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* Platform/{{Keenspot}} and Website/ComicGenesis had "weekly archive" feature right from the start. However, since it increased server load, which was a serious issue back in early 2000s, the feature became paid premium-only. About the same time they added annoying flashing banners to motivate users to buy subscription.

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* Platform/{{Keenspot}} and Website/ComicGenesis Platform/ComicGenesis had "weekly archive" feature right from the start. However, since it increased server load, which was a serious issue back in early 2000s, the feature became paid premium-only. About the same time they added annoying flashing banners to motivate users to buy subscription.
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* Website/{{Keenspot}} and Website/ComicGenesis had "weekly archive" feature right from the start. However, since it increased server load, which was a serious issue back in early 2000s, the feature became paid premium-only. About the same time they added annoying flashing banners to motivate users to buy subscription.

to:

* Website/{{Keenspot}} Platform/{{Keenspot}} and Website/ComicGenesis had "weekly archive" feature right from the start. However, since it increased server load, which was a serious issue back in early 2000s, the feature became paid premium-only. About the same time they added annoying flashing banners to motivate users to buy subscription.
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Sequential art critics such as Scott [=McCloud=] predicted that [[WebComic web comics]] would have several advantages over print comics - InfiniteCanvas, Multimedia Comics, MicroPayments, and other features made possible by computerization - which would lead to new forms of expression unique to webcomics. However, after a decade, these advances are less common than you'd think. Many of them proved to be too unwieldy, would limit the ability to [[TheMerch sell print collections]] to fans later, and failed to take into account the part-time nature of most webcomic artists' work. As an artform, webcomics have by and large become an offshoot of their print equivalents.

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Sequential art SequentialArt critics such as Scott [=McCloud=] predicted that [[WebComic web comics]] would have several advantages over print comics - InfiniteCanvas, Multimedia Comics, MicroPayments, and other features made possible by computerization - which would lead to new forms of expression unique to webcomics. However, after a decade, these advances are less common than you'd think. Many of them proved to be too unwieldy, would limit the ability to [[TheMerch sell print collections]] to fans later, and failed to take into account the part-time nature of most webcomic artists' work. As an artform, webcomics have by and large become an offshoot of their print equivalents.
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* Website/{{Keenspot}} and Website/ComicGenesis had "weekly archive" feature right from the start. However, since it increased server load, which was a serious issue back in early 2000s, the feature became paid premium-only. About the same time they added annoying flashing banners to motivate users to buy subscription.
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Direct Demographic is being cut.


Sequential art critics such as Scott [=McCloud=] predicted that [[WebComic web comics]] would have several advantages over print comics - InfiniteCanvas, Multimedia Comics, [[DirectDemographic Direct Demographics]], MicroPayments, and other features made possible by computerization - which would lead to new forms of expression unique to webcomics. However, after a decade, these advances are less common than you'd think. Many of them proved to be too unwieldy, would limit the ability to [[TheMerch sell print collections]] to fans later, and failed to take into account the part-time nature of most webcomic artists' work. As an artform, webcomics have by and large become an offshoot of their print equivalents.

to:

Sequential art critics such as Scott [=McCloud=] predicted that [[WebComic web comics]] would have several advantages over print comics - InfiniteCanvas, Multimedia Comics, [[DirectDemographic Direct Demographics]], MicroPayments, and other features made possible by computerization - which would lead to new forms of expression unique to webcomics. However, after a decade, these advances are less common than you'd think. Many of them proved to be too unwieldy, would limit the ability to [[TheMerch sell print collections]] to fans later, and failed to take into account the part-time nature of most webcomic artists' work. As an artform, webcomics have by and large become an offshoot of their print equivalents.
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The StripArchive dramatically shapes both webcomics and the expectations of the fan base; in effect, the strip archive dramatically extends the reader's attention spans, even over [[ScheduleSlip sporadically updated strips]]. Because new readers can [[ArchiveBinge familiarize themselves with the whole series]] in a relatively short time, and older readers can [[ArchiveTrawl easily re-read them]] to remain familiar with the whole storyline, the authors can write much longer {{Story Arc}}s than would be feasible in most sorts of print comics. Conversely, it places great pressure on the artists to retain continuity (in series that have any continuity at all), as fans can go over the series with a metaphorical microscope at will.

One side effect of this is that most major series have a core of intensely devoted fans who may well know the series better than the author does. Another is the reversal in going from ComicBookTime to WebcomicTime: Whereas print comics often have a sliding time scale that is shorter than the total in-story time of the series, webcomics tend to dilate time such that several months or years of strips may only cover a day or less. This would be impossible without the StripArchive, as readers would soon lose sight of events, a problem which has appeared in print daily strips such as ''ComicStrip/ForBetterOrForWorse'' or ''ComicStrip/{{Doonesbury}}''.

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The StripArchive Strip Archive dramatically shapes both webcomics and the expectations of the fan base; in effect, the strip archive dramatically extends the reader's attention spans, even over [[ScheduleSlip sporadically updated strips]]. Because new readers can [[ArchiveBinge familiarize themselves with the whole series]] in a relatively short time, and older readers can [[ArchiveTrawl easily re-read them]] to remain familiar with the whole storyline, the authors can write much longer {{Story Arc}}s than would be feasible in most sorts of print comics. Conversely, it places great pressure on the artists to retain continuity (in series that have any continuity at all), as fans can go over the series with a metaphorical microscope at will.

One side effect of this is that most major series have a core of intensely devoted fans who may well know the series better than the author does. Another is the reversal in going from ComicBookTime to WebcomicTime: Whereas print comics often have a sliding time scale that is shorter than the total in-story time of the series, webcomics tend to dilate time such that several months or years of strips may only cover a day or less. This would be impossible without the StripArchive, Strip Archive, as readers would soon lose sight of events, a problem which has appeared in print daily strips such as ''ComicStrip/ForBetterOrForWorse'' or ''ComicStrip/{{Doonesbury}}''.



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The Strip Archive of a webcomic is, at its simplest, a collection of the previous strips which are kept on line for the readers to read. While some premium series may charge a fee for archive access (either being only available to paying customers, or having just the most recent strip viewable for free), most series allow free access to the archive. The only stipulated limitation is that the reader not archive the strips separately, since many webcomics depend on banner ad hits for supplemental income. This is requested on the honor system, being otherwise unenforceable, but it's usually not worth bothering with for those who would break the rules.

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The Strip Archive of a webcomic is, at its simplest, a collection of the previous strips which are kept on line for the readers to read. While some premium series may charge a fee for archive access (either being only available to paying customers, or having just the most recent strip viewable for free), most series allow free access to the archive. The only stipulated limitation is that the reader not archive the strips separately, since many webcomics depend on banner ad hits for supplemental income. This is requested on the honor system, being otherwise unenforceable, but it's usually not worth bothering with for those who would break the rules.
rules[[note]]which is thankfully rare; anyone who actually has enough clout to steal the webcomic's traffic has better things to do[[/note]].
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* Webcomic/MSPaintMasterpices gives readers the option of reading anywhere from one to ten comics at a time.

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* Webcomic/MSPaintMasterpices Webcomic/MSPaintMasterpieces gives readers the option of reading anywhere from one to ten comics at a time.
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* Webcomic/MSPaintMasterpices gives readers the option of reading anywhere from one to ten comics at a time.
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Sequential art critics such as Scott [=McCloud=] predicted that [[WebComic web comics]] would have several advantages over print comics - InfiniteCanvas, MultimediaComics, [[DirectDemographic Direct Demographics]], MicroPayments, and other features made possible by computerization - which would lead to new forms of expression unique to webcomics. However, after a decade, these advances are less common than you'd think. Many of them proved to be too unwieldy, would limit the ability to [[TheMerch sell print collections]] to fans later, and failed to take into account the part-time nature of most webcomic artists' work. As an artform, webcomics have by and large become an offshoot of their print equivalents.

to:

Sequential art critics such as Scott [=McCloud=] predicted that [[WebComic web comics]] would have several advantages over print comics - InfiniteCanvas, MultimediaComics, Multimedia Comics, [[DirectDemographic Direct Demographics]], MicroPayments, and other features made possible by computerization - which would lead to new forms of expression unique to webcomics. However, after a decade, these advances are less common than you'd think. Many of them proved to be too unwieldy, would limit the ability to [[TheMerch sell print collections]] to fans later, and failed to take into account the part-time nature of most webcomic artists' work. As an artform, webcomics have by and large become an offshoot of their print equivalents.



The StripArchive dramatically shapes both webcomics and the expectations of the FanBase; in effect, the strip archive dramatically extends the reader's attention spans, even over [[ScheduleSlip sporadically updated strips]]. Because new readers can [[ArchiveBinge familiarize themselves with the whole series]] in a relatively short time, and older readers can [[ArchiveTrawl easily re-read them]] to remain familiar with the whole storyline, the authors can write much longer {{Story Arc}}s than would be feasible in most sorts of print comics. Conversely, it places great pressure on the artists to retain continuity (in series that have any continuity at all), as fans can go over the series with a metaphorical microscope at will.

One side effect of this is that most major series have a core of intensely devoted fans who may well know the series better than the author does. Another is the reversal in going from ComicBookTime to WebcomicTime: Whereas print comics often have a sliding time scale that is shorter than the total in-story time of the series, webcomics tend to dilate time such that several months or years of strips may only cover a day or less. This would be impossible without the StripArchive, as readers would soon lose sight of events, a problem which has appeared in print daily strips such as ''For Better or for Worse'' or ''Doonesbury''.

Some traditional newspaper comics have started posting their archives online as well. For example, the entire 30+ year run of ''{{Garfield}}'' is now available online, free and colorized. Can, and does, lead to ArchiveBinge.

to:

The StripArchive dramatically shapes both webcomics and the expectations of the FanBase; fan base; in effect, the strip archive dramatically extends the reader's attention spans, even over [[ScheduleSlip sporadically updated strips]]. Because new readers can [[ArchiveBinge familiarize themselves with the whole series]] in a relatively short time, and older readers can [[ArchiveTrawl easily re-read them]] to remain familiar with the whole storyline, the authors can write much longer {{Story Arc}}s than would be feasible in most sorts of print comics. Conversely, it places great pressure on the artists to retain continuity (in series that have any continuity at all), as fans can go over the series with a metaphorical microscope at will.

One side effect of this is that most major series have a core of intensely devoted fans who may well know the series better than the author does. Another is the reversal in going from ComicBookTime to WebcomicTime: Whereas print comics often have a sliding time scale that is shorter than the total in-story time of the series, webcomics tend to dilate time such that several months or years of strips may only cover a day or less. This would be impossible without the StripArchive, as readers would soon lose sight of events, a problem which has appeared in print daily strips such as ''For Better ''ComicStrip/ForBetterOrForWorse'' or for Worse'' or ''Doonesbury''.''ComicStrip/{{Doonesbury}}''.

Some traditional newspaper comics have started posting their archives online as well. For example, the entire 30+ year run of ''{{Garfield}}'' ''ComicStrip/{{Garfield}}'' is now available online, free and colorized. Can, and does, lead to ArchiveBinge.



* BobAndGeorge is one among many long, finished webcomics, but [[ContinuityPorn due to its nature]], particular attention is paid to make the archive accessible. It is divided into helpfully descriptive chapters, partially annotated, and can be displayed seven at a time for speed-reading.
* IrregularWebcomic has it's archives dividable by separate themes. They also can be viewed five at a time for speed reading.
* The {{Doonesbury}} website now has a "Doonesbury Flashbacks" feature, which displays the strips corresponding to today's date 5, 10, 15...to 35 years ago.

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* BobAndGeorge Webcomic/BobAndGeorge is one among many long, finished webcomics, but [[ContinuityPorn due to its nature]], particular attention is paid to make the archive accessible. It is divided into helpfully descriptive chapters, partially annotated, and can be displayed seven at a time for speed-reading.
* IrregularWebcomic Webcomic/IrregularWebcomic has it's its archives dividable by separate themes. They also can be viewed five at a time for speed reading.
* The {{Doonesbury}} ComicStrip/{{Doonesbury}} website now has a "Doonesbury Flashbacks" feature, which displays the strips corresponding to today's date 5, 10, 15...to 35 years ago.

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