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* HollywoodHistory: In what has been called the "In-Love-With-Loretta-Young" school of history, great historical actions, such as wars, will be decisively influenced by the love affairs of the characters (''e.g.'' Buckingham's love for Anne of Austria in ''The Three Musketeers'').

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* HollywoodHistory: In what has been called the "In-Love-With-Loretta-Young" "In-Love-With-[[Creator/LorettaYoung Loretta-Young]]" school of history, great historical actions, such as wars, will be decisively influenced by the love affairs of the characters (''e.g.'' Buckingham's love for Anne of Austria in ''The Three Musketeers'').
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* The Richard Thorpe-directed films starring Creator/RobertTaylor:
** ''Film/{{Ivanhoe}}''
** ''Film/KnightsOfTheRoundTable''
** ''Film/TheAdventuresOfQuentinDurward''
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** In fact, [[VideoGame/AssassinsCreedII Ezio]] is himself quite a swashbuckler. So are [[VideoGame/AssassinsCreedUnity Arno]], [[VideoGame/AssassinsCreedRogue Shae]], and [[VideoGame/AssassinsCreedIIILiberation Aveline]]. In fact, most of the series protagonists fit the swashbuckler bill.

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** In fact, [[VideoGame/AssassinsCreedII Ezio]] is himself quite a swashbuckler. So are [[VideoGame/AssassinsCreedUnity Arno]], [[VideoGame/AssassinsCreedRogue Shae]], and [[VideoGame/AssassinsCreedIIILiberation Aveline]]. In fact, most many of the series series' protagonists fit the swashbuckler bill.bill whenever they fight with short/light swords and flintlock pistols.
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** ''Literature/{{Scaramouche}}'' -- Filmed twice, once in the silent era and [[{{Film/Scaramouche}} then in 1952]]

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** ''Literature/{{Scaramouche}}'' -- Filmed twice, [[Film/Scaramouche1923 once in the silent era era]] and [[{{Film/Scaramouche}} then in 1952]]
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* ''Film/RevengeOfTheMusketeers''
* ''Film/OnGuard''
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** ''Literature/TheThreeMusketeers''

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** ''Literature/TheThreeMusketeers''''Literature/TheThreeMusketeers'' and its [[Franchise/TheThreeMusketeers countless adaptations]]

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Removed: 95

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** ''Literature/TheCountOfMonteCristo'' -- More in its film adaptations than in Dumas's original novel.
** ''Film/TheManInTheIronMask'' -- More in its film adaptations than in Dumas's original novel.

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** ''Literature/TheCountOfMonteCristo'' -- More in its film adaptations than in Dumas's original novel.
** ''Film/TheManInTheIronMask'' -- More in its film adaptations than in Dumas's
the original novel.


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** ''Le Vicomte de Bragelonne'' -- More in its film adaptations (like ''Film/TheManInTheIronMask'') than in the original novel.

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* ''Film/{{Le Bossu|1959}}''



* ''Film/LeCapitaineFracasse''
* ''Film/LeCapitan''

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* French films starring Creator/JeanMarais:
** ''Film/{{Le Bossu|1959}}''
** ''Film/LeCapitan''
**
''Film/LeCapitaineFracasse''
* ''Film/LeCapitan''** ''Film/{{The Iron Mask|1962}}''
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* ''Film/LeCapitaineFracasse''
* ''Film/LeCapitan''
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** ''The Master of Ballantrae''

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** ''The Master of Ballantrae''''Literature/TheMasterOfBallantrae''
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* BlackAndWhiteMorality: One of the hallmarks of the genre: heroes will be entirely heroic, and even sympathetic villains will rarely be allowed to be ''too'' sympathetic. There's some UnbuiltTrope in play, as two of the earlier ones, ''ThePrisonerOfZenda'' and ''Literature/TheThreeMusketeers'' are fairly cynical and more like GrayAndGreyMorality (although the film versions of them tend to go for BlackAndWhiteMorality).

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* BlackAndWhiteMorality: One of the hallmarks of the genre: heroes will be entirely heroic, and even sympathetic villains will rarely be allowed to be ''too'' sympathetic. There's some UnbuiltTrope in play, as two of the earlier ones, ''ThePrisonerOfZenda'' ''Literature/ThePrisonerOfZenda'' and ''Literature/TheThreeMusketeers'' are fairly cynical and more like GrayAndGreyMorality (although the film versions of them tend to go for BlackAndWhiteMorality).
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The "penny dreadfuls" of the mid-[[UsefulNotes/VictorianBritain Victorian era]], very often adaptations of the adventures of {{Folk Hero}}es such as KingArthur and RobinHood, contributed to the jettisoning of all the non-essential characterization and historicity of the stories, and when at the end of the period the genre was picked up by serious authors such as Richard Harding Davis, [[ThePrisonerOfZenda Anthony Hope]], and Creator/RobertLouisStevenson, it had essentially assumed the character it would bear throughout its future career, both in novels by authors such as [[Literature/TheThirtyNineSteps John Buchan]], [[{{Franchise/Zorro}} Johnston McCulley]], Stanley J. Weyman, and Creator/RafaelSabatini, and supremely in the films (based, in theme if not in actual plot, on those novels) generally associated in the public mind with Creator/DouglasFairbanks, and Creator/ErrolFlynn under the blanket of "{{Pirate}} movies."

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The "penny dreadfuls" of the mid-[[UsefulNotes/VictorianBritain Victorian era]], very often adaptations of the adventures of {{Folk Hero}}es such as KingArthur and RobinHood, contributed to the jettisoning of all the non-essential characterization and historicity of the stories, and when at the end of the period the genre was picked up by serious authors such as Richard Harding Davis, [[ThePrisonerOfZenda [[Literature/ThePrisonerOfZenda Anthony Hope]], and Creator/RobertLouisStevenson, it had essentially assumed the character it would bear throughout its future career, both in novels by authors such as [[Literature/TheThirtyNineSteps John Buchan]], [[{{Franchise/Zorro}} Johnston McCulley]], Stanley J. Weyman, and Creator/RafaelSabatini, and supremely in the films (based, in theme if not in actual plot, on those novels) generally associated in the public mind with Creator/DouglasFairbanks, and Creator/ErrolFlynn under the blanket of "{{Pirate}} movies."
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** In fact, [[VideoGame/AssassinsCreedII Ezio]] is himself quite a swashbuckler. So are [[VideoGame/AssassinsCreedVUnity Arno]], [[VideoGame/AssassinsCreedRogue Shae]], and [[VideoGame/AssassinsCreedLiberation Aveline]]. In fact, most of the series protagonists fit the swashbuckler bill.

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** In fact, [[VideoGame/AssassinsCreedII Ezio]] is himself quite a swashbuckler. So are [[VideoGame/AssassinsCreedVUnity [[VideoGame/AssassinsCreedUnity Arno]], [[VideoGame/AssassinsCreedRogue Shae]], and [[VideoGame/AssassinsCreedLiberation [[VideoGame/AssassinsCreedIIILiberation Aveline]]. In fact, most of the series protagonists fit the swashbuckler bill.
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Not a trope.


* {{Romantic Hero}}es: Oh boy, yes. Bodices have a tendency to get ripped off by these guys. Bonus points if ripped to shreds by their swords at some point, too.
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** In fact, [[VideoGame/AssassinsCreedII Ezio]] is himself quite a swashbuckler. So are [[VideoGame/AssassinsCreedVUnity Arno]], [[VideoGame/AssassinsCreedRogue Shae]], and [[VideoGame/AssassinsCreedLiberation Aveline]]. In fact, most of the series protagonists fit the swashbuckler bill.
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* ''Webcomic/BoundAdventures'' is an action adventure swashbuckling series with a dominatrix theme.
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** ''Literature/CaptainBloodHisOdyssey'' -- Adapted into an ErrolFlynn [[Film/CaptainBlood film]].

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** ''Literature/CaptainBloodHisOdyssey'' -- Adapted into an ErrolFlynn Creator/ErrolFlynn [[Film/CaptainBlood film]].
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** ''Film/TheMarkOfZorro'' -- Two versions. The 1920 Douglas Fairbanks, Sr., original introduced the iconic cape and Andalusian hat.

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** ''Film/TheMarkOfZorro'' (1920) and ''Film/{{The Mark of Zorro|1940}} (1940). -- Two versions. The 1920 Douglas Fairbanks, Creator/DouglasFairbanks, Sr., original introduced the iconic cape and Andalusian hat.
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* ''Film/AnneOfTheIndies''
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* RomanticHeroes: Oh boy, yes. Bodices have a tendency to get ripped off by these guys. Bonus points if ripped to shreds by their swords at some point, too.

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* RomanticHeroes: {{Romantic Hero}}es: Oh boy, yes. Bodices have a tendency to get ripped off by these guys. Bonus points if ripped to shreds by their swords at some point, too.
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* RomanceGenreHeroes: Oh boy, yes. Bodices have a tendency to get ripped off by these guys. Bonus points if ripped to shreds by their swords at some point, too.

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* RomanceGenreHeroes: RomanticHeroes: Oh boy, yes. Bodices have a tendency to get ripped off by these guys. Bonus points if ripped to shreds by their swords at some point, too.

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* TheCavalierYears: The favorite setting of the genre.

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* TheCavalierYears: The One of the favorite setting settings of the genre.



* ChaoticGood: While the heroes are presented as unequivocally good, they tend to not favor the law of the land as much as their own moral code. Indeed, many of the {{Trope Codifier}}s of the swashbuckler fall into this alignment, including Zorro, Robin Hood and the Three Musketeers. Thus, the bad guys tend to be LawfulEvil corrupt high-ranking members of state.



* RomanceGenreHeroes: Oh, boy: yes. Bodices have a tendency to get ripped off by these guys. Bonus points if ripped to shreds by their swords at some point, too.

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* RomanceGenreHeroes: Oh, boy: Oh boy, yes. Bodices have a tendency to get ripped off by these guys. Bonus points if ripped to shreds by their swords at some point, too.
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[[caption-width-right:300:Get ready for danger, romance, and [[{{Flynning}} some spectacular swordfights]].]]

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[[caption-width-right:300:Get ready for danger, romance, and [[{{Flynning}} some spectacular swordfights]].]]
swordfights]]!]]
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** ''Kidnapped''

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** ''Kidnapped''''Literature/{{Kidnapped}}''
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The "penny dreadfuls" of the mid-[[VictorianBritain Victorian era]], very often adaptations of the adventures of {{Folk Hero}}es such as KingArthur and RobinHood, contributed to the jettisoning of all the non-essential characterization and historicity of the stories, and when at the end of the period the genre was picked up by serious authors such as Richard Harding Davis, [[ThePrisonerOfZenda Anthony Hope]], and Creator/RobertLouisStevenson, it had essentially assumed the character it would bear throughout its future career, both in novels by authors such as [[Literature/TheThirtyNineSteps John Buchan]], [[{{Franchise/Zorro}} Johnston McCulley]], Stanley J. Weyman, and Creator/RafaelSabatini, and supremely in the films (based, in theme if not in actual plot, on those novels) generally associated in the public mind with Creator/DouglasFairbanks, and Creator/ErrolFlynn under the blanket of "{{Pirate}} movies."

to:

The "penny dreadfuls" of the mid-[[VictorianBritain mid-[[UsefulNotes/VictorianBritain Victorian era]], very often adaptations of the adventures of {{Folk Hero}}es such as KingArthur and RobinHood, contributed to the jettisoning of all the non-essential characterization and historicity of the stories, and when at the end of the period the genre was picked up by serious authors such as Richard Harding Davis, [[ThePrisonerOfZenda Anthony Hope]], and Creator/RobertLouisStevenson, it had essentially assumed the character it would bear throughout its future career, both in novels by authors such as [[Literature/TheThirtyNineSteps John Buchan]], [[{{Franchise/Zorro}} Johnston McCulley]], Stanley J. Weyman, and Creator/RafaelSabatini, and supremely in the films (based, in theme if not in actual plot, on those novels) generally associated in the public mind with Creator/DouglasFairbanks, and Creator/ErrolFlynn under the blanket of "{{Pirate}} movies."
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* ''WesternAnimation/AvezVousDejaVu'', a French series, also parodies the genre with ''[[https://www.youtube.com/watch?v=SGdonS3O_ds A swashbuckler made by flies]]''.
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** ''Film/TheMaskOfZorro'' -- One of the latest swashbuckler films made.

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** ''Film/TheMaskOfZorro'' -- One of the latest swashbuckler films made.
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* ''Film/{{Le Bossu|1959}}''
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* ''PiratesOfTheCaribbean'' -- Will Turner was an ErrolFlynn {{expy}}.

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* ''PiratesOfTheCaribbean'' ''Franchise/PiratesOfTheCaribbean'' -- Will Turner was an ErrolFlynn Creator/ErrolFlynn {{expy}}.
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* ''Film/CyranoDeBergerac''

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* ''Film/CyranoDeBergerac''''Film/CyranoDeBergerac'' -- The 1990 film, which is the most action-packed version of the play.

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