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** '''Lydian Dominant''', which is a Lydian scale with a flat 7th. Notable for being used in the theme to ''WesternAnimation/TheSimpsons''.

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** '''Lydian Dominant''', which is a Lydian scale with a flat 7th. This one is often used in cartoons and lighthearted situations. Notable for being used in the theme to ''WesternAnimation/TheSimpsons''.

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More rearrangements


* Related scales:
** '''Harmonic Minor''', which is a Minor scale with a sharp 7th. Sounds Middle Eastern or suitable for Halloween/horror music. This is also what actual Russian folk and urban music uses, rather than Dorian.
** '''Phrygian Dominant''', which is a Phrygian scale with a sharp 3rd. Sounds Middle Eastern or Jewish. Example: Hava Nagila.
** '''Double Harmonic''', which is a Phrygian scale with a sharp 3rd and 7th. Sounds Middle Eastern or "Egyptian". Example: Misirlou by Music/DickDale (and Music/TheBlackEyedPeas song that [[{{sampling}} samples]] it, and the Lebanese folk song it was based on...)
** '''Hungarian Minor''', which is a fourth mode of double harmonic scale. Sounds spooky or generally dark.
** '''Jazz Minor''', which is a Minor scale with a sharp 6th and 7th.

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'''Other notable scales:'''


* Related scales:
**
'''Harmonic Minor''', which is a Minor scale with a sharp 7th. Sounds Middle Eastern or suitable for Halloween/horror music. This is also what actual Russian folk and urban music uses, rather than Dorian.
** '''Phrygian Dominant''', which is a Phrygian scale with a sharp 3rd.3rd, 5th mode of harmonic minor. Sounds Middle Eastern or Jewish. Example: Hava Nagila.
** '''Ukrainian Dorian scale''' or '''Romanian Scale''', 4th mode of harmonic minor. Sounds Eastern European. Example: Arabian Nights from Disney's ''Aladdin''.
*
'''Double Harmonic''', which is a Phrygian scale with a sharp 3rd and 7th. Sounds Middle Eastern or "Egyptian". Example: Misirlou by Music/DickDale (and Music/TheBlackEyedPeas song that [[{{sampling}} samples]] it, and the Lebanese folk song it was based on...)
** '''Hungarian Minor''', which is a fourth mode of double harmonic scale. Sounds southeastern European, spooky or generally dark.
** * '''Jazz Minor''', which is a Minor scale with a sharp 6th and 7th.

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Rearranged so different modes of the same scale are clustered together.


** '''Melodic Minor''', which is a Minor scale with a sharp 6th and 7th ascending and a natural 6th and 7th descending (though in actual practice, this winds up not always being the case).
** '''Jazz Minor''', which is a Minor scale with a sharp 6th and 7th both ascending and descending.
** '''Lydian Dominant''', which is a Lydian scale with a flat 7th. Notable for being used in the theme to ''WesternAnimation/TheSimpsons''.


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** '''Hungarian Minor''', which is a fourth mode of double harmonic scale. Sounds spooky or generally dark.
** '''Jazz Minor''', which is a Minor scale with a sharp 6th and 7th.
** '''Melodic Minor''', which is a Minor scale with a sharp 6th and 7th ascending and a natural 6th and 7th descending (though in actual practice, this winds up not always being the case).
** '''Lydian Dominant''', which is a Lydian scale with a flat 7th. Notable for being used in the theme to ''WesternAnimation/TheSimpsons''.
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** '''Lydian Dominant''', which is a Lydian scale with a flat 7th. Notable for being used in the theme to TheSimpsons.

to:

** '''Lydian Dominant''', which is a Lydian scale with a flat 7th. Notable for being used in the theme to TheSimpsons.''WesternAnimation/TheSimpsons''.
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A scale is a sequence of {{pitch}}es, used to organize the [[UsefulNotes/{{Melody}} melodic]] and [[{{harmony}} harmonic]] structure of a piece of music. Each scale tend to give a certain underlying flavor to a piece of music, and often have emotional or cultural connotations.

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A scale is a sequence of {{pitch}}es, used to organize the [[UsefulNotes/{{Melody}} [[{{Melody}} melodic]] and [[{{harmony}} harmonic]] structure of a piece of music. Each scale tend to give a certain underlying flavor to a piece of music, and often have emotional or cultural connotations.

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A scale is a sequence of {{pitch}}es, used to organize the [[{{melody}} melodic]] and [[{{harmony}} harmonic]] structure of a piece of music. Each scale tend to give a certain underlying flavor to a piece of music, and often have emotional or cultural connotations.

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A scale is a sequence of {{pitch}}es, used to organize the [[{{melody}} [[UsefulNotes/{{Melody}} melodic]] and [[{{harmony}} harmonic]] structure of a piece of music. Each scale tend to give a certain underlying flavor to a piece of music, and often have emotional or cultural connotations.

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banner confirmed


Examples:



* Modern Classical and Jazz music use all of the above, plus any modes possible of the above, plus scales not mentioned here.

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* Modern Classical and Jazz music use all of the above, plus any modes possible of the above, plus scales not mentioned here.here.
----
!Please do not add examples to work pages, this merely [[Administrivia/DefinitionOnlyPages defines the term]]. %%https://tvtropes.org/pmwiki/posts.php?discussion=1596363404091310800
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** '''Ionian''' (starts on C), the default mode of the major scale. Generally sounds extremely happy and uplifting.

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** '''Ionian''' (starts on C), the default mode of the major scale. This is also known as it's more common name: Major. Generally sounds extremely happy and uplifting.carefree, but can also be used to sound sweetly sentimental. It can sound cheesy or immature if used clumsily. A lot of Disney movies use the Ionian mode in their musical numbers.



** '''Phrygian''' (E). Minor scale with a flat 2nd degree. Sounds Middle Eastern, psychedelic, or [[{{Spexico}} Spexican]] due to its use in flamenco music. It also has the potential to sound really angry and/or depressed, hence its use in many styles of metal music. It's darkly exotic and mysterious in contrast to Aeolian, which generally sounds emotional.

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** '''Phrygian''' (E). Minor scale with a flat 2nd degree. Sounds Middle Eastern, psychedelic, or [[{{Spexico}} Spexican]] due to its use in flamenco music. It also has the potential to sound really angry and/or depressed, hence its use in many styles of metal music. It's darkly exotic and mysterious in contrast to Aeolian, which generally sounds emotional. The dark tone is more visceral and aggressive than that of Locrian, which sounds flatter and has more of a foreboding emptiness to it.



** '''Locrian''' (B). Minor with a flat 2nd and 5th. The tonic chord formed in this mode is diminished, making it difficult to work with because the tonic chord is generally supposed to resolve, whereas a diminished chord lacks resolution. Therefore, it is rarely used outside of DeathMetal bands and jazz musicians. One example of a song in Locrian that isn't from these genres is "California uber alles" by the Dead Kennedys (E Locrian). The bassline of Bjork's "Army of Me" is one of the most prominent examples of the Locrian mode. The Locrian mode is also described as sounding "evil", "dark", "uneasy", or "anxious", due to the tritone interval in the diminished tonic chord sounding dissonant, enough to give it its alternate name: the "diabolus in musica" (Latin for "devil in music"). The name "diabolus in musica" has led to a misconception that the tritone was banned in Medieval Europe. This is not the case, and the Locrian mode actually has an equivalent mode with its own name in church music: Hypophrygian.

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** '''Locrian''' (B). Minor with a flat 2nd and 5th. The tonic chord formed in this mode is diminished, making it difficult to work with because the tonic chord is generally supposed to resolve, whereas a diminished chord lacks resolution. Therefore, it is rarely used outside of DeathMetal Death Metal bands and jazz musicians. One example of a song in Locrian that isn't from these genres is "California uber alles" Uber Alles" by the Dead Kennedys (E Locrian). The bassline of Bjork's "Army of Me" is one of the most prominent examples of the Locrian mode. The Locrian mode is also described as sounding "evil", "dark", "uneasy", or "anxious", due to the tritone interval in the diminished tonic chord sounding dissonant, enough to give it its alternate name: the "diabolus in musica" (Latin for "devil in music"). The name "diabolus in musica" has led to a misconception that the tritone was banned in Medieval Europe. This is not the case, and the Locrian mode actually has an equivalent mode with its own name in church music: Hypophrygian.

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elaboration on differences in mood between modes, addition of examples.


** '''Ionian''' (starts on C), the default mode of the major scale. Generally sounds happy and uplifting.
** '''Dorian''' (D), also known as Russian Minor. Minor with a sharpened 6th degree. Sounds sad but folky. Common in Irish music. Example: Eleanor Rigby by Music/TheBeatles.
** '''Phrygian''' (E). Minor scale with a flat 2nd degree. Sounds Middle Eastern, psychedelic, or [[{{Spexico}} Spexican]] due to its use in flamenco music. It also has the potential to sound really angry and/or depressed, hence its use in many styles of metal music.
** '''Lydian''' (F). Major with a sharp 4th. Sounds ethnic, jazzy or uplifting (like Ionian).
** '''Mixolydian''' (G). Major scale with a flat 7th degree. Sounds upbeat and folky. Also common in Irish music. Example: "Sweet Home Alabama" by Music/LynyrdSkynyrd.
** '''Aeolian''' (A), better known as '''Natural Minor'''. Sounds sad or subdued.
** '''Locrian''' (B). Minor with a flat 2nd and 5th. The tonic chord formed in this mode is diminished, so it's hard to sing or play in. Therefore, nobody uses it but DeathMetal bands and jazz musicians. It is also described as sounding "evil", due to the tritone interval in the diminished tonic chord sounding dissonant, enough to give it its alternate name: the "diabolus in musica" (Latin for "devil in music").

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** '''Ionian''' (starts on C), the default mode of the major scale. Generally sounds extremely happy and uplifting.
** '''Dorian''' (D), also known as Russian Minor. Minor with a sharpened 6th degree. Sounds sad but folky. folky and sometimes bittersweet or nostalgic. Common in Irish music and extremely common in Medieval European music. Example: Examples: Eleanor Rigby by Music/TheBeatles.
Music/TheBeatles (E Dorian) and Mad World by Gary Jules (F Dorian).
** '''Phrygian''' (E). Minor scale with a flat 2nd degree. Sounds Middle Eastern, psychedelic, or [[{{Spexico}} Spexican]] due to its use in flamenco music. It also has the potential to sound really angry and/or depressed, hence its use in many styles of metal music.
music. It's darkly exotic and mysterious in contrast to Aeolian, which generally sounds emotional.
** '''Lydian''' (F). Major with a sharp 4th. Sounds ethnic, jazzy or uplifting (like Ionian).
dreamy, spacey, idealistic and a bit disoriented. Was used in some ancient cultures in instruments such as the lyre. Eliott Smith's "Waltz 1" is an excellent example of a Lydian song, with its floaty sound being accentuated by a steady 3/4 time signature.
** '''Mixolydian''' (G). Major scale with a flat 7th degree. Sounds upbeat upbeat, but more balanced and folky.down-to-earth than Ionian. The feel of Mixolydian differs from Ionian; Ionian sounds extremely joyful and carefree whereas Mixolydian sounds optimistic and adventurous. Also common in Irish music. Example: "Sweet Home Alabama" by Music/LynyrdSkynyrd.
Music/LynyrdSkynyrd. Mixolydian is a good choice if you want a happy sound but Ionian is too cheesy.
** '''Aeolian''' (A), better known as '''Natural Minor'''. Sounds Often described as sounding sad or subdued.
subdued, but is actually more versatile. There are a variety of flavours Aeolian can give you, from tragic, to threatening, or even mysterious.
** '''Locrian''' (B). Minor with a flat 2nd and 5th. The tonic chord formed in this mode is diminished, so it's hard making it difficult to sing or play in. work with because the tonic chord is generally supposed to resolve, whereas a diminished chord lacks resolution. Therefore, nobody uses it but is rarely used outside of DeathMetal bands and jazz musicians. It One example of a song in Locrian that isn't from these genres is "California uber alles" by the Dead Kennedys (E Locrian). The bassline of Bjork's "Army of Me" is one of the most prominent examples of the Locrian mode. The Locrian mode is also described as sounding "evil", "dark", "uneasy", or "anxious", due to the tritone interval in the diminished tonic chord sounding dissonant, enough to give it its alternate name: the "diabolus in musica" (Latin for "devil in music").music"). The name "diabolus in musica" has led to a misconception that the tritone was banned in Medieval Europe. This is not the case, and the Locrian mode actually has an equivalent mode with its own name in church music: Hypophrygian.

Whilst Locrian and Phrygian both sound somewhat exotic and sinister, Phrygian's tone tends to be richer and tinged with passion. Locrian is more abstract and anxious unless you're focusing very strongly on the tritone notes, in which case it tends to sound overtly menacing and monstrous. When composing in Locrian, it's important to make use of the flatted fifth scale degree and the flatted second scale degree to differentiate it from Aeolian.
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** '''Phrygian''' (E). Minor scale with a flat 2nd degree. Sounds Middle Eastern, psychedelic, or [[{{Spexico}} Spexican]] due to its use in flamenco music.

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** '''Phrygian''' (E). Minor scale with a flat 2nd degree. Sounds Middle Eastern, psychedelic, or [[{{Spexico}} Spexican]] due to its use in flamenco music. It also has the potential to sound really angry and/or depressed, hence its use in many styles of metal music.
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None


** '''Harmonic Minor''', which is a Minor scale with a sharp 7th. Sounds Middle Eastern or suitable for Halloween/horror music.

to:

** '''Harmonic Minor''', which is a Minor scale with a sharp 7th. Sounds Middle Eastern or suitable for Halloween/horror music. This is also what actual Russian folk and urban music uses, rather than Dorian.
Is there an issue? Send a MessageReason:
Fix


** '''Double Harmonic''', which is a Phrygian scale with a sharp 3rd and 7th. Sounds Middle Eastern or "Egyptian". Example: Misirlou by Creator/DickDale (and Music/TheBlackEyedPeas song that [[{{sampling}} samples]] it, and the Lebanese folk song it was based on...)

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** '''Double Harmonic''', which is a Phrygian scale with a sharp 3rd and 7th. Sounds Middle Eastern or "Egyptian". Example: Misirlou by Creator/DickDale Music/DickDale (and Music/TheBlackEyedPeas song that [[{{sampling}} samples]] it, and the Lebanese folk song it was based on...)
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** '''Double Harmonic''', which is a Phrygian scale with a sharp 3rd and 7th. Sounds Middle Eastern or "Egyptian". Example: Misirlou by DickDale (and Music/TheBlackEyedPeas song that [[{{sampling}} samples]] it, and the Lebanese folk song it was based on...)

to:

** '''Double Harmonic''', which is a Phrygian scale with a sharp 3rd and 7th. Sounds Middle Eastern or "Egyptian". Example: Misirlou by DickDale Creator/DickDale (and Music/TheBlackEyedPeas song that [[{{sampling}} samples]] it, and the Lebanese folk song it was based on...)
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** '''Double Harmonic''', which is a Phrygian scale with a sharp 3rd and 7th. Sounds Middle Eastern or "Egyptian". Example: Misirlou by DickDale (and the BlackEyedPeas song that [[{{sampling}} samples]] it, and the Lebanese folk song it was based on...)

to:

** '''Double Harmonic''', which is a Phrygian scale with a sharp 3rd and 7th. Sounds Middle Eastern or "Egyptian". Example: Misirlou by DickDale (and the BlackEyedPeas Music/TheBlackEyedPeas song that [[{{sampling}} samples]] it, and the Lebanese folk song it was based on...)
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** '''Mixolydian''' (G). Major scale with a flat 7th degree. Sounds upbeat and folky. Also common in Irish music. Example: Sweet Home Alabama by LynyrdSkynyrd.

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** '''Mixolydian''' (G). Major scale with a flat 7th degree. Sounds upbeat and folky. Also common in Irish music. Example: Sweet "Sweet Home Alabama Alabama" by LynyrdSkynyrd.Music/LynyrdSkynyrd.
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* '''Overtone Scale''', has to be the oldest in the book. It occurs on any brass instrument when not using the valves. The overtones follow a distinct pattern, and because of constantly diminishing intervals, they become a scale from number 8 and upwards. Set from C, this scale goes away from the regular major at F, who is sited almost perfectly between F and F#. Further up, the H is somewhat lower than the major, somewhat higher than the minor. This scale is used prominently in folk music all over the world, and is the mother of the blues scale.

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* '''Overtone Scale''', Scale''' has to be the oldest in the book. It occurs on any brass instrument when not using the valves. The overtones follow a distinct pattern, and because of constantly diminishing intervals, they become a scale from number 8 and upwards. Set from C, this scale goes away from the regular major at F, who is sited almost perfectly between F and F#. Further up, the H B is somewhat lower than the major, somewhat higher than the minor. This scale is used prominently in folk music all over the world, and is the mother of the blues scale.
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realized later material already said this


** '''Jazz Minor''', which is a Minor scale with a sharp 6th and 7th both ascending and descending. (Jazz musicians love to build exotic modes off this scale, but that's best left for more advanced music theory).

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** '''Jazz Minor''', which is a Minor scale with a sharp 6th and 7th both ascending and descending. (Jazz musicians love to build exotic modes off this scale, but that's best left for more advanced music theory).

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** '''Melodic Minor''', which is a Minor scale with a sharp 6th and 7th.

to:

** '''Melodic Minor''', which is a Minor scale with a sharp 6th and 7th.7th ascending and a natural 6th and 7th descending (though in actual practice, this winds up not always being the case).
** '''Jazz Minor''', which is a Minor scale with a sharp 6th and 7th both ascending and descending. (Jazz musicians love to build exotic modes off this scale, but that's best left for more advanced music theory).
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** '''Locrian''' (B). Minor with a flat 2nd and 5th. The tonic chord formed in this mode is diminished, so it's hard to sing or play in and sounds evil. Therefore, nobody uses it but DeathMetal bands and jazz musicians.

to:

** '''Locrian''' (B). Minor with a flat 2nd and 5th. The tonic chord formed in this mode is diminished, so it's hard to sing or play in and sounds evil.in. Therefore, nobody uses it but DeathMetal bands and jazz musicians. It is also described as sounding "evil", due to the tritone interval in the diminished tonic chord sounding dissonant, enough to give it its alternate name: the "diabolus in musica" (Latin for "devil in music").
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None

Added DiffLines:

* '''Overtone Scale''', has to be the oldest in the book. It occurs on any brass instrument when not using the valves. The overtones follow a distinct pattern, and because of constantly diminishing intervals, they become a scale from number 8 and upwards. Set from C, this scale goes away from the regular major at F, who is sited almost perfectly between F and F#. Further up, the H is somewhat lower than the major, somewhat higher than the minor. This scale is used prominently in folk music all over the world, and is the mother of the blues scale.
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None


** '''Harmonic Minor''', which is a Minor scale with a sharp 7th. Sounds Middle Eastern.

to:

** '''Harmonic Minor''', which is a Minor scale with a sharp 7th. Sounds Middle Eastern.Eastern or suitable for Halloween/horror music.
Is there an issue? Send a MessageReason:
None


** '''Double Harmonic''', which is a Phrygian scale with a sharp 3rd and 7th. Sounds Middle Eastern. Example: Misirlou by DickDale (and the BlackEyedPeas song that [[{{sampling}} samples]] it, and the Lebanese folk song it was based on...)

to:

** '''Double Harmonic''', which is a Phrygian scale with a sharp 3rd and 7th. Sounds Middle Eastern.Eastern or "Egyptian". Example: Misirlou by DickDale (and the BlackEyedPeas song that [[{{sampling}} samples]] it, and the Lebanese folk song it was based on...)
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** '''Dorian''' (D), also known as Russian Minor. Minor with a sharpened 6th degree. Sounds sad but folky. Common in Irish music. Example: Eleanor Rigby by TheBeatles.

to:

** '''Dorian''' (D), also known as Russian Minor. Minor with a sharpened 6th degree. Sounds sad but folky. Common in Irish music. Example: Eleanor Rigby by TheBeatles.Music/TheBeatles.
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* Modes of the major scale, i.e. things you can play using only the white keys on a piano:

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* Modes of the major '''Major''' scale, i.e. things you can play using only the white keys on a piano:
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* A chromatic scale is made of every one of the 12 notes, e.g. C C# D D# E F F# G G# A A# B C. This is the sound of someone running their finger up or down a keyboard. All other scales are a subset of this (well, in Western music).
* Pentatonic scales are [[ExactlyWhatItSaysOnTheTin scales with five notes]]. There are many different scales all over the world, but in Western music this usually means one of these following scales. They sound folky or Asian (as traditional East Asian music frequently used pentatonic scales) and are easy to sing.
** Major Pentatonic can be played using only the black keys on a keyboard, starting on F#.
** Minor Pentatonic is a mode of Major Pentatonic. It can be played using only black keys too, starting on D#. Example: Gershwin's Summertime (except for one note).
* "Blues scale" can mean a few different things, but usually it refers to a Minor Pentatonic with an added sharp 4th/flat 5th. A blues scale on D# would be D#-F#-G#-A-A#-C#. Think of pretty much any BluesRock guitar solo.

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* A chromatic '''chromatic''' scale is made of every one of the 12 notes, e.g. C C# D D# E F F# G G# A A# B C. This is the sound of someone running their finger up or down a keyboard. All other scales are a subset of this (well, in Western music).
* Pentatonic '''Pentatonic''' scales are [[ExactlyWhatItSaysOnTheTin scales with five notes]]. There are many different scales all over the world, but in Western music this usually means one of these following scales. They sound folky or Asian (as traditional East Asian music frequently used pentatonic scales) and are easy to sing.
** Major Pentatonic '''Major Pentatonic''' can be played using only the black keys on a keyboard, starting on F#.
** Minor Pentatonic '''Minor Pentatonic''' is a mode of Major Pentatonic. It can be played using only black keys too, starting on D#. Example: Gershwin's Summertime (except for one note).
* "Blues scale" '''"Blues scale"''' can mean a few different things, but usually it refers to a Minor Pentatonic with an added sharp 4th/flat 5th. A blues scale on D# would be D#-F#-G#-A-A#-C#. Think of pretty much any BluesRock guitar solo.



** Major (starts on C), also known as Ionian. Generally sounds happy and uplifting.
** Dorian (D), also known as Russian Minor. Minor with a sharpened 6th degree. Sounds sad but folky. Common in Irish music. Example: Eleanor Rigby by TheBeatles.
** Phrygian (E). Minor scale with a flat 2nd degree. Sounds Middle Eastern, psychedelic, or [[{{Spexico}} Spexican]] due to its use in flamenco music.
** Lydian (F). Major with a sharp 4th. Sounds ethnic, jazzy or uplifting (like Ionian).
** Mixolydian (G). Major scale with a flat 7th degree. Sounds upbeat and folky. Also common in Irish music. Example: Sweet Home Alabama by LynyrdSkynyrd.
** Minor (A), also known as Aeolian. Sounds sad or subdued.
** Locrian (B). Minor with a flat 2nd and 5th. The tonic chord formed in this mode is diminished, so it's hard to sing or play in and sounds evil. Therefore, nobody uses it but DeathMetal bands and jazz musicians.

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** Major '''Ionian''' (starts on C), also known as Ionian.the default mode of the major scale. Generally sounds happy and uplifting.
** Dorian '''Dorian''' (D), also known as Russian Minor. Minor with a sharpened 6th degree. Sounds sad but folky. Common in Irish music. Example: Eleanor Rigby by TheBeatles.
** Phrygian '''Phrygian''' (E). Minor scale with a flat 2nd degree. Sounds Middle Eastern, psychedelic, or [[{{Spexico}} Spexican]] due to its use in flamenco music.
** Lydian '''Lydian''' (F). Major with a sharp 4th. Sounds ethnic, jazzy or uplifting (like Ionian).
** Mixolydian '''Mixolydian''' (G). Major scale with a flat 7th degree. Sounds upbeat and folky. Also common in Irish music. Example: Sweet Home Alabama by LynyrdSkynyrd.
** Minor '''Aeolian''' (A), also better known as Aeolian.'''Natural Minor'''. Sounds sad or subdued.
** Locrian '''Locrian''' (B). Minor with a flat 2nd and 5th. The tonic chord formed in this mode is diminished, so it's hard to sing or play in and sounds evil. Therefore, nobody uses it but DeathMetal bands and jazz musicians.



** Harmonic Minor, which is a Minor scale with a sharp 7th. Sounds Middle Eastern.
** Melodic Minor, which is a Minor scale with a sharp 6th and 7th.
** Lydian Dominant, which is a Lydian scale with a flat 7th. Notable for being used in the theme to TheSimpsons.
** Phrygian Dominant, which is a Phrygian scale with a sharp 3rd. Sounds Middle Eastern or Jewish. Example: Hava Nagila.
** Double Harmonic, which is a Phrygian scale with a sharp 3rd and 7th. Sounds Middle Eastern. Example: Misirlou by DickDale (and the BlackEyedPeas song that [[{{sampling}} samples]] it, and the Lebanese folk song it was based on...)
* The whole tone scale, where all the steps between notes are whole steps. The C whole tone scale would be C D E F# G# A# C. Because of the large degree of symmetry in the scale, it sounds ambiguous and rootless. This scale is often used in visual media to indicate a transition to a fantasy or dream sequence.

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** Harmonic Minor, '''Harmonic Minor''', which is a Minor scale with a sharp 7th. Sounds Middle Eastern.
** Melodic Minor, '''Melodic Minor''', which is a Minor scale with a sharp 6th and 7th.
** Lydian Dominant, '''Lydian Dominant''', which is a Lydian scale with a flat 7th. Notable for being used in the theme to TheSimpsons.
** Phrygian Dominant, '''Phrygian Dominant''', which is a Phrygian scale with a sharp 3rd. Sounds Middle Eastern or Jewish. Example: Hava Nagila.
** Double Harmonic, '''Double Harmonic''', which is a Phrygian scale with a sharp 3rd and 7th. Sounds Middle Eastern. Example: Misirlou by DickDale (and the BlackEyedPeas song that [[{{sampling}} samples]] it, and the Lebanese folk song it was based on...)
* The whole tone '''whole tone''' scale, where all the steps between notes are whole steps. The C whole tone scale would be C D E F# G# A# C. Because of the large degree of symmetry in the scale, it sounds ambiguous and rootless. This scale is often used in visual media to indicate a transition to a fantasy or dream sequence.
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** Double Harmonic, which is a Phrygian scale with a sharp 3rd and 7th. Sounds Middle Eastern. Example: Misirlou by Dick Dale (and the Black Eyed Peas song that [[{{sampling}} samples]] it, and the Lebanese folk song it was based on...)

to:

** Double Harmonic, which is a Phrygian scale with a sharp 3rd and 7th. Sounds Middle Eastern. Example: Misirlou by Dick Dale DickDale (and the Black Eyed Peas BlackEyedPeas song that [[{{sampling}} samples]] it, and the Lebanese folk song it was based on...)
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** Major (starts on C), also known as Ionian.

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** Major (starts on C), also known as Ionian. Generally sounds happy and uplifting.



** Phrygian (E). Minor scale with a flat 2nd degree. Sounds Middle Eastern or psychedelic.
** Lydian (F). Major with a sharp 4th. Sounds ethnic or jazzy.

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** Phrygian (E). Minor scale with a flat 2nd degree. Sounds Middle Eastern Eastern, psychedelic, or psychedelic.[[{{Spexico}} Spexican]] due to its use in flamenco music.
** Lydian (F). Major with a sharp 4th. Sounds ethnic ethnic, jazzy or jazzy.uplifting (like Ionian).



** Minor (A), also known as Aeolian.

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** Minor (A), also known as Aeolian. Sounds sad or subdued.
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* Pentatonic scales are [[ExactlyWhatItSaysOnTheTin scales with five notes]]. There are many different scales all over the world, but in Western music this usually means one of these following scales. They sound folky and are easy to sing.

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* Pentatonic scales are [[ExactlyWhatItSaysOnTheTin scales with five notes]]. There are many different scales all over the world, but in Western music this usually means one of these following scales. They sound folky or Asian (as traditional East Asian music frequently used pentatonic scales) and are easy to sing.

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The first note of a scale is the root, or the tonic: the notes are also numbered starting with the root as 1 and going up in pitch. Any scale can be transposed to a different root note and stay the same kind of scale. Most scales are associated with a certain key, and a {{modulation}} usually involves a change of scale as well as a change of key. A mode is a scale that has the same pitches as another scale but starts on a different note. (Sort of.)

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The first note of a scale is the root, or the tonic: the notes are also numbered starting with the root as 1 and going up in pitch.tonic. Any scale can be transposed to a different root note and stay the same kind of scale. Most scales are associated with a certain key, and a {{modulation}} usually involves a change of scale as well as a change of key. A mode is a scale that has the same pitches as another scale but starts on a different note. (Sort of. Unless you're talking about [[OminousLatinChanting Gregorian chant]] in which case it means something related but different.)


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** Lydian Dominant, which is a Lydian scale with a flat 7th. Notable for being used in the theme to TheSimpsons.
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The most common scales in Western music are the major scale and the minor scale. The C major scale is the notes C D E F G A B C and generally sounds positive. The A minor is A B C D E F G A and generally sounds sad. The piano keyboard is organized around these scales, which is why you can play C major and A minor using only white keys. The more different a scale is from a major or minor scale, the more ethnic or foreign it will sound to Western listeners.

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The most common scales in Western music are the major scale and the minor scale. The C major scale is the notes C D E F G A B C and generally sounds positive. The A minor is A B C D E F G A and generally sounds sad. The piano keyboard is organized around these scales, which is why you can play C major and A minor using only white keys. The more different a scale is from a major or minor scale, the more ethnic or foreign it will sound to Western listeners.
listeners.



** Minor Pentatonic is a mode of Major Pentatonic. It starts on D#. Example: Gershwin's Summertime (except for one note).

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** Minor Pentatonic is a mode of Major Pentatonic. It starts can be played using only black keys too, starting on D#. Example: Gershwin's Summertime (except for one note).



** Locrian (B). Minor with a flat 2nd and 5th. The tonic chord formed in this mode is diminished, so it's hard to sing or play in and sounds evil. Therefore, nobody uses it but DeathMetal bands.

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** Locrian (B). Minor with a flat 2nd and 5th. The tonic chord formed in this mode is diminished, so it's hard to sing or play in and sounds evil. Therefore, nobody uses it but DeathMetal bands.bands and jazz musicians.

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