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* ''Music/ConfessionExecutiveCommittee'' likewise has a larger narrative that ties the stories of multiple characters together, but some of the songs don't really connect to the main plot.
** "Detained Teacher" largely serves as this, since the PV series doesn't go in-depth about the relationship between Haruki, Saku, and Chiaki as the rest of the franchise does, and wraps up their drama relatively neatly in one go.
** The entire Midori/Sena arc (Friday's Good Morning, Sunday's Secret) can be divorced from the rest of the videos without much problem, given that their problems don't intersect with the rest of 3-2 or 1-1's problems.
** "I Want to Become Cute" is purely a song about Sena's thoughts and feelings concerning her desire to be pretty and seen, and only tangentially references the other characters.
** Likewise, "Little Lion" can easily be seen as another one of LIP×LIP's in-universe music videos, as the story is mostly a Magic Realism tale about a cat with the idols playing second fiddle.
** "Mister Darling" is primarily about the Narumis' parents, and even out of context can be taken as a song about a girl wants to keep the spark in her relationship as she gets older.
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* In ''WesternAnimation/MyLittlePonyFriendshipIsMagic'', episodes starring Starlight Glimmer are all this in Seasons 8 and 9, typically focusing on her relationship with Trixie or her job at the School of Friendship and having no impact on or connection to the season's overarching story arc. When she does appear in other episodes, [[DemotedToExtra she does little at most]].
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** Pretty much all of the films from ''Film/DrNo'' to ''Film/DieAnotherDay'' can be watched as standalone adventures. There are occasional {{Continuity Nod}}s such as Creator/GeorgeLazenby getting objects from past films out of a drawer in ''Film/OnHerMajestysSecretService'' or the grave of Tracy in ''Film/ForYourEyesOnly'', but that doesn't impact the self-containedness of each film.
** For the Creator/DanielCraig era, only ''Film/{{Casino Royale|2006}}'' and ''Film/{{Skyfall}}'' might qualify as standalones. The three other films put much emphasis on continuity, unlike the pre-Craig films. ''Film/QuantumOfSolace'' picks up where ''Casino Royale'' left off, ''Film/{{Spectre}}'' explore plot threads left from ''Skyfall'' and ''Film/NoTimeToDie'' does the same with ''Spectre''.

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** Pretty much all of the films from ''Film/DrNo'' to ''Film/DieAnotherDay'' can be watched as standalone adventures. There are occasional {{Continuity Nod}}s such as Creator/GeorgeLazenby Creator/GeorgeLazenby's Bond getting objects from past films out of a drawer in ''Film/OnHerMajestysSecretService'' or the grave of Tracy in ''Film/ForYourEyesOnly'', but that doesn't impact the self-containedness of each film.
** For the Creator/DanielCraig Bond era, only ''Film/{{Casino Royale|2006}}'' and ''Film/{{Skyfall}}'' might qualify as standalones. The three other films put much emphasis on continuity, unlike the pre-Craig films. ''Film/QuantumOfSolace'' picks up where ''Casino Royale'' left off, ''Film/{{Spectre}}'' explore plot threads left from ''Skyfall'' and ''Film/NoTimeToDie'' does the same with ''Spectre''.
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[[folder:Live-Action Films]]
* ''Film/JamesBond'':
** Pretty much all of the films from ''Film/DrNo'' to ''Film/DieAnotherDay'' can be watched as standalone adventures. There are occasional {{Continuity Nod}}s such as Creator/GeorgeLazenby getting objects from past films out of a drawer in ''Film/OnHerMajestysSecretService'' or the grave of Tracy in ''Film/ForYourEyesOnly'', but that doesn't impact the self-containedness of each film.
** For the Creator/DanielCraig era, only ''Film/{{Casino Royale|2006}}'' and ''Film/{{Skyfall}}'' might qualify as standalones. The three other films put much emphasis on continuity, unlike the pre-Craig films. ''Film/QuantumOfSolace'' picks up where ''Casino Royale'' left off, ''Film/{{Spectre}}'' explore plot threads left from ''Skyfall'' and ''Film/NoTimeToDie'' does the same with ''Spectre''.
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* ''VideoGame/MassEffect2'': The loyalty missions have little to do with the main plot of the game, [[TropesAreNotBad instead focusing on the squadmate characters.]] Some of them do play into the larger plot and events of the third game though.

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* ''VideoGame/MassEffect2'': The loyalty missions have little to do with the main plot of the game, [[TropesAreNotBad [[Administrivia/TropesAreTools instead focusing on the squadmate characters.]] Some of them do play into the larger plot and events of the third game though.

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** In Series 5, [[Recap/DoctorWhoS31E10VincentAndTheDoctor "Vincent and the Doctor"]] is the only episode without any appearance from the [[NegativeSpaceWedge cracks in time]]. There are, however, oblique references to the StoryArc involving them, mainly about [[spoiler:Amy's fiancé Rory having been [[{{Retgone}} eaten]] by a crack in the previous episode]]. ("Why are you being so nice to me?"; "I'm not the marrying kind.")

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** In Series 5, [[Recap/DoctorWhoS31E10VincentAndTheDoctor "Vincent and the Doctor"]] is the only episode without any appearance from the [[NegativeSpaceWedge [[NegativeSpaceWedgie cracks in time]]. There are, however, oblique references to the StoryArc involving them, mainly about [[spoiler:Amy's fiancé Rory having been [[{{Retgone}} eaten]] by a crack in the previous episode]]. ("Why are you being so nice to me?"; "I'm not the marrying kind.")
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** In Series 5, [[Recap/DoctorWhoS31E10VincentAndTheDoctor "Vincent and the Doctor"]] is the only episode without any appearance from the [[NegativeSpaceWedge cracks in time]]. There are, however, oblique references to the StoryArc involving them, mainly about [[spoiler:Amy's fiancé Rory having been [[{{Retgone}} eaten]] by a crack in the previous episode]]. ("Why are you being so nice to me?"; "I'm not the marrying kind.")
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** Episode 7 of [[Recap/DoctorWhoS3E4TheDaleksMasterPlan "The Daleks' Master Plan"]], titled "The Feast of Steven", has nothing to do with the rest of the 12 part serial, and the Daleks don't show up at all. Instead, the TARDIS crew ends up in 1960s London before finding themselves on a movie set in the 1920s. This was done because episode 7 of this story aired on Christmas Day. The producers didn't think many people would be watching the television on Christmas, so they made this episode a standalone to prevent people from being completely lost when they tuned in for episode 8. When "The Daleks' Master Plan" was sold to overseas broadcasters, it was offered as an 11 episode story, episode 7 having been removed due to being inconsequential to the plot.

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** Episode 7 of [[Recap/DoctorWhoS3E4TheDaleksMasterPlan "The Daleks' Master Plan"]], titled "The Feast of Steven", has nothing to do with the rest of the 12 part serial, and the Daleks don't show up at all. Instead, the TARDIS crew ends up in 1960s London before finding themselves on a movie set in the 1920s. This was done because episode 7 of this story aired on Christmas Day. The producers didn't think many people would be watching the television on Christmas, so they made this episode a standalone to prevent people from being completely lost when they tuned in for episode 8. When "The Daleks' Master Plan" was sold to overseas broadcasters, it was offered as an 11 episode 11-episode story, episode 7 having been removed due to being inconsequential to the plot.



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** Episode 7 of [[Recap/DoctorWhoS3E4TheDaleksMasterPlan "The Daleks' Master Plan"]], titled "The Feast of Steven", has nothing to do with the rest of the 12 part serial, and the Daleks don't show up at all. Instead, the TARDIS crew ends up in 1960s London before finding themselves on a movie set in the 1920s. This was done because episode 7 of this story aired on Christmas Day. The producers didn't think many people would be watching the television on Christmas, so they made this episode a standalone to prevent people from being completely lost when they tuned in for episode 8. When "The Daleks' Master Plan" was sold to overseas broadcasters, it was offered as an 11 episode story, episode 7 having been removed due to being inconsequential to the plot.

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!!Examples

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!!Examples
!!Examples:
%%%%%%This page has been alphabetized. Please add new examples in the appropriate alphabetical order.%%%%%%



* William Forsythe's ballet ''In the Middle, Somewhat Elevated'' is an unusual case. It's part of a full-evening avant garde work, ''Impressing the Czar,'' which consists of multiple scenes in wildly different dance idioms. ''In the Middle'' premiered before ''Impressing the Czar'' and is almost always performed independently of it.

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* William Forsythe's ballet ''In the Middle, Somewhat Elevated'' is an unusual case. It's part of a full-evening avant garde work, ''Impressing the Czar,'' Czar'', which consists of multiple scenes in wildly different dance idioms. ''In the Middle'' premiered before ''Impressing the Czar'' and is almost always performed independently of it.



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* ''VideoGame/FindTheCure!'' is set in the ''Roleplay/DarwinsSoldiers'' universe, but has no connection to any pre-existing events, characters, or locations.



* ''VideoGame/FindTheCure!'' is set in the ''Roleplay/DarwinsSoldiers'' universe, but has no connection to any pre-existing events, characters, or locations.



[[folder:WesternAnimation]]
* ''WesternAnimation/StarWarsRebels'': Season 2's [[Recap/StarWarsRebelsS2E13TheCall "The Call"]] is the only episode that has practically no connection to any ongoing arcs. The only thing from this episode to appear in later episodes is the Mining Guild, and their second appearance does not require having seen this one.

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[[folder:WesternAnimation]]
* ''WesternAnimation/StarWarsRebels'': Season 2's [[Recap/StarWarsRebelsS2E13TheCall "The Call"]] is the only episode that has practically no connection to any ongoing arcs. The only thing from this episode to appear in later episodes is the Mining Guild, and their second appearance does not require having seen this one.
[[folder:Western Animation]]
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* ''VideoGame/FindTheCure!'' is set in the ''Roleplay/DarwinsSoldiers'' universe, but has no connection to any pre-existing events, characters, or locations.
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** "The Long Goodbye": Though there are phone calls to Toby re: the current arc one or two times, the episode is otherwise entirely about CJ dealing with her Alzheimer's-stricken father. It's also one of the few episodes of the first four seasons not to be written by Creator/AaronSorkin. This all makes it ''very'' much LoveItOrHateIt.

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** "The Long Goodbye": Though there are phone calls to Toby re: the current arc one or two times, the episode is otherwise entirely about CJ dealing with her Alzheimer's-stricken father. It's also one of the few episodes of the first four seasons not to be written by Creator/AaronSorkin. This all makes it ''very'' much LoveItOrHateIt.polarizing.

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* ''Franchise/{{Digimon}}'' will often lead up to the climax of an arc, then have one episode of pure {{Filler}} before the dramatic stuff begins.



* ''Franchise/{{Digimon}}'' will often lead up to the climax of an arc, then have one episode of pure {{Filler}} before the dramatic stuff begins.



* ''Series/TheXFiles'' alternated MythArc episodes and standalone ones. The mythology episodes became more prominent in season 2 but standalones outnumber them. They later did origins episode about the background of FBI's X-Files division or how Mulder met the Lone Gunmen.

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* ''Series/TheXFiles'' alternated MythArc ''Series/DoctorWho'':
** [[Recap/DoctorWhoS28E10LoveAndMonsters "Love & Monsters"]] is a LowerDeckEpisode focusing on a one-shot character [[UnreliableNarrator narrating]] his experiences involving the Doctor and aliens. The most notable thing about it is that it contains the first appearance of "Saxon", Series 3's [[ArcWords Arc Word]].
** [[Recap/DoctorWhoS29E10Blink "Blink"]] is ''also'' a LowerDeckEpisode unconnected to the season's MythArc, but it ''is'' famous for introducing the [[LivingStatue Weeping Angels]].
** Series 9 does not have a definite arc, but [[Recap/DoctorWhoS35E9SleepNoMore "Sleep No More"]] stands out as the only single-story episode in a season of multi-parts.
* ''{{Series/Eureka}}'' has a couple Christmas
episodes and standalone ones. The mythology episodes became more prominent outside the regular storyline.
* ''Series/{{JAG}}'': Other than the PilotMovie, “Each of us Angels”
in the 8th season 2 but standalones outnumber them. They later did origins focused on a group of Navy nurses before and during the Battle of Iwo Jima, and is the only episode about where the background entire cast appears and where none of FBI's X-Files division or how Mulder met them play their usual characters.
* ''Series/{{Lost}}'' 's sixth season has
the Lone Gunmen.universally acclaimed "Ab Aeterno", which focuses solely on [[spoiler:Richard Alpert]]. Because 90% of the episode takes place [[spoiler:170 years before the present day]] and focuses little on the main characters, it has been praised as a good "gateway episode" to introduce someone to ''Lost''s format and mysteries without actually starting them from scratch and the closest thing ''Lost'' has to a TV movie (the episode is extended by six minutes).
* ''Series/{{Millennium}}'': "Somehow, Satan Got Behind Me". Four demons disguised as humans have a chat in a diner to share strategy. Frank Black briefly shows up in each demon's story, but the episode has no actual connection with the show's MythArc.
* ''Series/RedDwarf'': "Psirens" was specifically written as a "reintroduction" episode for the series, through Lister's amnesia sequence.
* The ''Series/StargateSG1'' episode "Window of Opportunity" could be viewed as this. The plot? O'Neill and Teal'c get stuck in a GroundhogDayLoop and HilarityEnsues.
* The ''Series/StarTrekDeepSpaceNine'' episode "The Visitor" is often ranked as one of its best episodes, even though most of it takes place in an alternate future timeline, and the main character is a guest star (Tony Todd) playing the now-elderly Jake Sisko.



* ''Series/{{Lost}}'' 's sixth season has the universally acclaimed "Ab Aeterno," which focuses solely on [[spoiler:Richard Alpert]]. Because 90% of the episode takes place [[spoiler:170 years before the present day]] and focuses little on the main characters, it has been praised as a good "gateway episode" to introduce someone to ''Lost''s format and mysteries without actually starting them from scratch and the closest thing ''Lost'' has to a TV movie (the episode is extended by six minutes).
* ''Series/RedDwarf'': "Psirens" was specifically written as a "reintroduction" episode for the series, through Lister's amnesia sequence.
* ''Series/{{Millennium}}'': "Somehow, Satan Got Behind Me". Four demons disguised as humans have a chat in a diner to share strategy. Frank Black briefly shows up in each demon's story, but the episode has no actual connection with the show's MythArc.
* The ''Series/DoctorWho'' episodes ''Love and Monsters'' and ''Blink'' have nothing to do with the overall story arc, and both focus on normal humans who encounter the Doctor.
** Series 9 does not have a definite arc, but ''Sleep No More'' stands out as the only single-story episode in a season of multi-parts.
* The ''Series/StarTrekDeepSpaceNine'' episode "The Visitor" is often ranked as one of its best episodes, even though most of it takes place in an alternate future timeline, and the main character is a guest star (Tony Todd) playing the now-elderly Jake Sisko.
* The ''Series/StargateSG1'' episode ''Window of Opportunity'' could be viewed as this.
* ''Series/{{JAG}}'': Other than the PilotMovie, “Each of us Angels” in the 8th season focused on a group of Navy nurses before and during the Battle of Iwo Jima, and is the only episode where the entire cast appears and where none of them play their usual characters.
* ''{{Series/Eureka}}'' has a couple Christmas episodes outside the regular storyline.

to:

* ''Series/{{Lost}}'' 's sixth season has the universally acclaimed "Ab Aeterno," which focuses solely on [[spoiler:Richard Alpert]]. Because 90% of the episode takes place [[spoiler:170 years before the present day]] and focuses little on the main characters, it has been praised as a good "gateway episode" to introduce someone to ''Lost''s format and mysteries without actually starting them from scratch and the closest thing ''Lost'' has to a TV movie (the episode is extended by six minutes).
* ''Series/RedDwarf'': "Psirens" was specifically written as a "reintroduction" episode for the series, through Lister's amnesia sequence.
* ''Series/{{Millennium}}'': "Somehow, Satan Got Behind Me". Four demons disguised as humans have a chat in a diner to share strategy. Frank Black briefly shows up in each demon's story, but the episode has no actual connection with the show's MythArc.
* The ''Series/DoctorWho''
''Series/TheXFiles'' alternated MythArc episodes ''Love and Monsters'' and ''Blink'' have nothing to do with the overall story arc, and both focus on normal humans who encounter the Doctor.
** Series 9 does not have a definite arc, but ''Sleep No More'' stands out as the only single-story episode in a season of multi-parts.
*
standalone ones. The ''Series/StarTrekDeepSpaceNine'' episode "The Visitor" is often ranked as one of its best episodes, even though most of it takes place in an alternate future timeline, and the main character is a guest star (Tony Todd) playing the now-elderly Jake Sisko.
* The ''Series/StargateSG1'' episode ''Window of Opportunity'' could be viewed as this.
* ''Series/{{JAG}}'': Other than the PilotMovie, “Each of us Angels” in the 8th season focused on a group of Navy nurses before and during the Battle of Iwo Jima, and is the only episode where the entire cast appears and where none of them play their usual characters.
* ''{{Series/Eureka}}'' has a couple Christmas
mythology episodes outside became more prominent in season 2 but standalones outnumber them. They later did origins episode about the regular storyline.background of FBI's X-Files division or how Mulder met the Lone Gunmen.


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* ''WesternAnimation/StarWarsRebels'': Season 2's [[Recap/StarWarsRebelsS2E13TheCall "The Call"]] is the only episode that has practically no connection to any ongoing arcs. The only thing from this episode to appear in later episodes is the Mining Guild, and their second appearance does not require having seen this one.


Added DiffLines:

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minor (spelling)


* ''Series/{{JAG}}'': Other than the PilotMovie, “Each of us Angles” in the 8th season focused on a group of Navy nurses before and during the Battle of Iwo Jima, and is the only episode where the entire cast appears and where none of them play their usual characters.

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* ''Series/{{JAG}}'': Other than the PilotMovie, “Each of us Angles” Angels” in the 8th season focused on a group of Navy nurses before and during the Battle of Iwo Jima, and is the only episode where the entire cast appears and where none of them play their usual characters.
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** Series 9 does not have a definite arc, but ''Sleep No More'' stands out as the only single-story episode in a season of multi-parts.

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An episode that can stand alone on its own with a self-contained story that does not need prior viewing of any other episode to understand. It's usually an episode that breaks from the current {{arc}} to focus on a one-shot subplot or character; for example, if the arc is about stopping TheEndOfTheWorldAsWeKnowIt, a StandAloneEpisode can be about dealing with a SealedEvilInACan that's released at the beginning of the episode and resealed by the end of the episode, never to be mentioned again.

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An episode that can stand alone on its own with a self-contained story that does not need prior viewing of any other episode to understand. It's usually an episode that breaks from the current {{arc}} to focus on a one-shot subplot or character; for example, if the arc is about stopping TheEndOfTheWorldAsWeKnowIt, a StandAloneEpisode Stand Alone Episode can be about dealing with a SealedEvilInACan that's released at the beginning of the episode and resealed by the end of the episode, never to be mentioned again.



In arc-heavy series, a good StandAloneEpisode can be the hook a die-hard fan of the show can use to pull others in, due to its self-contained nature. Likewise, even fans of the arcs will often cite a Stand-Alone as their favorite episode; an arc episode is difficult to separate and appreciate outside of the arc which contains it, but a StandAloneEpisode can be fully appreciated of itself.

Sometimes, though, writers will want to revisit the plot of a StandAloneEpisode and create a later episode that expands on the earlier story; this is a SequelEpisode.

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In arc-heavy series, a good StandAloneEpisode Stand Alone Episode can be the hook a die-hard fan of the show can use to pull others in, due to its self-contained nature. Likewise, even fans of the arcs will often cite a Stand-Alone as their favorite episode; an arc episode is difficult to separate and appreciate outside of the arc which contains it, but a StandAloneEpisode Stand Alone Episode can be fully appreciated of itself.

Sometimes, though, writers will want to revisit the plot of a StandAloneEpisode Stand Alone Episode and create a later episode that expands on the earlier story; this is a SequelEpisode.
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* ''Series/{{Millennium}}'': "Somehow, Satan Got Behind Me".

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* ''Series/{{Millennium}}'': "Somehow, Satan Got Behind Me". Four demons disguised as humans have a chat in a diner to share strategy. Frank Black briefly shows up in each demon's story, but the episode has no actual connection with the show's MythArc.

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This is covered by the general statement in the trope description about sitcoms consisting entirely of standalone episodes. It doesn\'t do anything that makes it worth pointing out specifically.


* ''Radio/OurMissBrooks'': Every radio and television episode of Our Miss Brooks serves as a standalone episode. Even so, from the very first radio episode ("First Day"), Miss Brooks has a defined SeriesGoal. That is to say, marriage to Mr. Boynton. [[spoiler: Miss Brooks finally marries Mr. Boynton in TheMovie GrandFinale.]]
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* ''Radio/OurMissBrooks'': Every radio and television episode of Our Miss Brooks serves as a standalone episode. Even so, from the very first radio episode ("First Day"), Miss Brooks has a defined SeriesGoal. That is to say, marriage to Mr. Boynton. [[spoiler: Miss Brooks finally marries Mr. Boynton in TheMovie GrandFinale.]]
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* ''VideoGame/{{Touhou}}: Double Dealing Character'' is a bit of an in between episode coming right after the Religious War arc and followed by ''[=ULiL=]'' and ''[=LoLK=]'' which tie into the Lunar arc with ''[=DDC=]'' having no connection to either of them.
Willbyr MOD

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* ''GhostInTheShellStandAloneComplex'' actually labeled its stand-alone episodes (as opposed to arc-based "complex" episodes) as such on the title card. ''SAC: 2nd Gig'' did the same, but labeled its stand-alone episodes as "dividual" as opposed to the other two types ("individual"[[note]]Where "individual" refers to the plot-arc/ArcWords "Individual Eleven"[[/note]] and "dual").

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* ''GhostInTheShellStandAloneComplex'' ''Anime/GhostInTheShellStandAloneComplex'' actually labeled its stand-alone episodes (as opposed to arc-based "complex" episodes) as such on the title card. ''SAC: 2nd Gig'' did the same, but labeled its stand-alone episodes as "dividual" as opposed to the other two types ("individual"[[note]]Where "individual" refers to the plot-arc/ArcWords "Individual Eleven"[[/note]] and "dual").



* Parts 4 and 5 of ''[[Manga/JoJosBizarreAdventure Jojo's Bizarre Adventure]]'' are considered to be stand-alone, as they have little-to-nothing to do with the main story (Parts 1, 2, 3, and 6).

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* Parts 4 and 5 of ''[[Manga/JoJosBizarreAdventure Jojo's Bizarre Adventure]]'' ''Manga/JoJosBizarreAdventure'' are considered to be stand-alone, as they have little-to-nothing to do with the main story (Parts 1, 2, 3, and 6).
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* ''{{Eureka}}'' has a couple Christmas episodes outside the regular storyline.

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* ''{{Eureka}}'' ''{{Series/Eureka}}'' has a couple Christmas episodes outside the regular storyline.
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* ''VideoGame/MassEffect2'': The loyalty missions have little to do with the main plot of the game, [[TropesAreNotBad instead focusing on the squadmate characters.]]

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* ''VideoGame/MassEffect2'': The loyalty missions have little to do with the main plot of the game, [[TropesAreNotBad instead focusing on the squadmate characters.]]
]] Some of them do play into the larger plot and events of the third game though.
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* ''TheXFiles'' "Clyde Bruckman's Final Repose" and many others. "Humbug," "The Host," and "Jose Chung's ''From Outer Space''" to name a few.
* ''TheWestWing'':

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* ''TheXFiles'' "Clyde Bruckman's Final Repose" ''Series/TheXFiles'' alternated MythArc episodes and many others. "Humbug," "The Host," and "Jose Chung's ''From Outer Space''" to name a few.
standalone ones. The mythology episodes became more prominent in season 2 but standalones outnumber them. They later did origins episode about the background of FBI's X-Files division or how Mulder met the Lone Gunmen.
* ''TheWestWing'':''Series/TheWestWing'':
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[[AC:{{Music}}]]
* ''Music/KagerouProject'': All of the series' songs come together to form one cohesive story (that being said, [[MindScrew the details are still slightly fuzzy]]), but several of the series' songs could stand alone as their own story without any exterior context:
** ''Headphone Actor'': The story of a girl running for her life as the Apocalypse starts, [[spoiler:only to find [[DomedHometown the whole city is a science experiment]]]].
** ''Toumei Answer'': The story of a boy who becomes a {{Hikikomori}} after [[spoiler:his OnlyFriend Ayano [[DrivenToSuicide commits suicide]]]].
** ''Kagerou Days'': The story of a boy and a girl caught in a GroundhogDayLoop, where [[spoiler:[[CruelAndUnusualDeath the girl keeps dying. Messily]]]].
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[[AC:Theater]]

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[[AC:Theatre]]

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[[AC:Theatre]]
* William Forsythe's ballet ''In the Middle, Somewhat Elevated'' is an unusual case. It's part of a full-evening avant garde work, ''Impressing the Czar,'' which consists of multiple scenes in wildly different dance idioms. ''In the Middle'' premiered before ''Impressing the Czar'' and is almost always performed independently of it.
Is there an issue? Send a MessageReason:
None


* ''GhostInTheShellStandAloneComplex'' actually labeled its stand-alone episodes (as opposed to arc-based "complex" episodes) as such on the title card. ''SAC: 2nd Gig'' did the same, but labeled its stand-alone episodes as "dividual" as opposed to the other two types ("individual"[[hottip:?:Where "individual" refers to the plot-arc/ArcWords "Individual Eleven"]] and "dual").

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* ''GhostInTheShellStandAloneComplex'' actually labeled its stand-alone episodes (as opposed to arc-based "complex" episodes) as such on the title card. ''SAC: 2nd Gig'' did the same, but labeled its stand-alone episodes as "dividual" as opposed to the other two types ("individual"[[hottip:?:Where ("individual"[[note]]Where "individual" refers to the plot-arc/ArcWords "Individual Eleven"]] Eleven"[[/note]] and "dual").

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