological toll it takes when [[spoiler: a group of amateurs pin all their hopes and dreams on a contest they have no real chance of winning.]] Contrast that with its sister series ''Manga/AnimaYell'', which played the same situation off as a joke, with the fact that ''[=HoshiTele=]'' spent seven chapters just dealing with the emotional fallout.



** A sci-fi detective story where [[spoiler: the girls follow a trail of clues to piece together Yuu's origins.]]

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** A sci-fi detective story where [[spoiler: the girls follow a trail of clues from another self-proclaimed alien to piece together Yuu's origins.]]


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* YouRemindMeOfX: In the volume 4 ''omake'', Emihara-sensei takes her model rocket license test. When she looks at the tiny and unimpressive model rocket she's been given, it reminds her of Umika. She tells it to fly high and that it's her pride, eliciting a SneezeCut from the real Umika.
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* TheyWouldCutYouUp: Umika fears that if anyone finds out that Yuu is an alien, the government would take her away and dissect her.
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* AdaptationalExpansion: The anime's second episode inserts an original scene of the girls discussing music on Yuu's home planet, a topic which will become vitally important later. It also has some original bits in the middle where Umika attempts to talk to Yuu but gets interrupted, including an early debut for class rep. Saya Kagami.
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** In the anime's second episode, Umika's paranoid fantasy shows us, in short order, Kay and Jay from ''Film/MenInBlack'', men wearing [[Characters/MarvelComicsAIM Advanced Idea Mechanics]] suits, and Umika giving the camera ''Art/TheScreamMunch''.
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** In the manga, when Yuu wakes up in the lighthouse, the Cosmic Language on her student ID is cut off so that it reads "[[Manga/MyMonsterSecret Actually, I Am]]--"
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* CerebusSyndrome: Starting with the final chapters of volume 2, the series swerves from fluffy 4-Koma comedy into emotional drama about regret and frustration. It stays there until mid-volume 3, when it strikes a more even balance between 4-Koma and anguished drama ... which only ends up making the characters (Yuu, in particular) look like {{Stepford Smiler}}s as they put on goofy 4-Koma antics to mask their melancholic angst.

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* CerebusSyndrome: CerebusRollercoaster: Starting with the final chapters of volume 2, the series swerves from fluffy 4-Koma comedy into emotional drama about regret and frustration. It stays there until mid-volume 3, when From that point on, it strikes a more even balance begins to oscillate between 4-Koma comedy and anguished drama ... which only ends up making drama on nearly a chapter-by-chapter basis. And even during the comedy chapters, some characters (Yuu, in particular) look like {{Stepford Smiler}}s as they put on goofy 4-Koma antics to mask their melancholic angst.angst and uncertainty.

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* {{Deconstruction}}: Of ''moe yonkoma'' and ''iyashikei''. While at first it seems to play everything straight, after the CerebusSyndrome it starts to examine the typical ''Kirara'' setup with a more realistic eye, such as:
** The codependent undertones in an extrovert glomming onto an introvert ManicPixieDreamGirl-style, and how it can negatively affect the extrovert's mental state when they think the introvert no longer needs them.
** The emotional baggage a person would need to have, to become a selfless TeamMom who puts others' dreams first while having none of their own.
** The psychological toll it takes when [[spoiler: a group of amateurs pin all their hopes and dreams on a contest they have no real chance of winning.]] Contrast that with its sister series ''Manga/AnimaYell'', which played the same situation off as a joke, with the fact that ''[=HoshiTele=]'' spent seven chapters just dealing with the emotional fallout.


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* GenreDeconstruction: Of ''moe yonkoma'' and ''iyashikei''. While at first it seems to play everything straight, after the CerebusSyndrome it starts to examine the typical ''Kirara'' setup with a more realistic eye, such as:
** The codependent undertones in an extrovert glomming onto an introvert ManicPixieDreamGirl-style, and how it can negatively affect the extrovert's mental state when they think the introvert no longer needs them.
** The emotional baggage a person would need to have, to become a selfless TeamMom who puts others' dreams first while having none of their own.
** The psychological toll it takes when [[spoiler: a group of amateurs pin all their hopes and dreams on a contest they have no real chance of winning.]] Contrast that with its sister series ''Manga/AnimaYell'', which played the same situation off as a joke, with the fact that ''[=HoshiTele=]'' spent seven chapters just dealing with the emotional fallout.
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** The psychological toll it takes when [[spoiler: a group of amateurs pin all their hopes and dreams on a contest they have no real chance of winning.]] Contrast that with its sister series ''Manga/AnimeYell'', which played the same situation off as a joke, with the fact that ''[=HoshiTele=]'' spent seven chapters just dealing with the emotional fallout.

to:

** The psychological toll it takes when [[spoiler: a group of amateurs pin all their hopes and dreams on a contest they have no real chance of winning.]] Contrast that with its sister series ''Manga/AnimeYell'', ''Manga/AnimaYell'', which played the same situation off as a joke, with the fact that ''[=HoshiTele=]'' spent seven chapters just dealing with the emotional fallout.

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