Follow TV Tropes

Following

History Main / RoundedCharacter

Go To

OR

Is there an issue? Send a MessageReason:
From what I can see, Rounded Character is under "no-on page examples". This means you can't put examples on the trope's page but can list them in work pages and subpages. If I'm not correct, let me know and make the appropriate edits to the Definition-Only Page so people don't make this mistake in the future.


!Please do not add examples to work pages; this merely [[Administrivia/DefinitionOnlyPages defines the term]].

to:

!Please ![[Administrivia/NoOnPageExamples Please do not add examples to work pages; this page]]; it merely [[Administrivia/DefinitionOnlyPages defines the term]].term.
Is there an issue? Send a MessageReason:
None




to:

\n----
!Please do not add examples to work pages; this merely [[Administrivia/DefinitionOnlyPages defines the term]].
Is there an issue? Send a MessageReason:
None


Depending on the interaction of those three elements, the character's [[CharacterDevelopment arc]] is [[https://www.helpingwritersbecomeauthors.com/write-character-arcs/ defined]]. The upbeat Transformation arcs are all about healing the Wound and realizing the internal Need, thus becoming better people in the end. This is accentuated in Redemption arcs, just with a more tortuous path to get there. Those are the positive arcs, on the other hand, we have the negative arcs where the character doesn't get to heal the Wound. Disillusionment arcs follow the same structure as the Transformation arc, but the Truth the character realizes to fill her Need is terrible, leading to a DownerEnding. In a Corruption Arc, which inverts the Redemption Arc, the character starts out actually acknowledging the Truth, but temptations seduce her to reject it and embrace the Lie and Want and stop trying to heal the Wound. Fall Arcs are a subversion of the Redemption Arcs because while the character pursues her Want and believes her Lie at the start, she soon comes to reject her Need and Truth at the critical moment where she should have gotten her epiphany, thus never healing the Wound.

A FlatCharacter may evolve into a three-dimensional character if they are {{dynamic|Character}}, and change according to what they experience. On the other hand, sometimes they don't need to change and remain {{Static Character}}s. The latter is what we call Flat Character Arcs where it is not the character herself who changes, but the world she lives in, often because of her actions. This kind of character is more or less at peace with the Wound and acknowledges her Need, but may still pursue her Want (just without the Lie). Alternatively, the character remains troubled by the Wound but refuses to change her ways.

to:

Depending on the interaction of those three elements, the character's [[CharacterDevelopment arc]] is [[https://www.helpingwritersbecomeauthors.com/write-character-arcs/ defined]]. The upbeat Transformation arcs are all about healing the Wound and realizing the internal Need, thus becoming better people in the end. This is accentuated in Redemption arcs, just with a more tortuous path to get there. Those are the positive arcs, on the other hand, we have the negative arcs where the character doesn't get to heal the Wound. Disillusionment arcs follow the same structure as the Transformation arc, but the Truth the character realizes to fill her his/her Need is terrible, leading to a DownerEnding. In a Corruption Arc, which inverts the Redemption Arc, the character starts out actually acknowledging the Truth, but temptations seduce her him/her to reject it and embrace the Lie and Want and stop trying to heal the Wound. Fall Arcs are a subversion of the Redemption Arcs because while the character pursues her his/her Want and believes her his/her Lie at the start, she he/she soon comes to reject her his/her Need and Truth at the critical moment where she he/she should have gotten her his/her epiphany, thus never healing the Wound.

A FlatCharacter may evolve into a three-dimensional character if they are {{dynamic|Character}}, and change according to what they experience. On the other hand, sometimes they don't need to change and remain {{Static Character}}s. The latter is what we call Flat Character Arcs where it is not the character herself himself/herself who changes, but the world she he/she lives in, often because of her his/her actions. This kind of character is more or less at peace with the Wound and acknowledges her his/her Need, but may still pursue her his/her Want (just without the Lie). Alternatively, the character remains troubled by the Wound but refuses to change her his/her ways.
Is there an issue? Send a MessageReason:
None


[[quoteright:350:[[Franchise/{{Batman}} https://static.tvtropes.org/pmwiki/pub/images/rounded_batman.png]]]]

to:

[[quoteright:350:[[Franchise/{{Batman}} [[quoteright:350:[[ComicBook/{{Batman}} https://static.tvtropes.org/pmwiki/pub/images/rounded_batman.png]]]]
Is there an issue? Send a MessageReason:
None


Depending on the interaction of those three elements, the character's [[CharacterDevelopment arc]] is [[https://www.helpingwritersbecomeauthors.com/write-character-arcs/ defined]]. The upbeat Transformation arcs are all about healing the Wound and realizing the internal Need, thus becoming better people in the end. This is accentuated in Redemption arcs, just with a more tortuous path to get there. Those are the positive arcs, on the other hand, we have the negative arcs where the character doesn't get to heal the Wound. Disillusionment arcs follow the same structure as the Transformation arc, but the Truth the character realizes to fill her Need is terrible, leading to a DownerEnding. In the Corruption Arc, the character starts out actually acknowledging the Truth, but temptations seduce her to reject it and embrace the Lie and Want and stop trying to heal the Wound. Fall Arcs are an inversion of the Redemption Arcs because while the character pursues her Want and believes her Lie at the start, she soon comes to reject her Need and Truth at the critical moment where she should have gotten her epiphany, thus never healing the Wound.

to:

Depending on the interaction of those three elements, the character's [[CharacterDevelopment arc]] is [[https://www.helpingwritersbecomeauthors.com/write-character-arcs/ defined]]. The upbeat Transformation arcs are all about healing the Wound and realizing the internal Need, thus becoming better people in the end. This is accentuated in Redemption arcs, just with a more tortuous path to get there. Those are the positive arcs, on the other hand, we have the negative arcs where the character doesn't get to heal the Wound. Disillusionment arcs follow the same structure as the Transformation arc, but the Truth the character realizes to fill her Need is terrible, leading to a DownerEnding. In the a Corruption Arc, which inverts the Redemption Arc, the character starts out actually acknowledging the Truth, but temptations seduce her to reject it and embrace the Lie and Want and stop trying to heal the Wound. Fall Arcs are an inversion a subversion of the Redemption Arcs because while the character pursues her Want and believes her Lie at the start, she soon comes to reject her Need and Truth at the critical moment where she should have gotten her epiphany, thus never healing the Wound.
Is there an issue? Send a MessageReason:
None


* [[https://www.helpingwritersbecomeauthors.com/character-arcs-4/ Want]]: An external motivation, what the character is pursuing because she ''thinks'' it's what she needs to improve her life (thus, she believes a Lie). The Want varies depending on the character's socio-cultural context and status, her backstory, and her philosophy of life. The Want is usually what sparked (or got the character involved with) the external conflict (aka plot).
* [[https://www.helpingwritersbecomeauthors.com/character-arcs-3/ Need]]: An internal motivation, often unknown to the character herself and what she actually needs to improve her life and herself as a person. The Need is deeply intertwined with how to circumvent the character's Wound and FatalFlaw. The Need is key to creating an internal conflict that will ultimately close both the character's arc and build up the tension for the climax of the plot. The epiphany needed to do so is called the character's Truth.
* [[https://www.helpingwritersbecomeauthors.com/character-arcs-4/ Wound]]: Something that has hurt the character and made her use the Want as a coping mechanism or mistake the Want for the Need [[note]]Complex characters are often haunted by more than one trauma, however, the Wound is the trauma/mistake that has specifically generated the want[[/note]]. The Wound actively haunts the character at one point or another in the plot. To heal it, the character has to uncover and fulfill her Need.

to:

* [[https://www.helpingwritersbecomeauthors.com/character-arcs-4/ Want]]: An external motivation, what the character is pursuing because she ''thinks'' they ''think'' it's what she needs they need to improve her their life (thus, she believes they believe a Lie). The Want varies depending on the character's socio-cultural context and status, her their backstory, and her their philosophy of life. The Want is usually what sparked (or got the character involved with) the external conflict (aka plot).
* [[https://www.helpingwritersbecomeauthors.com/character-arcs-3/ Need]]: An internal motivation, often unknown to the character herself themselves and what she they actually needs need to improve her their life and herself themselves as a person. The Need is deeply intertwined with how to circumvent the character's Wound and FatalFlaw. The Need is key to creating an internal conflict that will ultimately close both the character's arc and build up the tension for the climax of the plot. The epiphany needed to do so is called the character's Truth.
* [[https://www.helpingwritersbecomeauthors.com/character-arcs-4/ Wound]]: Something that has hurt the character and made her them use the Want as a coping mechanism or mistake the Want for the Need [[note]]Complex characters are often haunted by more than one trauma, however, the Wound is the trauma/mistake that has specifically generated the want[[/note]]. The Wound actively haunts the character at one point or another in the plot. To heal it, the character has to uncover and fulfill her their Need.
Is there an issue? Send a MessageReason:
None


* [[https://www.helpingwritersbecomeauthors.com/character-arcs-4/ Wound]]: Something that has hurt the character and made her use the want as a coping mechanism or mistake the want for the need [[note]]Complex characters are often haunted by more than one trauma, however, the Wound is the trauma/mistake that has specifically generated the want[[/note]]. The Wound actively haunts the character at one point or another in the plot. To heal it, the character has to uncover and fulfill her Need.

Depending on the interaction of those three elements, the character's [[CharacterDevelopment arc]] is defined. The upbeat Transformation arcs are all about healing the Wound and realizing the internal Need, thus becoming better people in the end. This is accentuated in Redemption arcs, just with a more tortuous path to get there. Those are the positive arcs, on the other hand, we have the negative arcs where the character doesn't get to heal the Wound. Disillusionment arcs follow the same structure as the Transformation arc, but the Truth the character realizes to fill her Need is terrible, leading to a DownerEnding. In the Corruption Arc, the character starts out actually acknowledging the Truth, but temptations seduce her to reject it and embrace the Lie and Want and stop trying to heal the Wound. Fall Arcs are an inversion of the Redemption Arcs because while the character pursues her Want and believes her Lie at the start, she soon comes to reject her Need and Truth at the critical moment where she should have to get her epiphany (e.g. WoobieDestroyerOfWorlds), thus never healing the Wound.

A FlatCharacter may evolve into a three-dimensional character if they are {{dynamic|Character}}, and change according to what they experience. On the other hand, sometimes they don't need to change and remain {{Static Character}}s. The latter is what we call Flat Character Arcs where it is not the character herself who changes, but the world she lives in, often because of her actions. This kind of character is more or less at peace with the Wound and acknowledges her Need, but may still pursue her Want (just without the Lie). Alternatively, the character remains troubled by the Wound but refuses to change,

to:

* [[https://www.helpingwritersbecomeauthors.com/character-arcs-4/ Wound]]: Something that has hurt the character and made her use the want Want as a coping mechanism or mistake the want Want for the need Need [[note]]Complex characters are often haunted by more than one trauma, however, the Wound is the trauma/mistake that has specifically generated the want[[/note]]. The Wound actively haunts the character at one point or another in the plot. To heal it, the character has to uncover and fulfill her Need.

Depending on the interaction of those three elements, the character's [[CharacterDevelopment arc]] is defined.[[https://www.helpingwritersbecomeauthors.com/write-character-arcs/ defined]]. The upbeat Transformation arcs are all about healing the Wound and realizing the internal Need, thus becoming better people in the end. This is accentuated in Redemption arcs, just with a more tortuous path to get there. Those are the positive arcs, on the other hand, we have the negative arcs where the character doesn't get to heal the Wound. Disillusionment arcs follow the same structure as the Transformation arc, but the Truth the character realizes to fill her Need is terrible, leading to a DownerEnding. In the Corruption Arc, the character starts out actually acknowledging the Truth, but temptations seduce her to reject it and embrace the Lie and Want and stop trying to heal the Wound. Fall Arcs are an inversion of the Redemption Arcs because while the character pursues her Want and believes her Lie at the start, she soon comes to reject her Need and Truth at the critical moment where she should have to get gotten her epiphany (e.g. WoobieDestroyerOfWorlds), epiphany, thus never healing the Wound.

A FlatCharacter may evolve into a three-dimensional character if they are {{dynamic|Character}}, and change according to what they experience. On the other hand, sometimes they don't need to change and remain {{Static Character}}s. The latter is what we call Flat Character Arcs where it is not the character herself who changes, but the world she lives in, often because of her actions. This kind of character is more or less at peace with the Wound and acknowledges her Need, but may still pursue her Want (just without the Lie). Alternatively, the character remains troubled by the Wound but refuses to change,
change her ways.
Is there an issue? Send a MessageReason:
None


* [[https://www.helpingwritersbecomeauthors.com/character-arcs-4/ Want]]: An external motivation, what the character is pursuing because she ''thinks'' it's what she needs to improve her life (thus, it's the character's Lie). The Want varies depending on their sociocultural context and status, their backstory, and their philosophies. The Want is usually what sparked (or got the character involved with) the external conflict (aka plot).

to:

* [[https://www.helpingwritersbecomeauthors.com/character-arcs-4/ Want]]: An external motivation, what the character is pursuing because she ''thinks'' it's what she needs to improve her life (thus, it's the character's she believes a Lie). The Want varies depending on their sociocultural the character's socio-cultural context and status, their her backstory, and their philosophies.her philosophy of life. The Want is usually what sparked (or got the character involved with) the external conflict (aka plot).

Added: 1724

Changed: 1619

Is there an issue? Send a MessageReason:
None


One of the basic traits of a character is [[CharacterDepth their depth]], or how complex they are. Some characters are two-dimensional {{Flat Character}}s, with one or a few defining traits that completely define who they are. Rounded Characters go beyond being a [[CharactersAsDevice stock character]] with some {{Backstory}} and HiddenDepths. They generally have a complex motivation driving them, and may act counter to what their 'type' would suggest. These are the kind of characters that have to struggle with choice.

A FlatCharacter may evolve into a three-dimensional character if they are {{dynamic|Character}}, and change according to what they experience. On the other hand, sometimes they don't need to change and remain {{Static Character}}s.

to:

One of the basic traits of a character is [[CharacterDepth their depth]], or how complex they are. Some characters are two-dimensional {{Flat Character}}s, with one or a few defining traits that completely define who they are. Rounded Characters go beyond being a [[CharactersAsDevice stock character]] with some {{Backstory}} and HiddenDepths. They generally have a complex motivation driving them, and may act counter to what their 'type' would suggest. These are the kind of characters that have to struggle with choice.

choosing and get to go through CharacterDevelopment. Fundamentally, every rounded character should have defined a few things:
* [[https://www.helpingwritersbecomeauthors.com/character-arcs-4/ Want]]: An external motivation, what the character is pursuing because she ''thinks'' it's what she needs to improve her life (thus, it's the character's Lie). The Want varies depending on their sociocultural context and status, their backstory, and their philosophies. The Want is usually what sparked (or got the character involved with) the external conflict (aka plot).
* [[https://www.helpingwritersbecomeauthors.com/character-arcs-3/ Need]]: An internal motivation, often unknown to the character herself and what she actually needs to improve her life and herself as a person. The Need is deeply intertwined with how to circumvent the character's Wound and FatalFlaw. The Need is key to creating an internal conflict that will ultimately close both the character's arc and build up the tension for the climax of the plot. The epiphany needed to do so is called the character's Truth.
* [[https://www.helpingwritersbecomeauthors.com/character-arcs-4/ Wound]]: Something that has hurt the character and made her use the want as a coping mechanism or mistake the want for the need [[note]]Complex characters are often haunted by more than one trauma, however, the Wound is the trauma/mistake that has specifically generated the want[[/note]]. The Wound actively haunts the character at one point or another in the plot. To heal it, the character has to uncover and fulfill her Need.

Depending on the interaction of those three elements, the character's [[CharacterDevelopment arc]] is defined. The upbeat Transformation arcs are all about healing the Wound and realizing the internal Need, thus becoming better people in the end. This is accentuated in Redemption arcs, just with a more tortuous path to get there. Those are the positive arcs, on the other hand, we have the negative arcs where the character doesn't get to heal the Wound. Disillusionment arcs follow the same structure as the Transformation arc, but the Truth the character realizes to fill her Need is terrible, leading to a DownerEnding. In the Corruption Arc, the character starts out actually acknowledging the Truth, but temptations seduce her to reject it and embrace the Lie and Want and stop trying to heal the Wound. Fall Arcs are an inversion of the Redemption Arcs because while the character pursues her Want and believes her Lie at the start, she soon comes to reject her Need and Truth at the critical moment where she should have to get her epiphany (e.g. WoobieDestroyerOfWorlds), thus never healing the Wound.

A FlatCharacter may evolve into a three-dimensional character if they are {{dynamic|Character}}, and change according to what they experience. On the other hand, sometimes they don't need to change and remain {{Static Character}}s. \n The latter is what we call Flat Character Arcs where it is not the character herself who changes, but the world she lives in, often because of her actions. This kind of character is more or less at peace with the Wound and acknowledges her Need, but may still pursue her Want (just without the Lie). Alternatively, the character remains troubled by the Wound but refuses to change,

Top