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* ''WebAnimation/{{Bugbo}}'' uses the art style of early UsefulNotes/AdobeFlash animations from TheNoughties. Each episode even shows a cursor clicking a Play button on a title screen, much like the title screens of old Website/{{Newgrounds}} videos.
to:
* ''WebAnimation/{{Bugbo}}'' uses the art style of early UsefulNotes/AdobeFlash animations from TheNoughties. Each episode even shows a cursor clicking a Play button on a title screen, much like the title screens of old Website/{{Newgrounds}} Platform/{{Newgrounds}} videos.
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* The ''Literature/VintageWorlds'' anthologies, edited by Creator/JohnMichaelGreer, contain short stories in the style of pulp science fiction set in the Old Solar System — that is, the solar system back before [[ScienceMarchesOn science had discovered]] that it was completely lifeless save for Earth, and where writers could plausibly include a vast range of different biomes, species, and alien horrors on its planets.
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* ''WebVideo/GhostbleedTheBioHorror'' is presented as if it were a [[Platform/PlayStation PlayStation 1]] SurvivalHorror game from the late '90s, and as such, it goes to great lengths to emulate that look. Not only is it done almost entirely in low-poly, [=PS1=]-style 3D animation with low-resolution textures, intentionally low framerates, and even the [=PS1=]'s jittery Z-buffer taken into account, but it also begins and ends with [[LiveActionCutscene live-action cutscenes]], not unlike ''VideoGame/ResidentEvil1'', which are also rendered with an intentionally low color palette and frame rate to simulate how FMV cutscenes looked on the console. The short even has loading screens in between certain scenes where the sound of a [=PS1=] disc being read can be heard.
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* ''VideoGame/LoonyLabyrinth'' switches its modern sound effects and music for simpler sounds and chimes when the player activates the TimeTravel WizardMode.
to:
* ''VideoGame/LoonyLabyrinth'' switches its modern sound effects and music for simpler sounds and chimes when the player activates the TimeTravel WizardMode.[[TimeTravel travels]] to [[WizardMode 2,000 B.C.]]
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* [=YouTube=] animator Ian "Worthikids" Worthington has a penchant for making videos in art styles that are so period-accurate, you'd be forgiven for thinking they actually came from that time period. Examples include:
to:
* [=YouTube=] animator Ian "Worthikids" "Creator/{{Worthikids}}" Worthington has a penchant for making videos in art styles that are so period-accurate, you'd be forgiven for thinking they actually came from that time period. Examples include:
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Pinball.Breakshot was moved to Pinball.Breakshot 1996 by another troper, so I'm updating the wicks to match.
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* Creator/{{Capcom}}'s ''Pinball/{{Breakshot}}'' is a ShoutOut to '70s electro-mechanical pinball machines, with a single-level playfield and simpler rules. The score is even shown as a digital copy of old-fashioned scoring reels, and the game includes digitized musical chimes.
to:
* Creator/{{Capcom}}'s ''Pinball/{{Breakshot}}'' ''Pinball/Breakshot1996'' is a ShoutOut to '70s electro-mechanical pinball machines, with a single-level playfield and simpler rules. The score is even shown as a digital copy of old-fashioned scoring reels, and the game includes digitized musical chimes.
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%% The examples on this page have been put into alphabetical order.
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%% Please add new examples in the correct order.
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%% The examples on this page have been put into alphabetical order.
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Alphabetizing example(s)
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* ''TabletopGame/MazesAndMinotaurs'' is a WhatIf on ''TabletopGame/DungeonsAndDragons'' if Gygax and Arneson used Greek mythology instead of medieval fantasy and it's also a playable game.
* ''Labyrinth Lord'' is a Retraux as well -- this time much closer to the original version of ''Dungeons & Dragons''
** As well as "Swords and Wizardry," which draws on [[HeroicFantasy Sword and Sorcery]] as opposed to Labyrinth Lord's HighFantasy and which also takes out the Thief, leaving us with the Fighting Man, the Magic User and the Cleric of original D&D.
** There are a fair number of other retroclones out there, including OSRIC and Basic Fantasy for 1e. In addition, the makers of "Labyrinth Lord" also made "Mutant Future," which is a close-as-you-can-get-it remake of ''TabletopGame/GammaWorld'' using the Labyrinth Lord rules.
* The games of Sine Nomine Publishing are descended from the Labyrinth Lord rules, though several mechanical subsystems (particularly the Heroic mechanics first seen in ''Scarlet Heroes'' and refined by ''TabletopGame/{{Godbound}}'' and ''TabletopGame/StarsWithoutNumber'' Second Edition) do their own thing but are designed to interface with existing OD&D mechanics. [[WordOfGod Kevin Crawford]] explains that this cross-compatibility is to make the GameMaster's job easier by letting anyone grab published modules from any other retroclone, refluff them to fit whichever Sine Nomine setting you're using, and voila, instant adventure.
* Also, ''[[http://www222.pair.com/sjohn/encounter-critical.htm Encounter Critical,]]'' deliberately designed to look like a mid-70s D&D-knockoff made by a pair of sci-fi fans.
* ''TabletopGame/MagicTheGathering'''s ''Coldsnap'' set was designed in the style of the ''Ice Age'' and ''Alliances'' sets from a decade earlier, most blatantly the use of "slowtrips," the clunky, slow version of cantrips that hadn't been used since less than a year after ''Alliances''.
** And cumulative upkeep. Don't forget that.
** The joke set ''Unhinged'', the nostalgia set ''Time Spiral'', and the online-only reprint sets all bring back retired frame designs to evoke this trope.
** A common special treatment given to various special edition cards is the retro cardframe, making them resemble cards that were released decades earlier instead of the modern ones.
* ''Labyrinth Lord'' is a Retraux as well -- this time much closer to the original version of ''Dungeons & Dragons''
** As well as "Swords and Wizardry," which draws on [[HeroicFantasy Sword and Sorcery]] as opposed to Labyrinth Lord's HighFantasy and which also takes out the Thief, leaving us with the Fighting Man, the Magic User and the Cleric of original D&D.
** There are a fair number of other retroclones out there, including OSRIC and Basic Fantasy for 1e. In addition, the makers of "Labyrinth Lord" also made "Mutant Future," which is a close-as-you-can-get-it remake of ''TabletopGame/GammaWorld'' using the Labyrinth Lord rules.
* The games of Sine Nomine Publishing are descended from the Labyrinth Lord rules, though several mechanical subsystems (particularly the Heroic mechanics first seen in ''Scarlet Heroes'' and refined by ''TabletopGame/{{Godbound}}'' and ''TabletopGame/StarsWithoutNumber'' Second Edition) do their own thing but are designed to interface with existing OD&D mechanics. [[WordOfGod Kevin Crawford]] explains that this cross-compatibility is to make the GameMaster's job easier by letting anyone grab published modules from any other retroclone, refluff them to fit whichever Sine Nomine setting you're using, and voila, instant adventure.
* Also, ''[[http://www222.pair.com/sjohn/encounter-critical.htm Encounter Critical,]]'' deliberately designed to look like a mid-70s D&D-knockoff made by a pair of sci-fi fans.
* ''TabletopGame/MagicTheGathering'''s ''Coldsnap'' set was designed in the style of the ''Ice Age'' and ''Alliances'' sets from a decade earlier, most blatantly the use of "slowtrips," the clunky, slow version of cantrips that hadn't been used since less than a year after ''Alliances''.
** And cumulative upkeep. Don't forget that.
** The joke set ''Unhinged'', the nostalgia set ''Time Spiral'', and the online-only reprint sets all bring back retired frame designs to evoke this trope.
** A common special treatment given to various special edition cards is the retro cardframe, making them resemble cards that were released decades earlier instead of the modern ones.
* ''Chronica Feudalis'' is a historical fantasy RPG presented [[FictionalDocument as if it were based on a role-playing game created in 12th century Europe]] by medieval monks and scribes.
* The ''TabletopGame/DigimonCardGame'' released a booster set called ''Classic Collection'' which utilizes art from the original ''Hyper Colosseum'' cards for almost every card in the set, including Options. There are also rare alternate art cards with a special edition frame that matches the ''Hyper Colosseum'' frames almost exactly, with the only changes being the ones necessary to keep the cards playable in the modern game.
* ''[[http://www222.pair.com/sjohn/encounter-critical.htm Encounter Critical,]]'' deliberately designed to look like a mid-70s D&D-knockoff made by a pair of sci-fi fans.
* There's ''[[http://www.forgottenfutures.com/ Forgotten Futures]]'', shareware "Scientific Romance Role Playing Game" by Marcus L. Rowland -- as the name says, it's designed for this sort of adventures.
* The ''TabletopGame/DigimonCardGame'' released a booster set called ''Classic Collection'' which utilizes art from the original ''Hyper Colosseum'' cards for almost every card in the set, including Options. There are also rare alternate art cards with a special edition frame that matches the ''Hyper Colosseum'' frames almost exactly, with the only changes being the ones necessary to keep the cards playable in the modern game.
* ''[[http://www222.pair.com/sjohn/encounter-critical.htm Encounter Critical,]]'' deliberately designed to look like a mid-70s D&D-knockoff made by a pair of sci-fi fans.
* There's ''[[http://www.forgottenfutures.com/ Forgotten Futures]]'', shareware "Scientific Romance Role Playing Game" by Marcus L. Rowland -- as the name says, it's designed for this sort of adventures.
Changed line(s) 374,376 (click to see context) from:
* There's ''[[http://www.forgottenfutures.com/ Forgotten Futures]]'', shareware "Scientific Romance Role Playing Game" by Marcus L. Rowland -- as the name says, it's designed for this sort of adventures.
* ''Chronica Feudalis'' is a historical fantasy RPG presented [[FictionalDocument as if it were based on a role-playing game created in 12th century Europe]] by medieval monks and scribes.
* The ''TabletopGame/DigimonCardGame'' released a booster set called ''Classic Collection'' which utilizes art from the original ''Hyper Colosseum'' cards for almost every card in the set, including Options. There are also rare alternate art cards with a special edition frame that matches the ''Hyper Colosseum'' frames almost exactly, with the only changes being the ones necessary to keep the cards playable in the modern game.
* ''Chronica Feudalis'' is a historical fantasy RPG presented [[FictionalDocument as if it were based on a role-playing game created in 12th century Europe]] by medieval monks and scribes.
* The ''TabletopGame/DigimonCardGame'' released a booster set called ''Classic Collection'' which utilizes art from the original ''Hyper Colosseum'' cards for almost every card in the set, including Options. There are also rare alternate art cards with a special edition frame that matches the ''Hyper Colosseum'' frames almost exactly, with the only changes being the ones necessary to keep the cards playable in the modern game.
to:
* There's ''[[http://www.forgottenfutures.com/ Forgotten Futures]]'', shareware "Scientific Romance Role Playing Game" by Marcus L. Rowland ''Labyrinth Lord'' is a Retraux as well -- as the name says, it's designed for this sort of adventures.
* ''Chronica Feudalis'' is a historical fantasy RPG presented [[FictionalDocument as if it were based on a role-playing game created in 12th century Europe]] by medieval monks and scribes.
* The ''TabletopGame/DigimonCardGame'' released a booster set called ''Classic Collection'' which utilizes art fromtime much closer to the original ''Hyper Colosseum'' cards for almost every card in version of ''Dungeons & Dragons''
** As well as "Swords and Wizardry," which draws on [[HeroicFantasy Sword and Sorcery]] as opposed to Labyrinth Lord's HighFantasy and which also takes out theset, Thief, leaving us with the Fighting Man, the Magic User and the Cleric of original D&D.
** There are a fair number of other retroclones out there, includingOptions. There are OSRIC and Basic Fantasy for 1e. In addition, the makers of "Labyrinth Lord" also rare alternate art cards with made "Mutant Future," which is a close-as-you-can-get-it remake of ''TabletopGame/GammaWorld'' using the Labyrinth Lord rules.
* ''TabletopGame/MagicTheGathering'''s ''Coldsnap'' set was designed in the style of the ''Ice Age'' and ''Alliances'' sets from a decade earlier, most blatantly the use of "slowtrips," the clunky, slow version of cantrips that hadn't been used since less than a year after ''Alliances''.
** And cumulative upkeep. Don't forget that.
** The joke set ''Unhinged'', the nostalgia set ''Time Spiral'', and the online-only reprint sets all bring back retired frame designs to evoke this trope.
** A common special treatment given to various special editionframe that matches the ''Hyper Colosseum'' frames almost exactly, with the only changes being the ones necessary to keep the cards playable in is the retro cardframe, making them resemble cards that were released decades earlier instead of the modern game.ones.
* ''TabletopGame/MazesAndMinotaurs'' is a WhatIf on ''TabletopGame/DungeonsAndDragons'' if Gygax and Arneson used Greek mythology instead of medieval fantasy and it's also a playable game.
* The games of Sine Nomine Publishing are descended from the Labyrinth Lord rules, though several mechanical subsystems (particularly the Heroic mechanics first seen in ''Scarlet Heroes'' and refined by ''TabletopGame/{{Godbound}}'' and ''TabletopGame/StarsWithoutNumber'' Second Edition) do their own thing but are designed to interface with existing OD&D mechanics. [[WordOfGod Kevin Crawford]] explains that this cross-compatibility is to make the GameMaster's job easier by letting anyone grab published modules from any other retroclone, refluff them to fit whichever Sine Nomine setting you're using, and voila, instant adventure.
* ''Chronica Feudalis'' is a historical fantasy RPG presented [[FictionalDocument as if it were based on a role-playing game created in 12th century Europe]] by medieval monks and scribes.
* The ''TabletopGame/DigimonCardGame'' released a booster set called ''Classic Collection'' which utilizes art from
** As well as "Swords and Wizardry," which draws on [[HeroicFantasy Sword and Sorcery]] as opposed to Labyrinth Lord's HighFantasy and which also takes out the
** There are a fair number of other retroclones out there, including
* ''TabletopGame/MagicTheGathering'''s ''Coldsnap'' set was designed in the style of the ''Ice Age'' and ''Alliances'' sets from a decade earlier, most blatantly the use of "slowtrips," the clunky, slow version of cantrips that hadn't been used since less than a year after ''Alliances''.
** And cumulative upkeep. Don't forget that.
** The joke set ''Unhinged'', the nostalgia set ''Time Spiral'', and the online-only reprint sets all bring back retired frame designs to evoke this trope.
** A common special treatment given to various special edition
* ''TabletopGame/MazesAndMinotaurs'' is a WhatIf on ''TabletopGame/DungeonsAndDragons'' if Gygax and Arneson used Greek mythology instead of medieval fantasy and it's also a playable game.
* The games of Sine Nomine Publishing are descended from the Labyrinth Lord rules, though several mechanical subsystems (particularly the Heroic mechanics first seen in ''Scarlet Heroes'' and refined by ''TabletopGame/{{Godbound}}'' and ''TabletopGame/StarsWithoutNumber'' Second Edition) do their own thing but are designed to interface with existing OD&D mechanics. [[WordOfGod Kevin Crawford]] explains that this cross-compatibility is to make the GameMaster's job easier by letting anyone grab published modules from any other retroclone, refluff them to fit whichever Sine Nomine setting you're using, and voila, instant adventure.
* ''Theatre/TheDrowsyChaperone'' was written as a parody of 1920s-era musicals such as ''Theatre/AnythingGoes''. Without the Man in the Chair present, it could easily be mistaken for one, but then again, it's his commentary that makes the show so funny -- otherwise it's just another over-the-top musical.
* ''Theatre/{{Grease}}'', first written in 1971, is one of the first things people think of when they think of the 50s.
* ''Theatre/{{Grease}}'', first written in 1971, is one of the first things people think of when they think of the 50s.
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* ''Theatre/{{Grease}}'', first written in 1971, is one of the first things people think of when they think of the 50s.
* ''Theatre/TheDrowsyChaperone'' was written as a parody of 1920s-era musicals such as ''Theatre/AnythingGoes''. Without the Man in the Chair present, it could easily be mistaken for one, but then again, it's his commentary that makes the show so funny -- otherwise it's just another over-the-top musical.
* ''Theatre/TheDrowsyChaperone'' was written as a parody of 1920s-era musicals such as ''Theatre/AnythingGoes''. Without the Man in the Chair present, it could easily be mistaken for one, but then again, it's his commentary that makes the show so funny -- otherwise it's just another over-the-top musical.
* ''WebAnimation/{{Bugbo}}'' uses the art style of early UsefulNotes/AdobeFlash animations from TheNoughties. Each episode even shows a cursor clicking a Play button on a title screen, much like the title screens of old Website/{{Newgrounds}} videos.
* ''WebAnimation/LaceyGames'' A DisguisedHorrorStory series which draw heavy influence from mid-2000s girl-oriented [[UsefulNotes/AdobeFlash flash games]], including the art style and typical gameplay.
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* ''WebAnimation/{{Bugbo}}'' uses the art style of early UsefulNotes/AdobeFlash animations from TheNoughties. Each episode even shows a cursor clicking a Play button on a title screen, much like the title screens of old Website/{{Newgrounds}} videos.
* ''WebAnimation/LaceyGames'' A DisguisedHorrorStory series which draw heavy influence from mid-2000s girl-oriented [[UsefulNotes/AdobeFlash flash games]], including the art style and typical gameplay.
* ''WebAnimation/LaceyGames'' A DisguisedHorrorStory series which draw heavy influence from mid-2000s girl-oriented [[UsefulNotes/AdobeFlash flash games]], including the art style and typical gameplay.
* ''Webcomic/CrystalHeroes'': Not so much the comic itself (though it is made using ink and paper), but the playable RPG scene is done in a pseudo 16-bit style.
* ''Webcomic/TheManorsPrize'': It is drawn in grayscale to emulate the look of black-and-white movies. Although it has the aesthetic of an old noir or murder mystery, the plot is a game-show style elimination game.
* ''Webcomic/TiffanyAndCorey'' is a webcomic but the hand drawn pen style resembles newspaper comic strips and, to a lesser extent, magazine gag cartoons.
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* ''Webcomic/TiffanyAndCorey'' is a webcomic but the hand drawn pen style resembles newspaper comic strips and, to a lesser extent, magazine gag cartoons.
* ''Webcomic/CrystalHeroes'': Not so much the comic itself (though it is made using ink and paper), but the playable RPG scene is done in a pseudo 16-bit style.
* ''Webcomic/TheManorsPrize'': It is drawn in grayscale to emulate the look of black-and-white movies. Although it has the aesthetic of an old noir or murder mystery, the plot is a game-show style elimination game.
* ''Webcomic/CrystalHeroes'': Not so much the comic itself (though it is made using ink and paper), but the playable RPG scene is done in a pseudo 16-bit style.
* ''Webcomic/TheManorsPrize'': It is drawn in grayscale to emulate the look of black-and-white movies. Although it has the aesthetic of an old noir or murder mystery, the plot is a game-show style elimination game.
* ''Website/TheOnion'' published a book called ''Our Dumb Century'' in 1999, featuring fake front pages of the paper from throughout the 20th century.
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* ''Website/TheOnion'' published a book called ''Our Dumb Century'' in 1999, featuring fake front pages of the paper from throughout the 20th century.
to:
* ''Website/TheOnion'' published a book called ''Our Dumb Century'' in 1999, featuring fake front pages [[http://vhsripstevenuniversescreencaps.tumblr.com/ This blog]] is dedicated to making screencaps and gifs of the paper ''WesternAnimation/StevenUniverse'' from throughout rips of VHS recordings, making the 20th century.footage look much older than it really is.
Deleted line(s) 480 (click to see context) :
* [[http://vhsripstevenuniversescreencaps.tumblr.com/ This blog]] is dedicated to making screencaps and gifs of ''WesternAnimation/StevenUniverse'' from rips of VHS recordings, making the footage look much older than it really is.
* "[[http://thatguywiththeglasses.com/videolinks/thatguywiththeglasses/ask-thatguy/20495-ask-that-guy-violates-ma-ti Ask That Guy VIOLATES Ma-Ti]]" is done in the style of a silent film, complete with the text screens after the dialogue and black-and-white footage. [[spoiler:The illusion is broken at the end after Ma-Ti takes down [[WebVideo/AskThatGuyWithTheGlasses Ask That Guy]] and reprimands the viewer for being sick enough to want to watch the titular act depicted.]]
* The internet once claimed that Creator/OrsonWelles had made a movie adaptation of ''Franchise/{{Batman}}''; although it was revealed to be an April Fool's joke perpetrated by Ain't It Cool News and Comics Should Be Good, but that didn't stop someone from making a rather believable [[https://www.youtube.com/watch?v=Lu5tJGfZsgc two-part trailer]] [[https://www.youtube.com/watch?v=iU0Ivs55-Hw of the non-existent movie]].
* [=YouTube=] parody video maker [=ChiefBrodyRules=] has made retraux VHS-style trailers for ''WesternAnimation/{{Frozen|2013}}'', ''Film/CaptainAmericaTheFirstAvenger'' and [[Film/CaptainAmericaTheWinterSoldier its sequel]]. View them all [[https://www.youtube.com/watch?v=1FIy_GNN2Pc here,]] [[https://www.youtube.com/watch?v=Md9NTGZbGfY here,]] and [[https://www.youtube.com/watch?v=JY5eELnVISc here.]]
* The "[[ArtShift digital]]" parts in ''[[WebVideo/DontHugMeImScared Don't Hug Me I'm Scared 4]]'' are made to look like awkward 1990s computer 3D graphics.
* [[https://www.youtube.com/watch?v=eyd51lvu3xw Every 90s Commercial Ever]], a DeconstructiveParody of Capri Sun's "Liquid Cool" ad campaign, perfectly emulates the feel of 1990's and early 2000's commercials aimed at children and youth, right down to the music and VHS-style graphics. [[spoiler:Aside from the [[MoodWhiplash much darker turn]] the video takes halfway through.]]
* [[https://www.youtube.com/watch?v=zVPW40ygds4 A C64 version]] of Future Crew's ''Second Reality'' mega-demo.
* [[https://www.youtube.com/user/whoiseyevan Ivan Guerrero's]] "premakes" are trailers of modern films as they would have been if they'd been produced in the BMovie days circa 1950.
* ''WebVideo/ItalianSpiderman'' is shot on 16 millimeter film and lazily dubbed in Italian to accurately replicate the kind of foreign [[BMovie B-movies]] of TheSixties that it parodies.
* [[https://www.youtube.com/watch?v=L_cei19G3L4 It's The World Wide Web]] from Creator/NeilCicierega.
* The internet once claimed that Creator/OrsonWelles had made a movie adaptation of ''Franchise/{{Batman}}''; although it was revealed to be an April Fool's joke perpetrated by Ain't It Cool News and Comics Should Be Good, but that didn't stop someone from making a rather believable [[https://www.youtube.com/watch?v=Lu5tJGfZsgc two-part trailer]] [[https://www.youtube.com/watch?v=iU0Ivs55-Hw of the non-existent movie]].
* [=YouTube=] parody video maker [=ChiefBrodyRules=] has made retraux VHS-style trailers for ''WesternAnimation/{{Frozen|2013}}'', ''Film/CaptainAmericaTheFirstAvenger'' and [[Film/CaptainAmericaTheWinterSoldier its sequel]]. View them all [[https://www.youtube.com/watch?v=1FIy_GNN2Pc here,]] [[https://www.youtube.com/watch?v=Md9NTGZbGfY here,]] and [[https://www.youtube.com/watch?v=JY5eELnVISc here.]]
* The "[[ArtShift digital]]" parts in ''[[WebVideo/DontHugMeImScared Don't Hug Me I'm Scared 4]]'' are made to look like awkward 1990s computer 3D graphics.
* [[https://www.youtube.com/watch?v=eyd51lvu3xw Every 90s Commercial Ever]], a DeconstructiveParody of Capri Sun's "Liquid Cool" ad campaign, perfectly emulates the feel of 1990's and early 2000's commercials aimed at children and youth, right down to the music and VHS-style graphics. [[spoiler:Aside from the [[MoodWhiplash much darker turn]] the video takes halfway through.]]
* [[https://www.youtube.com/watch?v=zVPW40ygds4 A C64 version]] of Future Crew's ''Second Reality'' mega-demo.
* [[https://www.youtube.com/user/whoiseyevan Ivan Guerrero's]] "premakes" are trailers of modern films as they would have been if they'd been produced in the BMovie days circa 1950.
* ''WebVideo/ItalianSpiderman'' is shot on 16 millimeter film and lazily dubbed in Italian to accurately replicate the kind of foreign [[BMovie B-movies]] of TheSixties that it parodies.
* [[https://www.youtube.com/watch?v=L_cei19G3L4 It's The World Wide Web]] from Creator/NeilCicierega.
Changed line(s) 485,486 (click to see context) from:
* Similarly, [[https://www.youtube.com/watch?v=L_cei19G3L4 It's The World Wide Web]] from Creator/NeilCicierega.
* ''WebVideo/ItalianSpiderman'' is shot on 16 millimeter film and lazily dubbed in Italian to accurately replicate the kind of foreign [[BMovie B-movies]] of TheSixties that it parodies.
* ''WebVideo/ItalianSpiderman'' is shot on 16 millimeter film and lazily dubbed in Italian to accurately replicate the kind of foreign [[BMovie B-movies]] of TheSixties that it parodies.
to:
* Similarly, [[https://www.Website/YouTube channel ''[[https://www.youtube.com/watch?v=L_cei19G3L4 It's The com/channel/UCpvtp7mH0Cdq8FQUxcjDq0Q My Life in Gaming]]'' offers occasional "How to Beat" videos for contemporary video games done in the style of old game tips VHS tapes. In addition to using dated video effects and deliberately making the image look like VHS video (complete with tracking errors), the narration will make deliberate mistakes in incidents both minor (such as mispronouncing in-game terms) and major (as seen in their [[https://www.youtube.com/watch?v=0zEO8XWeO5c Super Mario 3D World Wide Web]] from Creator/NeilCicierega.
* ''WebVideo/ItalianSpiderman'' is shot on 16 millimeter film and lazily dubbed in Italian to accurately replicate the kind of foreign [[BMovie B-movies]] of TheSixtiesvideo]] that it parodies.claims the game to be a set in [[VideoGame/SuperMarioBros2 SubCon]]).
* ''WebVideo/ItalianSpiderman'' is shot on 16 millimeter film and lazily dubbed in Italian to accurately replicate the kind of foreign [[BMovie B-movies]] of TheSixties
* ''WebVideo/PatientJ''. When the Joker is relating his first encounter with Batman he says "it was like an old 1940's movie", and the flashback is shown in the style and costumes of ''Film/TheBatmanSerial''. Later events are depicted in color, in the style of [[Series/Batman1966 the 1960's tv show]].
* ''[[https://youtu.be/oRlNrk6H80I Project Tiger Moth]]'', a ''WesternAnimation/ThomasAndFriends'' fan project, is deliberately done in the UsefulNotes/{{Supermarionation}} style of the show's original run by Britt Allcroft and David Mitton (particularly the fifth season). Right down to using a VHS filter to give it the impression that it is ripped out of a '90s VHS.
* WebVideo/TheRapCritic's [[https://www.youtube.com/watch?v=Fv2bs8A9Gr8 review]] of Music/GrandmasterFlashAndTheFuriousFive's "The Message" is done in the style of an early-80's public access TV show, with the Critic going by the name of "The Hip-Hop Analyst."
* ''[[https://youtu.be/oRlNrk6H80I Project Tiger Moth]]'', a ''WesternAnimation/ThomasAndFriends'' fan project, is deliberately done in the UsefulNotes/{{Supermarionation}} style of the show's original run by Britt Allcroft and David Mitton (particularly the fifth season). Right down to using a VHS filter to give it the impression that it is ripped out of a '90s VHS.
* WebVideo/TheRapCritic's [[https://www.youtube.com/watch?v=Fv2bs8A9Gr8 review]] of Music/GrandmasterFlashAndTheFuriousFive's "The Message" is done in the style of an early-80's public access TV show, with the Critic going by the name of "The Hip-Hop Analyst."
Changed line(s) 490 (click to see context) from:
* "[[http://thatguywiththeglasses.com/videolinks/thatguywiththeglasses/ask-thatguy/20495-ask-that-guy-violates-ma-ti Ask That Guy VIOLATES Ma-Ti]] is done in the style of a silent film, complete with the text screens after the dialogue and black-and-white footage. [[spoiler:The illusion is broken at the end after Ma-Ti takes down [[WebVideo/AskThatGuyWithTheGlasses Ask That Guy]] and reprimands the viewer for being sick enough to want to watch the titular act depicted.]]
to:
* "[[http://thatguywiththeglasses.com/videolinks/thatguywiththeglasses/ask-thatguy/20495-ask-that-guy-violates-ma-ti Ask That Guy VIOLATES Ma-Ti]] is done [[https://www.youtube.com/watch?v=wKUpyUm3PGs This video]] that chronicles the story of the Trump Shuttle airline was uploaded on January 2019, yet it looks and sounds like a [=TV=] documentary from the [[TheNineties early 90s'.]]
* [[http://www.traileraddict.com/trailer/watchmen/nbc-nightly-news-march-11-1970 This viral campaign ad]] from the ''ComicBook/{{Watchmen}}'' [[Film/{{Watchmen}} film]], which adapted the comic's selections of [[FictionalDocument an in-series book]] ''Under the Hood'' in thestyle form of a silent film, archived TV News report thereof.
* ''WebVideo/WondersOfTheWorldWideWeb'' is all about the aesthetics and outdated technology of the 80's and 90's. It presents modern-day apps, websites, and video games as if they were programs from those previous decades, complete with retro-style graphics and sounds. The videos themselves use a graphic style reminiscient of thetext screens after the dialogue 80's, and black-and-white footage. [[spoiler:The illusion is broken at the end after Ma-Ti takes down [[WebVideo/AskThatGuyWithTheGlasses Ask That Guy]] and reprimands the viewer for being sick enough to want to watch the titular act depicted.]]they even have a VHS filter applied.
* [[http://www.traileraddict.com/trailer/watchmen/nbc-nightly-news-march-11-1970 This viral campaign ad]] from the ''ComicBook/{{Watchmen}}'' [[Film/{{Watchmen}} film]], which adapted the comic's selections of [[FictionalDocument an in-series book]] ''Under the Hood'' in the
* ''WebVideo/WondersOfTheWorldWideWeb'' is all about the aesthetics and outdated technology of the 80's and 90's. It presents modern-day apps, websites, and video games as if they were programs from those previous decades, complete with retro-style graphics and sounds. The videos themselves use a graphic style reminiscient of the
Deleted line(s) 492,505 (click to see context) :
* The internet once claimed that Creator/OrsonWelles had made a movie adaptation of ''Franchise/{{Batman}}''; although it was revealed to be an April Fool's joke perpetrated by Ain't It Cool News and Comics Should Be Good, but that didn't stop someone from making a rather believable [[https://www.youtube.com/watch?v=Lu5tJGfZsgc two-part trailer]] [[https://www.youtube.com/watch?v=iU0Ivs55-Hw of the non-existent movie]].
* [[http://www.traileraddict.com/trailer/watchmen/nbc-nightly-news-march-11-1970 This viral campaign ad]] from the ''ComicBook/{{Watchmen}}'' [[Film/{{Watchmen}} film]], which adapted the comic's selections of [[FictionalDocument an in-series book]] ''Under the Hood'' in the form of a archived TV News report thereof.
* [[https://www.youtube.com/user/whoiseyevan Ivan Guerrero's]] "premakes" are trailers of modern films as they would have been if they'd been produced in the BMovie days circa 1950.
* [[https://www.youtube.com/watch?v=zVPW40ygds4 A C64 version]] of Future Crew's ''Second Reality'' mega-demo.
* Website/YouTube channel ''[[https://www.youtube.com/channel/UCpvtp7mH0Cdq8FQUxcjDq0Q My Life in Gaming]]'' offers occasional "How to Beat" videos for contemporary video games done in the style of old game tips VHS tapes. In addition to using dated video effects and deliberately making the image look like VHS video (complete with tracking errors), the narration will make deliberate mistakes in incidents both minor (such as mispronouncing in-game terms) and major (as seen in their [[https://www.youtube.com/watch?v=0zEO8XWeO5c Super Mario 3D World video]] that claims the game to be a set in [[VideoGame/SuperMarioBros2 SubCon]]).
* [=YouTube=] parody video maker [=ChiefBrodyRules=] has made retraux VHS-style trailers for ''WesternAnimation/{{Frozen|2013}}'', ''Film/CaptainAmericaTheFirstAvenger'' and [[Film/CaptainAmericaTheWinterSoldier its sequel]]. View them all [[https://www.youtube.com/watch?v=1FIy_GNN2Pc here,]] [[https://www.youtube.com/watch?v=Md9NTGZbGfY here,]] and [[https://www.youtube.com/watch?v=JY5eELnVISc here.]]
* The "[[ArtShift digital]]" parts in ''[[WebVideo/DontHugMeImScared Don't Hug Me I'm Scared 4]]'' are made to look like awkward 1990s computer 3D graphics.
* [[https://www.youtube.com/watch?v=eyd51lvu3xw Every 90s Commercial Ever]], a DeconstructiveParody of Capri Sun's "Liquid Cool" ad campaign, perfectly emulates the feel of 1990's and early 2000's commercials aimed at children and youth, right down to the music and VHS-style graphics. [[spoiler:Aside from the [[MoodWhiplash much darker turn]] the video takes halfway through.]]
* WebVideo/TheRapCritic's [[https://www.youtube.com/watch?v=Fv2bs8A9Gr8 review]] of Music/GrandmasterFlashAndTheFuriousFive's "The Message" is done in the style of an early-80's public access TV show, with the Critic going by the name of "The Hip-Hop Analyst."
* [[https://www.youtube.com/watch?v=wKUpyUm3PGs This video]] that chronicles the story of the Trump Shuttle airline was uploaded on January 2019, yet it looks and sounds like a [=TV=] documentary from the [[TheNineties early 90s'.]]
* ''WebVideo/WondersOfTheWorldWideWeb'' is all about the aesthetics and outdated technology of the 80's and 90's. It presents modern-day apps, websites, and video games as if they were programs from those previous decades, complete with retro-style graphics and sounds. The videos themselves use a graphic style reminiscient of the 80's, and they even have a VHS filter applied.
* ''WebVideo/PatientJ''. When the Joker is relating his first encounter with Batman he says "it was like an old 1940's movie", and the flashback is shown in the style and costumes of ''Film/TheBatmanSerial''. Later events are depicted in color, in the style of [[Series/Batman1966 the 1960's tv show]].
* ''[[https://youtu.be/oRlNrk6H80I Project Tiger Moth]]'', a ''WesternAnimation/ThomasAndFriends'' fan project, is deliberately done in the UsefulNotes/{{Supermarionation}} style of the show's original run by Britt Allcroft and David Mitton (particularly the fifth season). Right down to using a VHS filter to give it the impression that it is ripped out of a '90s VHS.
* [[http://www.traileraddict.com/trailer/watchmen/nbc-nightly-news-march-11-1970 This viral campaign ad]] from the ''ComicBook/{{Watchmen}}'' [[Film/{{Watchmen}} film]], which adapted the comic's selections of [[FictionalDocument an in-series book]] ''Under the Hood'' in the form of a archived TV News report thereof.
* [[https://www.youtube.com/user/whoiseyevan Ivan Guerrero's]] "premakes" are trailers of modern films as they would have been if they'd been produced in the BMovie days circa 1950.
* [[https://www.youtube.com/watch?v=zVPW40ygds4 A C64 version]] of Future Crew's ''Second Reality'' mega-demo.
* Website/YouTube channel ''[[https://www.youtube.com/channel/UCpvtp7mH0Cdq8FQUxcjDq0Q My Life in Gaming]]'' offers occasional "How to Beat" videos for contemporary video games done in the style of old game tips VHS tapes. In addition to using dated video effects and deliberately making the image look like VHS video (complete with tracking errors), the narration will make deliberate mistakes in incidents both minor (such as mispronouncing in-game terms) and major (as seen in their [[https://www.youtube.com/watch?v=0zEO8XWeO5c Super Mario 3D World video]] that claims the game to be a set in [[VideoGame/SuperMarioBros2 SubCon]]).
* [=YouTube=] parody video maker [=ChiefBrodyRules=] has made retraux VHS-style trailers for ''WesternAnimation/{{Frozen|2013}}'', ''Film/CaptainAmericaTheFirstAvenger'' and [[Film/CaptainAmericaTheWinterSoldier its sequel]]. View them all [[https://www.youtube.com/watch?v=1FIy_GNN2Pc here,]] [[https://www.youtube.com/watch?v=Md9NTGZbGfY here,]] and [[https://www.youtube.com/watch?v=JY5eELnVISc here.]]
* The "[[ArtShift digital]]" parts in ''[[WebVideo/DontHugMeImScared Don't Hug Me I'm Scared 4]]'' are made to look like awkward 1990s computer 3D graphics.
* [[https://www.youtube.com/watch?v=eyd51lvu3xw Every 90s Commercial Ever]], a DeconstructiveParody of Capri Sun's "Liquid Cool" ad campaign, perfectly emulates the feel of 1990's and early 2000's commercials aimed at children and youth, right down to the music and VHS-style graphics. [[spoiler:Aside from the [[MoodWhiplash much darker turn]] the video takes halfway through.]]
* WebVideo/TheRapCritic's [[https://www.youtube.com/watch?v=Fv2bs8A9Gr8 review]] of Music/GrandmasterFlashAndTheFuriousFive's "The Message" is done in the style of an early-80's public access TV show, with the Critic going by the name of "The Hip-Hop Analyst."
* [[https://www.youtube.com/watch?v=wKUpyUm3PGs This video]] that chronicles the story of the Trump Shuttle airline was uploaded on January 2019, yet it looks and sounds like a [=TV=] documentary from the [[TheNineties early 90s'.]]
* ''WebVideo/WondersOfTheWorldWideWeb'' is all about the aesthetics and outdated technology of the 80's and 90's. It presents modern-day apps, websites, and video games as if they were programs from those previous decades, complete with retro-style graphics and sounds. The videos themselves use a graphic style reminiscient of the 80's, and they even have a VHS filter applied.
* ''WebVideo/PatientJ''. When the Joker is relating his first encounter with Batman he says "it was like an old 1940's movie", and the flashback is shown in the style and costumes of ''Film/TheBatmanSerial''. Later events are depicted in color, in the style of [[Series/Batman1966 the 1960's tv show]].
* ''[[https://youtu.be/oRlNrk6H80I Project Tiger Moth]]'', a ''WesternAnimation/ThomasAndFriends'' fan project, is deliberately done in the UsefulNotes/{{Supermarionation}} style of the show's original run by Britt Allcroft and David Mitton (particularly the fifth season). Right down to using a VHS filter to give it the impression that it is ripped out of a '90s VHS.
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Alphabetizing example(s)
* [[http://twitter.com/garfbutitsjon This twitter account]] takes various ''ComicStrip/{{Garfield}}'' strips and redraws them as ''ComicStrip/{{Jon}}'' strips, complete with maintaning the differences between the more mainstream comics (such as Odie being named Spot and Liz working as a waitress in Irma's diner).
* ''Fanfic/RocketshipVoyager'' retells the early episodes of ''Series/StarTrekVoyager'' in the style of a [[TheFifties 50s]] pulp science-fiction story, complete with ethnic slurs and sexism, {{retro rocket}}s, {{Failed Future Forecast}}s and EverybodySmokes.
* ''Fanfic/RocketshipVoyager'' retells the early episodes of ''Series/StarTrekVoyager'' in the style of a [[TheFifties 50s]] pulp science-fiction story, complete with ethnic slurs and sexism, {{retro rocket}}s, {{Failed Future Forecast}}s and EverybodySmokes.
Deleted line(s) 125,126 (click to see context) :
* ''Fanfic/RocketshipVoyager'' retells the early episodes of ''Series/StarTrekVoyager'' in the style of a [[TheFifties 50s]] pulp science-fiction story, complete with ethnic slurs and sexism, {{retro rocket}}s, {{Failed Future Forecast}}s and EverybodySmokes.
* [[http://twitter.com/garfbutitsjon This twitter account]] takes various ''ComicStrip/{{Garfield}}'' strips and redraws them as ''ComicStrip/{{Jon}}'' strips, complete with maintaning the differences between the more mainstream comics (such as Odie being named Spot and Liz working as a waitress in Irma's diner).
* [[http://twitter.com/garfbutitsjon This twitter account]] takes various ''ComicStrip/{{Garfield}}'' strips and redraws them as ''ComicStrip/{{Jon}}'' strips, complete with maintaning the differences between the more mainstream comics (such as Odie being named Spot and Liz working as a waitress in Irma's diner).
* Part of the scene where Dracula is walking around in the daytime in London in ''Film/BramStokersDracula'' looks like color film from [[TheGayNineties the late 1800s' early 1900s']] because the production team got a hold of a period camera, put some modern film inside, and recorded the footage they needed for that scene.
* The [[https://www.marvel.com/captainmarvel official website]] for ''Film/CaptainMarvel2019'' is done '90s style, to reflect the film's setting.
* ''Film/TheLoveWitch'' pays homage to 1960s Technicolor thrillers, complete with the psychedelic colour sensibilities, [[DrivingADesk rear projection]], [[SmokingIsCool prevalence of smoking]], old-school film stock and period fashion and hairdos. [[AnachronismStew Only the presence of modern 21st-century cars and cellphones detract from the overall atmosphere]].
* At a time when shooting movies on film had fallen out of favor in Hollywood outside of the indie scene, ''Film/PokemonDetectivePikachu'' stood out for being shot on film in order to reflect its FilmNoir style, rather than digitally as commonly done now. According to Justice Smith, this was done to pit the ''Franchise/{{Pokemon}}'' franchise against an urban backdrop. Also applies to parts of the video segment introducing Howard Clifford with news footage of him in the 1990s, with the video quality and aspect ratio being made to resemble footage from that time; and Howard having NinetiesHair to contrast his hairstyle in the present day.
* In ''Film/ShinGodzilla'', the military weapons and Godzilla's flamethrower Atomic Breath use sound effects from the Showa films of the 1950's to the 1970s.
* ''Film/TheyClonedTyrone'': The film has an intentionally grainier look, complete with “cigarette burns” to give it the feel of being played on an old film reel.
Deleted line(s) 206 (click to see context) :
* The Westlake Film Company has one silent movie [[https://www.youtube.com/watch?v=4TnGsCHqals comedy in their arsenal]]. ''To: Steve, From: The Devil'' was ''even'' shot with that kind of camera used long ago, along with the same good old improvised piano music, which makes PaintingTheMedium successful in this case.
* ''Film/WerewolfByNight2022'' is shot in black-and-white and looks similar to a Universal Horror film with trademarks of said films -- jump cuts, use of shadows, paused zoom-ins and even cigarette burns -- with a title card that honestly looks like Universal made it themselves. The poster for said film also reflects this by being both aged and creased.
* The Westlake Film Company has one silent movie [[https://www.youtube.com/watch?v=4TnGsCHqals comedy in their arsenal]]. ''To: Steve, From: The Devil'' was ''even'' shot with that kind of camera used long ago, along with the same good old improvised piano music, which makes PaintingTheMedium successful in this case.
* The Westlake Film Company has one silent movie [[https://www.youtube.com/watch?v=4TnGsCHqals comedy in their arsenal]]. ''To: Steve, From: The Devil'' was ''even'' shot with that kind of camera used long ago, along with the same good old improvised piano music, which makes PaintingTheMedium successful in this case.
* The picture that Bruce delivers to Diana in ''Film/WonderWoman2017'', that features her, Steve, Samir, Charlie, and the Chief, was actually shot on a camera from that time period, and developed on a glass plate. This was done because simply modifying a modern digital photo would look fake.
* ''Film/AWoundedFawn'': The movie is shot on 16mm film, with visible grain and saturated colors that are meant to emulate the 70s. That said, the movie is very strongly set in the modern era and hides nothing of the technology and trends of the time.
* ''Film/AWoundedFawn'': The movie is shot on 16mm film, with visible grain and saturated colors that are meant to emulate the 70s. That said, the movie is very strongly set in the modern era and hides nothing of the technology and trends of the time.
Deleted line(s) 216,224 (click to see context) :
* In ''Film/ShinGodzilla'', the military weapons and Godzilla's flamethrower Atomic Breath use sound effects from the Showa films of the 1950's to the 1970s.
* ''Film/TheLoveWitch'' pays homage to 1960s Technicolor thrillers, complete with the psychedelic colour sensibilities, [[DrivingADesk rear projection]], [[SmokingIsCool prevalence of smoking]], old-school film stock and period fashion and hairdos. [[AnachronismStew Only the presence of modern 21st-century cars and cellphones detract from the overall atmosphere]].
* The picture that Bruce delivers to Diana in ''Film/WonderWoman2017'', that features her, Steve, Samir, Charlie, and the Chief, was actually shot on a camera from that time period, and developed on a glass plate. This was done because simply modifying a modern digital photo would look fake.
* Part of the scene where Dracula is walking around in the daytime in London in ''Film/BramStokersDracula'' looks like color film from [[TheGayNineties the late 1800s' early 1900s']] because the production team got a hold of a period camera, put some modern film inside, and recorded the footage they needed for that scene.
* The [[https://www.marvel.com/captainmarvel official website]] for ''Film/CaptainMarvel2019'' is done '90s style, to reflect the film's setting.
* At a time when shooting movies on film had fallen out of favor in Hollywood outside of the indie scene, ''Film/PokemonDetectivePikachu'' stood out for being shot on film in order to reflect its FilmNoir style, rather than digitally as commonly done now. According to Justice Smith, this was done to pit the ''Franchise/{{Pokemon}}'' franchise against an urban backdrop. Also applies to parts of the video segment introducing Howard Clifford with news footage of him in the 1990s, with the video quality and aspect ratio being made to resemble footage from that time; and Howard having NinetiesHair to contrast his hairstyle in the present day.
* ''Film/WerewolfByNight2022'' is shot in black-and-white and looks similar to a Universal Horror film with trademarks of said films -- jump cuts, use of shadows, paused zoom-ins and even cigarette burns -- with a title card that honestly looks like Universal made it themselves. The poster for said film also reflects this by being both aged and creased.
* ''Film/AWoundedFawn'': The movie is shot on 16mm film, with visible grain and saturated colors that are meant to emulate the 70s. That said, the movie is very strongly set in the modern era and hides nothing of the technology and trends of the time.
* ''Film/TheyClonedTyrone'': The film has an intentionally grainier look, complete with “cigarette burns” to give it the feel of being played on an old film reel.
* ''Film/TheLoveWitch'' pays homage to 1960s Technicolor thrillers, complete with the psychedelic colour sensibilities, [[DrivingADesk rear projection]], [[SmokingIsCool prevalence of smoking]], old-school film stock and period fashion and hairdos. [[AnachronismStew Only the presence of modern 21st-century cars and cellphones detract from the overall atmosphere]].
* The picture that Bruce delivers to Diana in ''Film/WonderWoman2017'', that features her, Steve, Samir, Charlie, and the Chief, was actually shot on a camera from that time period, and developed on a glass plate. This was done because simply modifying a modern digital photo would look fake.
* Part of the scene where Dracula is walking around in the daytime in London in ''Film/BramStokersDracula'' looks like color film from [[TheGayNineties the late 1800s' early 1900s']] because the production team got a hold of a period camera, put some modern film inside, and recorded the footage they needed for that scene.
* The [[https://www.marvel.com/captainmarvel official website]] for ''Film/CaptainMarvel2019'' is done '90s style, to reflect the film's setting.
* At a time when shooting movies on film had fallen out of favor in Hollywood outside of the indie scene, ''Film/PokemonDetectivePikachu'' stood out for being shot on film in order to reflect its FilmNoir style, rather than digitally as commonly done now. According to Justice Smith, this was done to pit the ''Franchise/{{Pokemon}}'' franchise against an urban backdrop. Also applies to parts of the video segment introducing Howard Clifford with news footage of him in the 1990s, with the video quality and aspect ratio being made to resemble footage from that time; and Howard having NinetiesHair to contrast his hairstyle in the present day.
* ''Film/WerewolfByNight2022'' is shot in black-and-white and looks similar to a Universal Horror film with trademarks of said films -- jump cuts, use of shadows, paused zoom-ins and even cigarette burns -- with a title card that honestly looks like Universal made it themselves. The poster for said film also reflects this by being both aged and creased.
* ''Film/AWoundedFawn'': The movie is shot on 16mm film, with visible grain and saturated colors that are meant to emulate the 70s. That said, the movie is very strongly set in the modern era and hides nothing of the technology and trends of the time.
* ''Film/TheyClonedTyrone'': The film has an intentionally grainier look, complete with “cigarette burns” to give it the feel of being played on an old film reel.
* Following the success of their re-releases of classic Literature/DoctorWhoNovelisations, with original trade dress etc, BBC Books published several new novelisations in 2018 (''Rose'', ''The Christmas Invasion'', ''The Day of the Doctor'' and ''Twice Upon a Time'', plus a repackaging of ''City of Death''; one of James Goss's novelisations of Douglas Adams Fourth Doctor stories, which had been published in a completely different format). These replicate the appearance of the 1970s books, complete with Target insignia, Pertwee logo, and Anthony Dry doing his best Chris Achilleos impression for the cover illustrations. The only clues that they aren't well preserved books from the period (apart from, you know, the actual contents) are the BBC Books insignia on the spine, the fact the logo is foil, and that the original "Changing Face of Doctor Who" notes (explaining to kids for whom the TV Doctor had always been Creator/TomBaker who these other guys were) weren't so tongue-in-cheek. (The one for ''City of Death'', for example, not only notes that the Fourth Doctor changed his face when he "lost an argument with gravity", but is followed by a "Changing Face of Scaroth" note.) They followed this up in 2021 with ''Dalek'', ''The Crimson Horror'', ''The Witchfinders'' and repackagings of Goss's ''The Pirate Planet'', Eric Saward's Dalek stories (''Resurrection'' and ''Revelation'') and Gary Russell's novelisation of the [=McGann=] TVM. ''The Witchfinders'' is the odd one out, maintaining ''most'' of the trade dress, but with the Wittaker logo. The 2023 releases use the 60th anniversary version of the diamond logo, but without the diamond, in the same way as the classic diamond logo without the diamons was used for much of the Tom Baker years.
Deleted line(s) 238 (click to see context) :
* Following the success of their re-releases of classic Literature/DoctorWhoNovelisations, with original trade dress etc, BBC Books published several new novelisations in 2018 (''Rose'', ''The Christmas Invasion'', ''The Day of the Doctor'' and ''Twice Upon a Time'', plus a repackaging of ''City of Death''; one of James Goss's novelisations of Douglas Adams Fourth Doctor stories, which had been published in a completely different format). These replicate the appearance of the 1970s books, complete with Target insignia, Pertwee logo, and Anthony Dry doing his best Chris Achilleos impression for the cover illustrations. The only clues that they aren't well preserved books from the period (apart from, you know, the actual contents) are the BBC Books insignia on the spine, the fact the logo is foil, and that the original "Changing Face of Doctor Who" notes (explaining to kids for whom the TV Doctor had always been Creator/TomBaker who these other guys were) weren't so tongue-in-cheek. (The one for ''City of Death'', for example, not only notes that the Fourth Doctor changed his face when he "lost an argument with gravity", but is followed by a "Changing Face of Scaroth" note.) They followed this up in 2021 with ''Dalek'', ''The Crimson Horror'', ''The Witchfinders'' and repackagings of Goss's ''The Pirate Planet'', Eric Saward's Dalek stories (''Resurrection'' and ''Revelation'') and Gary Russell's novelisation of the [=McGann=] TVM. ''The Witchfinders'' is the odd one out, maintaining ''most'' of the trade dress, but with the Wittaker logo. The 2023 releases use the 60th anniversary version of the diamond logo, but without the diamond, in the same way as the classic diamond logo without the diamons was used for much of the Tom Baker years.
Changed line(s) 299 (click to see context) from:
* [=WhizBang=] Pinball's ''Pinball/WhoaNellieBigJuicyMelons'' was made by cannibalizing parts from a 1957 electro-mechanical pinball, then using the components in an all-new playfield design with original art and modern imaging techniques. The result is a boutique pinball table that plays like it stepped out of TheFifties but with a modern look.
to:
* [=WhizBang=] Pinball's ''Pinball/WhoaNellieBigJuicyMelons'' was made by cannibalizing parts from ''Pinball/TheBeatles'' sports a 1957 electro-mechanical pinball, then using the components in an all-new playfield design with original art heavily '60s-inspired aesthetic, which includes simulated EM scoring reels and modern imaging techniques. The result is sound effects.
* ''Pinball/TheBigLebowski'' has an LCD screen, but simulates aboutique DMD like most pinball table that plays like it stepped out of TheFifties but with a modern look.machines since TheNineties have used. Manufacturer Spooky Pinball has also decided to go in this direction.
* ''Pinball/TheBigLebowski'' has an LCD screen, but simulates a
Changed line(s) 302 (click to see context) from:
* The "Snooker Champ" table of ''VideoGame/{{Silverball}}'' simulates an electro-mechanical pinball table.
to:
* The "Snooker Champ" table ''Pinball/{{Deadpool|2018}}'': A significant portion of ''VideoGame/{{Silverball}}'' simulates an electro-mechanical the game's visuals and sound effects are patterned after MediaNotes/The16BitEraOfConsoleVideoGames, including the battle modes being depicted as {{fighting game}}s with life bars and finishers. It also uses sound effects straight from 1980s pinball table.games.
* Downplayed with Creator/{{Stern}}'s ''[[Pinball/JamesBond007Stern James Bond 60th Anniversary Limited Edition]]''. While the game consciously takes after older pinball machines, including using electromagnetic-style reels for scoring in lieu of a digital display, it still utilizes newer technology (including an LCD screen on the playfield). In addition, the player can choose one of several sound packages at the start of a game, ranging from various chimes from [[TheSeventies '70s]]-era machines to a more modern soundtrack.
* Downplayed with Creator/{{Stern}}'s ''[[Pinball/JamesBond007Stern James Bond 60th Anniversary Limited Edition]]''. While the game consciously takes after older pinball machines, including using electromagnetic-style reels for scoring in lieu of a digital display, it still utilizes newer technology (including an LCD screen on the playfield). In addition, the player can choose one of several sound packages at the start of a game, ranging from various chimes from [[TheSeventies '70s]]-era machines to a more modern soundtrack.
Changed line(s) 304 (click to see context) from:
* ''Pinball/TheBigLebowski'' has an LCD screen, but simulates a DMD like most pinball machines since TheNineties have used. Manufacturer Spooky Pinball has also decided to go in this direction.
to:
* ''Pinball/TheBigLebowski'' has an LCD screen, but simulates a DMD like most ''Pinball/TheMunsters'' plays chimes typical of electro-mechanical pinball machines since TheNineties have used. Manufacturer Spooky Pinball has also decided to go in this direction.whenever the ball bounces between the bumpers.
* The "Snooker Champ" table of ''VideoGame/{{Silverball}}'' simulates an electro-mechanical pinball table.
* The "Snooker Champ" table of ''VideoGame/{{Silverball}}'' simulates an electro-mechanical pinball table.
Changed line(s) 307,308 (click to see context) from:
* ''Pinball/{{Deadpool|2018}}'': A significant portion of the game's visuals and sound effects are patterned after MediaNotes/The16BitEraOfConsoleVideoGames, including the battle modes being depicted as {{fighting game}}s with life bars and finishers. It also uses sound effects straight from 1980s pinball games.
* ''Pinball/TheMunsters'' plays chimes typical of electro-mechanical pinball machines whenever the ball bounces between the bumpers.
* ''Pinball/TheMunsters'' plays chimes typical of electro-mechanical pinball machines whenever the ball bounces between the bumpers.
to:
* ''Pinball/{{Deadpool|2018}}'': A significant portion of the game's visuals and sound effects are patterned after MediaNotes/The16BitEraOfConsoleVideoGames, including the battle modes being depicted as {{fighting game}}s with life bars and finishers. It also uses sound effects straight [=WhizBang=] Pinball's ''Pinball/WhoaNellieBigJuicyMelons'' was made by cannibalizing parts from 1980s pinball games.
* ''Pinball/TheMunsters'' plays chimes typical ofa 1957 electro-mechanical pinball, then using the components in an all-new playfield design with original art and modern imaging techniques. The result is a boutique pinball machines whenever the ball bounces between the bumpers.table that plays like it stepped out of TheFifties but with a modern look.
* ''Pinball/TheMunsters'' plays chimes typical of
Deleted line(s) 310,311 (click to see context) :
* ''Pinball/TheBeatles'' sports a heavily '60s-inspired aesthetic, which includes simulated EM scoring reels and sound effects.
* Downplayed with Creator/{{Stern}}'s ''[[Pinball/JamesBond007Stern James Bond 60th Anniversary Limited Edition]]''. While the game consciously takes after older pinball machines, including using electromagnetic-style reels for scoring in lieu of a digital display, it still utilizes newer technology (including an LCD screen on the playfield). In addition, the player can choose one of several sound packages at the start of a game, ranging from various chimes from [[TheSeventies '70s]]-era machines to a more modern soundtrack.
* Downplayed with Creator/{{Stern}}'s ''[[Pinball/JamesBond007Stern James Bond 60th Anniversary Limited Edition]]''. While the game consciously takes after older pinball machines, including using electromagnetic-style reels for scoring in lieu of a digital display, it still utilizes newer technology (including an LCD screen on the playfield). In addition, the player can choose one of several sound packages at the start of a game, ranging from various chimes from [[TheSeventies '70s]]-era machines to a more modern soundtrack.
Deleted line(s) 319,320 (click to see context) :
* ''Magazine/TimeMagazine'' magazine published a special Bicentennial "July 8, 1776" edition in 1976. The entire issue is written as if ''Time'' had actually existed in 1776, with all its usual sections (with a few obvious exceptions like Film and Television.) It apparently sold well, and was followed by a "1789" edition covering the first inauguration of George Washington.
** More recently, ''Time'' has tried to revive its pre-1990s letterhead (the word "TIME" in bright red letters in a smaller font and dead in the center of the top third of the magazine). Really, the only difference now is that the letters aren't outlined in white or yellow.
** More recently, ''Time'' has tried to revive its pre-1990s letterhead (the word "TIME" in bright red letters in a smaller font and dead in the center of the top third of the magazine). Really, the only difference now is that the letters aren't outlined in white or yellow.
Added DiffLines:
* ''Magazine/TimeMagazine'' magazine published a special Bicentennial "July 8, 1776" edition in 1976. The entire issue is written as if ''Time'' had actually existed in 1776, with all its usual sections (with a few obvious exceptions like Film and Television.) It apparently sold well, and was followed by a "1789" edition covering the first inauguration of George Washington.
** More recently, ''Time'' has tried to revive its pre-1990s letterhead (the word "TIME" in bright red letters in a smaller font and dead in the center of the top third of the magazine). Really, the only difference now is that the letters aren't outlined in white or yellow.
** More recently, ''Time'' has tried to revive its pre-1990s letterhead (the word "TIME" in bright red letters in a smaller font and dead in the center of the top third of the magazine). Really, the only difference now is that the letters aren't outlined in white or yellow.
Is there an issue? Send a MessageReason:
Alphabetizing example(s)
Deleted line(s) 45,49 (click to see context) :
* ''Anime/Gekiganger3'', a ShowWithinAShow in ''Anime/MartianSuccessorNadesico'', more so in the actual show than in the [[{{Defictionalization}} defictionalized]] {{OVA}}. Interestingly enough, according to WordOfGod, despite its 1970s-esque appearance, it was actually made in the 2090s (about 100 years before ''Nadesico'' takes place), which means it's an example of this even ''in-story''.
* ''Anime/GaoGaiGar'' has an art style rather reminiscent of giant robot anime from the 1970s.
* ''Manga/GoForItNakamura'' is a manga from TheNewTens, but its artstyle and character design is much more reminiscent of manga from the 80s, and the mangaka actually has her art style marketed as "Neo-80s".
* ''Manga/SayonaraZetsubouSensei'', especially the opening. {{Lampshaded}} in the episode about Detuning (doing less than your best): Among the examples for detuning is "Deliberately adding imperfections to give the impression of an old film." followed by a cue card saying "This show does it too".
* The Creator/ADVFilms trailer for ''Manga/ChronoCrusade'' has narration mimicking the style of voice-over used on old-fashioned newsreels. (However, the anime itself doesn't use many {{Retraux}} effects outside of a few scenes in the opening and the grainy episode title cards and eyecatches.)
* ''Anime/GaoGaiGar'' has an art style rather reminiscent of giant robot anime from the 1970s.
* ''Manga/GoForItNakamura'' is a manga from TheNewTens, but its artstyle and character design is much more reminiscent of manga from the 80s, and the mangaka actually has her art style marketed as "Neo-80s".
* ''Manga/SayonaraZetsubouSensei'', especially the opening. {{Lampshaded}} in the episode about Detuning (doing less than your best): Among the examples for detuning is "Deliberately adding imperfections to give the impression of an old film." followed by a cue card saying "This show does it too".
* The Creator/ADVFilms trailer for ''Manga/ChronoCrusade'' has narration mimicking the style of voice-over used on old-fashioned newsreels. (However, the anime itself doesn't use many {{Retraux}} effects outside of a few scenes in the opening and the grainy episode title cards and eyecatches.)
Deleted line(s) 51 (click to see context) :
* ''Anime/CowboyBebop'' intentionally uses a drawing style and character design reminiscent of anime from the 1970s, despite being made in 1998. One UsefulNotes/{{DVD}} release for the show also has the [=DVDs=] looking like [=LPs=]; the DVD covers emulated packaging for jazz albums of the 1950s with a single dominant color on the front and a text-heavy back cover. So do the UsefulNotes/LaserDisc [[http://www.lddb.com/search.php?search=Cowboy+Bebop&sort=title&format=ld releases.]]
Changed line(s) 54,59 (click to see context) from:
** Like the ''Manga/ChronoCrusade'' example above, the American trailer intentionally invokes film from this era by being DeliberatelyMonochrome, using a "news reel" style narration and backed up by a tinny piano score similar to what a silent film would have.
* ''Anime/{{Kaiba}}'' looks like a sixties children's anime.
* In ''Manga/LuckyStar'', Meito Anizawa and the other Animate store employees are drawn in a style reminiscent of anime (especially SuperRobot anime) that's some decades older than ''Lucky Star''. There's even a visual effect that makes their shaded areas be of non-uniform color tone and change their color tone slightly over time, simulating the look of cel animation. That's because the Animate employees were around long before the ''Lucky Star'' manga was even created, plus they were designed by ''[[Anime/MobileFighterGGundam G Gundam]]'' character designer, Kazuhiko Shimamoto
* Many of the ''Franchise/{{Gundam}}'' works set in the Universal Century deliberately try to maintain an consistent art style reminiscent of the 1980s, right down to the EightiesHair. If you look closely, you'd notice that the characters of ''[[Anime/MobileSuitGundamUnicorn Gundam Unicorn]]'' wouldn't look out of place in ''[[Anime/MobileSuitZetaGundam Zeta Gundam]].''
** There's also [[http://4.bp.blogspot.com/-UIZPXSjwbjI/U0wn7m-zKqI/AAAAAAAFyzY/-WDpoNFxZXc/s1600/112233.jpg this poster]] for last episode of the ''[[Anime/MobileSuitGundamUnicorn Unicorn]]'' OVA, which calls to mind both old ''Franchise/StarWars'' art from TheEighties and a similar poster for ''[[Anime/MobileSuitZetaGundam Zeta Gundam]].''
* The 2004 version of ''[[Anime/{{Gigantor}} Tetsujin 28]]'' deliberately captures the aesthetics and atmosphere of [[TheFifties 1950s Japan]], right down to the soundtrack.
* ''Anime/{{Kaiba}}'' looks like a sixties children's anime.
* In ''Manga/LuckyStar'', Meito Anizawa and the other Animate store employees are drawn in a style reminiscent of anime (especially SuperRobot anime) that's some decades older than ''Lucky Star''. There's even a visual effect that makes their shaded areas be of non-uniform color tone and change their color tone slightly over time, simulating the look of cel animation. That's because the Animate employees were around long before the ''Lucky Star'' manga was even created, plus they were designed by ''[[Anime/MobileFighterGGundam G Gundam]]'' character designer, Kazuhiko Shimamoto
* Many of the ''Franchise/{{Gundam}}'' works set in the Universal Century deliberately try to maintain an consistent art style reminiscent of the 1980s, right down to the EightiesHair. If you look closely, you'd notice that the characters of ''[[Anime/MobileSuitGundamUnicorn Gundam Unicorn]]'' wouldn't look out of place in ''[[Anime/MobileSuitZetaGundam Zeta Gundam]].''
** There's also [[http://4.bp.blogspot.com/-UIZPXSjwbjI/U0wn7m-zKqI/AAAAAAAFyzY/-WDpoNFxZXc/s1600/112233.jpg this poster]] for last episode of the ''[[Anime/MobileSuitGundamUnicorn Unicorn]]'' OVA, which calls to mind both old ''Franchise/StarWars'' art from TheEighties and a similar poster for ''[[Anime/MobileSuitZetaGundam Zeta Gundam]].''
* The 2004 version of ''[[Anime/{{Gigantor}} Tetsujin 28]]'' deliberately captures the aesthetics and atmosphere of [[TheFifties 1950s Japan]], right down to the soundtrack.
to:
** Like the ''Manga/ChronoCrusade'' example above, below, the American trailer intentionally invokes film from this era by being DeliberatelyMonochrome, using a "news reel" style narration and backed up by a tinny piano score similar to what a silent film would have.
* ''Anime/{{Kaiba}}'' looks like a sixties children's anime.
* In ''Manga/LuckyStar'', Meito Anizawa and the other Animate store employees are drawn in a style reminiscent of anime (especially SuperRobot anime) that's some decades older than ''Lucky Star''. There's even a visual effect that makes their shaded areas be of non-uniform color tone and change their color tone slightly over time, simulating the look of cel animation. That's because the Animate employees were around long before the ''Lucky Star'' manga was even created, plus they were designed by ''[[Anime/MobileFighterGGundam G Gundam]]'' character designer, Kazuhiko Shimamoto
* Many of the ''Franchise/{{Gundam}}'' works set in the Universal Century deliberately try to maintain an consistent art style reminiscent of the 1980s, right down to the EightiesHair. If you look closely, you'd notice that the characters of ''[[Anime/MobileSuitGundamUnicorn Gundam Unicorn]]'' wouldn't look out of place in ''[[Anime/MobileSuitZetaGundam Zeta Gundam]].''
** There's also [[http://4.bp.blogspot.com/-UIZPXSjwbjI/U0wn7m-zKqI/AAAAAAAFyzY/-WDpoNFxZXc/s1600/112233.jpg this poster]] for last episode of the ''[[Anime/MobileSuitGundamUnicorn Unicorn]]'' OVA, which calls to mind both old ''Franchise/StarWars'' art from TheEighties and a similar poster for ''[[Anime/MobileSuitZetaGundam Zeta Gundam]].''
* The 2004 version of ''[[Anime/{{Gigantor}} Tetsujin 28]]'' deliberately captures the aesthetics and atmosphere of [[TheFifties 1950s Japan]], right down to the soundtrack.have.
* ''Anime/{{Kaiba}}'' looks like a sixties children's anime.
* In ''Manga/LuckyStar'', Meito Anizawa and the other Animate store employees are drawn in a style reminiscent of anime (especially SuperRobot anime) that's some decades older than ''Lucky Star''. There's even a visual effect that makes their shaded areas be of non-uniform color tone and change their color tone slightly over time, simulating the look of cel animation. That's because the Animate employees were around long before the ''Lucky Star'' manga was even created, plus they were designed by ''[[Anime/MobileFighterGGundam G Gundam]]'' character designer, Kazuhiko Shimamoto
* Many of the ''Franchise/{{Gundam}}'' works set in the Universal Century deliberately try to maintain an consistent art style reminiscent of the 1980s, right down to the EightiesHair. If you look closely, you'd notice that the characters of ''[[Anime/MobileSuitGundamUnicorn Gundam Unicorn]]'' wouldn't look out of place in ''[[Anime/MobileSuitZetaGundam Zeta Gundam]].''
** There's also [[http://4.bp.blogspot.com/-UIZPXSjwbjI/U0wn7m-zKqI/AAAAAAAFyzY/-WDpoNFxZXc/s1600/112233.jpg this poster]] for last episode of the ''[[Anime/MobileSuitGundamUnicorn Unicorn]]'' OVA, which calls to mind both old ''Franchise/StarWars'' art from TheEighties and a similar poster for ''[[Anime/MobileSuitZetaGundam Zeta Gundam]].''
* The 2004 version of ''[[Anime/{{Gigantor}} Tetsujin 28]]'' deliberately captures the aesthetics and atmosphere of [[TheFifties 1950s Japan]], right down to the soundtrack.
Changed line(s) 61,63 (click to see context) from:
* The anime adaptation of ''[[Literature/{{Bakemonogatari}} Monogatari Second Season]]'' features the [[https://www.youtube.com/watch?v=LLlytsgLcr4 Kogarashi Sentiment OP,]] part of which is drawn in the style of 90s shows and juxtaposed with a more modern style. Bonus points: it features a tacky duet by Senjougahara and Kaiki, the latter of whom is terribly out of tune.
* ''Anime/KillLaKill'''s art style is evocative of older anime despite airing from late 2013 to early 2014. The use of different art styles is even used to foreshadow a plot point: while the whole show looks like something from the '80s, Doctor Matoi looks like one of those old scientists from 1970s robot anime, and Soichiro Kiryiuin seems to come from an early '90s series. [[spoiler:They're actually the same person.]]
** Same with the ''Literature/NinjaSlayer'' ONA, using LimitedAnimation techniques that ran rampant during '80s and '90s anime as well as being in ''Square Standard Definition'' rather than in HD Widescreen.
* ''Anime/KillLaKill'''s art style is evocative of older anime despite airing from late 2013 to early 2014. The use of different art styles is even used to foreshadow a plot point: while the whole show looks like something from the '80s, Doctor Matoi looks like one of those old scientists from 1970s robot anime, and Soichiro Kiryiuin seems to come from an early '90s series. [[spoiler:They're actually the same person.]]
** Same with the ''Literature/NinjaSlayer'' ONA, using LimitedAnimation techniques that ran rampant during '80s and '90s anime as well as being in ''Square Standard Definition'' rather than in HD Widescreen.
to:
* The anime adaptation of ''[[Literature/{{Bakemonogatari}} Monogatari Second Season]]'' features the [[https://www.youtube.com/watch?v=LLlytsgLcr4 Kogarashi Sentiment OP,]] part of which is drawn in Creator/ADVFilms trailer for ''Manga/ChronoCrusade'' has narration mimicking the style of 90s shows voice-over used on old-fashioned newsreels. (However, the anime itself doesn't use many {{Retraux}} effects outside of a few scenes in the opening and juxtaposed with a more modern style. Bonus points: it features a tacky duet by Senjougahara the grainy episode title cards and Kaiki, the latter of whom is terribly out of tune.
eyecatches.)
*''Anime/KillLaKill'''s art ''Anime/CowboyBebop'' intentionally uses a drawing style is evocative and character design reminiscent of older anime despite airing from late 2013 to early 2014. The use of different art styles is even used to foreshadow a plot point: while the whole show looks like something from the '80s, Doctor Matoi looks like one of those old scientists from 1970s robot anime, and Soichiro Kiryiuin seems to come from an early '90s series. [[spoiler:They're actually the same person.]]
** Same with the ''Literature/NinjaSlayer'' ONA, using LimitedAnimation techniques that ran rampant during '80s and '90s anime as well as1970s, despite being made in ''Square Standard Definition'' rather than in HD Widescreen.1998. One UsefulNotes/{{DVD}} release for the show also has the [=DVDs=] looking like [=LPs=]; the DVD covers emulated packaging for jazz albums of the 1950s with a single dominant color on the front and a text-heavy back cover. So do the UsefulNotes/LaserDisc [[http://www.lddb.com/search.php?search=Cowboy+Bebop&sort=title&format=ld releases.]]
*
** Same with the ''Literature/NinjaSlayer'' ONA, using LimitedAnimation techniques that ran rampant during '80s and '90s anime as well as
* ''Anime/Gekiganger3'', a ShowWithinAShow in ''Anime/MartianSuccessorNadesico'', more so in the actual show than in the [[{{Defictionalization}} defictionalized]] {{OVA}}. Interestingly enough, according to WordOfGod, despite its 1970s-esque appearance, it was actually made in the 2090s (about 100 years before ''Nadesico'' takes place), which means it's an example of this even ''in-story''.
* ''Anime/GaoGaiGar'' has an art style rather reminiscent of giant robot anime from the 1970s.
* ''Manga/GoForItNakamura'' is a manga from TheNewTens, but its artstyle and character design is much more reminiscent of manga from the 80s, and the mangaka actually has her art style marketed as "Neo-80s".
* Many of the ''Franchise/{{Gundam}}'' works set in the Universal Century deliberately try to maintain an consistent art style reminiscent of the 1980s, right down to the EightiesHair. If you look closely, you'd notice that the characters of ''[[Anime/MobileSuitGundamUnicorn Gundam Unicorn]]'' wouldn't look out of place in ''[[Anime/MobileSuitZetaGundam Zeta Gundam]].''
** There's also [[http://4.bp.blogspot.com/-UIZPXSjwbjI/U0wn7m-zKqI/AAAAAAAFyzY/-WDpoNFxZXc/s1600/112233.jpg this poster]] for last episode of the ''[[Anime/MobileSuitGundamUnicorn Unicorn]]'' OVA, which calls to mind both old ''Franchise/StarWars'' art from TheEighties and a similar poster for ''[[Anime/MobileSuitZetaGundam Zeta Gundam]].''
* ''Anime/{{Kaiba}}'' looks like a sixties children's anime.
* ''Anime/KillLaKill'''s art style is evocative of older anime despite airing from late 2013 to early 2014. The use of different art styles is even used to foreshadow a plot point: while the whole show looks like something from the '80s, Doctor Matoi looks like one of those old scientists from 1970s robot anime, and Soichiro Kiryiuin seems to come from an early '90s series. [[spoiler:They're actually the same person.]]
** Same with the ''Literature/NinjaSlayer'' ONA, using LimitedAnimation techniques that ran rampant during '80s and '90s anime as well as being in ''Square Standard Definition'' rather than in HD Widescreen.
* In ''Manga/LuckyStar'', Meito Anizawa and the other Animate store employees are drawn in a style reminiscent of anime (especially SuperRobot anime) that's some decades older than ''Lucky Star''. There's even a visual effect that makes their shaded areas be of non-uniform color tone and change their color tone slightly over time, simulating the look of cel animation. That's because the Animate employees were around long before the ''Lucky Star'' manga was even created, plus they were designed by ''[[Anime/MobileFighterGGundam G Gundam]]'' character designer, Kazuhiko Shimamoto.
* ''Anime/GaoGaiGar'' has an art style rather reminiscent of giant robot anime from the 1970s.
* ''Manga/GoForItNakamura'' is a manga from TheNewTens, but its artstyle and character design is much more reminiscent of manga from the 80s, and the mangaka actually has her art style marketed as "Neo-80s".
* Many of the ''Franchise/{{Gundam}}'' works set in the Universal Century deliberately try to maintain an consistent art style reminiscent of the 1980s, right down to the EightiesHair. If you look closely, you'd notice that the characters of ''[[Anime/MobileSuitGundamUnicorn Gundam Unicorn]]'' wouldn't look out of place in ''[[Anime/MobileSuitZetaGundam Zeta Gundam]].''
** There's also [[http://4.bp.blogspot.com/-UIZPXSjwbjI/U0wn7m-zKqI/AAAAAAAFyzY/-WDpoNFxZXc/s1600/112233.jpg this poster]] for last episode of the ''[[Anime/MobileSuitGundamUnicorn Unicorn]]'' OVA, which calls to mind both old ''Franchise/StarWars'' art from TheEighties and a similar poster for ''[[Anime/MobileSuitZetaGundam Zeta Gundam]].''
* ''Anime/{{Kaiba}}'' looks like a sixties children's anime.
* ''Anime/KillLaKill'''s art style is evocative of older anime despite airing from late 2013 to early 2014. The use of different art styles is even used to foreshadow a plot point: while the whole show looks like something from the '80s, Doctor Matoi looks like one of those old scientists from 1970s robot anime, and Soichiro Kiryiuin seems to come from an early '90s series. [[spoiler:They're actually the same person.]]
** Same with the ''Literature/NinjaSlayer'' ONA, using LimitedAnimation techniques that ran rampant during '80s and '90s anime as well as being in ''Square Standard Definition'' rather than in HD Widescreen.
* In ''Manga/LuckyStar'', Meito Anizawa and the other Animate store employees are drawn in a style reminiscent of anime (especially SuperRobot anime) that's some decades older than ''Lucky Star''. There's even a visual effect that makes their shaded areas be of non-uniform color tone and change their color tone slightly over time, simulating the look of cel animation. That's because the Animate employees were around long before the ''Lucky Star'' manga was even created, plus they were designed by ''[[Anime/MobileFighterGGundam G Gundam]]'' character designer, Kazuhiko Shimamoto.
Changed line(s) 67,68 (click to see context) from:
* The first few seasons of ''Anime/PrettyCure'' (''Anime/FutariWaPrettyCure'', ''Anime/FutariWaPrettyCureSplashStar'', and ''Anime/YesPrettyCure5'') look as though they were made in the '90s, with an artstyle that emphasizes heavy shading and desaturated colors reminiscent of cel animation. Despite this, the series began in 2004 and was digitally animated throughout; ''Yes!'' was even produced in HD widescreen. It's likely this is part of a deliberate GenreThrowback, as ''Pretty Cure'' has much more in common with the early '90s MagicalGirlWarrior genre than its immediate predecessors did. Starting with ''Anime/FreshPrettyCure'', the series takes on a more modern style with bright, eye-popping colors and greater incorporation of digital effects.
* An unintentional example, Rui Araizumi has not significantly changed his art style since the 90s, so newer ''Literature/{{Slayers}}'' media has a very distinctly retro look that's [[LongRunners consistent with the older entries in the franchise]].
* An unintentional example, Rui Araizumi has not significantly changed his art style since the 90s, so newer ''Literature/{{Slayers}}'' media has a very distinctly retro look that's [[LongRunners consistent with the older entries in the franchise]].
to:
* The first few seasons anime adaptation of ''Anime/PrettyCure'' (''Anime/FutariWaPrettyCure'', ''Anime/FutariWaPrettyCureSplashStar'', and ''Anime/YesPrettyCure5'') look as though they were made in ''[[Literature/{{Bakemonogatari}} Monogatari Second Season]]'' features the '90s, with an artstyle that emphasizes heavy shading and desaturated colors reminiscent of cel animation. Despite this, the series began in 2004 and was digitally animated throughout; ''Yes!'' was even produced in HD widescreen. It's likely this is [[https://www.youtube.com/watch?v=LLlytsgLcr4 Kogarashi Sentiment OP,]] part of a deliberate GenreThrowback, as ''Pretty Cure'' has much more which is drawn in common the style of 90s shows and juxtaposed with the early '90s MagicalGirlWarrior genre than its immediate predecessors did. Starting with ''Anime/FreshPrettyCure'', the series takes on a more modern style with bright, eye-popping colors style. Bonus points: it features a tacky duet by Senjougahara and greater incorporation of digital effects.
* An unintentional example, Rui Araizumi has not significantly changed his art style sinceKaiki, the 90s, so newer ''Literature/{{Slayers}}'' media has a very distinctly retro look that's [[LongRunners consistent with the older entries in the franchise]]. latter of whom is terribly out of tune.
* An unintentional example, Rui Araizumi has not significantly changed his art style since
* The first few seasons of ''Anime/PrettyCure'' (''Anime/FutariWaPrettyCure'', ''Anime/FutariWaPrettyCureSplashStar'', and ''Anime/YesPrettyCure5'') look as though they were made in the '90s, with an artstyle that emphasizes heavy shading and desaturated colors reminiscent of cel animation. Despite this, the series began in 2004 and was digitally animated throughout; ''Yes!'' was even produced in HD widescreen. It's likely this is part of a deliberate GenreThrowback, as ''Pretty Cure'' has much more in common with the early '90s MagicalGirlWarrior genre than its immediate predecessors did. Starting with ''Anime/FreshPrettyCure'', the series takes on a more modern style with bright, eye-popping colors and greater incorporation of digital effects.
* ''Manga/SayonaraZetsubouSensei'', especially the opening. {{Lampshaded}} in the episode about Detuning (doing less than your best): Among the examples for detuning is "Deliberately adding imperfections to give the impression of an old film." followed by a cue card saying "This show does it too".
* An unintentional example, Rui Araizumi has not significantly changed his art style since the 90s, so newer ''Literature/{{Slayers}}'' media has a very distinctly retro look that's [[LongRunners consistent with the older entries in the franchise]].
* The 2004 version of ''[[Anime/{{Gigantor}} Tetsujin 28]]'' deliberately captures the aesthetics and atmosphere of [[TheFifties 1950s Japan]], right down to the soundtrack.
* ''Manga/SayonaraZetsubouSensei'', especially the opening. {{Lampshaded}} in the episode about Detuning (doing less than your best): Among the examples for detuning is "Deliberately adding imperfections to give the impression of an old film." followed by a cue card saying "This show does it too".
* An unintentional example, Rui Araizumi has not significantly changed his art style since the 90s, so newer ''Literature/{{Slayers}}'' media has a very distinctly retro look that's [[LongRunners consistent with the older entries in the franchise]].
* The 2004 version of ''[[Anime/{{Gigantor}} Tetsujin 28]]'' deliberately captures the aesthetics and atmosphere of [[TheFifties 1950s Japan]], right down to the soundtrack.
* Creator/AlanMoore's ''[[ComicBook/NineteenSixtyThree 1963]]'' looks and reads like a classic Marvel comic (complete with Moore spouting fake Creator/StanLee style hyperbole and including fake '60s-style ads).
* ''ComicBook/{{Alias}}'' by Brian Michael Bendis features a flashback to Jessica Jones attending the same school as Spider-Man, drawn in a style reminiscent of Steve Ditko era Spider-Man. Jessica's early superhero days as Jewel get [[UsefulNotes/TheBronzeAgeOfComicBooks '80s-like artwork]] in addition to old school credits ("Bashful Brian Bendis", "Magnificent Mike Gaydos", "Marvelous Mark Bagley").
Changed line(s) 77 (click to see context) from:
* ComicBook/IronMan and Doctor Doom once travelled back in time to a New York City circa the Silver Age (thirty years earlier in real time, perhaps ten or twelve in terms of Earth-616 chronology) in Brian Michael Bendis' run on Mighty Avengers. The art was drawn and colored to resemble the comic book art of that period.
to:
* ComicBook/IronMan ''ComicBook/{{Batman}}'' #600 has three "lost inventory stories" that aren't: a Golden Age time-travel tale in the style of Finger and Doctor Doom once travelled back in time to Sprang; a New York City circa the late Silver Age (thirty years earlier Batgirl and Robin story in real time, perhaps ten the style of Carmine Infantino; and a groovy seventies parody that could have appeared in ''Plop!'' or twelve ''Magazine/{{MAD}}'', which is ''actually'' by Creator/SergioAragones.
* ''ComicBook/BatmanBlackAndWhite'':
** In "The Heist", all the shading is done with old-timey screentone dots.
** "Batman with Robin the Boy Wonder" by Creator/JohnByrne is drawn interms the style of Earth-616 chronology) a [[UsefulNotes/TheGoldenAgeOfComicBooks Golden Age]] Franchise/{{Batman}} comic and is written accordingly as well. Batman and Robin smile throughout the story, deliver wisecracks and best the villains via a clever scheme.
** "Urban Renewal" features some nostalgic flashbacks by characters to the "old days", and the flashbacks are drawn in UsefulNotes/{{the Golden Age|of Comic Books}} style as opposed to the more realistic present-day scenes.
* ''ComicBook/BigBangComics'' is a pastiche of Golden and Silver Age DC, with the artstyle and writing to match.
* Also by BrianMichael Bendis' run on Mighty Avengers. M. Bendis, the ''Golden Age'' ''ComicBook/{{Daredevil}}'' features 3 periods of time: the '40s, the '60s and modern day, each drawn in styles reminiscent of what was found in comic books of respective eras. The Retraux is especially noticeable in the colours.
* As ComicBook/{{Deadpool}} features a lot of both meta-commentary and time travel, this tends to come up in his book. The best example is when he gets set into the past to ''Amazing Spider-Man'' #47, and infiltrates himself into the story, ''Film/ForrestGump'' style.[[note]]''Deadpool'' vol 3 #11[[/note]] All the panels and dialogue are drawn in John Romita's style, and all the characters (except Deadpool and friends) talk like Stan Lee wrote them. (Indeed, enough panels are lifted from the original work that Romita and Lee are credited as co-authors.)
** In case you're wondering why specifically Spider-Man, it's because Deadpool's costume bears no small resemblance to that of the ol' Webhead, meaning it was a snap to redraw Spidey as 'Pool.
** ''ComicBook/{{Deadpool}}'' vol 5 #7 (from the Duggan and Posehn run) is supposedly an inventory story from 1979, crossing Deadpool (who, of course, didn't exist at the time to ''write'' inventory stories about) into the ''ComicBook/IronMan'' "Demon in a Bottle" storyline, with 70s Spidey and the Power Pack also making appearances. The artwas drawn and colored writing style both reflect this, and it even has oversaturated [[UsefulNotes/TheBronzeAgeOfComicBooks Bronze Age]] colouring. Later issues in that run follow on from this, having Deadpool show up in what are claimed to resemble be inventory stories from other eras, with the writing and art in the style of those periods. Including one from Deadpool's [[UsefulNotes/TheDarkAgeOfComicBooks actual early days]], with a Creator/RobLiefeld in-joke as the characters have everything possible hiding their feet.
* DC Comics Retroactive event features covers and stories set in different comicbook art of that period.eras.
* ''ComicBook/BatmanBlackAndWhite'':
** In "The Heist", all the shading is done with old-timey screentone dots.
** "Batman with Robin the Boy Wonder" by Creator/JohnByrne is drawn in
** "Urban Renewal" features some nostalgic flashbacks by characters to the "old days", and the flashbacks are drawn in UsefulNotes/{{the Golden Age|of Comic Books}} style as opposed to the more realistic present-day scenes.
* ''ComicBook/BigBangComics'' is a pastiche of Golden and Silver Age DC, with the artstyle and writing to match.
* Also by Brian
* As ComicBook/{{Deadpool}} features a lot of both meta-commentary and time travel, this tends to come up in his book. The best example is when he gets set into the past to ''Amazing Spider-Man'' #47, and infiltrates himself into the story, ''Film/ForrestGump'' style.[[note]]''Deadpool'' vol 3 #11[[/note]] All the panels and dialogue are drawn in John Romita's style, and all the characters (except Deadpool and friends) talk like Stan Lee wrote them. (Indeed, enough panels are lifted from the original work that Romita and Lee are credited as co-authors.)
** In case you're wondering why specifically Spider-Man, it's because Deadpool's costume bears no small resemblance to that of the ol' Webhead, meaning it was a snap to redraw Spidey as 'Pool.
** ''ComicBook/{{Deadpool}}'' vol 5 #7 (from the Duggan and Posehn run) is supposedly an inventory story from 1979, crossing Deadpool (who, of course, didn't exist at the time to ''write'' inventory stories about) into the ''ComicBook/IronMan'' "Demon in a Bottle" storyline, with 70s Spidey and the Power Pack also making appearances. The art
* DC Comics Retroactive event features covers and stories set in different comic
Deleted line(s) 79,82 (click to see context) :
* Creator/AlanMoore's ''[[ComicBook/NineteenSixtyThree 1963]]'' looks and reads like a classic Marvel comic (complete with Moore spouting fake Creator/StanLee style hyperbole and including fake '60s-style ads).
* DC Comics Retroactive event features covers and stories set in different comic eras.
* The [[MilestoneCelebration 25th anniversary]] (1983) ''ComicBook/LegionOfSuperHeroes'' story had multiple segments that took place in pastiches of different parts of the Legion's history, using the original logos, original artists, and plot elements based on stories of the time. A weaker version of this was done for the 30th anniversary in 1988.
* The humorous one-shot ''Franchise/{{Superman}}[=/=]Franchise/{{Batman}}: World's Funnest'' featured the two [[GreatGazoo magical imps]] Mr. Mxyzptlk and Bat-Mite accidentally destroying countless alternate universes, most of them drawn in the style of a certain artist--Curt Swan, Sheldon Mayer, C. C. Beck, Creator/JackKirby, Alex Ross, [[Franchise/DCAnimatedUniverse Bruce Timm]] and so on.
* DC Comics Retroactive event features covers and stories set in different comic eras.
* The [[MilestoneCelebration 25th anniversary]] (1983) ''ComicBook/LegionOfSuperHeroes'' story had multiple segments that took place in pastiches of different parts of the Legion's history, using the original logos, original artists, and plot elements based on stories of the time. A weaker version of this was done for the 30th anniversary in 1988.
* The humorous one-shot ''Franchise/{{Superman}}[=/=]Franchise/{{Batman}}: World's Funnest'' featured the two [[GreatGazoo magical imps]] Mr. Mxyzptlk and Bat-Mite accidentally destroying countless alternate universes, most of them drawn in the style of a certain artist--Curt Swan, Sheldon Mayer, C. C. Beck, Creator/JackKirby, Alex Ross, [[Franchise/DCAnimatedUniverse Bruce Timm]] and so on.
Changed line(s) 84,87 (click to see context) from:
* The ''Franchise/{{Transformers}}'' April Fool's comic ''[[ComicBook/TransformersShatteredGlass Shattered Expectations]]'' was done in the style of the Generation 2 comics - drawn similar to Derek Yaniger and full of [[AuthorCatchPhrase Furmanisms]].
* A mild example in ''ComicBook/UltimateSpiderMan: Requiem'' where in a flashback, the art goes back to Bagley's style, rather than the current penciller for the series, Immonen.
* A ''ComicBook/{{Stormwatch}}'' issue concentrating on the history of century-old [[ComicBook/TheAuthority Jenny Sparks]] depicts her in each decade as she would have appeared in the comics of the time, with the '80s flashback in particular being a clear homage to ''ComicBook/{{Watchmen}}''.
* Another one from Creator/AlanMoore, ''ComicBook/{{Supreme}}'' has flashbacks with an art style that corresponds with the time those flashbacks happened. This is justified in-story; from Supreme's perspective, his recollections of (for example) [[UsefulNotes/TheGoldenAgeOfComicBooks Golden Age]] events have such a simple, rough style to them because it was such a long time ago and everything seemed so simple back then.
* A mild example in ''ComicBook/UltimateSpiderMan: Requiem'' where in a flashback, the art goes back to Bagley's style, rather than the current penciller for the series, Immonen.
* A ''ComicBook/{{Stormwatch}}'' issue concentrating on the history of century-old [[ComicBook/TheAuthority Jenny Sparks]] depicts her in each decade as she would have appeared in the comics of the time, with the '80s flashback in particular being a clear homage to ''ComicBook/{{Watchmen}}''.
* Another one from Creator/AlanMoore, ''ComicBook/{{Supreme}}'' has flashbacks with an art style that corresponds with the time those flashbacks happened. This is justified in-story; from Supreme's perspective, his recollections of (for example) [[UsefulNotes/TheGoldenAgeOfComicBooks Golden Age]] events have such a simple, rough style to them because it was such a long time ago and everything seemed so simple back then.
to:
* The ''Franchise/{{Transformers}}'' April Fool's One sequence in ''ComicBook/TheIncredibleHercules'' features Herc hallucinating that he's reliving previous adventures due to being poisoned. When action is presented from his view, the comic ''[[ComicBook/TransformersShatteredGlass Shattered Expectations]]'' suddenly appears to shift to a seventies artstyle and coloring. They even pan from Black Widow's modern look to her look from when she was done in the style of the Generation 2 comics - drawn similar to Derek Yaniger and full of [[AuthorCatchPhrase Furmanisms]].
* A mild example in ''ComicBook/UltimateSpiderMan: Requiem'' where in a flashback, the art goes back to Bagley's style, rather than the current penciller for the series, Immonen.
* A ''ComicBook/{{Stormwatch}}'' issue concentratingon the history of century-old [[ComicBook/TheAuthority Jenny Sparks]] depicts her Defenders with Hercules to emphasize it.
* ComicBook/IronMan and Doctor Doom once travelled back ineach decade as she would have appeared in time to a New York City circa the comics of the Silver Age (thirty years earlier in real time, with perhaps ten or twelve in terms of Earth-616 chronology) in Brian Michael Bendis' run on Mighty Avengers. The art was drawn and colored to resemble the '80s flashback in particular being a clear homage to ''ComicBook/{{Watchmen}}''.
* Another one from Creator/AlanMoore, ''ComicBook/{{Supreme}}'' has flashbacks with ancomic book art style of that corresponds with the time those flashbacks happened. This is justified in-story; from Supreme's perspective, his recollections of (for example) [[UsefulNotes/TheGoldenAgeOfComicBooks Golden Age]] events have such a simple, rough style to them because it was such a long time ago and everything seemed so simple back then.period.
* A mild example in ''ComicBook/UltimateSpiderMan: Requiem'' where in a flashback, the art goes back to Bagley's style, rather than the current penciller for the series, Immonen.
* A ''ComicBook/{{Stormwatch}}'' issue concentrating
* ComicBook/IronMan and Doctor Doom once travelled back in
* Another one from Creator/AlanMoore, ''ComicBook/{{Supreme}}'' has flashbacks with an
* The [[MilestoneCelebration 25th anniversary]] (1983) ''ComicBook/LegionOfSuperHeroes'' story had multiple segments that took place in pastiches of different parts of the Legion's history, using the original logos, original artists, and plot elements based on stories of the time. A weaker version of this was done for the 30th anniversary in 1988.
* One of the {{Elseworlds}} stories in ''[[ComicBook/LEGIONDCComics L.E.G.I.O.N.]]'' Annual #5 is a Silver Age pastiche imagining what a L.E.G.I.O.N. story would look like if written and drawn in the style of classic ''ComicBook/LegionOfSuperHeroes''. Specifically, the story where Stealth (renamed Silent Girl) raped and killed Vril Dox. There is a ''slight'' tonal mismatch, which is of course the point.
* The [[http://3.bp.blogspot.com/-A9jyVMUHxEU/VYcdklIV_BI/AAAAAAAABgo/F0zu3ooAmnU/s1600/18-MyLittlePony32-covRE-ConEx-cafff.jpg convention variant cover]] for ''ComicBook/MyLittlePonyFriendshipIsMagicIDW'' #32, right down to the logo.
* ''ComicBook/NewMutants2019'' has the cover art styled after the '80s, clearly inspired by the style of Bill Sienkiewicz's covers from over thirty-five years ago. The logo is updated, but rather than modernizing it, looks even ''more'' '80s than the original.
* Writer and artist Tom Scioli has built his whole career around Retraux, specifically around mimicking the style of Creator/JackKirby and other creators of his era. [[PurpleProse Overblown narration]], worn-out looking art, UsedFuture aesthetics, [[PungeonMaster ridiculous amounts of puns]], KirbyDots everywhere, and an overall “mythic” feel to everything. See ''Webcomic/AmericanBarbarian'', ''ComicBook/TransformersVsGIJoe'' and ''ComicBook/{{Gobots}}'' for examples of his style.
* A VariantCover of ''ComicBook/ShirtlessBearFighter'' #4 is [[https://comicvine1.cbsistatic.com/uploads/scale_large/6/67663/6062561-04b.jpg a pastiche]] of 1950s PulpMagazine covers. In fact, it is ''very specifically'' a pastiche of [[https://twitter.com/PulpLibrarian/status/1383063152233943045 the covers]] Wil Husley used to do for ''Man's Life'' and ''True Men'', which mostly portrayed a man in a swamp fighting off animals in order to defend a woman who is falling out of a red blouse.
* The second issue of ''[[Franchise/StarTrekExpandedUniverse Star Trek Waypoint]]'' has an AffectionateParody of a Gold Key ''Star Trek'' comic, not just with a ridiculous story, not-quite-accurate uniforms, and jet-fire blasting from the warp nacelles, but with white flecks where the ink's "come away".
* A ''ComicBook/{{Stormwatch}}'' issue concentrating on the history of century-old [[ComicBook/TheAuthority Jenny Sparks]] depicts her in each decade as she would have appeared in the comics of the time, with the '80s flashback in particular being a clear homage to ''ComicBook/{{Watchmen}}''.
* The alternative comics series ''ComicBook/SunnyvilleStories'' was launched in 2010, but its hand drawn artwork done in nib pen more resembles 20th century NewspaperComics.
* The humorous one-shot ''Franchise/{{Superman}}[=/=]Franchise/{{Batman}}: World's Funnest'' featured the two [[GreatGazoo magical imps]] Mr. Mxyzptlk and Bat-Mite accidentally destroying countless alternate universes, most of them drawn in the style of a certain artist--Curt Swan, Sheldon Mayer, C. C. Beck, Creator/JackKirby, Alex Ross, [[Franchise/DCAnimatedUniverse Bruce Timm]] and so on.
* Another one from Creator/AlanMoore, ''ComicBook/{{Supreme}}'' has flashbacks with an art style that corresponds with the time those flashbacks happened. This is justified in-story; from Supreme's perspective, his recollections of (for example) [[UsefulNotes/TheGoldenAgeOfComicBooks Golden Age]] events have such a simple, rough style to them because it was such a long time ago and everything seemed so simple back then.
* The ''ComicBook/TheTransformersRobotsInDisguise'' 2012 Annual issue has flashback segments of Nova Prime and his inner circle done up in the style of the old 80s Marvel Transformers comics, including pages that have been made to look yellow with age, and glorious, page-long infodumps where each character takes the time to explain who they are in great detail just as characters being introduced in the old comics had a tendency to do (to encourage their readers to [[MerchandiseDriven go buy their toys]].
* The ''Franchise/{{Transformers}}'' April Fool's comic ''[[ComicBook/TransformersShatteredGlass Shattered Expectations]]'' was done in the style of the Generation 2 comics - drawn similar to Derek Yaniger and full of [[AuthorCatchPhrase Furmanisms]].
* A mild example in ''ComicBook/UltimateSpiderMan: Requiem'' where in a flashback, the art goes back to Bagley's style, rather than the current penciller for the series, Immonen.
* Viz does this a lot, notably with the strip Jack Black, which is a parody of wartime comics and books such as The Famous Five series. The occasional one off strip drawn by the same artist will often involve surreal stories. Some 'news' articles are done in the same manner.
* One of the {{Elseworlds}} stories in ''[[ComicBook/LEGIONDCComics L.E.G.I.O.N.]]'' Annual #5 is a Silver Age pastiche imagining what a L.E.G.I.O.N. story would look like if written and drawn in the style of classic ''ComicBook/LegionOfSuperHeroes''. Specifically, the story where Stealth (renamed Silent Girl) raped and killed Vril Dox. There is a ''slight'' tonal mismatch, which is of course the point.
* The [[http://3.bp.blogspot.com/-A9jyVMUHxEU/VYcdklIV_BI/AAAAAAAABgo/F0zu3ooAmnU/s1600/18-MyLittlePony32-covRE-ConEx-cafff.jpg convention variant cover]] for ''ComicBook/MyLittlePonyFriendshipIsMagicIDW'' #32, right down to the logo.
* ''ComicBook/NewMutants2019'' has the cover art styled after the '80s, clearly inspired by the style of Bill Sienkiewicz's covers from over thirty-five years ago. The logo is updated, but rather than modernizing it, looks even ''more'' '80s than the original.
* Writer and artist Tom Scioli has built his whole career around Retraux, specifically around mimicking the style of Creator/JackKirby and other creators of his era. [[PurpleProse Overblown narration]], worn-out looking art, UsedFuture aesthetics, [[PungeonMaster ridiculous amounts of puns]], KirbyDots everywhere, and an overall “mythic” feel to everything. See ''Webcomic/AmericanBarbarian'', ''ComicBook/TransformersVsGIJoe'' and ''ComicBook/{{Gobots}}'' for examples of his style.
* A VariantCover of ''ComicBook/ShirtlessBearFighter'' #4 is [[https://comicvine1.cbsistatic.com/uploads/scale_large/6/67663/6062561-04b.jpg a pastiche]] of 1950s PulpMagazine covers. In fact, it is ''very specifically'' a pastiche of [[https://twitter.com/PulpLibrarian/status/1383063152233943045 the covers]] Wil Husley used to do for ''Man's Life'' and ''True Men'', which mostly portrayed a man in a swamp fighting off animals in order to defend a woman who is falling out of a red blouse.
* The second issue of ''[[Franchise/StarTrekExpandedUniverse Star Trek Waypoint]]'' has an AffectionateParody of a Gold Key ''Star Trek'' comic, not just with a ridiculous story, not-quite-accurate uniforms, and jet-fire blasting from the warp nacelles, but with white flecks where the ink's "come away".
* A ''ComicBook/{{Stormwatch}}'' issue concentrating on the history of century-old [[ComicBook/TheAuthority Jenny Sparks]] depicts her in each decade as she would have appeared in the comics of the time, with the '80s flashback in particular being a clear homage to ''ComicBook/{{Watchmen}}''.
* The alternative comics series ''ComicBook/SunnyvilleStories'' was launched in 2010, but its hand drawn artwork done in nib pen more resembles 20th century NewspaperComics.
* The humorous one-shot ''Franchise/{{Superman}}[=/=]Franchise/{{Batman}}: World's Funnest'' featured the two [[GreatGazoo magical imps]] Mr. Mxyzptlk and Bat-Mite accidentally destroying countless alternate universes, most of them drawn in the style of a certain artist--Curt Swan, Sheldon Mayer, C. C. Beck, Creator/JackKirby, Alex Ross, [[Franchise/DCAnimatedUniverse Bruce Timm]] and so on.
* Another one from Creator/AlanMoore, ''ComicBook/{{Supreme}}'' has flashbacks with an art style that corresponds with the time those flashbacks happened. This is justified in-story; from Supreme's perspective, his recollections of (for example) [[UsefulNotes/TheGoldenAgeOfComicBooks Golden Age]] events have such a simple, rough style to them because it was such a long time ago and everything seemed so simple back then.
* The ''ComicBook/TheTransformersRobotsInDisguise'' 2012 Annual issue has flashback segments of Nova Prime and his inner circle done up in the style of the old 80s Marvel Transformers comics, including pages that have been made to look yellow with age, and glorious, page-long infodumps where each character takes the time to explain who they are in great detail just as characters being introduced in the old comics had a tendency to do (to encourage their readers to [[MerchandiseDriven go buy their toys]].
* The ''Franchise/{{Transformers}}'' April Fool's comic ''[[ComicBook/TransformersShatteredGlass Shattered Expectations]]'' was done in the style of the Generation 2 comics - drawn similar to Derek Yaniger and full of [[AuthorCatchPhrase Furmanisms]].
* A mild example in ''ComicBook/UltimateSpiderMan: Requiem'' where in a flashback, the art goes back to Bagley's style, rather than the current penciller for the series, Immonen.
* Viz does this a lot, notably with the strip Jack Black, which is a parody of wartime comics and books such as The Famous Five series. The occasional one off strip drawn by the same artist will often involve surreal stories. Some 'news' articles are done in the same manner.
Deleted line(s) 90,102 (click to see context) :
* ''ComicBook/{{Alias}}'' by Brian Michael Bendis features a flashback to Jessica Jones attending the same school as Spider-Man, drawn in a style reminiscent of Steve Ditko era Spider-Man. Jessica's early superhero days as Jewel get [[UsefulNotes/TheBronzeAgeOfComicBooks '80s-like artwork]] in addition to old school credits ("Bashful Brian Bendis", "Magnificent Mike Gaydos", "Marvelous Mark Bagley").
* Also by Brian M. Bendis, the ''Golden Age'' ''ComicBook/{{Daredevil}}'' features 3 periods of time: the '40s, the '60s and modern day, each drawn in styles reminiscent of what was found in comic books of respective eras. The Retraux is especially noticeable in the colours.
* As ComicBook/{{Deadpool}} features a lot of both meta-commentary and time travel, this tends to come up in his book. The best example is when he gets set into the past to ''Amazing Spider-Man'' #47, and infiltrates himself into the story, ''Film/ForrestGump'' style.[[note]]''Deadpool'' vol 3 #11[[/note]] All the panels and dialogue are drawn in John Romita's style, and all the characters (except Deadpool and friends) talk like Stan Lee wrote them. (Indeed, enough panels are lifted from the original work that Romita and Lee are credited as co-authors.)
** In case you're wondering why specifically Spider-Man, it's because Deadpool's costume bears no small resemblance to that of the ol' Webhead, meaning it was a snap to redraw Spidey as 'Pool.
** ''ComicBook/{{Deadpool}}'' vol 5 #7 (from the Duggan and Posehn run) is supposedly an inventory story from 1979, crossing Deadpool (who, of course, didn't exist at the time to ''write'' inventory stories about) into the ''ComicBook/IronMan'' "Demon in a Bottle" storyline, with 70s Spidey and the Power Pack also making appearances. The art and writing style both reflect this, and it even has oversaturated [[UsefulNotes/TheBronzeAgeOfComicBooks Bronze Age]] colouring. Later issues in that run follow on from this, having Deadpool show up in what are claimed to be inventory stories from other eras, with the writing and art in the style of those periods. Including one from Deadpool's [[UsefulNotes/TheDarkAgeOfComicBooks actual early days]], with a Creator/RobLiefeld in-joke as the characters have everything possible hiding their feet.
* ''ComicBook/BatmanBlackAndWhite'':
** In "The Heist", all the shading is done with old-timey screentone dots.
** "Batman with Robin the Boy Wonder" by Creator/JohnByrne is drawn in the style of a [[UsefulNotes/TheGoldenAgeOfComicBooks Golden Age]] Franchise/{{Batman}} comic and is written accordingly as well. Batman and Robin smile throughout the story, deliver wisecracks and best the villains via a clever scheme.
** "Urban Renewal" features some nostalgic flashbacks by characters to the "old days", and the flashbacks are drawn in UsefulNotes/{{the Golden Age|of Comic Books}} style as opposed to the more realistic present-day scenes.
* ''ComicBook/{{Batman}}'' #600 has three "lost inventory stories" that aren't: a Golden Age time-travel tale in the style of Finger and Sprang; a late Silver Age Batgirl and Robin story in the style of Carmine Infantino; and a groovy seventies parody that could have appeared in ''Plop!'' or ''Magazine/{{MAD}}'', which is ''actually'' by Creator/SergioAragones.
* One sequence in ''ComicBook/TheIncredibleHercules'' features Herc hallucinating that he's reliving previous adventures due to being poisoned. When action is presented from his view, the comic suddenly appears to shift to a seventies artstyle and coloring. They even pan from Black Widow's modern look to her look from when she was on the Defenders with Hercules to emphasize it.
* Viz does this a lot, notably with the strip Jack Black, which is a parody of wartime comics and books such as The Famous Five series. The occasional one off strip drawn by the same artist will often involve surreal stories. Some 'news' articles are done in the same manner.
* The ''ComicBook/TheTransformersRobotsInDisguise'' 2012 Annual issue has flashback segments of Nova Prime and his inner circle done up in the style of the old 80s Marvel Transformers comics, including pages that have been made to look yellow with age, and glorious, page-long infodumps where each character takes the time to explain who they are in great detail just as characters being introduced in the old comics had a tendency to do (to encourage their readers to [[MerchandiseDriven go buy their toys]].
* Also by Brian M. Bendis, the ''Golden Age'' ''ComicBook/{{Daredevil}}'' features 3 periods of time: the '40s, the '60s and modern day, each drawn in styles reminiscent of what was found in comic books of respective eras. The Retraux is especially noticeable in the colours.
* As ComicBook/{{Deadpool}} features a lot of both meta-commentary and time travel, this tends to come up in his book. The best example is when he gets set into the past to ''Amazing Spider-Man'' #47, and infiltrates himself into the story, ''Film/ForrestGump'' style.[[note]]''Deadpool'' vol 3 #11[[/note]] All the panels and dialogue are drawn in John Romita's style, and all the characters (except Deadpool and friends) talk like Stan Lee wrote them. (Indeed, enough panels are lifted from the original work that Romita and Lee are credited as co-authors.)
** In case you're wondering why specifically Spider-Man, it's because Deadpool's costume bears no small resemblance to that of the ol' Webhead, meaning it was a snap to redraw Spidey as 'Pool.
** ''ComicBook/{{Deadpool}}'' vol 5 #7 (from the Duggan and Posehn run) is supposedly an inventory story from 1979, crossing Deadpool (who, of course, didn't exist at the time to ''write'' inventory stories about) into the ''ComicBook/IronMan'' "Demon in a Bottle" storyline, with 70s Spidey and the Power Pack also making appearances. The art and writing style both reflect this, and it even has oversaturated [[UsefulNotes/TheBronzeAgeOfComicBooks Bronze Age]] colouring. Later issues in that run follow on from this, having Deadpool show up in what are claimed to be inventory stories from other eras, with the writing and art in the style of those periods. Including one from Deadpool's [[UsefulNotes/TheDarkAgeOfComicBooks actual early days]], with a Creator/RobLiefeld in-joke as the characters have everything possible hiding their feet.
* ''ComicBook/BatmanBlackAndWhite'':
** In "The Heist", all the shading is done with old-timey screentone dots.
** "Batman with Robin the Boy Wonder" by Creator/JohnByrne is drawn in the style of a [[UsefulNotes/TheGoldenAgeOfComicBooks Golden Age]] Franchise/{{Batman}} comic and is written accordingly as well. Batman and Robin smile throughout the story, deliver wisecracks and best the villains via a clever scheme.
** "Urban Renewal" features some nostalgic flashbacks by characters to the "old days", and the flashbacks are drawn in UsefulNotes/{{the Golden Age|of Comic Books}} style as opposed to the more realistic present-day scenes.
* ''ComicBook/{{Batman}}'' #600 has three "lost inventory stories" that aren't: a Golden Age time-travel tale in the style of Finger and Sprang; a late Silver Age Batgirl and Robin story in the style of Carmine Infantino; and a groovy seventies parody that could have appeared in ''Plop!'' or ''Magazine/{{MAD}}'', which is ''actually'' by Creator/SergioAragones.
* One sequence in ''ComicBook/TheIncredibleHercules'' features Herc hallucinating that he's reliving previous adventures due to being poisoned. When action is presented from his view, the comic suddenly appears to shift to a seventies artstyle and coloring. They even pan from Black Widow's modern look to her look from when she was on the Defenders with Hercules to emphasize it.
* Viz does this a lot, notably with the strip Jack Black, which is a parody of wartime comics and books such as The Famous Five series. The occasional one off strip drawn by the same artist will often involve surreal stories. Some 'news' articles are done in the same manner.
* The ''ComicBook/TheTransformersRobotsInDisguise'' 2012 Annual issue has flashback segments of Nova Prime and his inner circle done up in the style of the old 80s Marvel Transformers comics, including pages that have been made to look yellow with age, and glorious, page-long infodumps where each character takes the time to explain who they are in great detail just as characters being introduced in the old comics had a tendency to do (to encourage their readers to [[MerchandiseDriven go buy their toys]].
Deleted line(s) 104,111 (click to see context) :
* The [[http://3.bp.blogspot.com/-A9jyVMUHxEU/VYcdklIV_BI/AAAAAAAABgo/F0zu3ooAmnU/s1600/18-MyLittlePony32-covRE-ConEx-cafff.jpg convention variant cover]] for ''ComicBook/MyLittlePonyFriendshipIsMagicIDW'' #32, right down to the logo.
* The alternative comics series ''ComicBook/SunnyvilleStories'' was launched in 2010, but its hand drawn artwork done in nib pen more resembles 20th century NewspaperComics.
* The second issue of ''[[Franchise/StarTrekExpandedUniverse Star Trek Waypoint]]'' has an AffectionateParody of a Gold Key ''Star Trek'' comic, not just with a ridiculous story, not-quite-accurate uniforms, and jet-fire blasting from the warp nacelles, but with white flecks where the ink's "come away".
* Writer and artist Tom Scioli has built his whole career around Retraux, specifically around mimicking the style of Creator/JackKirby and other creators of his era. [[PurpleProse Overblown narration]], worn-out looking art, UsedFuture aesthetics, [[PungeonMaster ridiculous amounts of puns]], KirbyDots everywhere, and an overall “mythic” feel to everything. See ''Webcomic/AmericanBarbarian'', ''ComicBook/TransformersVsGIJoe'' and ''ComicBook/{{Gobots}}'' for examples of his style.
* ''ComicBook/BigBangComics'' is a pastiche of Golden and Silver Age DC, with the artstyle and writing to match.
* ''ComicBook/NewMutants2019'' has the cover art styled after the '80s, clearly inspired by the style of Bill Sienkiewicz's covers from over thirty-five years ago. The logo is updated, but rather than modernizing it, looks even ''more'' '80s than the original.
* A VariantCover of ''ComicBook/ShirtlessBearFighter'' #4 is [[https://comicvine1.cbsistatic.com/uploads/scale_large/6/67663/6062561-04b.jpg a pastiche]] of 1950s PulpMagazine covers. In fact, it is ''very specifically'' a pastiche of [[https://twitter.com/PulpLibrarian/status/1383063152233943045 the covers]] Wil Husley used to do for ''Man's Life'' and ''True Men'', which mostly portrayed a man in a swamp fighting off animals in order to defend a woman who is falling out of a red blouse.
* One of the {{Elseworlds}} stories in ''[[ComicBook/LEGIONDCComics L.E.G.I.O.N.]]'' Annual #5 is a Silver Age pastiche imagining what a L.E.G.I.O.N. story would look like if written and drawn in the style of classic ''ComicBook/LegionOfSuperHeroes''. Specifically, the story where Stealth (renamed Silent Girl) raped and killed Vril Dox. There is a ''slight'' tonal mismatch, which is of course the point.
* The alternative comics series ''ComicBook/SunnyvilleStories'' was launched in 2010, but its hand drawn artwork done in nib pen more resembles 20th century NewspaperComics.
* The second issue of ''[[Franchise/StarTrekExpandedUniverse Star Trek Waypoint]]'' has an AffectionateParody of a Gold Key ''Star Trek'' comic, not just with a ridiculous story, not-quite-accurate uniforms, and jet-fire blasting from the warp nacelles, but with white flecks where the ink's "come away".
* Writer and artist Tom Scioli has built his whole career around Retraux, specifically around mimicking the style of Creator/JackKirby and other creators of his era. [[PurpleProse Overblown narration]], worn-out looking art, UsedFuture aesthetics, [[PungeonMaster ridiculous amounts of puns]], KirbyDots everywhere, and an overall “mythic” feel to everything. See ''Webcomic/AmericanBarbarian'', ''ComicBook/TransformersVsGIJoe'' and ''ComicBook/{{Gobots}}'' for examples of his style.
* ''ComicBook/BigBangComics'' is a pastiche of Golden and Silver Age DC, with the artstyle and writing to match.
* ''ComicBook/NewMutants2019'' has the cover art styled after the '80s, clearly inspired by the style of Bill Sienkiewicz's covers from over thirty-five years ago. The logo is updated, but rather than modernizing it, looks even ''more'' '80s than the original.
* A VariantCover of ''ComicBook/ShirtlessBearFighter'' #4 is [[https://comicvine1.cbsistatic.com/uploads/scale_large/6/67663/6062561-04b.jpg a pastiche]] of 1950s PulpMagazine covers. In fact, it is ''very specifically'' a pastiche of [[https://twitter.com/PulpLibrarian/status/1383063152233943045 the covers]] Wil Husley used to do for ''Man's Life'' and ''True Men'', which mostly portrayed a man in a swamp fighting off animals in order to defend a woman who is falling out of a red blouse.
* One of the {{Elseworlds}} stories in ''[[ComicBook/LEGIONDCComics L.E.G.I.O.N.]]'' Annual #5 is a Silver Age pastiche imagining what a L.E.G.I.O.N. story would look like if written and drawn in the style of classic ''ComicBook/LegionOfSuperHeroes''. Specifically, the story where Stealth (renamed Silent Girl) raped and killed Vril Dox. There is a ''slight'' tonal mismatch, which is of course the point.
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* ''WebAnimation/FlipnoteWarrior'': ''Flipnote Warrior'' is made using traditional animation, then exported to [[Platform/NintendoDS Nintendo 3DS]]'s Flipnote Studio, the app it's a tribute to, to make it pixelated, then exported back for art correction and editing.
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* The work of Irish animator [[https://www.youtube.com/channel/UC-rSVF7vetL0mVpE5FEboUg/videos George White]] heavily leans to this, influences as far as Creator/JackKirby, 2000AD, Film/HammerHorror, the VHS age, Spectrum videogames, early Creator/LucasArts, BBC science-fiction, pulp novels and general LimitedAnimation.
"Generic Adult Show"'s pilot episode mimicks old flash animations from the 2000s, it also says it was animated using Flash 10 and mentions "2007" in the end of the credits sequence.
"Generic Adult Show"'s pilot episode mimicks old flash animations from the 2000s, it also says it was animated using Flash 10 and mentions "2007" in the end of the credits sequence.
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* The work of Irish animator [[https://www.youtube.com/channel/UC-rSVF7vetL0mVpE5FEboUg/videos George White]] heavily leans to this, influences as far as Creator/JackKirby, 2000AD, Film/HammerHorror, the VHS age, Spectrum videogames, early Creator/LucasArts, BBC science-fiction, pulp novels and general LimitedAnimation.
LimitedAnimation. "Generic Adult Show"'s pilot episode mimicks old flash animations from the 2000s, it also says it was animated using Flash 10 and mentions "2007" in the end of the credits sequence.
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* ''WebAnimation/SuperTurboAtomicNinjaRabbit'' is a tribute to animated kids' shows of the [[TheEighties 80's]] and [[TheNineties 90's]]; the creators couldn't leave it at being a pastiche of ''WesternAnimation/ThunderCats, WesternAnimation/SilverHawks'' and ''[[WesternAnimation/TheComicStrip Tiger Sharks]]'' or [[TeenageMutantSamuraiWombats Teenage Mutant Samurai Wombat]] type shows like ''Franchise/TeenageMutantNinjaTurtles, WesternAnimation/StreetSharks'' and ''WesternAnimation/ExtremeDinosaurs'' among others. They take it all the way, and leave out no detail. [[ShownTheirWork They painstakingly recreated the distinctive features of the hand painted cel era]]; including scratches, dust particles, lineart on the characters, slight dropshadow underneath the characters and foreground, {{Conspicuously Light Patch}}es and jittering frame.
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* ''WebAnimation/SuperTurboAtomicNinjaRabbit'' is a tribute to animated kids' shows of the [[TheEighties 80's]] and [[TheNineties 90's]]; the creators couldn't leave it at being a pastiche of ''WesternAnimation/ThunderCats, WesternAnimation/SilverHawks'' ''WesternAnimation/ThunderCats'', ''WesternAnimation/SilverHawks'' and ''[[WesternAnimation/TheComicStrip Tiger Sharks]]'' or [[TeenageMutantSamuraiWombats Teenage Mutant Samurai Wombat]] type shows like ''Franchise/TeenageMutantNinjaTurtles, WesternAnimation/StreetSharks'' ''WesternAnimation/TeenageMutantNinjaTurtles1987'', ''WesternAnimation/StreetSharks'' and ''WesternAnimation/ExtremeDinosaurs'' among others. They take it all the way, and leave out no detail. [[ShownTheirWork They painstakingly recreated the distinctive features of the hand painted cel era]]; including scratches, dust particles, lineart on the characters, slight dropshadow underneath the characters and foreground, {{Conspicuously Light Patch}}es and jittering frame.
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* ''[[https://youtu.be/FmkAcGz1BJk Super Turbo Atomic Ninja Rabbit]]'' is a tribute to animated kids' shows of the [[TheEighties 80's]] and [[TheNineties 90's]]; the creators couldn't leave it at being a pastiche of ''WesternAnimation/ThunderCats, WesternAnimation/SilverHawks'' and ''[[WesternAnimation/TheComicStrip Tiger Sharks]]'' or [[TeenageMutantSamuraiWombats Teenage Mutant Samurai Wombat]] type shows like ''Franchise/TeenageMutantNinjaTurtles, WesternAnimation/StreetSharks'' and ''WesternAnimation/ExtremeDinosaurs'' among others. They take it all the way, and leave out no detail. [[ShownTheirWork They painstakingly recreated the distinctive features of the hand painted cel era]]; including scratches, dust particles, lineart on the characters, slight dropshadow underneath the characters and foreground, {{Conspicuously Light Patch}}es and jittering frame.
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* ''[[https://youtu.be/FmkAcGz1BJk Super Turbo Atomic Ninja Rabbit]]'' ''WebAnimation/SuperTurboAtomicNinjaRabbit'' is a tribute to animated kids' shows of the [[TheEighties 80's]] and [[TheNineties 90's]]; the creators couldn't leave it at being a pastiche of ''WesternAnimation/ThunderCats, WesternAnimation/SilverHawks'' and ''[[WesternAnimation/TheComicStrip Tiger Sharks]]'' or [[TeenageMutantSamuraiWombats Teenage Mutant Samurai Wombat]] type shows like ''Franchise/TeenageMutantNinjaTurtles, WesternAnimation/StreetSharks'' and ''WesternAnimation/ExtremeDinosaurs'' among others. They take it all the way, and leave out no detail. [[ShownTheirWork They painstakingly recreated the distinctive features of the hand painted cel era]]; including scratches, dust particles, lineart on the characters, slight dropshadow underneath the characters and foreground, {{Conspicuously Light Patch}}es and jittering frame.
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** ''CAPTAIN YAJIMA'' goes even further by combining the aforementioned Rankin/Bass-esque animation with that of anime from the 1970s, even being presented in a 4:3 aspect ratio (the others were in 16:9 widescreen). The short is also entirely in Japanese, with the yellow subtitles often seen in subtitled anime from that era.
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** ''CAPTAIN YAJIMA'' ''WebAnimation/CaptainYajima'' goes even further by combining the aforementioned Rankin/Bass-esque animation with that of anime from the 1970s, even being presented in a 4:3 aspect ratio (the others were in 16:9 widescreen). The short is also entirely in Japanese, with the yellow subtitles often seen in subtitled anime from that era.
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Platform and Media Notes namespaces
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* To promote ''VideoGame/LightningReturnsFinalFantasyXIII'', Creator/SquareEnix made [[https://www.youtube.com/watch?v=fQrBSO74DzA a recap]] of the preceding games ''VideoGame/FinalFantasyXIII'' and ''VideoGame/FinalFantasyXIII2'' in the style of the UsefulNotes/SuperNintendoEntertainmentSystem ''Franchise/FinalFantasy'' games.
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* To promote ''VideoGame/LightningReturnsFinalFantasyXIII'', Creator/SquareEnix made [[https://www.youtube.com/watch?v=fQrBSO74DzA a recap]] of the preceding games ''VideoGame/FinalFantasyXIII'' and ''VideoGame/FinalFantasyXIII2'' in the style of the UsefulNotes/SuperNintendoEntertainmentSystem Platform/SuperNintendoEntertainmentSystem ''Franchise/FinalFantasy'' games.
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* ''Pinball/{{Deadpool|2018}}'': A significant portion of the game's visuals and sound effects are patterned after UsefulNotes/The16BitEraOfConsoleVideoGames, including the battle modes being depicted as {{fighting game}}s with life bars and finishers. It also uses sound effects straight from 1980s pinball games.
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* ''Pinball/{{Deadpool|2018}}'': A significant portion of the game's visuals and sound effects are patterned after UsefulNotes/The16BitEraOfConsoleVideoGames, MediaNotes/The16BitEraOfConsoleVideoGames, including the battle modes being depicted as {{fighting game}}s with life bars and finishers. It also uses sound effects straight from 1980s pinball games.
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* ''WebAnimation/{{Lackadaisy}}'', in addition to the more obvious {{Decade Themed Filter}}s of its [[TheRoaringTwenties Roaring Twenties]] setting, also deliberately preserves LineBoil and painstakingly reinserts visible construction lines over digital paint to evoke the hand-made, [[StylisticSuck low-budget]] look of Disney's [[UsefulNotes/TheDarkAgeOfAnimation xerography animated]] films produced in TheSixties and TheSeventies.
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* ''WebAnimation/{{Lackadaisy}}'', in addition to the more obvious {{Decade Themed Filter}}s of its [[TheRoaringTwenties Roaring Twenties]] setting, also deliberately preserves LineBoil and painstakingly reinserts visible construction lines over digital paint to evoke the hand-made, [[StylisticSuck low-budget]] look of Disney's [[UsefulNotes/TheDarkAgeOfAnimation [[MediaNotes/TheDarkAgeOfAnimation xerography animated]] films produced in TheSixties and TheSeventies.
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** The Flash Game "Assignment 53" is done in a pixel art style, which is also available on the main site when painting a pet and is referred to as "8-Bit". Despite the terminology, however, the sprites of both the game and 8-Bit pets are closer to something from UsefulNotes/The16BitEraOfConsoleVideoGames.
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** The Flash Game "Assignment 53" is done in a pixel art style, which is also available on the main site when painting a pet and is referred to as "8-Bit". Despite the terminology, however, the sprites of both the game and 8-Bit pets are closer to something from UsefulNotes/The16BitEraOfConsoleVideoGames.MediaNotes/The16BitEraOfConsoleVideoGames.
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* ''WesternAnimation/AdventuresOfSonicTheHedgehog'': The box art for the 2022 complete series release by Discotek is designed to look like a UsefulNotes/SegaGenesis game case.
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* ''WesternAnimation/AdventuresOfSonicTheHedgehog'': The box art for the 2022 complete series release by Discotek is designed to look like a UsefulNotes/SegaGenesis Platform/SegaGenesis game case.
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* ''WesternAnimation/FiredOnMars'': Smartphones and computers have an interface modeled after UsefulNotes/AppleMacintosh operating systems of the 1990s.
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* ''WesternAnimation/FiredOnMars'': Smartphones and computers have an interface modeled after UsefulNotes/AppleMacintosh Platform/AppleMacintosh operating systems of the 1990s.
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* ''WesternAnimation/RegularShow'' has a very washed-out color scheme, the soundtrack is sourced from a lot of '80s bands, and the characters always play retro-styled video games on a UsefulNotes/SegaMasterSystem.
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* ''WesternAnimation/RegularShow'' has a very washed-out color scheme, the soundtrack is sourced from a lot of '80s bands, and the characters always play retro-styled video games on a UsefulNotes/SegaMasterSystem.Platform/SegaMasterSystem.
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* The British electronics store Maplin is selling a reproduction UsefulNotes/{{ZXSpectrum}}, with in-built bluetooth 3.0 and HDMI television compatibility. It looks exactly the same as the original 48K version.
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* The British electronics store Maplin is selling a reproduction UsefulNotes/{{ZXSpectrum}}, Platform/ZXSpectrum, with in-built bluetooth 3.0 and HDMI television compatibility. It looks exactly the same as the original 48K version.
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* An unintentional example, Rui Araizumi has not significantly changed his art style since the 90s, so newer ''Literature/{{Slayers}}'' media has a very distinctly retro look.
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* An unintentional example, Rui Araizumi has not significantly changed his art style since the 90s, so newer ''Literature/{{Slayers}}'' media has a very distinctly retro look.look that's [[LongRunners consistent with the older entries in the franchise]].
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* An unintentional example, Rui Araizumi has not significantly changed his art style since the 90s, so newer ''Literature/{{Slayers}}'' media has a very distinctly retro look.
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Retraux may involve DeliberatelyMonochrome, DeliberateVHSQuality, AntiquatedLinguistics or SilenceIsGolden, and can also lead to a DecadeThemedFilter in case on invoking 20th century period films. If it's a supposedly past speculation about TheFuture or TwentyMinutesIntoTheFuture (i.e., the present), it will inevitably invoke {{Zeerust}} or RaygunGothic. The presentation's outdated nature often overlaps with StylisticSuck.
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Retraux may involve DeliberatelyMonochrome, DeliberateVHSQuality, AntiquatedLinguistics or SilenceIsGolden, and can also lead to a DecadeThemedFilter in case on invoking 20th century period films. If it's a supposedly past speculation about TheFuture or TwentyMinutesIntoTheFuture (i.e., the present), it will inevitably invoke {{Zeerust}} or RaygunGothic. The presentation's outdated nature often overlaps with StylisticSuck.
StylisticSuck. Genres such as AnalogHorror and DigitalHorror use this to unsettle and terrify by combining nostalgia with a sense of wrongness.
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* ''Film/KillersOfTheFlowerMoon:''
** Scenes in colour were mostly shot with modern film in modern cameras, with low-light scenes shot on digital. The footage was then all colour-corrected to give four distinct looks based on old film stocks, changing according to the time period shown and the mood of the scene.
** Scenes in black and white were shot on black and white film, in director Creator/MartinScorsese's very own hand-cranked 1917 model camera.
** Scenes in colour were mostly shot with modern film in modern cameras, with low-light scenes shot on digital. The footage was then all colour-corrected to give four distinct looks based on old film stocks, changing according to the time period shown and the mood of the scene.
** Scenes in black and white were shot on black and white film, in director Creator/MartinScorsese's very own hand-cranked 1917 model camera.
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Accidentally a word
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* ''VisualNovel/ASummersEndHongKong1986'' leans very hard into its [[TheEighties '80s]] aesthetic, from the character art (which has a lot of visual cues from anime of the 80s such as ''Manga/CityHunter'' and ''Manga/KimagureOrangeRoad'') to the UI (which is made to resemble an old television with VHS setting menus) to the occasional use DeliberateVHSQuality. The [[https://www.youtube.com/watch?v=6Os0l6TkEEs game's trailer]] is also [[https://www.asummersend.com/blog/recreating-an-80s-mv deliberately made to evoke the recording of an 80's music video,]] complete with 4:3 aspect ratio, VHS degradation effects, and rapid jump cuts.
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* ''VisualNovel/ASummersEndHongKong1986'' leans very hard into its [[TheEighties '80s]] aesthetic, from the character art (which has a lot of visual cues from anime of the 80s such as ''Manga/CityHunter'' and ''Manga/KimagureOrangeRoad'') to the UI (which is made to resemble an old television with VHS setting menus) to the occasional use of DeliberateVHSQuality. The [[https://www.youtube.com/watch?v=6Os0l6TkEEs game's trailer]] is also [[https://www.asummersend.com/blog/recreating-an-80s-mv deliberately made to evoke the recording of an 80's music video,]] complete with 4:3 aspect ratio, VHS degradation effects, and rapid jump cuts.
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* The 2011 ''WesternAnimation/WinnieThePooh'' film follows the style of the original shorts fairly closely, right down to details like photocopy lines and the backgrounds.
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* The 2011 ''WesternAnimation/WinnieThePooh'' film ''WesternAnimation/WinnieThePooh2011'' follows the style of the original shorts fairly closely, right down to details like photocopy lines and the backgrounds.
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* ''WesternAnimation/TheVentureBrothers'' The creators admit a genuine love of fake-aging footage and such, and went through great lengths to get the Season 2 DVD to appear to be (but not actually be) worn and decades old, as if it had been in the trunk of somebody's car for 30 years. And the menu screens are done in the style of an old, old slide-show presentation of what people in TheSixties thought the future would be like. The third season was all shot in high definition in order to make the footage quirkier and grainier, not sharper or more vector-ey.
** And the third-season DVD is presented in the style of an Atari 2600 game, down to the packaging and ''VideoGame/{{Pitfall}}''-style menu screens.
** And the third-season DVD is presented in the style of an Atari 2600 game, down to the packaging and ''VideoGame/{{Pitfall}}''-style menu screens.
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* ''WesternAnimation/TheVentureBrothers'' ''WesternAnimation/TheVentureBros'': The creators admit a genuine love of fake-aging footage and such, and went through great lengths to get the Season 2 DVD to appear to be (but not actually be) worn and decades old, as if it had been in the trunk of somebody's car for 30 years. And the menu screens are done in the style of an old, old slide-show presentation of what people in TheSixties thought the future would be like. The third season was all shot in high definition in order to make the footage quirkier and grainier, not sharper or more vector-ey.
**vector-ey. And the third-season DVD is presented in the style of an Atari 2600 game, down to the packaging and ''VideoGame/{{Pitfall}}''-style menu screens.
**
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* The footage in ''WebVideo/SheaScientificFilms'' is digitally aged to fit the decade it's supposedly from, usually TheSeventies. Further scuff is added since most of the films are supposed to be film transfers onto VHS that are then digitized.
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* The footage in ''WebVideo/SheaScientificFilms'' ''WebOriginal/SheaScientificFilms'' is digitally aged to fit the decade it's supposedly from, usually TheSeventies. Further scuff is added since most of the films are supposed to be film transfers onto VHS that are then digitized.
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* The footage in ''WebVideo/SheaScientificFilms'' is digitally aged to fit the decade it's supposedly from, usually TheSeventies. Further scuff is added since most of the films are supposed to be film transfers onto VHS that are then digitized.
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* The ''WebAnimation/RabbitGames'' animations are stylized to reflect Flash games of the 2010s, complete with low quality upbeat instrumental music.
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* ''Film/TheHoldovers'', set in December 1970, is done up to actually look like a film from that era, from the [[LogoJoke opening logos]] to the transitions between scenes.
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* Though more subtle than most, there has traditionally been a lot of demand for "film look" coming from digital video cameras, to the point of making things like 24p frame rates standard even on relatively low-end camcorders. The adoption of DSLR cameras like the Canon 5DmkII specifically aimed to duplicate the depth-of-field effects film cameras traditionally give by using standard interchangeable lenses and large image sensors; the jury is still out as to whether "film look" has been truly achieved for The Rest of Us, or if its proponents have created a new, unique DSLR look.
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* Though more subtle than most, there has traditionally been a lot of demand for "film look" coming from digital video cameras, to the point of making things like 24p frame rates standard even on relatively low-end camcorders. The adoption of DSLR cameras like the Canon 5DmkII specifically aimed to duplicate the depth-of-field DepthOfField effects film cameras traditionally give by using standard interchangeable lenses and large image sensors; the jury is still out as to whether "film look" has been truly achieved for The Rest of Us, or if its proponents have created a new, unique DSLR look.
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Generic Adult Show deserves more recognition
"Generic Adult Show"'s pilot episode mimicks old flash animations from the 2000s, it also says it was animated using Flash 10 and mentions "2007" in the end of the credits sequence.
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** Any of the Videlectrix games on ''WebAnimation/HomestarRunner'' (with the exception of ''VideoGame/StrongBadsCoolGameForAttractivePeople''): ''VideoGame/PeasantsQuest'' and ''VideoGame/DangeresqueRoomisode1BehindTheDangerdesque'' are at least as good, if not actually better, as many of its "contemporaries" which it mimics, such as ''VideoGame/LeisureSuitLarry'', While ''VideoGame/Stinkoman20X6'' is an homage to the ''VideoGame/MegaManClassic'' series. To add to the retrauxness, the employees of Videlectrix are the Brothers Chaps dressed up in polo shirts and fake mustaches. And their games are programmed on an Apple [=IIe=].
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** Any of the Videlectrix games on ''WebAnimation/HomestarRunner'' (with the exception of ''VideoGame/StrongBadsCoolGameForAttractivePeople''): ''VideoGame/PeasantsQuest'' and ''VideoGame/DangeresqueRoomisode1BehindTheDangerdesque'' are at least as good, if not actually better, as many of its "contemporaries" which it mimics, such as ''VideoGame/LeisureSuitLarry'', While ''VideoGame/Stinkoman20X6'' is an homage to the ''VideoGame/MegaManClassic'' series. To add to the retrauxness, the employees of Videlectrix are the Brothers Chaps dressed up in polo shirts and fake mustaches. And and their games are programmed on an Apple [=IIe=].
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* Mountain Dew (a citrus-flavored soda) once did a faux-50s commercial, which included the [[IncrediblyLamePun corny pun-based]] catchphrase "It's Dew-riffic!" and a authentic-sounding jingle that could have been written about Dew at the time (the drink [[OlderThanTheyThink did exist in the '50s]], and it had a [[https://www.google.com/search?q=mountain+dew+vintage+logo&source=lnms&tbm=isch&sa=X&ved=0ahUKEwjq7ofYuuvfAhVRd6wKHVLlAZcQ_AUIDigB&biw=1680&bih=908#imgrc=9Bn4gzLPZdFahM: "hillbilly moonshine" theme]]). Plus, the TotallyRadical teenagers from the "modern" commercials appear in black and white, dressed in bow ties, suspenders, and pocket protectors and shouting "Neato!"
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* Mountain Dew (a citrus-flavored soda) once did a faux-50s commercial, which included the [[IncrediblyLamePun [[{{Pun}} corny pun-based]] catchphrase "It's Dew-riffic!" and a authentic-sounding jingle that could have been written about Dew at the time (the drink [[OlderThanTheyThink did exist in the '50s]], and it had a [[https://www.google.com/search?q=mountain+dew+vintage+logo&source=lnms&tbm=isch&sa=X&ved=0ahUKEwjq7ofYuuvfAhVRd6wKHVLlAZcQ_AUIDigB&biw=1680&bih=908#imgrc=9Bn4gzLPZdFahM: "hillbilly moonshine" theme]]). Plus, the TotallyRadical teenagers from the "modern" commercials appear in black and white, dressed in bow ties, suspenders, and pocket protectors and shouting "Neato!"
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** A common special treatment given to various special edition cards is the retro cardframe, making them resemble cards that were released decades earlier instead of the modern ones.
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[[folder: Comic Strips]]
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